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Lot 104
Joan Miró (1893-1983)Gravé sur Le Grivre II (D. 552), 1972Etching and aquatint in colors on Arches paper, signed in pencil and annotated 'H.C.' (aside from the edition of 50), published/printed by Maeght éditeur, Paris, with full margins.22 5/8 x 18 7/8in (57.5 x 48cm)sheet 36 x 24 3/4in (91.5 x 63cm)
Lot 114
Louise Nevelson (1899-1988)Plate I and III, from Reflections (2 works), 19832 etchings in colors with soft ground, photo-etching, aquatint on Arches paper, both signed in pencil and annotated 'PP' (two printer's proofs, aside from their respective editions of 50 each), both published by Pace Editions, New York, printed by M.O.K. Workshop, both with full margins. (2 works)39 1/2 x 31 1/2in (100.3 x 80cm); 39 1/2 x 29 3/8in (100.3 x 74.6cm)sheet 46 x 36 1/2in (116.8 x 92.7cm); 46 x 35 1/8in (116.8 x 89.2cm)
Lot 117
Claes Oldenburg (born 1929)Figure Looking through Legs (A.&P. 163), 1976Etching and aquatint in colors on Arches paper, signed in pencil, dated and numbered 23/60 (there were also 12 artist's proofs), with the blindstamp of the publisher Petersburg Press, New York/London, printed by Maurice Payne, London, with full margins, framed. 12 1/2 x 9 1/2in (31.7 x 24.1cm)sheet 26 x 19 3/4in (66 x 50cm)
Lot 119
Claes Oldenburg (born 1929)Postcard of the Spoon on Île St. Louis with Needles (A.&P. 168), 1979Etching and aquatint on chine collé and handmade paper, initialed in pencil, dated and annotated 'B.A.T.' (the Bon a Tirer aside from the edition of 50), inscribed in pencil 'on TR #21', published by Multiples Inc., New York, with the blindstamp of the publisher Aero Press Inc., New York, printed by Patricia Branstead, with full margins.12 5/8 x 10 5/8in (32 x 26.9cm)sheet 23 1/4 x 19 1/4in (59 x 48.8cm)
Lot 127
Pablo Picasso (1881-1973)Le Peintre devant son Tableau, from Le Chef-d'Oeuvre Inconnu (B. 92; C. 20), 1931Etching on Rives BFK paper, unsigned and unnumbered as issued, from the extra suite of 13 prints on Rives BFK paper (aside from the edition of 65 on Japon impérial paper), from the total edition of 340, with full margins, framed.10 3/4 x 7 1/2in (27.3 x 19cm)sheet 13 x 9 1/2in (33 x 24.1cm)
Lot 132
Robert Rauschenberg (1925-2008)Etching III, from Glacial Decoy Series (S. 96-100), 1979Photoetching and etching on Fred Sigenthaler handmade laid paper, signed in pencil, dated and numbered 4/22, with the blindstamp of the publisher ULAE, West Islip, New York, with full margins. plate 23 1/2 x 16 1/4in (57 x 41.2cm) sheet 24 7/8 x 16 7/8' (63.1 x 42.8cm)
Lot 134
Pierre-Auguste Renoir (1841-1919)Baigneuse Assise (D.11), c. 1897Soft ground etching printed in greyish-blue on cream wove paper, with the artist's ink stamped signature, from the edition of 1000, published in 'La Vie et l'oeuvre de Pierre-Auguste Renoir,' published by Ambroise Vollard, 1919, with full margins, framed.8 5/8 x 5 3/8in (21.7 x 13.2cm)sheet 12 3/4 x 9 3/4in (58.7 x 66.5cm)
Lot 136
Pierre-Auguste Renoir (1841-1919)Buste d'Enfant Tourné à Droite (D. 22), c. 1908Soft ground etching on wove paper, disengaged from Theodore Duret's book 'Dic Impressionisten,' published in 1914 by Bruno Cassirer, Berlin, with full margins.5 1/2 x 3 7/8in (15 x 10.5cm)sheet 9 x 6 3/8in (22.5 x 16cm)
Lot 142
Pierre-Auguste Renoir (1841-1919)Le Fleuve Scamandre, second plate (D. 25), c. 1900Etching on cream wove paper, with the artist's ink stamped signature, from the edition of 1000, to be published in the deluxe edition of Ambroise Vollard's 'Tableaux, Pastels et dessins de Pierre-Auguste Renoir' (never completed), with full margins, framed.9 7/8 x 7 5/8in (24.5 x 18.3cm)sheet 13 x 10in (33 x 25.4cm)
Lot 144
Pierre-Auguste Renoir (1841-1919)Sur la Plage à Berneval (D.5), c. 1892Etching and drypoint on wove paper, probably the third state after the plate was cut down (the bather on the far right is no longer visible) from Théodore Duret's book 'Les Peintres Impressionnistes,' 1919, published by H. Floury, Paris, with margins. 4 3/4 x 3 1/8in (12 x 7.5cm)sheet 12 7/8 x 9 7/8in (32.5 x 25cm)
Lot 179
Terry Winters (born 1949)Black Key Frame, 2002Etching and aquatint in colors on Lana Gravure paper, signed in pencil, dated and numbered 23/24, with blindstamp of the printer/publisher, Universal Limited Art Editions, Bay Shore, Long Island, with full margins.23 3/4 x 19 3/4in (60.3 x 50.1cm)sheet 31 x 26in (78.7 x 66cm)This lot is subject to the following lot symbols: ¤
Lot 94
Fernand Léger (1881-1955)L'Oiseau Rouge dans le Bois (S.E. 19), 1953Etching and aquatint in colors on Rives BFK paper, signature faded (visible under blacklight) and numbered 17/125 in pencil, published/printed by Atelier Lacourière, Paris, with wide margins. 17 7/8 x 25 1/4in (45.4 x 64.1cm)sheet 22 x 29 1/2in (55.9 x 74.9cm)
Lot 326
After Herbert Dicksee (1862-1942), Etching on paper, 'The Clover-Field', Monogrammed and dated 1907 lower left, with attribution, title and blind stamp to lower margin, 32.5cm x 49.5cm, Framed and glazed, With John Haymson (1902-1980), Print on paper, 'Independence Hall, Philadelphia', Printed title and signature lower left and lower right, 52cm x 67cm, Framed and glazed (2)
Lot 2380
Harry Becker (1865-1928) - Heavy horses ploughing, etching, 25 x 75.5cmCondition report: Mount conceals extremities of picture and margin. Heavily creased to upper right corner. Full length vertical crease to right hand side. Light discolouration all over. Appears to have been recently framed and mounted.
Lot 2391
Harry Becker (1865-1928) - Two heavy horses ploughing, etching, 13.5 x 24.5cm; and one other - Study of a farm worker, etching, 14.5 x 9.75cm (2)Condition report: Heavy horses - no apparent faults, in modern glazed frame. Farm worker - rippling to paper, browning spot at three o'clock, some browning to extremities from mount, minor traces of white to body of picture, in modern glazed frame.
Lot 353
Alan Freer (b.1926), ''Tree study, Suffolk'', signed, pen and wash, together with three further modern pictures to include an example by Anabel Gault, ''Suffolk Landscape 1992'', a second state etching and mirror image ink self portrait by Martin Lack and a further coloured drawing, Landscape with Trees, by Matthew Spender, 19.5cm by 20cm, 17cm by 19.5cm, 34cm by 17cm (overall) and 50cm by 61cm respectively (4)
Lot 360
Ralph Hedley (b.1948) British ''Pine Marten'' Artist proof, etching on paper, signed and dated (19)75 lower right corner in pencil; together with ''Edible Doormouse'', oil on canvas, signed and dated Ralph Hedley 1975 on the verso in pencil, 14.5cm by 14cm and 25cm by 19.5cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 273
A George V 1897 pattern Infantry Officer's sword, the 81cm fullered blade etched with a crowned GR cypher and foliage, having a pierced steel hilt with further GR cypher, wire bound fish skin grip and chequered backstrap, housed in a steel scabbard, 98cm.Condition report: Tip of blade rounded, light pitting to blade with worn etching, hilt rusted with dents, scabbard pitted with some rust.
Lot 218
An Edwardian Court Sword, the 80cm double edge steel blade bearing traces of etched decoration, the bead cast brass stirrup hilt with shell guard, panelled grip, and draped urn pommel, 95cm, lacks scabbard; a Late 19th Century Indian Double Headed Processional Axe, the 20cm crescent shape blades etched with foliate strapwork panels of deer, with central spike and tubular haft, 76cm (2). 1 - Blade with black patching. 2 - Black/brown patina. Etching is worn.
Lot 233
A Victorian 1827 Pattern Rifle Regiment Sword, the 82cm single edge fullered steel blade etched with crowned Royal cypher, crowned strung bugle and foliage, the steel gothic hilt pierced with royal cypher, with wire bound fishskin grip and steel two ring scabbard, 99cm. Grey patching and faint etching to blade, with nicks to edge. Pitting to hilt and scabbard, with dents
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71174 item(s)/page