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Lot 4092

Eugène Decisy (French, 1866-1936) after Frans Hals (Dutch 1581/85-1666): The Laughing Cavalier, etching signed in pencil 29.5cm x 23.5cm

Lot 4127

After William Hogarth (British 1697-1794): 'Hogarth Painting the Comic Muse', etching and engraving, Heath 1822 edition 40cm x 36cm (unframed)

Lot 284

HELEN SLATER (20th century) 'Grandmother and Grandchild'1985, signed dated and titled in pencil to the margin, artist's proof etching with aquatint and drypoint, the image 24cm x 24cm Exhibited: Royal Academy Summer Exhibition, 1987, number 1263.

Lot 308

MARTEN VAN DER LOO (1880-1920) 'Brücke über die Nethe in Lierre'coloured etching, 39cm x 40cm

Lot 208

LUIGI LOIR (1845-1916) Bataliers on the banks of the Seinesigned in pencil to the margin, etching and aquatint in colours, the plate 29.5cm x 56.75cm

Lot 293

GEORGE VERNON STOKES (1873-1954) 'Well Over'signed lower right and numbered 12/75, coloured etching, 26cm x 30cm

Lot 339

*JOY GIRVIN (b. 1961) 'Evening in St. James's Park'1987, signed, dated, titled and numbered 1/20 in pencil to the margin, etching, 30.25cm x 42.5cmExhibited: Royal Academy Summer Exhibition, 1987, number 1244.

Lot 243

Vintage photo album, etching of derelict or bomb damaged buildings and vintage photo of Maryport

Lot 109

Matte porcelain figure of a lady in an elegant white dress on a black sofa. This figure was created in the likeness of the etching Le Sofa by Louis Icart (French, 1888-1950). Heirloom Traditions backstamp. Includes wood base 9.75"L x 5.25"W x 0.75"H. Issued: 1984Dimensions: 9.25"L x 4"W x 5.25"HEdition Number: 3830 of 10000 Manufacturer: Heirloom TraditionsCountry of Origin: JapanCondition: Age related wear.

Lot 913

JOHN TAYLOR ARMS (AMERICAN 1887-1953)  DAWN  Etching, signed lower right, numbered 17/100, 20 x 14.5cm  Together with a similar by the same hand (2) Condition Report:Available upon request

Lot 925

WILLIAM WALCOT RBA, RE(RUSSIAN 1874-1943)  ENTRY OF A CONSUL  Etching, signed lower right, 53 x 60cm  Together with 4 others smaller by the same hand (5) Condition Report:Available upon request

Lot 908

WILFRED CRAWFORD APPLEBEY (SCOTTISH 1889-1954)  GLASGOW UNIVERSITY  Etching, signed lower right, titled lower left, 28.5 x 35cm  Together with two others by the same hand titled 'Glasgow University gateway' and 'Glasgow University, Evening' (3) Condition Report:Available upon request

Lot 943

DAVID YOUNG CAMERON (SCOTTISH 1865-1945)  PAISLEY ABBEY  Etching, signed lower right, 15.5 x 19.5cm  Together with 4 similar by the same hand and 4 others (9) Condition Report:Available upon request

Lot 71

David Hockney (b. 1937), 'Home (1969)', etching, Goldmark Gallery label verso, 17.75" x 12.25" (45 x 31cm).

Lot 14

Henry George Gawthorn, 'Sleeping Leopard Cub', etching, gallery label verso, plate size 4.25" x 7" (11 x 18cm).

Lot 7

Gaujean after Frederick Walker, two etchings with children, each around 5.25" x 8" (13 x 20cm), along with an etching of Piccadilly by William Walcott, (3).

Lot 27

Rowland Hilder, study of a farmyard, etching, signed in pencil, inscribed and dated 1954, plate size 9.5" x 21.5" (24 x 54.5cm).

Lot 75

Robert Morden, a map of Kent, Circa 1700, hand coloured, 14.5" x 25.5" (37 x 65cm), along with 'Tunbridge Wells humbly Dedicated to Thomas Pellet M.D.', a hand coloured etching, early 18th Century, 14" x 17.5" (36 x 44.5cm), (2).

Lot 70

Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', etching, plate size, 10" x 13.75" (25.5 x 35cm), unframed.

Lot 6

Lowenstam after Alma Tadema, a classical scene, etching signed in pencil by both artists, plate size 15.5" x 19" (39 x 48cm).

Lot 73

Ravenet after Hogarth, Marriage a la Mode, Plate IV, hand coloured etching, 13.25" x 17.25" (33.5 x 44cm).

Lot 2

Anna Ravenscroft, 'Gangland Cats', etching and aquatint, signed inscribed and numbered in pencil, plate size 10.5" x 7" (27 x 18cm).

Lot 29

Alphonse Legros, a thatched building on a hillside, etching, signed in pencil, plate size 4.75" x 7" (12 x 18cm) unframed, a/f.

Lot 12

Pable Picasso, 'Pour Roby', etching, bears gallery label verso, plate size 9" x 7" (23 x 18cm).

Lot 180

λ&nbspJAMES MCBEY (BRITISH 1883-1959) THE SEINE AT ROUEN (HARDIE 173) Etching, 1916 Signed in ink and numbered XIV (from the edition of 76) Plate: 15 x 22cm (5¾ x 8½ in.)

Lot 244

λ&nbspAUGUSTUS JOHN (BRITISH 1878-1961) THE LITTLE PILGRIMS (CAMPBELL DODGSON 92) Etching, 1906 Signed in pencil Plate: 13 x 10cm (5 x 3¾ in.)Provenance: Colnaghi's, London Acquired from the above by the family of the present owners, December 1974 Condition Report: Executed on white wove paper, hinged to the mount at two points along the left hand edge. The sheet has discoloured where is has been exposed to the light. Please refer to the department for additional images of the full sheet. Condition Report Disclaimer

Lot 216

λ&nbspJAMES MCBEY (BRITISH 1883-1959) A MOROCCAN BREADMARKET Etching, 1913 Signed in ink and numbered XVI Plate: 15 x 27.5cm (5¾ x 10¾ in.)

Lot 175

λ&nbspGERALD LESLIE BROCKHURST (BRITISH 1890- 1978) THE WEST OF IRELAND (WRIGHT/FLETCHER 61) Etching, 1928 Signed in pencil Plate: 12 x 14.5cm (4½ x 5½ in.)Provenance: The Fine Art Society, London (March 1936) Barbara Gibbs and thence by descent  

Lot 207

An English Classical tapestry of Alexander the Great visiting Diogenes in his barrel,Possibly Soho, 18th century, after designs by Salvator Rosa, Diogenes sits by his barrel gesturing to Alexander and his soldiers, a group of togate philosophers approach to the right, set within an Arcadian landscape with architectural ruins, lacking borders, approx. 210 x 424cm Provenance: Christie’s, London, 5 July 1973, lot 135;                     The Collection of Sir David Evans-Bevan. Footnotes:Note: The meeting between Alexander the Great and Diogenes is the last in a series of scenes from Mortlake's Life of Diogenes, manufactured during the late 17th and early 18th centuries. Several examples survive, including in the Royal Collection (RCIN 27903). The present tapestry shows the composition in reverse, and the designer has lengthened the scene by adding a group of philosophers to the right, which does not feature in the known Mortlake examples. A Soho mythological tapestry depicting a similar scene of Alexander visiting Diogenes after an etching by Salvator Rosa was sold Christie’s, London, 2 May 2002, lot 241.    

Lot 435

A portfolio of printed pictures and cartoons. Titled 'Cartoons by Max Beerbohn', including a signed etching 'The Cavalier', 15.5cm x 10.5cm, 'The Crusade Against Ritualism', 50.5cm x 38.5cm

Lot 550

After Henry Wilkinson (1921-2011), etching. Cocker spaniel framed and glazed #60/75, signed, aperture 24cm x 31cm

Lot 339

Margaret Rudge,Leicester Guildhall,monochrome etching, signed and titled,11x15.5cm,and two other monochrome etching, Leicester Guildhall Courtyard and Leicester Cathedral.Qty: 3

Lot 323

Reginald Green,Old Grammar School, Stratford upon Avon,etching, signed and titled,21x11cm,other etchings and prints.

Lot 313

W F Wells after Thomas Gainsborough, Landscape with a pond, soft ground etching, visible 20x27cm.

Lot 259

George Morland, Gypsies resting by the roadside, soft ground etching, 12x17cm; hand-coloured engraving, "A View of the rocks and caverns at Castleton", 19x30cm visible; and an engraving after Jeromiah Wolff, water damaged, 29x37cm visible.Qty: 3

Lot 152

A collection of loose prints comprising: De wanhebbelyke liefde [The Desperate Love], copper engraving by Pieter Tanjé after Cornelis Troost, text in Dutch & French, 37 x 27cm (plate-mark), Amsterdam: P. Fouquet Junior, [c. 1760]; La Legende du Bonhomme Misere [The Legend of the Poor Old Man], etching by Alphonse Legros, Paris: A. Cadart [c. 1870]; The Idle 'Prentice Executed at Tyburn [Industry & Idleness, Plate II], engraving by or after William Hogarth, 1747, laid paper mounted on later card, 27 x 40cm; [Christ Before Pilatus], engraved by Nicolaes Visscher I after Jacques Jordaens, [c. 1652], heavy laid paper, partially backed with brown paper, 37 x 51cm; Death, after Urs Graf, 1524, a more recent engraving on Japan mounted on heavy wove paper; Something in the Woodshed, artist's proof, indistinctly signed l.r., etching, 20thC/Contemporary, 35.5 x 25.5cm (6)

Lot 204

WILLIAM WALCOT (1874 - 1943) ETCHING & DRY POINTS (4 TOTAL)

Lot 71

GEORGIAN TWIST STEM GLASS WITH THISTLE ETCHING

Lot 143

Military Interest, Antique Victorian British Officers Sword, 1821, pattern for light Cavalry, 3 bar steel hilt, fish skin covered wire bound grip, blade with etching and VR, complete with metal scabbard.

Lot 1408

John Brunsdon (1933 - 2014) ARCA, British artist, printmaker and painter, 'Headland', limited edition etching and aquatint, numbered 8/35, pencil signed and dated 70', 60 x 45cm, F & G

Lot 1434

Edward Hopper (1882 - 1967) American realist painter and printmaker, 'East Side Interior' 1922, etching, pencil signed lower right, 50 x 41cm, F & G

Lot 1412

John Brunsdon ARCA (1933 - 2014) British artist, 'Autumn', etching with aquatint, Limited edition Artist's Proof numbered 2/7, pencil signed, image size 60 x 45cm, F & G

Lot 1409

John Brunsdon ARCA (1933 - 2014), British artist, Limited edition etching with aquatint, pencil titled 'Green Sun', numbered 6/50 and pencil signed lower right and dated 71', 60 x 45cm, F& G

Lot 1761

Herbert Thomas Dicksee (1862-1942), etching, ‘Thirst’, two tigers drinking from a river, signed in pencil, 42 x 68cm

Lot 1735

Louis Icart (French, 1888-1950), colour etching, Art Deco Lady, signed in pencil, limited edition, 3/75, 32 x 14cm

Lot 479

A SMALL QUANTITY OF PICTURES AND PRINTS, to include James Aumonier (1832-1911) 'Riverscape with Boats', a signed watercolour approximate size 18cm x 26cm, two indistinctly signed aquatints depicting French scenes, nine indistinctly signed etchings depicting German scenes, a later etching depicting 'The East View of Maxstoke Castle' by Samuel and Nathaniel Buck and two small Chinese Sanlan embroidery panels, approximate size 9.5cm x 13cm

Lot 505

SIX DECORATIVE PICTURES AND PRINTS, to include G. Winkelberg (20th Century) depicting a coastal landscape with a fishing boat and figures, signed bottom right, oil on canvas, approximate size 48cm x 68cm (small hole to the sky), together with a David Arbus pen and watercolour titled 'Villefranche' signed and dated '96 bottom right, approximate size 50cm x 33cm, a signed Martin Blaker etching with colours depicting 'An Old Town in France', signed Richard Wardle etching 'Bright Field', a signed Jeremy King etching of a river landscape and a G.A. Martin Fench river scene with boats (Qty)

Lot 502

TWO BOXES AND LOOSE PICTURES AND PRINTS ETC, to include a watercolour / gouache depicting Tango dancers by Eric Unsworth dated (19) 99, approximate size 26cm x 50cm, a pastel landscape signed Alan Dale, a watercolour depicting a row of thatched cottages, signed J.D. Emery, two Frank Harold Round etchings of churches, an indistinctly signed etching of a piece of fruit numbered 2/10, a Roy Reynolds print depicting Southampton airport with the Battle of Britain Memorial Flight, a cartoon illustration by Michael Caldwell (toonie) depicting two old ladies gossiping, ink and watercolour on board, approximate size 32cm x 25cm, a Chinese needlework picture depicting birds and pomegranate fruit, a vintage advert on thin card for 'Le Khedive' Egyptian cigarettes, together with assorted vintage prints and amateur watercolours (2 boxes + loose)

Lot 480

Charles William Cain (1893-1962, British), etching, 'On the Tigres', signed, framed, mounted, and under glass, measuring 20cm x 30cm, & 42cm x 52cm overall

Lot 421

19th/20th Century, etching, Holyrood Palace, Edinburgh, signed indistinctly to the lower right, framed, mounted, and under glass, measuring 9cm x 14cm, & 22cm x 26cm overall

Lot 62l

Antique Etching of Scarborough's South Prospect Beach front - Samuel Buck (1696-1779)

Lot 442

Sidney Mackenzie Litton [1887-1934] Original Etching titled "Night and the Salute, Venice" Signed in pencil by the artist. [Frame- 36x53cm]

Lot 20

Map of Reading and surrounding areas, double-sided hand-coloured engraving, numbered 23/24, 18 x 11.5cm, framed and glazed both sides, Map of Chippenham and surrounding areas, double-sided hand-coloured engraving, numbered 25/26, 18 x 12.5cm, framed and glazed both sides, Map Edward J Cherry, Fettes College, etching, 11.5 x 14cm, signed in pencil lower left, framed and glazed, J Le Keux after F Mackenzie, The Hall, Queens College, hand-coloured engraving, 12 x 16cm, label verso for Benet Gallery, Cambridge, framed and glazed, J Archer, map of Cambridgeshire, hand-coloured engraving, 24 x 19cm and other pictures

Lot 166

Rachel Levitas, Westminster Bridge, etching, signed lower right and dated '90, titled lower centre and marked A/P lower left (artist's proof), label verso for Long & Ryle Art International, London, 43 x 54cm and John McNulty (Irish, b.1946), Ebb Tide, limited edition colour print, signed lower right and dated '83, numbered lower left 41/175, 41 x 58.5cm (2)

Lot 146

Lorna Massie (American b.1938), October Garden, limited edition print, signed lower right and numbered lower left 45/150, 55 x 69.5cm, framed and glazed, Barbara Newcomb (American, 1936 - 2020), Noon Sea, limited edition etching, signed in pencil lower right and dated 1980, titled lower left and numbered 13/150, 75 x 57cm., framed and glazed, Japanese woodblock print, 15 x 10cm , framed and glazed, a Chinese lady picture in relief, modelled in mixed fabrics, 50.5 x 38.5cm overall, framed and glazed and two other pictures

Lot 215

Oliver Rae, Magdalene College, Cambridge, etching, signed in pencil lower left and titled lower right, 18.5 x 12.5cm, two woodblocks, one depicting Noah and the Ark, each 6 x 7cm and other pictures, all framed and glazed (5)

Lot 19

19th century English School, boats on the water, watercolour, indistinctly initialled and dated lower right, 14 x 21cm, framed and glazed 19th century Continental School, chateau scene, watercolour, initialled B lower right, 11 x 7.5cm, in ornate blue and gilded frame, James McArdle, Peterhead Harbour, etching, signed lower right and titled lower left, 20 x 15cm, framed and glazed, Jacob Wrench and Thomas Robert Wrench, a pair of engravings, each inscribed verso, each 11 x 8.5cm, each framed and glazed and other pictures

Lot 211

This large 18th century hand-colored etching on board by German Rococo Master Johann Elias Ridinger depicts a cavalier mounted on a splendid horse performing a croupade. Written in French, German and Latin below plate: Croupade a gauche. Crouppade lincks. Croupada ad sinistram. On lower right below plate: Joh. El. Ridinger inv. des. et exc. A V. Artist: Johann Elias Ridinger (German 1698-1767)Issued: c. 1750Dimensions: 18"L x 22.25"HCountry of Origin: GermanyCondition: Age related wear.

Lot 280

Original etching on paper by artist Dufza featuring the Parisian Church St-Pierre with the Sacre-Coeur Basilica in the background. Signature in graphite on lower right: Dufza ? Written in plate: Montmartre Eglise St-Pierre. Burin Original. Housed in a dark metal frame. Sight size: 6"L x 9.25"H. Frame size: 6.75"L x 10"H x 0.50"W. Artist: Dufza (French, 20th century)Issued: c. 1970Country of Origin: FranceCondition: Age related wear.

Lot 212

Large antique 18th century hand-colored etching on board by German Rococo Master Johann Elias Ridinger who depicts a cavalier training a splendid horse. This etching is from Scenes of Dressage in Le Nouveau Manege Representant Un Homme de Cheval Parfait dans touts les Exercices. Text in French, German, and Latin on lower part. The etching is attached to the front of a mat. Sight size: 13"L x 18.25"H. Mat size: 18"L x 23.50"H. Artist: Johann Elias Ridinger (German 1698-1767)Issued: c. 1750Country of Origin: GermanyCondition: Age related wear. Browning of mat.

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