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Lot 1108

Gilbert Browne, etching, Kilchurn Castle, signed in pencil, image 17" x 13.5", framed

Lot 1113

Frank Connelly, etching, afternoon game, signed in pencil, artist's proof, plate size 11" x 14", framed

Lot 1122

C Manciet, coloured etching, female nude, plate size 9" x 13", and a similar nude etching by P E Felix, framed (2)

Lot 1131

Roland Batchelor, etching, at the RA, signed in pencil, no. 12/40, plate size 5.5" x 4", framed

Lot 1140

Richard Bawden, etching, Novoderichy Convent, 1936, signed in pencil, 19" x 14", framed

Lot 1207

Alfred Hugh Fisher (1867 - 1945), etching, Thames embankment, signed in pencil, plate size 4.75" x 6.5", William Ware, watercolour, scene in Venice, and E Druce, wood engraving, signed in pencil, framed (3)

Lot 1276

R Pinard, etching, French harbour scene, circa 1890, plate size 5.5" x 8.5", framed

Lot 1319

Tom Hammick, etching, dancer, signed in pencil, 1998, artist's proof, plate size 6" x 4", unframed

Lot 340

JOHN HOWARD (BRITISH 1958), 'Spaghetti Junction, Study No.5', a limited edition dry point etching, 8/10, signed and titled to lower margin, mounted, unframed, approximately 47cm x 59cm (condition: dirty marks to mount)

Lot 372

HOWARD HODGKIN (BRITISH 1932-2017), 'Those Plants', a copper plate etching, printed in sepia with hand colouring, printed by Peterberg Press, initialled and dated 1980, mounted, with perspex clip frame, approximately 82cm x 103cm (condition: dirty marks to mount, clips missing from frame, perspex scratched) (Artists Resale Rights May Apply To This Lot)

Lot 450

A .177'' B.S.A CADET AIR RIFLE, serial number BC40511, its serial number dates its production between 1951 and 1959, it has retained almost all its original finish with the exception of a small patch of rust at the muzzle end, all the acid etching markings on the top of the action are clearly visible, it is in correct working condition and shows little evidence of usage (The purchaser must be 18 years old or over)

Lot 150

‡ Julian Trevelyan RA (1910-1988) Chiswick Signed, titled and inscribed Artists Proof in pencil to margin Etching and aquatint in colours 47 x 35cm (image)

Lot 209

‡ Norman Ackroyd CBE, RA (b.1938) Valley + Rainbow Signed, titled, dated 1974, and numbered 22/40 Aquatint and etching 16 x 20cm Exhibited: Norman Ackroyd Etchings and Aquatints 1959-1977, Market Print Gallery, October 1977, no. 44

Lot 229

‡ Joan Miró (Spanish 1893-1983) La Femme des Sables Signed, and numbered 22/75 1969, Dupin no 500 Etching, aquatint and carborundum 1033 x 652cm Unframed

Lot 55

‡ Dame Laura Knight RA (1877-1970) Mascots and Make-up Signed, titled and inscribed in pencil to margin 1925, Bolling & Withington, no. 39, 1st state - proof 2 (according to label) Dry point etching 24.5 x 35cm (plate); 30.5 x 45.5cm (sheet)

Lot 58

‡ Sir Frank Brangwyn RA (1867-1956) Barnard Castle Signed with initials to plate Etching 37.4 x 30cm (image)

Lot 73

William Lionel Wyllie RA (1851-1931) The barge Providence at Kits Hole Reach on the Medway Signed in pencil to margin Etching 29.5 x 52cm (image)

Lot 649

Martin Hardie (1875-1952) - 'British cavalry crossing the Piave River, Italy, World War I', drypoint etching, signed lower right, 21 x 30 cm to/w publication Hardie, Frank - 'The Prints of Martin Hardie', Oxford, 1975 (2)

Lot 668

Henry Moore (1898-1986) - 'Sheep with lamb I', etching, pencil signed to lower right and numbered PL II 56/80, 14.5 x 20.5 cmARR may be applicableGood condition including frame

Lot 669

Henry Moore (1898-1986) - 'The Show Sheep', etching, signed to lower right, and numbered PL VIII 54/80 lower left, 19 x 25 cmARR may be applicable

Lot 670

Henry Moore (1898-1986) - 'Ready for Shearing', etching, 1974, pencil signed to lower right and numbered PL IX 54/80 lower left, 20.5 x 24.5 cm c/w receipt of purchase from Fischer Fine Art Limited London dated 1975ARR may be applicable

Lot 671

Henry Moore (1898-1986) - 'Sheep back view', etching, pencil signed to lower right margin and numbered PL X 58/80 lower left, 21 x 19 cmARR may be applicableGood condition including frame

Lot 691

Graham Clarke (b 1941) - 'It's a Doge's Life on the Grand Canal', ltd ed etching numbered 287/400, pencil signed to lower right margin, 54 x 68 cmARR may be applicable

Lot 698

Dame Laura Knight (1877-1970) - 'Watching the Aerial Act', etching, pencil signed to lower right margin, 30 x 20 cm (loose, unframed and unmounted)ARR may be applicable

Lot 972

Five various pairs of spurs to/w three silver-mounted whips and crops, a Swaine & Co crop with carved bone handle, a coloured etching of a Hunt by Tom Carr 'Forrard Away' and a pewter insulated jug, Adams, Hallcock & Co 1871 patent

Lot 107

* Gillray (James). Sans-Culottes Feeding Europe with the Bread of Liberty, published H. Humphrey, Jany. 12th. 1793, hand coloured etching, slight overall toning, 305 x 365 mm, mounted, framed and glazed, together with A Burgess of Warwick Lane, published H. Humphrey, July 3rd. 1795, etching with contemporary hand colouring, 245 x 155 mm, mounted, framed and glazed (Qty: 2)NOTESThe first described item shows five vignettes, with a central group of John Bull, caught between Sheridan and Fox, who are forcibly feeding him with the bread of liberty. Both of the politicians are depicted as ragged and bare-legged sans-culottes, wearing bonnets-rouges. Each forces a small loaf inscribed 'Liberty', on the point of a dagger, into John's gaping mouth and at the same time picking his pockets. In the background, standing on a barren plain, are a gibbet with a hangman's noose and the ruins of Temple Bar. The other groups show French sans-culottes despoiling 'Holland', 'Savoy', 'Germany' & 'Prussia', and 'Italy'.

Lot 117

* Piranesi (Giovanni Battista, 1720-1778). Veduta interna dell'antico Tempio di Bacco, from the Vedute di Roma, 1767, etching on laid paper, laid down on later backing card, some surface marks and minor wear, plate size 42.6 x 60.9cm (16.75 x 24 ins), sheet size 49.5 x 64.5 cm ( 19.5 x 25.4 ins), framed and glazed (Qty: 1)

Lot 124

* Topographical views. A mixed collection of twenty-five views and plans, mostly 18th & 19th century, engravings and lithographs of British & foreign topographical views and plans, including Buck (Samuel & Nathaniel). The South-west prospect of the City of Carlisle, the South-west prospect of the City of Durham [and] the South prospect of the city of Berwick upon Tweed, circa 1745, together three uncoloured engraved panoramas, some wear and old sellotape stains, each approximately 310 x 810 mm, together with four uncoloured engraved aerial prospects by J. Kip, with Rossini (Luigi). Veduta dell' Interno del Tempio di Claudio in oggi S. Stefano Rotondo sul Monte Celio, published Rome, 1822, uncoloured etching, 360 x 490 mm, plus Vertue (G.). The North West View of Gainsborough in the County of Lincoln, 1747, uncoloured engraved panorama after N. Drake, trimmed to image with several marginal closed tears and some dust soiling, 410 x 600 mm, plus others similar, mostly large format, various sizes and condition (Qty: 25)

Lot 247

* South Sea Bubble. The Bubbler's Medley, or a Sketch of the Times: Being Europe's Memorial for the Year 1720, printed for Carington Bowles, No. 69 in St. Paul's Churchyard, London, circa 1765-80, etching on laid paper, watermarked, trimmed just inside plate mark, bears the number 23 to lower right corner, sheet size 33 x 24.5 cm (13 x 9.75 ins) (Qty: 1)NOTESProvenance: From the estate of John Lawson (1932-2019). A satirical print on the South Sea Bubble or financial crisis in England of 1720, first published by Thomas Bowles in the same year, and reprinted by his nephew Carington Bowles some time between 1764 and 1793 when Carington was in business. The image comprises a variety of trompe l'oeil printed broadsides, playing cards and ballads, as well as an anamorphic image of a man on a horse to the lower right corner. The South Sea Company was a joint stock company created as a public/private partnership, whose stock rose purely on speculation and rumour, aided by insider trading and bribery of politicians, only to crash spectacularly in 1720, severely impoverishing many of its investors, including Sir Isaac Newton.

Lot 69

La grande chasse. Etching. Cm 46,00 x 20,00. Publication: Lieure J., Catalogue de l'ouvre gravè de Callot, Editer par de la Gazette Des Beaux Arts, n. 353. . Frame present

Lot 492

William Lionel Wyllie (1851-1931), St. Malo, drypoint etching, signed in pencil, 17cm x 24cm

Lot 493

William Lionel Wyllie (1851-1931), Flotilla of gunships in the Channel, drypoint etching, signed in pencil, 21cm x 38cm

Lot 494

Harold Wyllie (1880-1975), Tall ship moored in a harbour, etching, signed in pencil, 18cm x 32cm

Lot 495

George Soper (1870-1942), Timber hauling, Devon, drypoint etching, signed, 17cm x 19cm, labelled versoProvenance: Graham Bentley Watercolours, Warwickshire. Purchased 2009 at a cost of £380.

Lot 496

George Soper (1870-1942), The coal wharf, Topsham, drypoint etching, signed in pencil, 15cm x 27cmProvenance: Graham Bentley Watercolours, Warwickshire. Purchased in 2011 at a cost of £300

Lot 499

Arthur Goodwin (d. 1989), The Cathedral, Chester drypoint etching, circa 1920, 16.5cm x 23cmProvenance: Graham Bentley Watercolours, Warwickshire. Purchased 2012 at a cost of £115.

Lot 501

Herbert Dicksee (1862-1942), Prowling leopard, drypoint etching, dated 1922, signed in pencil, with blind stamp, 22cm x 41.5cm

Lot 969A

Hand-coloured etching

Lot 608

John Coughlan (b. 1932)"William Butler Yeats," Etching, Lim. Edn., 99 (100) copies, approx. 46cms x 36cms (18" x 14"), in oak frame. (1)

Lot 192

FRANCIS WALKER - etching of 'The Thames of London'

Lot 379

An interesting etching signed by the Artist to the mount, together with one other

Lot 245

A framed etching of a mother and child signed

Lot 156A

MOUNTED DUMBLAIN ABBEY SCOTLAND ETCHING BY TURNER

Lot 157

THE FALCON CHESTER ETCHING

Lot 157A

PARMIGIANINO (1503 - 1540) ETCHING - TWO PUTTI SQUEEZING GRAPES INTO A BOWL, 1772ARTIST: PARMIGIANINO (1503 - 1540)ENGRAVED BY BENIGNO BOSSI (1727 - 1797)

Lot 173

NATURE DISPLAY'D, SHEWING THE EFFECT OF THE CHANGE OF THE SEASONS ON THE LADIES GARDEN' BY JAMES GILLRAY, PUBLISHED BY HANNAH HUMPHREY HAND-COLOURED ETCHING, PUBLISHED 22 MAY 1797 9 7/8 IN. X 9 7/8 IN. (252 MM X 252 MM)

Lot 174

SAMUEL IRELAND ETCHING BASED ON A WORK BY JOHN HAMILTON MORTIMER FROM 1790s

Lot 175

ETCHING BY C. GREGORI AFTER A. D. GABBIANI ETCHING BY G. B. GALLI AFTER A. D. GABBIANI

Lot 178

SALVADOR DALI NUMBERED SIGNED LIMITED EDITION ETCHING 31/75 FROM 1970

Lot 181

EDGAR HOLLOWAY SIGNED ETCHING

Lot 183

PETER HOWSON SIGNED ETCHING

Lot 96

HAND-COLOURED ETCHING ON WOVE ca.1912 ARTIST PROOF - GEORGES BARBIER 1882-1932 - FRANCE

Lot 98

THEATRE - HAND-COLOURED ETCHING ON WOVE ca.1912 ARTIST PROOF - GEORGES BARBIER 1882-1932 - FRANCE

Lot 550

J McNeal Whistler, a black and white etching entitled "Chelsea"

Lot 551

Joseph Pennell, black and white etching "On The River"

Lot 700

Tim Bulmer (1958-), Volley Queen, hand painted etching, framed and glazed, overall 50 x 39 cm

Lot 701

Osiah Masekoameng (South African 1965-), Rural worker, etching, signed and dated '97', framed and glazed, 32 x 40 cm

Lot 730

Elevation of the entrance facade, Roehampton House, etching from Colen Campbell, Vitruvius Britannicus (London, 1715), framed and glazed, 64 x 56 cm

Lot 29

CHARLES PATRICKSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (21/850) COLOURED PRINT, PIN MILL, 25 X 36CM, TOGETHER WITH A FURTHER BLACK AND WHITE ETCHING OF NORWICH BY A DIFFERENT ARTIST (2)

Lot 679

A framed pencil signed etching together with a pencil signed sketch of a mountainous landscape

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