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Lot 353C
James Chalmers Park (British 1858-?): 'Kirkstall Abbey from the East' and 'Temple Newsam, Leeds', two drypoint etchings signed and titled in pencil; Frank Paton (British 1855-1909): 'Not at Home', etching signed in pencil; and a humorous coloured etching of dogs indistinctly signed in pencil, max 21Click here to view further images, condition reports, sale times & delivery costs for this lot.
Lot 225
NO RESERVE Italy.- Venice.- MacLaughlan (Donald Shaw) St Mark's Clocktower (Torre dell'Orologio), Venice, etching with plate tone, on fine laid paper, signed in pencil, platemark 300 x 122 mm (11 3/4 x 4 3/4 in), under glass, small margins, minor cockling, light even toning and surface dirt, framed, 1909.
Lot 267
NO RESERVE Blampied (Edmund) The Market Argument, etching with drypoint, signed and numbered 66/100, platemark 270 x 270 mm (10 3/4 x 10 5/8 in), under glass, some toning to edges, minor surface dirt, framed, 1929; together with a Japanese woodblocks print, probably 19th century, and another (3)
Lot 276
Rowlandson (Thomas) Bozzy Madame Piozzi, frontispiece from Peter Pindar's (Wolcot's) 'Bozzy and Piozzi', etching on laid paper with partial watermark, platemark 180 x 250 mm (7 x 9 3/4 in), sheet 215 x 265 mm (8 1/2 x 10 1/2 in), some damp-stains, browning and surface dirt, old creases and binding pin holes, unframed, [BM Satires 7051], 1786.
Lot 279
NO RESERVE Theatre.- Williams (Charles) Clearing away the rubbish of old Drury, satire showing Richard Brinsley Sheridan being barrowed off, etching with hand-colouring on wove paper, mounted on paper support, sheet 275 x 415 mm (10 3/4 x 16 1/4 in), some inscriptions visible, surface dirt and browning, handling creases, unframed, published by Walker & Knight, 1811Literature:BM Satires 11767
Lot 285
NO RESERVE Whistler (James Abbott McNeill).- Rajon (Paul-Adolphe) Portrait of James Abbott McNeill Whistler, soft-ground etching on greyish, cream laid paper, 250 x 195 mm (9 3/4 x 7 3/4 in), under glass, minor spotting and surface dirt, framed, [circa 1880-1889]Provenance:Michael Parkin, Fine Art Ltd., LondonPrivate collection, London
Lot 210
A sculpted marble planter in the manner of a Roman marble basin and tripod, 20th century, the basin with everted rim above a waisted band with three lion's masks carved in relief, with fluted underside, held on three rectangular section fluted and foliate cast legs with paw feet, around a central spiral carved baluster supporting column, the waisted triform socle on a circular base, 120cm high, 100cm diameterBidders from the UK and outside of the European Union should be aware that additional import charges may apply The Roman original which this example closely reproduces is currently held at the Capitoline Museum in Rome, and was one of the antiquities in that collection for which Giovanni Battista Piranesi created an etching Cf. Luigi Ficacci, Piranesi, the Complete Etchings, Taschen, 2001, p 650, fig. 830Condition Report: The surface of the marble is in all areas knocked, scuffed, chipped, cracked, and worn overall, this is by design to simulate great age. It is almost certainly of 20th century make simulating antiquity - the 'damages' mentioned above are realistic to simulate both great age and use. There are vacant socket holes to various areas - the ones to the rim filled with lead and again these appear to all be by design and simulating antiquity and historic 'adaptions'. The interior of the recess with discolouration and signs of use, again simulating age. Further discolouration to other areas of the marble Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 384
After Briton Rivière, St George on horseback entering the cave, etching, issued April 28th 1898 by the Art Union of London, 112 Strand, F. Goulding printers London, signed in pencil 49.5cm x 66.5cm, The Rowley Gallery label to verso; another monochrome print, signed in pencil, gallery label to verso; together with a folio of sketches and watercolours, The Art Annual 1891, etc (3)Provenance: The late vendor, Helen Park-Rivière, was the granddaughter of Briton Rivière R.A
Lot 27
RowlandsonA French Dentist, hand coloured etching published Thomas Tegg 1811, unframed, with margins, 28 x 44.5cm; three others - Woodward, Sailors at a Methodist Sermon, coloured etching published 1807 by Walker, London, 29 x 44cm, (cuttings pasted verso); with a smaller lithograph 'The Convocation' by Rowlandson and another by T F 'Court Discipline' (trimmed), previously mounted (4)
Lot 19
A collection of engravings.Guinea Pigs, stipple engraving by Thomas Gaugain after Morland, 51 x 38.5cm, within verre eglomise mount and gilt frame; South West Prospect of Northampton, engraving by S & N Buck, a later impression 31 x 81cm six small size Buck reprints of Northamptonshire views, 19.5 x 37cm (plate) and two male head portraits after Bartolozzi, one a stipple etching dated 1764 (8)
Lot 22
Six satirical cartoons. Parsonic Piety,hand coloured satirical etching published by Fores 1794, unframed, 24.5 x 39.5cm; with two other satirical etchings - Cruikshank, A Buz in a Box, 1812, mounted, 24.5 x 36cm; and Gillray, A Bravura Air, Mandane, 1801, 25 x 35cm (upper corners cut away, trimmed); William Holland (publisher) The Regent's Hack, coloured satirical etching published 1812, 28 x 43cm; James Gillray, Inspecting a Volunteer Corps in Hyde Park, hand coloured etching published H. Humphrey 1803, some staining, MS verses stuck to the reverse, 27 x 21.5cm; with another similar - Patern Staff, 25 x 16.5cm (chipped lower edge) (6)
Lot 641
Jane Osmond (British, 1952-2017). Fough Farm, etching, limited edition 37/50., signed, 21cm high, 26cm wide., White Nancy, Bollington, limited edition etching 47/100., signed, 30cm high, 23.5cm wide., Shutlingsloe From Hanging Stone, limited edition 84/100., signed, 23cm high, 32.5cm wide., Lamaload Road, Rainow., limited edition etching 39/75., signed, 25.5cm high, 33cm wide. (4)
Lot 4
Samuel Palmer (1805-1881) signed etching, 'The Morning of Life' with dedication 'To My Friend R Dunthorne' additional script to base '2 proofs printed in this manner and F Goulding Imp.' script verso 'PL 10 (e) The Morning of Life State vii bistre inking', plate size 14 x 21cm, overall 25.5 x 30.5cm
Lot 166
A Liverpool porcelain c1770 teapot, possibly by Philip Christian, the spherical body painted in underglaze blue, iron red and gilt-heightened with Chinoiserie island scenes, height 17cm, a Royal Doulton terracotta squat baluster vase commissioned by Dorpar Ltd, Liverpool, commemorating the Liver Bird and the City of Liverpool, with raised Liver Bird applied to the front and text to the back 'The Liver Bird (emblem of Liverpool), a fabled bird believed by some to represent the traditional Eagle of St John the Evangelist, Patron Saint of Liverpool... since 1911', two art-related books, Frank Stack; 'Etchings and Lithographs' with an introduction by Sidney Larson, published by Wind Publications in April 1976, containing selected etchings and lithographs of the people and places that the artist had known, and Frank Brangwyn R.A.; 'Modern Masters of Etching', with numerous illustrations of the artist's work (4). CONDITION REPORT Some age-related wear, some slight fading of the colours, some old rim chips to the top of the teapot. A number of hairline cracks to the interior, which have evidence of old repairs and slightly visible to the exterior.
Lot 484
Pit MORELL (1939) "Prinzessin ohne Land" Grafik - Farbradierung auf Bütten, Platte 40 cm x 22,5 cm, Blatt 64 cm x 48,5 cm, rechts unten handsigniert, links unten Nr. 10/60 Pit MORELL (1939) "Princess without land" graphic - color etching on laid paper, plate 40 cm x 22.5 cm, sheet 64 cm x 48.5 cm, handsigned at the lower right, numbered 10/60 at the lower left
Lot 515
Konvolut Grafik verschiedene Künstler 5 Grafiken 1) Ellen FUHR (1958-2017), Lithografie, Blattmaß 54 cm x 79 cm, rechts unten handsigniert und datiert 89, Nr. 8/30, mittig mit Widmung, 2) Ellen FUHR (1958-2017), Radierung, Plattenmaß 64,5 cm x 49 cm,rechts unten handsigniert und datiert 83, links unten bezeichnet (Fensterausblicke), Nr. 8/10, 3)Johannes HEISIG (1953), Lithografie, Blattmaß 53 cm x 70 cm, rechts unten handsigniert und datiert 89, links unten bezeichnet (zur französischen Revolution), 4) Anke FEUCHTENBERGER (1963), Siebdruck, Blattmaß 61 cm x 42,5 cm, rechts unten handsigniert, Nr. 21/83 5) Klaus KILLISCH (1959), Siebdruck, 30 cm x 60 cm, rechts unten handsigniert und datiert 2013, mittig bezeichnet (Sphinx), Nr. 9/21 A bundle of graphics various artists 5 graphics 1) Ellen FUHR (1958-2017), lithography, sheet size 54 cm x 79 cm, handsigned and dated at the lower right 89, number 8/30, at the center with dedication, 2) Ellen FUHR (1958-2017), etching, plate size 64.5 cm x 49 cm, handsigned and dated at the lower right 83, inscribed at the lower left (Fensterausblicke), number 8/10, 3) Johannes HEISIG (1953), lithography, sheet size 53 cm x 70 cm, handsigned and dated at the lower right 89, inscribed at the lower left (zur französischen Revolution), 4) Anke FEUCHTENBERGER (1963), screen print, sheet size 61 cm x 42.5 cm, handsigned at the lower right, number 21/83 5) Klaus KILLISCH (1959), screen print, 30 cm x 60 cm, handsigned and dated 2013 at the lower right, inscribed at the center (Sphinx), number 9/21
Lot 519
Konvolut Grafiken verschiedene Künstler 7 Grafiken 1) Natascha MANN (1946), Farbradierung, Plattenmaß 32,5 cm x 26 cm, rechts unten handsigniert, mittig bezeichnet (Adam und Eva), datiert 1988, Nr. 27/60, 2) Gisela Szymanski (Rieffert) (1933-2007), Plattenmaß 20 cm x 15,5 cm, rechts unten handsigniert, Nr. 55/100, 3) Margot SPERLING (1939), Radierung, Plattenmaß 21,5 cm x 24,5 cm, rechts unten handsigniert und datiert 94, Nr. 55/100, 4) ungedeuteter Künstler des 20. Jhd., Radierung, Plattenmaß 24 cm x 21,5 cm, rechts unten handsigniert und datiert 59, mittig bezeichnet (alte Brauerei), Nr. 55/100, 5) Falko BEHRENDT (1951), Radierung, Plattenmaß 27 cm x 28,5 cm, rechts unten handsigniert und datiert 1980, Nr. 12/25, 6) Bernd GUENTHER (1944), Radierung, Plattenmaß 16 cm x 11,7 cm, rechts unten handsigniert und datiert 1982, mittig bezeichnet (Berliner Eckkneipe), Nr. I 1/10, 7) Ingeborg Millies-Flierl (XX), Radierung, Plattenmaß 16,5 cm x 24 cm, rechts unten handsigniert und datiert 67, bezeichnet (Machtkämpfe) A bundle of graphics various artists 7 graphics 1) Natascha MANN (1946), color etching, plate size 32.5 cm x 26 cm, handsigned at the lower right, inscribed in the middle (Adam and Eva), dated 1988, number 27/60, 2) Gisela Szymanski (Rieffert) (1933-2007), plate size 20 cm x 15.5 cm, handsigned at the lower right, number 55/100, 3) Margot SPERLING (1939), etching, plate size 21.5 cm x 24.5 cm, handsigned and dated at the lower right 94, number 55/100, 4) uninterpreted artist of the 20th century, etching, plate size 24 cm x 21.5 cm, handsigned and dated at the lower right 59, inscribed at the middle (alte Brauerei), number 55/100, 5) Falko BEHRENDT (1951), etching, plate size 27 cm x 28.5 cm, handsigned and dated at the lower right 1980, number 12/25, 6) Bernd GUENTHER (1944), etching, plate size 16 cm x 11.7 cm, handsigned and dated 1982 at the lower right, inscribed in the middle (Berliner Eckkneipe), number I 1/10, 7) Ingeborg Millies-Flierl (XX), etching, plate size 16.5 cm x 24 cm, handsigned and dated at the below right 67, inscribed (Machtkämpfe)
Lot 520
Konvolut Grafiken verschiedene Künstler 6 Grafiken 1) Veit HOFMANN (1944), Farbradierung, Plattenmaß 21 cm x 26 cm, rechts unten handsigniert und datiert 79, Nr. 28/150, 2) Sabine CURIO (1950), Radierung, Plattenmaß 14 cm x 21 cm, rechts unten handsigniert, bezeichnet(Homage an ONH), Nr. 22/200, 3) Andreas DRESS (1943-2019), Radierung, Plattenmaß 30,5 cm x 22 cm, rechts unten handsigniert und datiert 84, mittig bezeichnet (zu C.v.O.I), Nr. 22/100, 4) Erich FRANKE (1944), Radierung, Plattenmaß 20 cm 13 cm, rechts unten handsigniert und datiert 81, Nr. 94/100, 5) Gitta KETTNER (1928-2011), Radierung, Plattenmaß 32 cm x 25 cm, rechts unten handsigniert und datiert 1979, Nr 50/29, 6) Lutz FRIEDEL (1948), Farbradierung, Plattenmaß 31 cm x 33 cm, rechts unten handsigniert und datiert 79, Nr. 84/200 A bundle of graphics various artists 6 graphics 1) Veit HOFMANN (1944), etching in colors, plate size 21 cm x 26 cm, handsigned and dated at the lower right 79, number 28/150, 2) Sabine CURIO (1950), etching, plate size 14 cm x 21 cm, handsigned at the lower right, inscribed (Homage to ONH), number 22/200, 3) Andreas DRESS (1943-2019), etching, plate size 30.5 cm x 22 cm, handsigned and dated at the lower right 84, inscribed in the middle (to C.v.O.I), number 22/100, 4) Erich FRANKE (1944), etching, plate size 20 cm 13 cm, handsigned and dated lower right 81, No. 94/100, 5) Gitta KETTNER (1928-2011), etching, plate size 32 cm x 25 cm, handsigned and dated at the lower right 1979, number 50/29, 6) Lutz FRIEDEL (1948), color etching, plate size 31 cm x 33 cm, handsigned and dated at the lower right 79, number 84/200
Lot 573
Albert EBERT (1906-1976) "Fotograf" Grafik - Radierung, Plattenmaß 23,7 cm x 15,5 cm, Blattmaß 37,5 cm x 27 cm, rechts unten handsigniert und datiert 1964, Nr. 20/20 Albert EBERT (1906-1976) "Fotograf" graphic - etching, plate size 23.7 cm x 15.5 cm, sheet size 37.5 cm x 27 cm, handsigned and dated at the lower right 1964, number. 20/20
Lot 574
Albert EBERT (1906-1976) "im Atelier" Grafik- Radierung, Plattenmaß 16,1 cm x 10 cm, Blattmaß 37,5 cm x 25 cm, rechts unten handsigniert und datiert 1964, Nr 2/20 Albert EBERT (1906-1976) "im Atelier" graphic - etching, plate size 16.1 cm x 10 cm, sheet size 37.5 cm x 25 cm, handsigned and dated 1964 at the right bottom, number 2/20
Lot 596
Theodor ROSENHAUER (1901-1996) "Altes Raubtiergehege Dresden" Grafik - Radierung, Platte 19 cm x 24 cm, Blatt 26,5 cm x 39, 5 cm, auf Bütten, rechts unten handsigniert Theodor ROSENHAUER (1901-1996) "Altes Raubtiergehege Dresden" graphic - etching, plate 19 cm x 24 cm, sheet 26.5 cm x 39.5 cm, on laid paper, handsignedat the lower right
Lot 617
Günther BLENDINGER (1946) "Fischer am Boot" Grafik - Kaltnadelradierung, Platte 16,7 cm x 20 cm, Blatt 33,5 cm x 42,5 cm, unten rechts handsigniert und datiert 86, mittig bezeichnet, links nummeriert 2/20 Günther BLENDINGER (1946) "Fischer am Boot" graphic - drypoint etching, plate 16.7 cm x 20 cm, sheet 33.5 cm x 42.5 cm, handsigned and dated 86 at the lower right, inscribed in the middle, numbered 2/20 at the left
Lot 620
Wilhelm LACHNIT (1899-1962) "sitzender Akt mit Fisch" Grafik - Radierung, Platte 31,4 cm x 24,4 cm, Blatt 41 cm x 33,3 cm, rechts unten handsigniert und datiert 56 Wilhelm LACHNIT (1899-1962) "sitzender Akt mit Fisch" graphic - etching, plate 31.4 cm x 24.4 cm, sheet 41 cm x 33.3 cm, handsigned and dated 56 at the lower right
Lot 622
Gerhard GOSSMANN (1912-1994) "Der Finsterling" Grafik - Farbradierung, Platte 18,5 cm x 13,9 cm, Blatt 50 cm x 37,5 cm, rechts unten signiert, links nummeriert I/7 Gerhard GOSSMANN (1912-1994) "Der Finsterling" graphic - colored etching, plate 18.5 cm x 13.9 cm, sheet 50 cm x 37.5 cm, signed at the lower right, numbered I/7 at the left
Lot 623
Hans GRUNDIG (1901-1958) "Unter Schweinen" (1935) Grafik - Radierung, Platte 24,1 cm x 40,5 cm, Blatt 37,2 cm x 49,8 cm, rechts unten Nachlasssignatur von Lea Grundig und datiert 1935 Hans GRUNDIG (1901-1958) "Unter Schweinen" (1935) graphic - etching, plate 24.1 cm x 40.5 cm, sheet 37.2 cm x 49.8 cm, estate signature of Lea Grundig and dated 1935 at the lower right
Lot 642
Willi GEIGER (1878-1971) "Paar" Grafik - Radierung auf Papier, Platte 31 cm x 24 cm, Blatt 43 cm x 33 cm, rechts unten handsigniert und datiert 1918, Blatt etwas fleckig, im Passepartout montiert Willi GEIGER (1878-1971) "Pair" graphic - etching on paper, plate 31 cm x 24 cm, sheet 43 cm x 33 cm, handsigned and dated 1918 on the lower right, sheet a little bit stained, mounted in passe-partout
Lot 654
Konvolut Grafiken verschiedene Künstler 7 Grafiken 1) Heinrich ILGENFRITZ (1899-1969), Radierung, Plattenmaß 29,5 cm x 23 cm, in der Platte signiert, 2) Heinrich ILGENFRITZ (1899-1969), Radierung, Plattenmaß 16,5 cm x 12 cm, rechts unten handsigniert, bezeichnet (Kartoffelernte), 3) Paul KUHFUSS (1883-1960), Radierung, Plattenmaß 20,2 cm x 24,5 cm, verso Nachlaßstempel, 4) Paul KUHFUSS (1883-1960), Radierung, Plattenmaß 18,2 cm x 24,5 cm, verso Nachlaßstempel, 5) Max FELDBAUER (1869-1948), Lithografie, Blattmaß 15,5 cm x 20 cm, Einladung der Akademie der Künste Dresden zum Gauklerfest 1930, 6) Max FELDBAUER (1869-1948), Lithografie, Blattmaß 23 cm x 28,5 cm, rechts unten handsigniert und datiert 1922, mit Widmung, 7) Herbert SANDBERG (1908-1991), Lithografie, Blattmaß 30,5 cm x 42,5 cm A bundle of graphics various artists 7 graphics 1) Heinrich ILGENFRITZ (1899-1969), etching, plate size 29.5 cm x 23 cm, signed on the plate, 2) Heinrich ILGENFRITZ (1899-1969), etching, plate size 16.5 cm x 12 cm, hand signed lower right, inscribed (Kartoffelernte), 3) Paul KUHFUSS (1883-1960), etching, plate size 20.2 cm x 24.5 cm, at the backside with estate stamp, 4) Paul KUHFUSS (1883-1960), etching, plate size 18.2 cm x 24.5 cm, at the backside with estate stamp, 5) Max FELDBAUER (1869-1948), lithography, sheet size 15.5 cm x 20 cm, invitation from the Dresden Academy of Arts to the juggler festival 1930, 6) Max FELDBAUER (1869-1948), lithography, sheet size 23 cm x 28.5 cm, handsigned and dated 1922 at lower right, with a dedication, 7) Herbert SANDBERG (1908-1991), lithography, sheet size 30.5 cm x 42.5 cm
Lot 662
Giovanni Antonio CANAL (1697-1768) "La Piera del Bando V " Grafik - Radierung (Reichsdruck), Plattenmaß 15,5 cm x 21,5 cm,Blattmaß 27 cm x 36,5 cm, links unten signiert, mittig unten bezeichnet, mit Trockenstempel - Reichsdruck Giovanni Antonio CANAL (1697-1768) "La Piera del Bando V" graphic - etching (imperial print), plate size 15.5 cm x 21.5 cm, sheet size 27 cm x 36.5 cm, signed at the lower left, inscribed at the lower center, with dry stamp - imperial print
Lot 670
Volkmar HAASE (1930-2012) "Hommage an Kolbe" Grafik - Radierung auf Bütten, Blindstempel Schlemme Berlin, Plattenmaß 49,6 cm x 19,8 cm, Blatt 70,5 cm x 34, 5 cm, unten rechts handsigniert und datiert 83, mittig bezeichnet, links nummeriert 48/50, Radierung mit Prägedruck, unten links kurzer Eckbug Volkmar HAASE (1930-2012) "Homage to Kolbe" graphic - etching on laid paper, blind stamp Schlemme Berlin, plate size 49.6 cm x 19.8 cm, sheet 70.5 cm x 34.5 cm, handsigned and dated at the lower right 83, inscribed in the middle, numbered 48/50 at the left, etching with embossing, corner crease at the lower left
Lot 685
Curt Hoeloff HASENOHR (1887-1987) "Sternenhimmel" Grafik - Radierung, Platte 25 cm x 16 cm, 28 cm x 18 cm, rechts unten handsigniert, am unteren linken und oberen rechten Rand etwas knitterig, auf Unterlage fixiert Curt Hoeloff HASENOHR (1887-1987) "Starry sky" graphic - etching, plate 25 cm x 16 cm, 28 cm x 18 cm, handsigned at the lower right, a little bit creased at the lower left and upper right edge, fixed on a base
Lot 594
Alfred HrdlickaDie Nachtwache, 1968Ätzung, Kaltnadel, Stichel, Roulette, Polierstahl, Mezzotinto, Mezzotinto geschabt und Schmirgelpapier auf Kupfer; Farbdruck von einer Platte, 63 x 90 cm (Blattmaß); 49,5 x 59 cm (Darstellung) Alfred Hrdlicka*„The Night Watch“1968etching, dry point, burin, roulette, polishing steel, mezzotint, mezzotint scraped and emery paper on copper; coloured print63 x 90 cm (sheet); 49.5 x 59 cm (depiction)
Lot 597
Alfred HrdlickaKonvolut aus 5 Druckgraphiken, 1962, 1968, 1963, 1963Ätzung, Mezzotinto, Roulette geschabt und Kaltnadel auf Zink/Kupfer, 40 x 49,5 cm; 20,5 x 27,5 cm; 20 x 30 cm; 36 x 41,5 cm; 27 x 40,5 cm Alfred Hrdlicka*„Mixed lot of 5 prints“1962, 1968, 1963, 1963etching, mezzotint, roulette scraped and dry point on zinc/copper40 x 49.5 cm; 20.5 x 27.5 cm; 20 x 30 cm; 36 x 41.5 cm; 27 x 40.5 cm
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