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Lot 1

Felix Oudart- Seated soldier smoking a pipe; etching, signed in pencil, 29.5x20.5cm: together with three etchings and lithographs by different hands, and three exhibition posters, Richard Zeigler, The Expressionist Revolution in German Artand Edvard Munch, various sizes, (7)

Lot 1

A. J. Davies- 'Cherry Owen'; etching, signed and inscribed 'A/P' in pencil, 22.5x19.8cm: together with one other etching by the same hand titled: 'Sinbad Sailors', and a quantity of prints and pictures by different hands, various sizes, (12)

Lot 1

Thomas Sidney Cooper (1803-1902) - Etching - Study of cattle beneath a tree, 10.5ins x 16.5ins, signed in plate (somewhat discoloured), framed and glazed

Lot 1

D V WICKS, SIGNED AND DATED 1955 TO MARGIN, BLACK AND WHITE ETCHING, Bird on a nest, 4" x 4"

Lot 1

FREDERICK FARRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Westminster Bridge', 10" x 15"

Lot 1

ALFRED BLUNDELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Old Houses on the Orne, Florence', 9" x 14"

Lot 1

SYDNEY LONG, A.R.E., SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, (7/50), 'No 4 Fishing Boats, St Ives', 3" x 6" and SIR FRANCIS SEYMOUR HADEN, R.A., R.E., BLACK AND WHITE ETCHING, 'Sonning Bank', 4" x 6", (2)

Lot 1

SIR FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Road, Montreuil', (see further details verso), 10" x 13"

Lot 1

NORWICH SCHOOL, BLACK AND WHITE ETCHING, Rural landscape with cottage and windmills in distance, 8" x 11"

Lot 1

RICHARD SMYTHE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Marble Arch', 8" x 13"

Lot 1

CLAUD ROWBOTHAM, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, 'Stronachlacher at the head of Loch Kathrine', 5" x 7" and a further SIGNED BLACK AND WHITE ETCHING, (2)

Lot 1

HENRY J STARLING, LIMITED EDITION BLACK AND WHITE ETCHING, (37/75), 'Norfolk wherry', 6" x 5" and SIGNED IN PENCIL TO MARGIN, COLOURED WOODBLOCK PRINT, 'Trowse Mill, Norwich', 6" x 7", (2)

Lot 1

PETRA DILLINGER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Authoress Bozena Nemcova', (see extensive details verso), 4" x 3" and WILLIAM PALMER ROBINS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Canterbury Cathedral', 6" x 8", (mounted but unframed), (2)

Lot 1

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'A Norfolk Wherry', 9" x 10"

Lot 1

HUBERT HERKOMER, ONE SIGNED TO IMAGE, TWO BLACK AND WHITE ETCHINGS, Figure subjects and a further BLACK AND WHITE ETCHING, various small sizes, (3)

Lot 1

TOM SHAW, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Loch Achray', 6" x 7" and three further framed SIGNED ETCHINGS, landscape subjects, various sizes, (4)

Lot 1

HENRY RUSHBURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Paris', 9" x 13"

Lot 1

G WRIGHT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Figure, horse and trap in landscape; Together with three further SIGNED PRINTS AND ENGRAVINGS, (4)

Lot 1

ATTRIBUTED TO SIR ALFRED JOHN MUNNINGS, (BEARS SIGNATURE), BLACK AND WHITE ETCHING, Boy with pony, 6" x 8"

Lot 1

EDWARD ERTZ, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Aslesian Market', 7" x 9"

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STANLEY ANDERSON, SIGNED IN PENCIL TO MARGIN, DRYPOINT ETCHING, Hay-making beside a windmill, (see label verso), 6" x 13"

Lot 1

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Swan Song', (see memorial letter verso from Mrs W L Wyllie), 6" x 7"

Lot 1

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'On the Scheldt', (see original label verso), 5" x 12"

Lot 1

WILLIAM HEATON COOPER, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, 'Saddleback from Trent Beck', 4" x 6" and further UNFRAMED ETCHING BY EDWARD J CHERRY, (2)

Lot 1

AFTER J CROME, ENGRAVED BY W HOLE, BLACK AND WHITE ETCHING, 'Mill on the Yare', 14" x 17" and AFTER S & N BUCK, BLACK AND WHITE PRINT, 'The South East View of Wymondham Abbey in the county of Norfolk', 8" x 14", (2)

Lot 1

Lewis (Wyndham). The Roaring Queen, ed. Walter Allen, 1st ed. Secker, 1973, orig. cloth, slipcase, 8vo, ltd. ed. no. 64 of 100 copies signed by Mrs Wyndham Lewis, Walter Allen and Michael Ayrton, with a signed etching by Michael Ayrton, together with Norris (Leslie, ed.), Vernon Watkins 1906-1967, Faber, 1970, plus Bainbridge (Beryl), Master Georgie, Duckworth, 1988, and Ricks (Christopher, ed.), T.S. Eliot, Inventions of the March Hare, Faber, 1996, all orig. cloth in d.j.s, plus a qty. of others, poetry, criticism etc. (2 shelves)

Lot 1

*Piranesi (Francesco). Veduta dell' Anfiteatro Flavio, detto il Colosseo, [1850 or slightly later], b&w etching, approx. 44 x 70.5cms., framed and glazed together withPiranesi (Francesco)Colonna Trajana, early 19th c. etching,approx. 51 x 39cms, framed and glazed, together with another similar etching entitiled Obelico Egizio, later re-strike, approx. 55 x 40cms, framed and glazed, plus two other modern re-prints of etched views of Rome by Piranesi and Zocchi, both framed and glazed (5)

Lot 1

W. Heydemann, Surprised: two plates, each etching, each p. 25.5 x 33 cm

Lot 1

M** Andrews, Metropolis II, limited edition lithograph 107/150, p. 57.5 x 74.5 cm, Covait, Blue Chairs, lithograph, s. 59.5 x 45.5 cm, Francis St Clair Miller, Amsterdam II, limited edition etching 4/75, p. 37.5 x 25.5 cm, Mark Spain, The Interior Stairway, Kew; St Dunstan's in the East, each limited edition aquatint, the first p. 44.5 x 32 cm, the second p. 31.5 x 44.5 cm, and Continental School, Boats II, limited edition etching 12/200, p. 44 x 65 cm

Lot 1

Piers Brown, Stapleford Mill, limited edition etching 51/100, 41 x 32.5 cm, David Gentleman, Georgian Faade; The White Tower; St James's Palace, each lithograph, the first s. 50.5 x 42 cm, the second s. 41.5 x 53 cm, the third s. 50.5 x 41.5 cm, and Christopher Penny, Saplings, limited edition etching 118/200, 39.5 x 29.5 cm

Lot 1

Hedley Fitton (1859-1929), Rouen, etching, signed within the margin lower right, p. 39 x 43 cm

Lot 1

Robert W. MacBeth after Millais, Winter landscape with crows, etching, dated 1887 within the plate lower left, signed in pencil by the printmaker within the margin lower right, s. 57 x 48 cm

Lot 1

David Young Cameron (1865-1945), Arran; Perth Bridge, each etching, each signed and inscribed within the plate lower right, the first s. 12 x 24 cm, the second s. 17 x 25 cm

Lot 1

S**R**Brightwell, Toilet; Three of a kind, each etching, each signed in pencil within the margin lower right and titled lower left, the first p. 16 x 21 cm,; the second p. 20 x 25 cm

Lot 1

J. Barke after Angelica Kauffman, Henry and Emma; Angelica and Sacriprate, each lithograph, each s. 26.5 cm diameter, and a etching depicting a landscape, circular s. 42 cm diameter

Lot 1

Eric Hesketh Hubbard (1892-1957), The Old Fruit Tree, etching, signed within the margin lower right, inscribed with title lower centre, trial proof lower left, p. 23 x 32 cm, and a lithograph by the same artist

Lot 1

W. Byrne after W. Turner, Newbury from Speen Hill, hand coloured etching, s. 23.5 x 28.5 cm, and three other prints depicting views of the Newbury locality

Lot 1

Geoffrey Wedgwood, The Fishmarket, Naples, etching, signed and dated 29 in pencil within the margin lower right, inscribed with title lower left, p. 21.5 x 23.5 cm

Lot 1

Bartolozzi after F. Wheatley, The Water Cress Girl; The Country Girl going a Reaping, each hand coloured etching, each s. 27 x 19.5 cm, each with a verre eglomise mount

Lot 1

J. West after J. F. Herring, J. F. Herring's Farmyard, lithograph, s. 51 x 51 cm, J. K. Sherrin after Sir Joshua Reynolds, Sir Joshua Reynolds, etching, p. 29.5 x 24 cm, and C. Hunt after J. F. Herring, Van Tromp, hand coloured mezzotint, s. 51 x 60 cm

Lot 1

An etching of Perth Bridge by D. Y. Cameron, signed in pencil on the mount, 17.5 x 26cm (7 x 10.25in)

Lot 1

An etching of a cockerel by Edward Julian Detmold (1883-1957) signed with monogram and dated '01, 51 x 40.5cm (20 x 16in)

Lot 1

Katherine Jeffries, The Old George, Salisbury, Etching, Pencil signed, 24cm x 18cm, Two 19th century coloured landscape prints, (3)

Lot 1

Clear glass decanter with star etching, eight similar star etched glasses, plus quantity of miscellaneous clear Victorian and later glasses, some cut-glass (quantity)

Lot 1

Leonard Russell Squirrell (1893-1979), Trafalgar Square etching with hand colouring signed in pencil 24cm x 17cm (PL) together with another etching 'Horseguards Parade' by the same artist (2).

Lot 1

After William H Hamilton Trood (1848-1899), 'More Frightened Than Hurt' etching 19cm x 15cm together with a similar etching 'Oh! What a Surprise' by the same hand, a pair (2)

Lot 1

David Young Cameron (1865-1945 Scottish School), 'Arran' three masted ships off the coast, etching, 12cm x 25cm

Lot 1

James Gillray, (1756-1815). "ELEMENTS OF SKATEING -Making the most of a passing Friend, in a case of Emergency!", a hand-coloured etching, published November 24th 1805 by H. Humphrey, 27 St James's Street, inscribed in sepia ink "Nov. 1805" outside the margin, image size (excluding title) 22.5cm x 33cm, (8.8in x 13in), in gilt and ebonised frame under glass

Lot 1

A LATE 19TH-CENTURY RUBY-FLASHED DECANTER having an original foliate-etched blown stopper, numbered '2', the clear neck outlined in ruby with an hexagonal cellular design, the spherical body having vine etching, also numbered '2' beneath, 29.5cm, (11.6in) high

Lot 1

A J.F.Millet etching of a young girl carrying pails of water, 23 cms.x 16 cms. [bears pencil written inscription on reverse - "Femme Aux Seaux"].

Lot 1

William Lee-Hankey 'SHELLING PEAS, COVENT GARDEN' Etching, signed in pencil 23.5 x 29cm

Lot 1

William Lionel Wyllie, RA, RWS A SCOTTISH COASTAL LANDSCAPE WITH SAILING BOATS Signed in pencil, etching 13 x 38cm

Lot 1

WILLIAM WILSON, North Highland landscape, signed and inscribed in ink, etching, 35cm x 39cm.

Lot 1

ERNEST ARCHIBALD TAYLOR, 'On the Road to Brodick, Arran', pencil signed etching, 16cm x 18cm.

Lot 1

ERNEST ARCHIBALD TAYLOR, An Arran Road, pencil signed etching, 16cm x 18cm.

Lot 1

D Y CAMERON, 'The Clyde at Arran', etching signed in pencil, 12cm x 24cm, and a companion 'Lochranza, Arran'.

Lot 1

TOM MAXWELL, 'Edinburgh University', signed in pencil, etching, 30cm x 21cm, another two by the same hand 'Falkland Palace' and 'Linlithgow Palace'. 35cm x 49cm. (3)

Lot 1

HEDLEY FITTON, 'Glasgow University Gateway', signed in pencil, etching, 43cm x 23cm, and another JOHNSON BAIRD, 'View of Glasgow University'. (2)

Lot 1

TOM MAXWELL, The Briggates Steeple, signed in pencil, etching, 20cm x 17cm, and another by the same hand Provans Lordship, Glasgow. (2)

Lot 1

HEIKKI TANDEFELT - ETCHING OF NUDE

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