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Lot 138

John Brunsdon (1933-2014) 'Canal', etching and aquatint, numbered 82/150, signed in pencil lower right, 63cm x 48cmDisplay wear and some marks to the frame, but the etching itself is ok overall.

Lot 139

John Brunsdon (1933-2014) 'Ty Uchat', etching and aquatint, numbered 41/100, signed and titled in pencil lower right, 27cm x 33cmDisplay wear and some marks to the frame, but the etching itself is ok overall.

Lot 140

John Brunsdon (1933-2014) 'The Valley', etching and aquatint, numbered 46/150, signed in pencil lower right, 25cm x 32cmDisplay wear and some marks to the frame, some foxing/fading to the edge of the print near the mount but otherwise looks ok.

Lot 141

John Brunsdon (1933-2014) 'View from Kingston Hill', etching and aquatint, numbered 7/100, signed in pencil lower right, 31cm x 33cmDisplay wear and some marks to the frame, some foxing/fading to the edge of the print near the mount but otherwise looks ok.

Lot 164

Trevor Price (b.1966) 'The point of contact, I', etching and aquatint, numbered 9/150, signed in pencil lower right, 25cm x 28cmOverall with some minor scuffs and display marks to the frame. Otherwise ok.

Lot 198

Philip Reeves (1931-2017) 'Plate I', 'Plate II' and 'Plate III', etching and aquatint, signed in pencil lower right, each measures 69cm x 39cm (3) Overall ok, with some wear to the frame. Pictures themselves are ok.

Lot 200

Rima Farah (b.1955) 'Ducru Beaucaillou', etching and aquatint, artists proof, signed in pencil lower right, 50cm x 63cm, 'Untitled tent like structure', etching and aquatint, numbered 4/150, signed in pencil lower right, 57cm x 75cm, 'Untitled rugs on the ground', etching and aquatint, numbered 52/150, signed in pencil lower right, 58cm x 76cm, 'Untitled doorway', etching and aquatint, numbered 129/225, signed in pencil lower right, 57cm x 57cm and 'D' Estournel Cos', etching and aquatint, artists proof, signed in pencil lower right, 65cm x 50cm (5)Overall wear and some minor display scuffs to the frames, otherwise seems ok.

Lot 206

Berenice Benjelloun (20th Century School) 'Crystal growth', etching and aquatint, numbered 9/40, signed and dated 1992 in pencil lower right, 52cm x 53cmOverall with some foxing and marks. Some wear and marks on the frame.

Lot 212

Robin Tanner (1904-1988) 'Wiltshire roadmaker', etching, signed in pencil lower centre, 11.5cm x 16cmProvenance: With original accompanying catalogue from Garton & Co, 39-42 New Bond Street, London, W1Y 9HB, dated October 1990.Minimal display wear to the frame, otherwise seems ok.

Lot 19

A FRAMED JAMES PRIDDY SIGNED ETCHING OF CHAMBERLAIN'S PLACE, BIRMINGHAM, 68 X 50 CM

Lot 248

Aldin (Cecil). Majorca, circa 1920, uncoloured etching, signed by the artist to the lower right, limited edition 22/100, 250 x 280 mm, mounted, framed and glazed, together with two colour photolithographs of dogs after Cecil Aldin, various sizes and editionQTY: (3)

Lot 251

Ayrton (Michael, 1921-1975). Spears (Archilochos Suite), 1975, etching with drypoint, numbered V from the edition of only 16, studio stamp to lower right, deckle edge at bottom, image size 22.3 x 17.5 cm (8 3/4 x 6 7/8 ins), sheet size 46 x 38.6 cm (18 x 15 1/4 ins), framed and glazed (55 x 46 cm)QTY: (1)NOTE:Produced by Ayrton for Archilochos, a book he illustrated and translated, published posthumously by Secker & Warburg in 1977.

Lot 259

Brangwyn (Frank, 1867-1956). Porte St. Jacques, Parthenay, 1923, etching, signed in pencil to lower margin, 30 x 27.5 cm mount aperture, framed and glazedQTY: (1)

Lot 294

Fores (S. W. publisher). Taking Physic, March 20th 1801, an unattributed etching with contemporary hand-colouring based on an earlier caricature by James Gillray, 300 x 205 mm, mounted, framed and glazedQTY: (1)NOTE:Gillray's original etching was published by H. Humphreys on 6th February 1800. This is a plagiarised version with no artist credited. The lack of attribution is not surprising because - although difficult to enforce - copyright laws existed; but copies, re-issues and pirated versions of works of art, especially caricatures, were commonplace. Many were published in Ireland thereby avoiding English law.

Lot 302

Gillray (James). Britannia between Death and the Doctors - "Death may decide when Doctors' Disagree", H. Humphrey, 1804, but H. G. Bohn edition, circa 1850, hand-coloured etching, 255 x 375 mm, mounted, framed and glazed, with another uncoloured example, with an additional caricature printed on the verso, together with Visiting the Sick, H. Humprey 1806, but H. G. Bohn edition, circa 1850, hand-coloured etching, 260 x 365 mm, mounted, framed and glazed, with The Gout, H. Humphrey, 1799, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 265 x 355 mm, plus Brisk Cathartic, H. Humphrey 1804, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 260 x 210 mm, mounted, and Very Slippy Weather, H. Humphrey 1808, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 265 x 200 mm, mounted, together with Mental Energy, H. Humphrey, 1801, but H. G. Bohn edition, circa 1850, uncoloured etching, with an partial caricature printed on the verso, 260 x 200 mm, plus Heath (William, alias Paul Pry). Dr Arthur & his Man Bob giving John Bull a Bolus, T. McLean, 1829, etching with contemporary hand-colouring, slight adhesion scaring to the verso, 245 x 355 mmQTY: (8)NOTE:A collection of caricatures, all with a medical theme.

Lot 358

Westall (Richard, 1765-1836). Telemachus & Mentor, discovered by Calypso on the Shores of her Island, London: Clay & Scriven, 1810, hand-coloured stipple engraving with some etching, by Edward Scriven (1775-1841), some small areas of surface abrasion or loss, margins trimmed, sight size 50.5 x 69.5 cm (19 7/8 x 27 3/8 ins), framed and glazed (59.5 x 78.5 cm), together with Telemachus relating his adventures to Calypso, London: Clay & Scriven, 1810, hand-coloured stipple engraving, by Thomas Williamson (active 1801-1825), some closed tears and minor surface loss, some surface bloom towards lower left, margins trimmed, sight size 50.5 x 69.5 cm (19 7/8 x 27 3/8 ins), framed and glazed (59.5 x 78.5 cm), (unexamined out of frames)QTY: (2)NOTE:Both engravings are rare in this hand-coloured form.

Lot 541

19thC English School. Mill pond before cottage, oil on board, unsigned, 16cm x 24cm, and Edward Cherry, courtyard scene, etching. (2)

Lot 353A

After Rembrandt van Rijn (Dutch, 1606-1669), 'Beggars Receiving Alms at the Door of a House', modern reproduction etching by Rie de Boer, signed in pencil to margin, bearing Rembrandthuis stamp to reverse of sheet, sheet size 44.5 x 32cm.

Lot 355

Pictures, to include: A. Dyson, 'Aspirations', limited-edition etching, signed in pencil to margin, 23 x 7.5cm, twentieth-century watercolour landscape, 13 x 35cm, c. 1900 etching depicting a Venetian canal, signed indistinctly in pencil to margin, 31.5 x 24cm, among various other framed prints and pictures. (1 box)

Lot 359

Francis Tinsley (contemporary), 'Pink Glass Vase'. Limited-edition etching. Signed, titled and numbered 29/75 in pencil to margin. Image size 47 x 35cm.

Lot 251

Glynn Thomas, original signed etching, Hammersmith Bridge, 34cm x 150cm, 37cm x 27cm, framed and glazed.

Lot 252

Peter Ford, signed etching and aquatint, Kew Gardens in winter, 17/100, exhibited Bankside Gallery, London, 23cm x 33cm.

Lot 259

Eric Ravilious, Hull's Mill, etching, 62/150, purchased from Jennings Fine Art 2006.

Lot 262

Leslie Moffatt Ward (1888-1978), Low Tide, Hammersmith, dry point, signed, mounted, together with Sir George Clausen Rickyard, Frosty Morning, signed etching and a view of Hammersmith from Chiswick, copper engraving, circa 1780, (3).

Lot 263

Margaret McDonald, print, The Window, Montpellier, Francis Dodd, etching black & white, waterfront, signed, together with bookplate the electric boat on the Thames, (3).

Lot 50

Henry Martin (1835-1908), 'Fishing vessels off St Michaels Mount, with coastline in distance', signed monochrome watercolour, 16.5 x 26.5cm, together with a watercolour 'Rocky Coast' signed E M Salt?, 21.5 x 29cm and an aquatint etching after Claude Rowbotham titled 'View from Ashingdon, Essex', (3).

Lot 94

F. Robson : Wells Cathedral, drypoint etching, signed in pencil, 14.5 cm x 22 cm.

Lot 314

M Monkhouse,The Canal at Manchester,etching, signed,21x22.5cm;and ST,seated children,etching, monogram to top left, signed bottom right,24x29cm.Qty: 2

Lot 351A

After William Lionel Wyllie, Large and Small Thornycroft Vessels in a North Sea Engagement,etching, bears signature,visible 14x24.5cm.

Lot 106

JOHN BRUNSDON (1933-2014) "Tower of London" signed & numbered 31/150, 17” x 18¾”, framed coloured etching; together with various other decorative pictures. (*Artist's re-sale right fees apply)

Lot 82

Clade H Rowbotham 'In Calm Waters', aquatint, signed lower right, framed and glazed, 15.5cm x 20cm together with R Herdman-Smith, 'The Fruit Vendor' and 'A Quiet Game', both signed lower right, framed and glazed, 14cm x 19cm; Henry G Walker, 'Soft Ground', etching, signed lower right, framed and glazed, 22cm x 32cm and further pictures and prints (12)Frames all with surface dents, marks and scratches; Rowbotham print with some slight foxing and discolouration; Herdman-Smith prints with discolouration to the mounts but in good condition; Walker in good condition

Lot 294

An etching of a wintry churchyard scene

Lot 397

A pencil initialled etching "The Joy Of The Starlings", unframed, by Regine Parent

Lot 476

An etching of a rural scene

Lot 61

S.L. Scott, pencil signed etching Magdalene Street Cambridge

Lot 64

D.Y. Cameron, etching "Still Waters"

Lot 74

A pencil signed etching of sheep; two prints; a mirror; two brass trays and a sign

Lot 681

Louis Whirter, "Glamis Castle", black and white proof etching, signed and inscribed with title in pencil to lower margin, 24 x 16cm

Lot 581

After Rembrandt, etching, The Goldweigher, signed in the plate and dated 1639, 23 x 20cm

Lot 118

A Victorian etching after Walter Dendy Sadler entitled Over The Nuts And Wine, mounted and framed under glass, approximately 34 cm x 45 cm image size, a framed South East Asian print on fabric, floral marquetry panel and a Victorian stoneware water filter marked Lipscombe & Co Carbon Filter 82 Market Street Manchester, approximately 60 cm (h) including cover. [4]

Lot 398

BERNARD ROBERT REYNOLDS (British, 1915 - 1997) 'Female Figure on a Beach', etching, signed, artists proof, 48cm x 26cm. (Subject to ARR - see Buyers Conditions)

Lot 4069

Carl March (British 1959-): 'Heaven's Scent', artist's proof soft ground etching signed and titled 29cm x 51cmProvenance: Purchased from RA Summer Exhibition 1985

Lot 150

Artist Proof- Coloured etching titled 'Renaissance' [Mary. E. Taylor] [Will not post]

Lot 158

Etching of a woman seated at a high desk, inscribed 'E Museo Dri Jonath Richardson' and marked AP, coloured woodblock, framed under glass, 11 x 15cm

Lot 463

20th century Black and White Etching of a Continental City Street Scene, partial label to verso ' Chandler ...... ' ?, 36cm x 26cm, framed and glazed

Lot 497

Inuit Art, Signed Limited Edition Inuit Etching of a Hunting Scene dated 1962, no. 5/30, 38cm x 31cm, framed and glazed

Lot 2068

A small framed hand coloured etching 'When Father Comes Home From Work', along with an engraving of 'Upper and Lower Town of Fishguard' and 'King Arthur's Round Table'.

Lot 2159

An etching of the North Transept of Westminster Abbey by Edward Sharland.

Lot 1007

A second model Navy (Kriegsmarine) Officer's dress dagger by F.W. Holler Solingen, with white grip and lightning scabbard, blade with fine etching

Lot 1022

An ultra rare maker (S.M.F.) for a Navy (Kriegsmarine) Officer's dress dagger, possibly presentation use, etching with vacant panel and gilded very unusual pebbled scabbard, portepee with white grip

Lot 3253

Travel - Huxley (Elspeth), The Sorcerer's Apprentice: A Journey through East Africa, first edition, first impression, London: Chatto and Windus, 1948, illustrated with a map and 32 b/w plates, original dustjacket over terracotta cloth, 8vo, (1); Leipnik (F.L.), A History of French Etching [...], Illustrated with a Frontispiece and One Hundred and Six Reproductions in Photogravure, London: John Lane, The Bodley Head Limited, 1924, original cloth over papered boards, 4to, (1); local interest and angling, (2), [4]

Lot 3334

[George Cruikshank (1792-1878)], The Theatrical Atlas, caricaturing Edmund Kean as Shakespeare's Richard III, while supporting the Drury Lane Theatre and its chief shareholder Samuel Whitbread MP, [Dublin]: Pub by M'Cleary 23 Nassau Street, [n.d., 1808-1820], hand-coloured etching, 35cm x 25cm, [1]

Lot 3337

Hungary, Budapest - Giovanni Giacomo Rossi (1627-91), Pianta, et assedio delle Cittá di BVDA, é PEST con L’accampamento del / Esercito Cesareo, passo del Danubio, et insigni Vittorie ottenute dal Serenis.mo / Sig. Duca di LORENA, alli.11. e 22. di Luglio. nelle uicinanze di Buda, / sotto il Pontificato di N.S.P.INNOCENTIO XI. l’Anno 1684, etching and engraving on paper, the bird's-eye view with two vertical creases, which are both rubbed and tearing at the top and base, trimmed, 38cm x 48cm, Hogarth-type frame, the paper backing dated 1872, 46cm x 56cm overall, [1]

Lot 56

William Lionel Wyllie 'HMS Orion, Portsmouth 1912' black and white etching, signed in pencil, 29 x 21.5 cms

Lot 58

William Lionel Wyllie 'Sailing Ships Off A Coast' etching signed in pencil, 13.5 x 21 cms

Lot 60

Albany E Howard 'Study Of A Cathedral' etching signed in pencil together with six other similar etchings

Lot 502

Louis Flexman - etching of the Pink Cottage Castlemorton Common, Malvern (an ex Royal Worcester artist), 15 x 18cm

Lot 503

Phil Greenwood - limited edition etching 'Creggennan Lake' Wales 130/295, 35 x 41cm

Lot 506

Edgar Patterson - hand tinted limited edition etching of Richmond Bridge 31/100, unframed, 20 x 28cm

Lot 605

A French limited edition etching 9/45 cafe scene, signed and inscribed indistinctly, 13 x 17cm

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