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Rima Farah (b.1955) 'Ducru Beaucaillou', etching and aquatint, artists proof, signed in pencil lower right, 50cm x 63cm, 'Untitled tent like structure', etching and aquatint, numbered 4/150, signed in pencil lower right, 57cm x 75cm, 'Untitled rugs on the ground', etching and aquatint, numbered 52/150, signed in pencil lower right, 58cm x 76cm, 'Untitled doorway', etching and aquatint, numbered 129/225, signed in pencil lower right, 57cm x 57cm and 'D' Estournel Cos', etching and aquatint, artists proof, signed in pencil lower right, 65cm x 50cm (5)Overall wear and some minor display scuffs to the frames, otherwise seems ok.
Ayrton (Michael, 1921-1975). Spears (Archilochos Suite), 1975, etching with drypoint, numbered V from the edition of only 16, studio stamp to lower right, deckle edge at bottom, image size 22.3 x 17.5 cm (8 3/4 x 6 7/8 ins), sheet size 46 x 38.6 cm (18 x 15 1/4 ins), framed and glazed (55 x 46 cm)QTY: (1)NOTE:Produced by Ayrton for Archilochos, a book he illustrated and translated, published posthumously by Secker & Warburg in 1977.
Fores (S. W. publisher). Taking Physic, March 20th 1801, an unattributed etching with contemporary hand-colouring based on an earlier caricature by James Gillray, 300 x 205 mm, mounted, framed and glazedQTY: (1)NOTE:Gillray's original etching was published by H. Humphreys on 6th February 1800. This is a plagiarised version with no artist credited. The lack of attribution is not surprising because - although difficult to enforce - copyright laws existed; but copies, re-issues and pirated versions of works of art, especially caricatures, were commonplace. Many were published in Ireland thereby avoiding English law.
Gillray (James). Britannia between Death and the Doctors - "Death may decide when Doctors' Disagree", H. Humphrey, 1804, but H. G. Bohn edition, circa 1850, hand-coloured etching, 255 x 375 mm, mounted, framed and glazed, with another uncoloured example, with an additional caricature printed on the verso, together with Visiting the Sick, H. Humprey 1806, but H. G. Bohn edition, circa 1850, hand-coloured etching, 260 x 365 mm, mounted, framed and glazed, with The Gout, H. Humphrey, 1799, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 265 x 355 mm, plus Brisk Cathartic, H. Humphrey 1804, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 260 x 210 mm, mounted, and Very Slippy Weather, H. Humphrey 1808, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 265 x 200 mm, mounted, together with Mental Energy, H. Humphrey, 1801, but H. G. Bohn edition, circa 1850, uncoloured etching, with an partial caricature printed on the verso, 260 x 200 mm, plus Heath (William, alias Paul Pry). Dr Arthur & his Man Bob giving John Bull a Bolus, T. McLean, 1829, etching with contemporary hand-colouring, slight adhesion scaring to the verso, 245 x 355 mmQTY: (8)NOTE:A collection of caricatures, all with a medical theme.
Westall (Richard, 1765-1836). Telemachus & Mentor, discovered by Calypso on the Shores of her Island, London: Clay & Scriven, 1810, hand-coloured stipple engraving with some etching, by Edward Scriven (1775-1841), some small areas of surface abrasion or loss, margins trimmed, sight size 50.5 x 69.5 cm (19 7/8 x 27 3/8 ins), framed and glazed (59.5 x 78.5 cm), together with Telemachus relating his adventures to Calypso, London: Clay & Scriven, 1810, hand-coloured stipple engraving, by Thomas Williamson (active 1801-1825), some closed tears and minor surface loss, some surface bloom towards lower left, margins trimmed, sight size 50.5 x 69.5 cm (19 7/8 x 27 3/8 ins), framed and glazed (59.5 x 78.5 cm), (unexamined out of frames)QTY: (2)NOTE:Both engravings are rare in this hand-coloured form.
Pictures, to include: A. Dyson, 'Aspirations', limited-edition etching, signed in pencil to margin, 23 x 7.5cm, twentieth-century watercolour landscape, 13 x 35cm, c. 1900 etching depicting a Venetian canal, signed indistinctly in pencil to margin, 31.5 x 24cm, among various other framed prints and pictures. (1 box)
Henry Martin (1835-1908), 'Fishing vessels off St Michaels Mount, with coastline in distance', signed monochrome watercolour, 16.5 x 26.5cm, together with a watercolour 'Rocky Coast' signed E M Salt?, 21.5 x 29cm and an aquatint etching after Claude Rowbotham titled 'View from Ashingdon, Essex', (3).
Clade H Rowbotham 'In Calm Waters', aquatint, signed lower right, framed and glazed, 15.5cm x 20cm together with R Herdman-Smith, 'The Fruit Vendor' and 'A Quiet Game', both signed lower right, framed and glazed, 14cm x 19cm; Henry G Walker, 'Soft Ground', etching, signed lower right, framed and glazed, 22cm x 32cm and further pictures and prints (12)Frames all with surface dents, marks and scratches; Rowbotham print with some slight foxing and discolouration; Herdman-Smith prints with discolouration to the mounts but in good condition; Walker in good condition
A Victorian etching after Walter Dendy Sadler entitled Over The Nuts And Wine, mounted and framed under glass, approximately 34 cm x 45 cm image size, a framed South East Asian print on fabric, floral marquetry panel and a Victorian stoneware water filter marked Lipscombe & Co Carbon Filter 82 Market Street Manchester, approximately 60 cm (h) including cover. [4]
Travel - Huxley (Elspeth), The Sorcerer's Apprentice: A Journey through East Africa, first edition, first impression, London: Chatto and Windus, 1948, illustrated with a map and 32 b/w plates, original dustjacket over terracotta cloth, 8vo, (1); Leipnik (F.L.), A History of French Etching [...], Illustrated with a Frontispiece and One Hundred and Six Reproductions in Photogravure, London: John Lane, The Bodley Head Limited, 1924, original cloth over papered boards, 4to, (1); local interest and angling, (2), [4]
[George Cruikshank (1792-1878)], The Theatrical Atlas, caricaturing Edmund Kean as Shakespeare's Richard III, while supporting the Drury Lane Theatre and its chief shareholder Samuel Whitbread MP, [Dublin]: Pub by M'Cleary 23 Nassau Street, [n.d., 1808-1820], hand-coloured etching, 35cm x 25cm, [1]
Hungary, Budapest - Giovanni Giacomo Rossi (1627-91), Pianta, et assedio delle Cittá di BVDA, é PEST con L’accampamento del / Esercito Cesareo, passo del Danubio, et insigni Vittorie ottenute dal Serenis.mo / Sig. Duca di LORENA, alli.11. e 22. di Luglio. nelle uicinanze di Buda, / sotto il Pontificato di N.S.P.INNOCENTIO XI. l’Anno 1684, etching and engraving on paper, the bird's-eye view with two vertical creases, which are both rubbed and tearing at the top and base, trimmed, 38cm x 48cm, Hogarth-type frame, the paper backing dated 1872, 46cm x 56cm overall, [1]
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71174 item(s)/page