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Click here to subscribeRudolf Werner ACKERMANN (1908 - 1982). 3 Blatt.Maße verschieden. Siehe Fotos. Graphik, wohl Radierung. Je signiert. Versand kann organisiert werden.Rudolf Werner ACKERMANN (1908 - 1982). 3 sheets. Dimensions different. See photos. Graphic, probably etching. Each signed. Shipping can be organised.
A cased set of etching tools purported to have been owned by Thomas Bewick (1753 - 1828), including a handwritten note 'I bought this box of wood engravers tools at the sale of John Hancock’s effects after his death. There was some tradition that they had belonged to Thomas Bewick the wood engraver. J C Richardson', including eight tools, and assorted blocks, the base of the case with hand drawn diagram, a/f, case29.5 by 17 by 7.5cm high.
Jim Dine (American, born 1935)Braid (First State) (Krens/Williams College 148) Etching, 1972, on German Etching paper, signed, dated and numbered 1/46 in pencil (there were also 3 artist's proofs), printed by Maurice Payne, New York, published by Petersburg Press, New York, with the artist's copyright blindstamp, with full margins, framedPlate 895 x 600mm (35 1/4 x 23 5/8in)Sheet 1055 x 781mm (41 5/8 x 30 3/4in)For further information on this lot please visit Bonhams.com
Jim Dine (American, born 1935)A Girl and Her Dog II (Krens/Williams College 37) Etching and embossing with hand-colouring in watercolour, 1971, on J. Green mould-made paper, signed, dated and numbered 12/75 in pencil, printed by Maurice Payne, New York, published by Petersburg Press Ltd., New York, with the artist's copyright blindstamp, with full margins, framedPlate 683 x 540mm (26 7/8 x 21 1/4in)Sheet 895 x 715mm (35 1/4 x 28 1/8in)For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)According to Prescriptions of Ancient Magicians, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 51) Etching, 1966, on Crisbrook handmade paper, signed, dated and inscribed 'I/XXV' in pencil, one of 25 artist's proofs in Roman numerals aside from the numbered edition of 75, printed by Alecto Studios, London, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 348 x 222mm (13 3/4 x 8 3/4in)Sheet 578 x 435mm (18 3/4 x 17 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)In An Old Book, from Illustrations for thirteen poems from C.P. Cavafy (Scottish Arts Council 52) Etching, 1966, on Crisbrook handmade paper, signed, dated and numbered 35/75 in pencil, printed by Alecto Studios, London, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 350 x 227mm (13 3/4 x 9in)Sheet 575 x 398mm (22 5/8 x 15 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)For John Constable (MCA Tokyo 175; Scottish Arts Council 189) Etching with aquatint, 1976, on handmade Crisbrook wove paper, signed and inscribed 'A.P XII/XX', one of 20 artist's proofs aside from the numbered edition of 100, printed by Dany Levy, London, published by Bernard Jacobson Gallery, London, with the artist's blindstamp, with full margins, framedPlate 273 x 349mm (10 3/4 x 13 3/4in)Sheet 382 x 447mm (15 1/8 x 17 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)A Moving Still Life, from The Blue Guitar (MCA Tokyo 195; Scottish Arts Council 216) Etching with aquatint in colours, 1976-77, on wove paper, signed and numbered 173/200 in pencil, published by Petersburg Press, New York and London, with full margins, framedPlate 345 x 425mm (13 5/8 x 16 3/4in)Sheet 458 x 526mm (18 x 20 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Paula Rego R.A. (British, 1935-2022)Goosey-Goosey Gander, from Nursery Rhymes (Rosenthal 51) Etching and aquatint, 1989, on wove paper, signed and inscribed 'A/P' in pencil, one of 14 artist's proofs aside from the numbered edition of 50, printed by Culford Press, London, with their blindstamp, co-published by the artist and Marlborough Graphics, London, with full margins, framedPlate 210 x 226mm (8 1/4 x 8 7/8in)Sheet 520 x 380mm (20 1/2 x 15in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Paula Rego R.A. (British, 1935-2022)Him, from Pendle Witches (Rosenthal 125) Etching and aquatint, 1996, on wove paper, signed and numbered 'A 65/75' in pencil, printed by Culford Press, with their blindstamp, co-published by the artist and Marlborough Graphics, London, with full margins, framed; together with the accompanying De Luxe edition book 'Pendle Witches', signed by the artist and the poet, Blake Morrison, and numbered 65 in pen, published by Enitharmon Press, LondonPlate 163 x 189mm (6 3/8 x 7 3/8in)Sheet 255 x 295mm (18 1/8 x 11 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Prunella Clough (British, 1919-1999)Starlings, from Nine London Birds Sugar-lift etching, 1994, on wove paper, signed and numbered 80/80 in pencil, printed and published by the Byam Shaw School of Art, London, with full marginsPlate 178 x 230mm (7 x 9in)Sheet 305 x 410mm (12 x 16 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Craigie Aitchison (British, 1926-2009)Pink Crucifixion (Peck 42) Etching in colours with carborundum and hand-colouring, 2004, on wove paper, signed and numbered 43/50 in pencil (there were also ten artist's proofs), printed by 107 Workshop, Wiltshire, co-published by Timothy Tayler Gallery and Waddington Galleries, London, the full sheetSheet 762 x 650mm (30 x 25 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Little Cressingham, Norfolk (Levinson 365) Etching and aquatint in colours, 1984, on wove paper, signed and numbered 33/100 in pencil (there were also ten artist's proofs), printed by Kelpra Studio, London, published by CCA Galleries, London, with their blindstamp, with margins, framedPlate 460 x 633mm (18 1/8 x 25in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Etel Adnan (Lebanon, 1925-2021)L'Apocalypse Arabe Etching in colours, 2020, on wove paper, signed, dated and numbered 65/100 in pencil, published by Galerie Lelong & Co., Paris, the full sheet; together with the accompanying book L'Apocalypse Arabe, both housed within the original purple solander boxSheet 295 x 200mm (11 5/8 x 7 7/8 in)Overall 320 x 223 x 30mm (12 5/8 x 8 3/4 x 1 1/4in)(Box)(2)For further information on this lot please visit Bonhams.com
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)Male Nude Seated and Standing (Bartsch 194; New Hollstein 233) Etching, circa 1646, on heavy laid paper, a later impression of New Hollstein's sixth state of eight, with small marginsPlate 194 x 128mm (7 5/8 x 5in)Sheet 210 x 142mm (8 1/4 x 5 5/8in)For further information on this lot please visit Bonhams.com
Etel Adnan (Lebanon, 1925-2021)L'Express Beyrouth-Enfer Etching in colours, 2021, on Arches wove paper, signed, dated and numbered 75/100 in pencil, published by Galerie Lelong & Co., Paris, the full sheet; together with the accompanying book 'L'Express Beyrouth-Enfer', published by Galerie Lelong & Co., Paris, both housed within the original blue solander boxSheet 295 x 195mm (11 5/8 x 7 5/8in)Overall 320 x 225 x 30mm (12 5/8 x 8 7/8 x 1 1/2in)(2)For further information on this lot please visit Bonhams.com
Caio Fonseca (American, born 1959)Quintena Spit-bite, sugar-lift aquatint, soft-ground etching and hand stamping in colours, 2004, on wove paper, signed, dated and numbered 14/50 in pencil, printed and published by Paulson Press, Berkeley, with their blindstamp, with full marginsPlate 733 x 1023mm (28 7/8 X 40 1/4in)Sheet 958 x 1228mm (37 3/4 x 48 3/4in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Rufino Tamayo (Mexican, 1899-1991)Eclipse (Pereda 282) Etching in colours, 1980, on Guarro wove paper, signed and inscribed 'HC11/15' in black crayon, one of 15 hors commerce impressions aside from the numbered edition of 99 (there were also 15 artist's proofs), printed and published by Ediciones Polígrafa, Barcelona, the full sheetSheet 560 x 750mm (22 1/4 x 29 1/2in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Rembrandt Harmensz. van Rijn (Dutch, 1606-1669)Self-Portrait in a Cap and Scarf with the Face dark: Bust (Bartsch 17; New Hollstein 120) Etching, 1633, on heavy laid paper, a later impression of New Hollstein's fourth state (of five), trimmed substantially inside the imageSheet 113 x 70mm (4 1/2 x 2 3/4in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XXII, from Mother and Child (Cramer 692) Etching, 1983, on wove paper, signed, annotated 'PL XXII' and numbered 3/65 in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd., Much Hadham, England, with marginsPlate 225 x 179mm (9 x 7in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Elisabeth Frink R.A. (British, 1930-1993)Lammergeier, from Birds of Prey (Wiseman 115) Etching with aquatint in colours, 1974, on J Green wove paper, signed and numbered 50/50 in pencil, printed by White Ink Ltd., London, with their blindstamp, published by Leslie Waddington Ltd., London, with margins, framedPlate 540 x 465mm (21 1/4 x 18 1/4in)Sheet 925 x 650mm (36 1/4 x 25 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Francisco José de Goya y Lucientes (Spanish, 1746-1828)Se defiende bien, from Los Desastres de la Guerra (Harris 198) Etching with burnished aquatint, drypoint and engraving, 1810, on heavy wove paper, from the first edition, printed by Laurenciano Potenciano, Madrid, published by Real Academia de Nobles Artes de San Fernando, Madrid, with marginsPlate 175 x 215mm (6 7/8 x 8 1/2in)Sheet 238 x 330mm (9 3/8 x 13in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Sir Howard Hodgkin (British, 1932-2017) Red Print (Heenk 91) Etching with carborundum in colours with hand-colouring, 1994, on BFK Rives wove paper, signed with the initials, dated and numbered 44/200 in pencil (there were also ten artist's proofs), printed by 107 Workshop, Wiltshire, the full sheet, loose as issued, within the deluxe edition of the monograph 'Howard Hodgkin' by Andrew Graham-Dixon, published by Thames & Hudson Ltd., London, within the original blue linen slipcase Sheet 218 x 260mm (8 5/8 x 10 1/4in) Volume 275 x 237 x 20mm (10 7/8 x 9 3/8 x 3/4in)(2) This lot is subject to the following lot symbols: AR AR Goods subject to Artists Resale Right Additional Premium. For further information on this lot please visit Bonhams.com
Sir Howard Hodgkin (British, 1932-2017)Early Evening at the Museum of Modern Art, from In the Museum of Modern Art (Heenk 51) Soft-ground etching with hand-colouring in black gouache, 1979, on grey BFK Rives mould-made paper, signed, dated and numbered 45/100 in red crayon (there were also 20 artist's proofs), printed and hand-coloured by Ken Farley and John Hutcheson at Petersburg Studios, New York, published by Petersburg Press, New York, the full sheet, framedSheet 745 x 980mm (29 1/4 x 38 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sean Scully R.A. (Irish, born 1945)Shadowing Etching and aquatint in colours, 2010, on wove paper, signed, titled, dated and numbered 22/50 in pencil, published by Burnet Editions, New York, with their blindstamp, with full margins, framed Plate 457 x 560mm (18 x 22in)Sheet 735 x 785mm (28 7/8 x 30 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Patrick Heron (British, 1920-1999)Morning Reds Etching and aquatint in colours, 1979, on wove paper, signed, dated and numbered 42/50 in pencil, printed by Kelpra Studio, published by Waddington Graphics, London, with wide margins, framedPlate 544 x 687mm (21 3/8 x 27 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
James Jacques Joseph Tissot (French, 1836-1902)Le dimanche matin (Wentworth 72) Etching and drypoint, 1883, on laid paper, from the edition of circa 200 impressions, printed by Delâtre, Paris, with wide margins, framedPlate 400 x 190mm (15 3/4 x 7 1/2in)Sheet 560 x 375mm (22 x 14 3/4in) For further information on this lot please visit Bonhams.com
Georges Braque (French, 1882-1963)One Plate, from La Théogonie d'Hèsiode (Vallier 20b) Etching, 1932, on Van Gelder wove paper, signed in brown pencil, a proof aside from the numbered edition of 50, printed by Galanis for Ambroise Vollard, Paris, with full margins, framedPlate 374 x 297mm (14 3/4 x 11 3/4in)Sheet 532 x 380mm (21 x 15in)For further information on this lot please visit Bonhams.com
Joan Miró (Spanish, 1893-1983)La Biche Chantant la Tosca (Dupin 485) Etching with aquatint and carborundum in colours, 1969, on wove paper, signed and inscribed 'H.C.' in pencil, a hors commerce impression aside from the numbered edition of 75, printed and published by Maeght Éditeur, Paris, the full sheet, framedSheet 585 x 695mm (22 3/4 x 27 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (Spanish, 1893-1983)Chemin de Ronde II (Dupin 412) Etching and aquatint in colours, 1966, on wove paper, signed and inscribed 'HC.' in pencil, a hors commerce proof aside from the numbered edition of 50, printed and published by Maeght Éditeur, Paris, with margins, framedPlate 345 x 265mm (13 5/8 x 10 1/2in)Sheet 566 x 447mm (22 1/8 x 17 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Agostino Veneziano (Italian, circa 1490-circa 1540), after Giulio Romano (Italian, 1499-1546)The young Hercules in his cradle strangling snakes (Bartsch XIV) Engraving, 1533, on heavy laid paper, with thread margins; together with Marco Dente da Ravenna (Italian, 1493-1527) after Marcantonio Raimondi (Italian, circa 1480–before 1534) The Judgment of Paris (Bartsch XIV) Etching, circa 1520, on laid paper, trimmed to the imageEach sheet 219 x 180mm (8 5/8 x 7 1/8in); 285 x 424mm (11 1/4 x 16 3/8in)(2)Footnotes:The work by Marco Dente has been long described as a copy after a print of the same subject by Raimondi (RCIN 851707) and dated between 1520 and 1527. Suggestions have been made that it may have been executed around 1515-16 after the original design by Raphael (see Massari in Raphael Invenit 1985, p.242, II.2).For further information on this lot please visit Bonhams.com
Eduardo Chillida (Spanish, 1924-2002)Enparantza III (Koelen 81006) Etching, 1981, Chine collé on BFK Rives wove paper, signed and numbered 36/50 in pencil (there were also 8 artist's proofs), printed by Taller Hatz, San Sebastian, published by Galería Maeght, Barcelona, with full margins, framedPlate 125 x 176mm (4 7/8 x 7in)Sheet 645 x 500mm (25 3/8 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Graham Sutherland O.M. (British, 1903-1980)Pecken Wood (Tassi 21) Etching, 1925, on laid paper, from the edition of 85, printed by the artist, published by Twenty-one Gallery, London, with trimmed margins, framedPlate 138 x 187mm (5 1/2 x 7 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Eduardo Chillida (Spanish, 1924-2002)Joiki II (Koelen 87004) Etching, 1987, on wove paper, signed and numbered 81/100 in pencil (there were also 27 artist's proofs), printed by Taller Hatz, San Sebastián, published by Polígrafa, Barcelona, with full margins, framedPlate 73 x 63mm (2 7/8 x 2 1/2in)Sheet 560 x 380mm (22 x 15in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sonia Delaunay (French, 1885-1979)Untitled, from La Mysticite Charnelle de Rene Crevel Etching with aquatint in colours, 1976, on wove paper, signed and inscribed 'E.A. 5/10' in pencil, one of ten artist's proofs aside from the numbered edition of 100, printed by Atelier Georges Visat, Paris, published by Éditions Georges Visat, Paris, the full sheetPlate 310 x 230mm (12 1/4 x 9 1/8in)Sheet 382 x 565mm (15 x 22 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Marino Marini (Italian, 1901-1980)Omaggio a Michelangelo (Guastalla 183) Etching and aquatint in colours, 1975, on Rives wove paper, signed and numbered 35/200 in pencil, printed by Crommelynck, Paris, with their blindstamp, published by Studio Bruckmann, Munich, the full sheet, framedPlate 590 x 425mm (23 1/4 x 16 3/4in)Sheet 792 x 595mm (31 1/4 x 23 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Marino Marini (Italian, 1901-1980)Cavaliere (Guastalla A31) Etching, 1950, on wove paper, signed and numbered 48/50 in pencil, printed by the artist, with full margins, framedPlate 177 x 117mm (7 x 4 5/8in)Sheet 282 x 208mm (11 1/8 x 8 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Max Ernst (German, 1891-1976)Lune, from Paroles Peintes (Spies & Leppien 74) Etching with aquatint in colours, 1959, on Chine collé applied onto blue laid paper, signed, numbered 18/56 and inscribed with the artist's hieroglyphics in pencil, published by Les Editions Galerie Diderot, Paris, with margins, framedPlate 273 x 195mm (10 3/4 x 7 3/4in)Sheet 330 x 270mm (13 x 10 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Julian Trevelyan R.A. (British, 1910-1988)Thames Ditton (Turner 227) Etching and aquatint in colours, 1969, on wove paper, signed, titled and inscribed 'Artist's Proof' in pencil (an artist's proof aside from the numbered edition of 75), printed by Geoffrey Beardsall and Dorothea Wight, published by London Graphics, with margins, framedPlate 470 x 350mm (18 1/2 x 13 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Man Ray (American, 1890-1976)La Maine Bleue (Anselmino 100) Etching and aquatint in colours, 1971, on Arches wove paper, signed and numbered 37/100 in pencil, with full marginsPlate 495 x 398mm (19 1/2 x 15 5/8in)Sheet 651 x 505mm (25 5/8 x 19 7/8in)For further information on this lot please visit Bonhams.com
Man Ray (American, 1890-1976)L'Aventure (Anselmino 36) Etching and aquatint in colours, 1972, on Arches wove paper, signed and numbered 45/90 in pencil, printed by Jaques David, Paris, published by Richard Binder Editeur, Brussels, with full marginsPlate 310 x 415mm (12 1/8 x 16 3/8in)Sheet 502 x 660mm (19 3/4 x 26in)For further information on this lot please visit Bonhams.com
David Hockney (British, born 1937)Mo Asleep, 1971 (M.C.A. Tokyo, 116; Scottish Arts Council, 124)eau-forte et aquatinte en noir sur papier vélinsigné, titré et annoté 'A.P.' (mis à part l'édition de 75)publié par Petersburg Press, Londresimprimé par Print Shop, Amsterdamfeuille 89.6 × 70.5cm (35 1/4 x 27 3/4in).etching and aquatint in black on wove papersigned, titled and annotated 'A.P.' (aside from the edition of 75)published by Petersburg Press, Londonprinted by Print Shop, AmsterdamThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Andrew Fairbarn Affleck (1869 - 1935) "Canale San Cauciano", a study of the Florentine canal with figure steering a gondola under a bridge alongside towering canal houses, dry point etching, signed, titled on "The Horner Galleries" label verso, card mounted in ebonised frame under glass, 57 cm x 80 cm overall
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