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RICHARD DIEBENKORN (USA, 1922-93), COLOR ETCHING & AQUATINT, 1986, #7/60, H 12", W 26", 'FOLSOM STREET VARIATIONS III'Signed and dated "RD 86", numbered 7/60. Paper size 26 1/2" x 40", in shades of red, black, yellow and blue. Black wood frame. Color etching and aquatint. Richard Diebenkorn, American, 1922-1993. Label on back: Stephen Haller Fine Arts.Good condition jw- For High Resolution Photos visit Dumouchelles website.
RICHARD DIEBENKORN (USA, 1922-93), ETCHING & AQUATINT, #7/35, H 19 1/2", W 30", 'FOLSOM STREET VARIATIONS II'Grey. Color etching and aquatint. Numbered 7/35. Paper size 26 1/2" x 40", in shades of grey. Initialed and dated in pencil. Black wood frame. Richard Diebenkorn, American, 1922-1993. Stephen Haller Fine Arts label.Good condition jw- For High Resolution Photos visit Dumouchelles website.
RICHARD DIEBENKORN (USA, 1922-93), ETCHING & AQUATINT, 1986, #7/60, H 12 1/2", W 21", 'FOLSOM STREET VARIATIONS I'Black. Signed and dated "RD 86", numbered 7/60. Paper size 25" x 33". Black variation. Black wood frame. Richard Diebenkorn, American, 1922-1993.Good condition jw- For High Resolution Photos visit Dumouchelles website.
* WILFRED CRAWFORD APPLEBY (SCOTTISH b. 1889), GLASGOW ACADEMY etching, signed in pencil, some discolouration to paper 19cm x 29cm Mounted, framed and under glass together with a framed and glazed picture reading 'Notice: No LIquor to be Consumed in this Department', 30.5cm x 26.5cm overall (2)
***PLEASE NOTE AMENDED DESCRIPTION*** OKRA; an iridescent globular glass paperweight, etched marks to base, no.43, approx 7cm and an Okra shell moulded paperweight, height 7cm (2). Please note: Loetz etching to base of globular paperweight is spurious, maker's mark is "NJO" for Nicola Osbourne. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. Please note: Loetz etching to base of globular paperweight is spurious, maker's mark is "NJO" for Nicola Osbourne.
A Victorian officer's sword, with VR cipher to the guard, the blade marked Henry Wilkinson, Pall Mall, London, and another sword and scabbard (damages/loss) (2) Condition report Report by RB The brass guard is slightly loose, the blade has been cleaned at some point, and is heavily greased, the leather scabbard is generally fair, and has been cleaned at some point, although the brass tip section of the scabbard is detached from the main part, no naming or etching to the blade.
A LARGE FOLIO OF BRITISH PRINTS including a collection of etchings by Hugh Stanley White (1904-1984) (c.21)subjects including the Sudan, village high street, boat house, Warwick Castle, Windsor Castle from Eton, the river Congo, Arundel Castle, Sussex, the Gorge, Castle Cambell and other subjects. Skysigns, Trafalgar Square (wood engraving) by Graham Dudley Page, signed and dated 1934. After the Masquerade etched by Paul Rajon after J. L. Gerome. Going to the Park, original etching by John Everett Millais. The Abundance of Egypt, Original etching by William Holman Hunt. Various Sizes (c.25)
Four Fine Antique prints Comprising - Paul Sandby RA (British, 1730-1809), Country landscape etching, approx 17x22½cm, Andrew Geddes (1783-1844), 'The Field of Bannockburn' and 'The Borestone', etching, approx 12x16cm, an indistinctly pencil signed etching depicting Chinese fishing boats, approx 15x21½cm, and a David P. Ramsay pencil signed coloured lithograph depicting a horse and cart, bearing hand written text and label verso, also bears a James Bourlet & Sons Ltd of Mortimer Street, London label verso, no 95483, approx 17x22½cm, all framed (4).
Jean-Baptiste-Camille Corot (French 1796-1875) Environs de Rome 1866 Inscribed lower left on bottom margin Etching on japan paper, 3rd state, unframed 32 x 24cm; 12½ x 9½in (plate size) With an uuframed etching by André Dunoyer de Segonzac (2) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent
‡ Eileen Alice Soper R.M.S. (1905-1990) The See-Saw, 1922 Etching, edition 314 11 x 17.5cm; 4¼ x 7in Provenance: Chris Beetles, London The estate of George & Eileen Soper Literature: Catalogue Raisonne of the etchings of George and Eileen Soper, No. 44 Exhibited: Abbey Gallery 1927, No. 124 ++Some very light staining and discolouration

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78391 item(s)/page