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Click here to subscribeδ Salvador Dalí (1904-1989)Vision of Venice (Gondola) (Field 76-2-b; see M&L 846)Etching printed in sanguine, 1976, signed in pencil, numbered from the edition of 99, published by Graphos Verlag/Artzesammlerskreis, Germany, on wove paper, with full margins, sheet 250 x 450mm (9 7/8 x 17 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 114 mm (3 5/8 x 4 1/2 in), trimmed to or just within the platemark, faint creasing, minor spot in the upper right corner, small nick to lower edge but repaired verso (unframed)Literature:Bartsch 39 ii/ii; New Hollstein 128 iii/iv
Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark, platemark sheet 160 x 80 mm (6 1/4 x 3 1/4 in), sheet 166 x 190 mm (6 1/2 x 7 1/2 in), narrow margins (unframed)Literature:Bartsch 200; New Hollstein 309 ii/ii
** Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid paper without watermark, printing with plate tone and wiping marks, the dots present but before further re-work, platemark 113 x 67 mm (4 1/2 x 2 5/8 in), sheet 116 x 69 mm (4 5/8 x 2 3/4 in), thread margins, mounted on very fine tissue (unframed)Literature:Bartsch 179; New Hollstein 49 iii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Marcel Duchamp (1887-1968) and André Breton (1896-1966)Boîte Alerte: Missives LascivesThe multiple, 1959, comprising a collection of letters, catalogues, objects, postcards, and original signed and numbered graphic works (lacking the lithograph by Joan Miró (Mourlot 195)), stamp numbered from the edition of 200 on the underside of the lid, housed within the original green paper covered cardboard box designed to look like a French post-box, overall size 278 x 190 x 70mm (11 x 7 ½ x 2 ¾ in)The present lot contains the following items:The Catalogue for the exhibition.8 Missives lascives by Micheline Bounoure, Alain Joubert, Joyce Mansour, Robert Benayoum, Octavio Paz, André Pieyre, Mimi Parent (a black silk stocking in an envelope with transparent window), and one anonymous.A telegram on pink paper by Marcel Duchamp writing as Rrose Sélavy to André Breton - A vinyl 45 rpm two-sided record with recordings of poems by Joyce Mansour and Benjamin Peret - 6 colour postcards of works by Bellmer, Dali, Gorky, Miro, Svanberg, and Clovis Trouille.3 original signed and numbered lithographs by Adrien Dax, Marie Toyen, Max Walter Svanberg; and an original signed and numbered etching by Jacques Le Marechal.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Virgin and Child with the Cat and the SnakeEtching, 1654, a very good but later impression of New Hollstein's final state (of four), on cream laid paper without watermark, platemark 96 x 144 mm (3 3/4 x 5 5/8 in), sheet 106 x 154 mm (4 1/8 x 6 in) (unframed)Literature:Bartsch 63; New Hollstein 278 iv/iv
δ Pablo Picasso (1881-1973)Tête d'homme à la pipe (Bloch 23)Etching, 1912, signed in pencil, from the edition of 100, published by Edition Henry Kahnweiler, Paris, 1912, on wove paper, with wide margins, sheet 252 x 217mm (9 7/8 x 8 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, on fine laid paper without watermark, platemark 94 x 63 mm (3 3/4 x 2 7/8 in), sheet 100 x 68 mm (3 7/8 x 2 5/8 in), minor spotting, printers' crease visible in the upper left corner (unframed)Literature:Bartsch 26; New Hollstein 210 iii/iii
δ Pablo Picasso (1881-1973)347 Series Untiled (Bloch 1725)Etching, 1968, signed in pencil, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on wove paper, with full margins, sheet 455 x 325mm (12 ¾ x 17 ¾in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Le Cheval de Picasso, from Petits nus Ronsard (not in Field; see M&L 249)Etching with hand-colouring in watercolour, 1968, signed and dated in pencil, from the edition of 95, published by P. Argillet, Paris, on Japon paper, with the artist's signature blindstamp, with full margins, sheet 377 x 284mm (14 7/8 x 11 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Femme nue se couronnant de Fleurs, from La Suite Vollard (Bloch 135)Etching, 1930, signed in pencil, from the edition of 260, published by Vollard, Paris, with their watermark, on laid paper, with full margins, sheet 450 x 340mm (17 3/4 x 13 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove paper support, a well inked dark impression with Lamoureux's address in the lower right corner, still showing remnants of the coarsely burnished address of Justus Danckerts, platemark 534 x 410 mm (20 3/4 x 16in), sheet 740 x 590 mm (29 1/4 x 23 1/4 in), very wide margins (unframed)Literature:New Hollstein 119 viii/viii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, platemark 108 x 80 mm (4 1/4 x 3 1/8 in), sheet 130 x 97 mm (4 5/8 x 3 1/2 in), minor surface dirt (unframed)Literature:Bartsch 141; New Hollstein 144 vii/vii
Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New Hollstein's second state (of two), on cream laid paper without watermark, platemark 93 x 145 mm (3 5/8 x 5 3/4 in), sheet 104 x 155 mm (4 1/8 x 6 1/8 in) (unframed)Literature:Bartsch 64; New Hollstein 281 ii/ii
δ Marc Chagall (1887-1985)Joshua Stops the Sun (See Cramer 30)Etching with extensive handcolouring in watercolour, 1958, initialled in pencil, numbered from the edition of 100, as included in the hand-coloured bible, published by Tériade, Paris, on Arches paper, with full margins, sheet 530 x 390mm (21 x 15 ½in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Ringball Player ('The Golf Player')Etching, 1654, but a later impression of the the second state (of two), printing with plate tone on cream laid paper without watermark, platemark 95 x 144 mm (3 3/4 x 5 5/8 in), sheet 105 x 152 mm (4 1/8 x 6 in) (unframed)Literature:Bartsch 125; New Hollstein 282 ii/ii
Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh') (Pieter Haaringh)Etching with drypoint, 1655, but a later impression from the cut plate, New Hollstein's fifth state (of 5), on thick cream laid paper without watermark, platemark 118 x 105 mm (4 5/8 x 4 1/8 in), sheet 127 x 112 mm (5 x 4 1/2 in), faint water damage visible verso (unframed)Literature:Bartsch 275; New Hollstein 292 v/v
Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (of five) on thick cream laid paper without watermark, platemark 200 x 150 mm (7 7/8 x 5 7/8 in), sheet 205 x 155 mm (8 x 6 1/8 in) (unframed)Literature:Bartsch 276; New Hollstein 293 v/v
Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid paper without watermark, platemark 80 x 158 mm (3 1/4 x 6 1/4 in), sheet 89 x 165 mm (3 1/2 x 6 1/2 in) (unframed)Literature:Bartsch 205; New Hollstein 308 vi/vi
Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, but a later impression of New Hollstein's final state (of four), on laid paper without watermark, platemark 180 x 210 mm (7 1/4 x 8 1/4 in), sheet 192 x 222 mm (7 1/2 x 8 5/8 in), minor spotting and faint water damage, light toning in places (unframed)Literature:Bartsch 98; New Hollstein 186 iv/iv
James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, platemark 160 x 120 mm (6 1/4 x 4 3/4 in), sheet 220 x 160 mm (8 5/8 x 6 1/4 in), exposure lines and toning to sheet margins, faint creases to upper right quadrant and upper left, other minor handling creases and surface dirt, small loss to extremity of lower edge but well outside the image (unframed)Literature:Kennedy 32 ii/ii; MacDonald 37 iii/iii⁂ Intimate portrait of the artist's half-sister, Deborah Delano Haden, née Whistler, the wife of the artist Francis Seymour Haden.
Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, platemark 151 x 127 mm (6 x 5 in), sheet 160 x 132 mm (6 1/4 x 5 1/4 in), scattered spotting and faint water damage (unframed)Literature:Bartsch 365; New Hollstein 157 ii/ii
Giovanni Benedetto Castiglione (1609-1664) Five head studies, from the series of 'Large Oriental Heads' Etchings, circa 1645-1650, all good well inked impressions on various laid papers, the etching 'Bearded head full-face in shadow' with a watermark of postal horn within crowned armorial device, the portrait traditionally identified as Lorenzo Bernini without watermark but paper appears "early" albeit trimmed just within the the platemark at lower edge, the other 3 on slightly thicker cream laid papers without watermarks, each platemark approx. 180 x 150 mm (7 x 5 3/4 in), some spotting and surface dirt (unframed) Literature: cf. Bartsch 48-53; Bellini 41-45
Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of New Hollstein's sixth state (of six), on cream laid paper without watermark, platemark 181 x 217 mm (7 1/4 x 8 1/2 in), sheet 190 x 225 mm (7 1/2 x 8 7/8 in) (unframed)Literature:Bartsch 94; New Hollstein 312 vi/vi
Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final state (of seven) on cream laid paper without watermark, platemark 210 x 160 mm (8 1/4 x 6 1/4 in), sheet 218 x 168 mm (8 1/2 x 6 5/8 in) (unframed)Literature:Bartsch 270; New Hollstein 270 vii/vii
** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paper without watermark, before re-working to the shadows and arch, platemark 167 x 130 mm (6 5/8 x 5 1/8 in), sheet 170 x 134 mm (6 5/8 x 5 1/4 in), minor spotting and browning, small margins with rounded corners but not effecting the plate (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Giovanni Benedetto Castiglione (1609-1664)The Nativity with God the Father, the Dove of the Holy Spirit and Two AngelsEtching, circa 1647, a very good impression on thick laid paper with watermark of fleur-de-lis within a circle, sheet 298 x 203 mm (11 3/4 x 8 in), trimmed to platemark with thread margin to left and upper edge, scattered spotting, minor surface dirt, tipped at upper corners onto old paper support (unframed)Literature:Bartsch 11
δ Salvador Dalí (1904-1989)The beloved feeds among the lillies (Field 71-17J; M&L 477)Etching printed in colours with gold dust, 1971, signed and numbered from the edition of 250 in pencil, published by Leon Amiel, New York, on Arches paper, with margins, plate 400 x 245mm (15 3/4 x 9 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermark, platemark 132 x 102 mm (5 1/4 x 4 1/8 in), sheet 146 x 115 mm (5 3/4 x 4 1/2 in), old folds to edges (unframed)Literature:Bartsch 17; New Hollstein 120 iv/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on laid paper with large Strasbourg Lily watermark, trimmed within platemark at the lower, left and right edges, the upper corners present, sheet approx. 365 x 255 mm (14 1/2 x 10 in), small tear to upper right edge, horizontal drying crease, some minor surface dirt and spotting (unframed)Literature:Bartsch 73; New Hollstein 113 v/ix
Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without watermark, sheet 136 x 124 mm (5 1/4 x 4 3/4 in), trimmed to or just within the platemark, each of the corners slightly cropped diagonally, some spotting and minor toning to the sheet (unframed)Literature:Bartsch 263; New Hollstein 85 v/vProvenance:Property of a Lady, Gloucestershire, UK
** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scratch between the couple, faint burr on the contour of the woman's back, on laid paper without watermark, platemark 78 x 66 mm (3 1/16 x 2 5/8 in), sheet 82 x 70 mm (3 1/4 x 11 1/16 in), small margins rounded in each corner but not effecting the plate margins (unframed)Literature:Bartsch 164; New Hollstein 45 ii/iii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Marc Chagall (1887-1985)Le Couple sur le cheval (see Cramer 107)The original copper plate for the editioned etching, 1980, published by Gérald Cramer, together with a printer's proof in black aside from the edition of 30, overall 400 x 300mm (15 3/4 x 11 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) afterIllustration from Amitiés de MontmartreEtching, 1949, signed in ink, from the edition of 85, published by François Bernouard, Paris, on wove paper, with full margins, sheet 267 x 330mm (10 1/2 x 13in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark, platemark 105 x 48 mm (4 1/8 x 1 7/8 in), sheet 109 x 50 mm (4 1/4 x 2 in), minor spotting (unframed)Literature:Bartsch 168; New Hollstein 40 ii/ii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a well inked impression of New Hollstein's final state (of three), printing with plate tone on laid paper without watermark, platemark 115 x 80 mm (4 1/2 x 3 1/8 in, sheet 117 x 83 mm (4 5/8 x 3 1/8 in), small margins, small repair to lower right edge (only visible when backlit), minor spotting and browning (unframed)Literature:New Hollstein 48 iii/iii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove paper without watermark, platemark 91 x 83 mm (3 5/8 x 3 1/4in), sheet 100 x 90 mm (3 7/8 x 3 1/2in) (unframed)Literature:Bartsch 136; New Hollstein 193 v/v
James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), printing with plate tone on thin Chinese laid paper, platemark 130 x 95 mm (5 1/8 x 3 3/4 in), sheet 194 x 152 mm (7 5/8 x 6 in), very faint toning within margins (unframed)Literature:Kennedy 30; MacDonald 32 iii/iii
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate and faint strokes and details largely still present, on laid paper with partial indistinct watermark, platemark 150 x 114 mm (5 7/8 x 4 1/2 in), sheet 154 x 120 mm (6 x 4 3/4 in), some spotting and minor surface dirt, expert repair to upper right corner, fine split (0.5 mm) to upper left edge (unframed)Literature:Bartsch 72; New Hollstein 206 i/ii
δ Joan Miró (1893-1983)Espiru Miró (Dupin 871)Etching with aquatint and carborundum printed in colours, 1975, signed in pencil, numbered from the edition of 50, printed by J.J. Torralba, published by Sala Gaspar, Barcelona, on Guarro wove paper, with the publisher's blindstamp, the full sheet printed near to the edges, sheet 890 x 702mm (35 x 27 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Nude Man Seated on the Ground with One Leg ExtendedEtching and drypoint, 1646, but a later impression of New Hollstein's final state (of 3), on cream laid paper without watermark, platemark 100 x 168 mm (3 7/8 x 6 1/2 in), sheet 108 x 178 mm (4 1/4 x 7 in) (unframed) Literature:Bartsch 196; New Hollstein 234 iii/iii
Herbert Dicksee etching WHERE IS MASTER: The Terrier of Edward VII, Ceaser. Measuring 40cm x 58cm excluding mount and frame. Published by Frost & Reed circa 1911, exhibited at the R.A no. 1422, described as very rare. Vendor refers to this item as HD11803 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching DISTURBED: Lioness looking back over shoulder guarding cubs. Measuring 42cm x 72cm impressed area only, excluding outer margin. Published by Frost & Reed circa 1922 in a limited edition of 325 artist proof's on vellum, and plate destroyed, exhibited at the V.A. in 1925 no. 1062, described as rare. Vendor refers to this item as HD30205 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching BEAR OF THE NORTH: Measuring 47cm x 72cm excluding mount and frame. Published by Frost & Reed 1927 in a limited edition of 100 and plate to be destroyed, exhibited at the R.A. no.1165, described as very rare. Vendor refers to this item as HD50103 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching THE ALARM signed proof on vellum: Alert lion with lioness & cub behind. Measuring 49.5cm x 76cm excluding mount and frame. Published by Frost & Reed 1918, exhibited at the RA also 1918. Vendor refers to this item as HD30217. Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee drypoint etching ALSATIANS: Measuring 35.5cm x 47cm excluding mount. Published by Frost & Reed circa in a limited edition of 150 signed artist's proofs, and exhibited at the R.A. no. 1064 Vendor refers to this item as HD10901 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching Clouds have a Silver Lining: Measuring 45cm x 58cm excluding mount and frame. Published by the Fine Arts society, vendor states this item is rare, circa 1902/04, and refers to this item as HD11103. Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching MATERNAL CARE: The Lioness and her Cub by a pool or river. Measuring 55cm x 74cm frame. Published by Frost & Reed in 1899. Vendor refers to this item as HD30211 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching FOOTSTEPS signed proof on vellum limited run of 325: West Highland White Terrier sitting, with lying Scottish Terrier behind. Measuring 35cm x 64cm excluding mount and frame. Published by Frost & Reed 1926. Vendor refers to this item as HD11904 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching LUCKY DOG: Girl sitting on step and patting dogs head, with 6 ducks waiting to be fed. Measuring 50cm x 36cm excluding mount and frame. Published by Frost & Reed date unknown, described as rare. Vendor refers to this item as HD11801 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
Herbert Dicksee etching THE FIRE WORSHIPERS: Showing a King Charles Spaniel and Deerhound. Printed by Frost and Reed in 1906, but originally printed in 1899 by C. E. Clifford and Co. It was exhibited at the Royal Academy in 1899, no. 1515. It is not only a Deerhound but HD's own dog, Sir Brian Measuring 43cm x 56cm excluding mount. Vendor refers to this item as HD10711 Please note - we are unable to ship this due to it's size and the fragility of the glass - collect or courier only.
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