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After Robert Herdman-Smith (1872-1945) - The Rickshaw - coloured etching, signed in pencil to the margin, 18cm by 12cm; A watercolour sargent major Jo Kamanda, court messenger, a Chinese watercolour a colour coloured etching depicting a geisha. (4) ? which is the 3rd picture?

After Pierre Auguste Renoir (1841-1918) "Le Chapeau Epingle""Sur la plage a Berneval"Etching, 12cm by 9cm and 13.5cm by 9.5cm respectively (2)

Harold Wyllie (1880-1973)Clipper off the coastSigned in pencil and numbered 15/100, etching, 19cm by 35cm; together with two works after Rowland Langmaid (1897-1956), "Bound South" and "The Endeavour" (3)

Corinna Button In a Dream, 2023 Collage, acrylic, graphite and oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Helen Fay Trees, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Melanie Bellis Urban Scene II, 2023 Etching on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Melanie's work focuses on urban and industrial landscapes, and the man-made structures that populate them. Her drawings and prints explore architecture in all its forms, derelict sites from our industrial past, well-known buildings of our time, and new developments under construction. The underlying theme in her work is change and the way we constantly develop and reshape our surroundings. Education Melanie was trained in Fine Art Printmaking at Doncaster College then Norwich School of Art. Select Exhibitions/Awards Melanie's work has been exhibited across the UK and internationally, including being selected several times for the Royal Academy Summer Exhibition. Her work is held in a number of collections, including the Ashmolean Museum in Oxford, and the V&A and British Museums in London. She was elected to the Royal Society of Painter Printmakers (RE) in 2017. Gallery Representation Bankside Gallery, London Statement about AOAP Submitted Artwork The two works feature small studies of an urban landscape near Brick Lane in London. They are sections taken from a larger etching made on steel. Melanie uses steel for its gritty and industrial feel, creating images with a dark and brooding atmosphere. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Helen Fay Moon, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Melanie Bellis Urban Scene I, 2023 Etching on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Melanie's work focuses on urban and industrial landscapes, and the man-made structures that populate them. Her drawings and prints explore architecture in all its forms, derelict sites from our industrial past, well-known buildings of our time, and new developments under construction. The underlying theme in her work is change and the way we constantly develop and reshape our surroundings. Education Melanie was trained in Fine Art Printmaking at Doncaster College then Norwich School of Art. Select Exhibitions/Awards Melanie's work has been exhibited across the UK and internationally, including being selected several times for the Royal Academy Summer Exhibition. Her work is held in a number of collections, including the Ashmolean Museum in Oxford, and the V&A and British Museums in London. She was elected to the Royal Society of Painter Printmakers (RE) in 2017. Gallery Representation Bankside Gallery, London Statement about AOAP Submitted Artwork The two works feature small studies of an urban landscape near Brick Lane in London. They are sections taken from a larger etching made on steel. Melanie uses steel for its gritty and industrial feel, creating images with a dark and brooding atmosphere. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Cliona Doyle Paeony II, 2023 Etching and Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Cliona Doyle was born in Dublin in 1968. She studied fine art at National College of Art and Design, Dublin. She received an Honours Degree in fine art in 1991. Since then Cliona has been a member of the Graphic Studio Dublin and has exhibited widely at home and abroad. Her work has been exhibited in the following Institutions - The National Gallery, Dublin, The Hugh Lane Gallery, Dublin, The Chester Beatty Library, Dublin, The Royal Hibernian Academy, Dublin. Her work is in many public and private collections. Cliona was a director of the Graphic Studio, Dublin (2005-2009). She teaches etching classes and drawing workshops. Education National College of Art and Design, Select Exhibitions/Awards Selected Solo Exhibitions 2012 "The Orchard" The Droichead Arts Centre 2018 "The Art of Perfume" So Fine Art Editions 2018 "Bower" The Graphic Gallery Dublin Two-Person Exhibitions 1996 Exhibition with Mary Rose O'Neill at the Original Print Gallery, Dublin. 2000 "Into the Garden" The Mullingar Arts Centre. 2000 Exhibition with Jessica Grehan at The Print Room. Selected Group Exhibitions 2004 Blooming Fields of Ireland , Origin Gallery, Dublin. 2006 "Gardens of Earthly Delight", The Chester Beatty Library 2007 Royal Hibernian Academy Annual Exhibition 2008 " Revelation", The National Gallery, Ireland 2010 Yeats and the Golden Age of Print, Sligo Art Gallery 2011 Royal Hibernian Academy Annual Exhibition 2013 " A Natural Selection" at The Botanic Gardens, Glasnevin 2014 Variations on a Theme II, Graphic Studio Gallery 2015 Flowing Forms, Visitors Centre Gallery, Botanic Gardens 2016 RHA Hibernian Academy Annual Exhibition 2017 Another Bite of The Cherry, National Botanic Gardens 2019 Water Colour Society of Ireland Annual Exhibition   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Cliona Doyle Paeony Rose, 2023 Etching on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Cliona Doyle was born in Dublin in 1968. She studied fine art at National College of Art and Design, Dublin. She received an Honours Degree in fine art in 1991. Since then Cliona has been a member of the Graphic Studio Dublin and has exhibited widely at home and abroad. Her work has been exhibited in the following Institutions - The National Gallery, Dublin, The Hugh Lane Gallery, Dublin, The Chester Beatty Library, Dublin, The Royal Hibernian Academy, Dublin. Her work is in many public and private collections. Cliona was a director of the Graphic Studio, Dublin (2005-2009). She teaches etching classes and drawing workshops. Education National College of Art and Design, Select Exhibitions/Awards Selected Solo Exhibitions 2012 "The Orchard" The Droichead Arts Centre 2018 "The Art of Perfume" So Fine Art Editions 2018 "Bower" The Graphic Gallery Dublin Two-Person Exhibitions 1996 Exhibition with Mary Rose O'Neill at the Original Print Gallery, Dublin. 2000 "Into the Garden" The Mullingar Arts Centre. 2000 Exhibition with Jessica Grehan at The Print Room. Selected Group Exhibitions 2004 Blooming Fields of Ireland , Origin Gallery, Dublin. 2006 "Gardens of Earthly Delight", The Chester Beatty Library 2007 Royal Hibernian Academy Annual Exhibition 2008 " Revelation", The National Gallery, Ireland 2010 Yeats and the Golden Age of Print, Sligo Art Gallery 2011 Royal Hibernian Academy Annual Exhibition 2013 " A Natural Selection" at The Botanic Gardens, Glasnevin 2014 Variations on a Theme II, Graphic Studio Gallery 2015 Flowing Forms, Visitors Centre Gallery, Botanic Gardens 2016 RHA Hibernian Academy Annual Exhibition 2017 Another Bite of The Cherry, National Botanic Gardens 2019 Water Colour Society of Ireland Annual Exhibition   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Corinna Button Now It's My Turn IV, 2023 Oil and mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Corinna Button From A Distance, 2023 Oil and mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Helen Fay Tangle, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Corinna Button 1N Transit II, 2023 Oil and mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Helen Fay Night, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Bruce Onobrakpeya (Nigéria, né en 1932)Life in Aravbarie, Oba Aka I (deux oeuvres) (i) Life in Aravbarie1981signé, daté et situé 'Bruce Onobrakpeya Lagos 1981' en bas à droite et titré et numéroté 'Life in Aravbarie 1/30' en bas à gaucherelief en métal monté sur panneau de boissigned, dated and situated 'Bruce Onobrakpeya Lagos 1981' lower right and further titled and numbered 'Life in Aravbarie 1/30' lower left metal etching, mounted on board 61 x 87 cm. (24 x 34 1/4in.)(ii) Oba Aka I1980signé, daté et situé 'Bruce Onobrakpeya Lagos February 1980' en bas à droite et titré et numéroté 'Oba Aka 9/20' en bas à gauchegravure sur papier (base argentée)signed, dated and inscribed 'Bruce Onobrakpeya Lagos February 1980' lower right and further titled and numbered 'Oba Aka 9/20' lower left deep etching (silver brown base)68 x 50 cm. (26 3/4 x 19 11/16in.)Footnotes:ProvenanceCollection privée, FranceFor further information on this lot please visit Bonhams.com

Pablo Picasso (1881-1973) Etching on Montval Paper, titled 'Deux Modeles Vetus' (Two Dressed Models); Plate 42 from 'La Suite Vollard' 1933. Pencil signed along the lower right. T J Vollard Watermark.

A drypoint etching of the Blue Mosque, Istanbul, 15x18cm, together with one other possible Hagia Sophia, 8x12cm, and a further print of a Parisian street, 16x20cm

William Douglas Macleod (1892-1963), 'The Working Donkey', drypoint etching, signed in pencil, 17x30.5cm

Herbert Gordon Warlow (1885-1942), camel rider in the desert, drypoint etching, signed and numbered 8/50, 12.5x25cm

A screen print of a country house, 24.5x31cm, inscription on back 'Summer 1975 Etching by Mary Dunne (1/6) from a sketch made out of the window at Compton Pauncefort Manor'

'Neighbours', Lucy Dawson, Collins 1946; together with after Lucy Dawson, etching of two terriers, signed and titled, 11x11cm

Jo Barry RE (British, b.1944)'Summer's Drowsy Bed', coloured etching, 44/150, 2 3/8 x 2 ¾in. (6 x 7cm.), framed 7 ½ x 7 ¼in. (19 x 18.4cm.); together with an oil on board of a Guernsey cottage by Kevin Le Huray, signed 'KLH 1989'; and two small Continental etchings. (4)

J L BorehamHarbour SceneWatercolourSigned Together with an etching after E.J. Maybery of Eros in Picadilly, London, an H T Wykes watercolour, snipe shooting print, a reverse painting on glass, Working Springer print, John Allison watercolour and another print

ROBERT HOUSTON Larchfield School, signed, etching, 19 x 32cm,WILLIAM WALCOT Venice, signed, etchings,J CAMPBELL Yachts, and three others (7) Condition Report:Available upon request

WILLIAM L WYLLIE RA Running home in time, signed, etching, 19 x 24.5cm Condition Report:Available upon request

JOHN HOUSTON (SCOTTISH 1930-2008) POPPIES Etching, signed lower right, dated 1993, numbered 24/60 Condition Report:Available upon request

Walter James 3rd Baron Northbourne (1869-1932) Wooded Landscape, signed lower right, trial proof etching, 40.5 x 32 cm (PL), frame 59 x 46 cm

Kenneth Holmes (1902-1994) Mdina, signed lower right, numbered 53/100 lower left, etching, 10.5 x 30 cm (PL), frame 24 x 41 cm, together with a further etching of Valetta Harbour, Malta, numbered 63/100 by the same hand, a pair (2)

AFTER WINIFRED AUSTIN "Oyster catchers" black and white etching, signed in pencil to margin 19 cm x 26.5 cm, another "Carrion crows roosting" signed in pencil lower right 26.5 cm x 19.5 cm and "Hares" signed lower right 20 cm x 26 cm

GLASGOW SCHOOL OF ART DIPLOMA; a rolled black and white etching after Allan Mainds, with blind stamp lower left and facsimile signatures, 66 x 51cm, hand inscribed 'Muriel F. Baxter Drawing & Painting 1918.19'.

John Roberts (Welsh 1923-2003), abstract study 'Robert Meyrick', coloured etching, signed in pencil and dated 1961. 25 x 18cm approx. Framed and glazed. (B.P. 21% + VAT)

A collection of framed artworks to include C19th oil on canvases, still life, A collection of pictures and prints to include three C19th etching prints, small watercolour in circular mount and a pen and ink landscape indistinctly signed. Pair of C18th style silk cushion covers in glazed ebonised frames, overall 67cmsquare

Terruella, Spanish School, C19th/C20th, four etching prints of Bull fighting scenes, and a hand coloured etching print of a military scene and a framed print of C19th Military costumes

A set of four oriental etching prints

A set of four coloured photographic prints, titled Bachelors Hall, printed by FC Turner, and drawn by Thomas Fairland 41 x 51cm ; and an etching print, of Partridge Shooting in a partial gilt glazed frame, 31 x 71cm

Etching print, titled Mr Foxes Christmas Breakfast on Christmas day, good colour 34 x 70cm

TREVOR FRANKLAND (British 1931-2011). A collection of 34 studies. Mostly drawing but also an etching and some paintings. The centre picture is a completed painting of a student or maybe RAF airman cleaning something at a sink. Probably made while a student at Birkenhead. H.34 W.23cm (largest)

TREVOR FRANKLAND (British 1931-2011). Etching. Edition of 75 copies. This one is 40/75 and printed on high quality heavy paper. Signed lower right.

TREVOR FRANKLAND (British 1931-2011). Etching. Edition of 75 copies. This one is 41/75 and printed on high quality heavy paper.

A collection of eight cards addressed to Trevor and Dorothy Frankland. A mix of etching, lithograph, woodcut and collage. The collage is from 'Linda and Peter' -probably Linda and Peter Green. The largest of the measures H.24 W.18cm. From the Trevor Frankland collection.

TREVOR FRANKLAND (British 1931-2011). Etching print. Edition of 75 copies. This one is 32/75 and printed on high quality heavy paper. Signed lower right.

TREVOR FRANKLAND (British 1931-2011). Etching print. Edition of 75 copies. This one is 34/75 and printed on high quality heavy paper. Signed lower right.

TREVOR FRANKLAND (British 1931-2011). Etching print. Edition of 75 copies. This one is 35/75 and printed on high quality heavy paper. Signed lower right.

Hand coloured etching. Artist unknown. H.50 W.31.5cm From the Trevor Frankland collection.

Etching. A.P (Artists' Proof). Titled 'Riders of the Apocalypse' with 'For Trevor and Dorothy Christmas 2009' written in pencil beneath. Artist unknown. H.44.5 W.60cm Collection of Trevor Frankland.

TREVOR FRANKLAND (British 1931-2011). Etching print. Edition of 75 copies. This one is 36/75 and printed on high quality heavy paper. Signed lower right.

Etching titled ‘The Long Walk’ and signed in pencil. H.62.5 W.48cm Collection of Trevor Frankland.

Linda Sutton. ‘Orpheus and Eurydice’. Etching. Proof copy. Signed ‘Linda Sutton. June 1983’. H76 W.56.5cm Provenance: from the collection of Trevor Frankland.

TREVOR FRANKLAND (British 1931-2011). Etching. Edition of 75 copies. This one is 37/75 and printed on high quality heavy paper. Signed lower right.

W. L. WYLLIE 1851-1931: PANORAMIC VIEW OF LONDON WITH ST. PAUL'S AND THE SHOT TOWER etching, signed, modern frame (paper browned)

W.L. WYLLIE 1851-1931: HAULING IN THE NETS ON UPGANG BEACH, WHITBY etching, signed, modern frame (paper browned)

MICHAEL EDWARDS, FARM LABOURERS near Ely, woodblock print, 1978, 44 x 37 cm a coloured etching of a river scenes, with an engraving of Bury Abbey Gateway, 1804, a pen and watercolour of a pub and

FISHING BOATS AT LOW TIDE hand coloured etching, 64 x 51 cms, with an Inuit stone cut print, Butchering walruses, 1967

JOHN BRUNSDEN 1933 - 2014: 'DORSET SUMMER' aquatint etching 2/150 sheet 56 x 79cm, plus frame

After Herbert Thomas Dicksee,French Bulldog, coloured etching, plate 28.5x22cm;and another of a French Bulldog resting,plate measures 7x15.5cmQty: 2

Stanley Eades, St Pauls Cathedral, coloured etching, signed in pencil, plate 68x42.5cm;and Camille Fonce, 'The Screen', coloured etching on vellum, signed in pencil,plate 63.5x49cm.Qty: 2

Jan Mankes (1889-1920)Mice, etching 19.5x14.5 cm

Jan Mankes (1889-1920)Horse, etching 11.5x16 cm

Jan Mankes (1889-1920)2 mice, etching 6x9 cm