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Bernard Eyre-Walker, 'Skiddaw', a mountain in the Lake District, etching, inscribed and signed in pencil, 10.75" x 15.5", (27.5x39.5cm).

Albany E. Howarth, 'Venice', Palazzo Dario, etching, with blind stamp, signed in pencil, 15.5" x 8", (39x20.5cm).

William Lionel Wyllie (1851-1931) British, London Bridge, etching, signed in pencil, plate size 6.25" x 14.75" (16 x 37.5cm), Walkers Galleries, Bond Street label verso.

Man Ray (American, 1890-1976)Symphony (Anselmino 11) Etching and aquatint in colours, 1973, on Arches wove paper, signed with the artist's monogram and numbered 99/99 in pencil, with margins, framedPlate 472 x 319mm (18 5/8 x 12 5/8in)Sheet 746 x 549mm (28 3/8 x 21 5/8in)For further information on this lot please visit Bonhams.com

Robert Motherwell (American, 1915-1991)Untitled (Belknap 105; Engberg & Banach 134) Etching and aquatint, 1973, on Arches wove paper, signed and numbered 36/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Catherine Mosley at the artist's studio, Greenwich, Connecticut, co-published by the artist and Dain-Schiff Gallery, New York, with full margins, framedPlate 900 x 604mm (35 3/8 x 23 3/4in)Sheet 1054 x 748mm (41 1/2 x 29 1/2in)For further information on this lot please visit Bonhams.com

Ben Nicholson O.M. (British, 1894-1982)Moonshine (Lewinson AC53) Etching, 1966, on wove paper, signed, dated and numbered 9/50 in pencil, published by Galerie Beyeler, Basel, with Lafranca's blindstamp, with full margins, framedPlate 195 x 250mm (7 3/4 x 9 7/8in)Sheet 321 x 375mm (12 1/2 x 14 3/4in)Footnotes:This etching was created using a plate which had previously been used to print the 1948 drypoint 'I.C.I.shed' (Lewinson AC23).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Blowing up the Pic Nic's; -or- Harlequin Quixotte attacking the puppets. Vide Tottenham Street pantomine (BM 9916) Etching with aquatint and hand-colouring, 2nd April 1802, on wove paper, published by Hannah Humphrey, London, with narrow margins, framedPlate 350 x 252mm (13 3/4 x 9 7/8in)Sheet 352 x 270mm (13 7/8 x 10 5/8in)For further information on this lot please visit Bonhams.com

Damien Hirst (British, born 1965)To Belong - Butterfly Etching in colours, 2008, on wove paper, signed and numbered 33/75 in pencil, published by Other Criteria, London, with their ink stamp, with full margins, framedImage 245 x 295mm (9 5/8 x 11 5/8in)Sheet 410 x 445mm (16 1/8 x 17 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child X, from Mother and Child (Cramer 680) Etching with aquatint, 1983, on Arches wove paper, signed and inscribed 'PL X 3/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 232 x 382mm (9 1/8 x 15 1/8in)Sheet 521 x 618mm (20 1/2 x 24 3/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sonia Delaunay (French, 1885-1979)One Plate, from Avec Moi-Même Etching and aquatint, 1970, on Arches wove paper, signed, dated and numbered 58/75 in pencil (there were also 20 proofs numbered in Roman numerals), published by Société Internationale d'Art XXème Siècle, Paris, with full margins, framedPlate 495 x 397mm (19 1/2 x 15 5/8in)Sheet 660 x 502mm (26 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ai Weiwei (Chinese, born 1957)Bomb Inkjet print, 2020, on Hahnemühle German etching paper, signed in black felt-tip pen, numbered 90/100 in pencil (there were also 25 artist's proofs), published by The Kitchen, New York, the full sheetSheet 1300 x 948mm (51 1/8 x 37 3/8in)For further information on this lot please visit Bonhams.com

Georges Braque (French, 1882-1963)Pichet Noir Et Citrons (Maeght 1004) Etching and aquatint in colours, 1952, on BFK Rives paper, signed and numbered 86/200 in pencil, published by Maeght Éditeur, Paris, the full sheet, framedPlate 375 x 453mm (14 3/4 x 17 7/8in)Sheet 503 x 647mm (19 3/4 x 25 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pierre-Auguste Renoir (French, 1841-1919)Le Chapeau Épinglé, 3e planche (Delteil 8) Etching and drypoint, circa 1894, on cream laid paper, an impression of the second (final) state, with wide margins, framedPlate 117 x 83mm (4 3/8 x 3 1/4in)Sheet 301 x 246mm (11 7/8 x 9 3/4in)For further information on this lot please visit Bonhams.com

Robert Motherwell (American, 1915-1991)Untitled (Belknap 104; Engberg & Banach 133) Etching and aquatint, 1973, on Arches wove paper, signed and numbered 44/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Catherine Mosley at the artist's studio, Greenwich, Connecticut, co-published by the artist, with his blindstamp and Dain-Schiff Gallery, New York, with full margins, framedPlate 902 x 606mm (35 1/2 x 23 3/4in)Sheet 1054 x 749mm (41 1/2 x 29 1/2in)For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Sketchbook 1928 The West Wind Relief (Edition B) (Cramer 573) The complete portfolio comprising one etching and aquatint in colours, 1980, on Arches wove paper, signed and numbered 53/75 in pencil, with full margins, loose (as issued), with the accompanying catalogue and the facsimile, signed in ink and numbered 'B 53/75' in pencil on the artist's label affixed to the inside cover, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, within the original green paper-covered Solander box Plate 225 x 300mm (8 7/8 x 11 7/8in)Folio 415 x 330 x 43mm (16 3/8 x 13 x 1 3/4in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)David montant la Colline des Oliviers, from The Bible (Cramer books 30) Etching with hand-colouring in watercolour, 1958, on Arches wove paper, signed with initials and numbered 92/100 in pencil, published by Tériade Éditeur, Paris, with full margins, framedPlate 325 x 250mm (12 3/4 x 9 7/8in)Sheet 535 x 394mm (21 x 15 3/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)In the Dull Village, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 54; M.C.A. Tokyo 54) Etching and aquatint, 1966, on Crisbrook handmade paper, signed and numbered 7/75 in pencil (there were also 25 proofs in Roman numerals), printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 350 x 225mm (13 3/4 x 8 7/8in)Sheet 570 x 400mm (22 1/2 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure 4, from The Reclining Figure (Cramer 475) Etching, 1977-78, on Richard de Bas paper, signed and numbered 'Pl.4 G17/25' in pencil (there were also 15 artist's proofs), printed by Atelier Lacourière et Frélaut, Paris, published by Ganymed Original Editions, London, with margins, framedPlate 225 x 298mm (8 7/8 x 11 3/4in)Sheet 518 x 444mm (20 3/8 x 17 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)In An Old Book, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 52; M.C.A. Tokyo 52) Etching, 1966, on Crisbrook handmade paper, signed, dated and inscribed 'A.P.' in pencil, one of 15 artist's proofs aside from the numbered edition of 75, printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, framedPlate 348 x 222mm (13 3/4 x 8 3/4in)Sheet 562 x 387mm (22 1/8 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Stromboli (Lynton G10) Etching and aquatint in colours, 1980, on Magnani wove paper, signed with the initials, dated and numbered 14/90 in pencil (there were also 15 artist's proofs in Roman numerals), printed by Vigna Antoniniana Stamperia d'Arte, Rome, co-published by Marlborough Fine Art Ltd., London and 2RC Edizioni d'Arte, Rome, with the 2RC blindstamp, with full margins, framedPlate 725 x 1420mm (28 1/2 x 55 7/8in)Sheet 885 x 1660mm (34 7/8 x 65 3/8in)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)When Reason Dreams III Etching with aquatint in colours, 1997, on Chine collé to wove paper, signed with the initials, dated and numbered 10/35 in pencil, printed by Hope (Sufferance) Press, published by Marlborough Graphics, London, with marginsPlate 585 x 445mm (23 x 17 1/2in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Rapunzel Growing in the Garden, from Illustrations from Six Fairy Tales Brothers Grimm (Scottish Arts Council 81; M.C.A. Tokyo 78) Etching and aquatint, 1969, on Hodgkinson handmade paper, watermarked DH/PP, signed in pencil, and inscribed verso 'Grimm Ed. A. IX. A.P.' in ink, from book edition A, one of 20 artist's proofs aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, the full sheet, framedSheet 445 x 310mm (17 7/8 x 12 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Magic Eye 5, from Magic Eye Etching with aquatint in colours, 1995, on Chine collé on Somerset wove paper, signed with the initials, dated and numbered 31/35 in pencil, with full margins, framedImage 318 x 370mm (12 1/2 x 14 1/2in)Sheet 515 x 504mm (20 1/4 x 19 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XXX, from Mother and Child (Cramer 700) Etching in sepia, 1983, on Arches wove paper, signed and inscribed 'PL XXX 46/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 246 x 161mm (9 3/4 x 6 3/8in)Sheet 516 x 437mm (20 3/8 x 17 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XVIII, from Mother and Child (Cramer 688) Etching with aquatint and roulette in colours, 1983, on Arches wove paper, signed and inscribed 'PL XVIII 3/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 222 x 165mm (8 3/4 x 6 1/2in)Sheet 517 x 438mm (20 3/8 x 17 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)Love Is What You Want Polymer-gravure etching, 2011, on Somerset wove paper, signed, dated and numbered 26/100 in pencil, with full margins, framedPlate 171 x 214mm (6 3/4 x 8 3/4in)Sheet 292 x 320mm (11 1/2 x 12 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)But Yea Polymer-gravure etching, 2008, on wove paper, signed, titled, dated and numbered 122/200 in pencil, with full margins, framedPlate 297 x 205mm (11 3/4 x 8 1/4in)Sheet 425 x 330mm (16 3/4 x 13in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)According to Prescriptions of Ancient Magicians, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 51; M.C.A. Tokyo 51) Etching, 1966, on Crisbrook handmade paper, signed, dated and numbered 46/75 in pencil (there were also 25 artist's proofs in Roman numerals), printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 348 x 222mm (13 3/4 x 8 3/4in)Sheet 568 x 398mm (22 3/8 x 15 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Leon Kossoff (British, 1926-2019)Father Asleep (small version); Untitled Etching, 1983, signed, titled, dated and inscribed 'A/P', an artist's proof, printed by Studio Prints, London, with their blindstamp, with margins, framed; together with 'Untitled', an etching, dedicated 'for Nicki from Leon' in pencil, with margins, framed; together with the artist's letter attached to the reverse of the frame Plate 68 x 98mm (2 5/8 x 3 7/8in)(and smaller) Sheet 206 x 225mm (8 1/8 x 8 7/8in)(2)Footnotes:ProvenanceNicky Haslam – The Contents of the Hunting Lodge, Bonhams, London, 20th November 2019, whereby acquired by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Locmariaquer, Brittany (Levinson 426) Etching and aquatint in colours, 1990, on Arches wove paper, signed and numbered 47/70 in pencil (there were also 15 artist's proofs), printed by Kelpra Studio, with their blindstamp, published by Marlborough Fine Art, London, with full margins, framedPlate 407 x 615mm (16 x 24 1/4in)Sheet 575 x 770mm (22 5/8 x 30 3/8in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Childe Hassam (American, 1859-1935)The Writing Desk (Cortissoz and Clayton 54) Etching, 1915, on wove paper, signed with the artist's cypher and inscribed 'imp' in pencil, a proof printed by the artist, with full margins, framedPlate 251 x 176mm (9 7/8 x 7in)Sheet 316 x 234mm (12 1/2 x 9 1/4in)For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Mother and Child II (Cramer 515) Etching and drypoint, 1979, on Barcham Green Penshurst paper, signed and numbered 37/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Michael Rand, London, published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, with full margins, framedPlate 224 x 280mm (9 1/4 x 11in)Sheet 419 x 470mm (16 1/2 x 18 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)Closed Etching in blue ink, 2013, on Somerset Soft white paper, signed, titled, dated and numbered 186/200 (there were also 30 artist's proofs), published by Emin International, London, with full margins, framedPlate 200 x 227mm (7 7/8 x 9in)Sheet 365 x 383mm (14 3/8 x 15 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Old Rinkrank Threatens the Princess, from Six Fairy Tales (Scottish Arts Council 99; M.C.A Tokyo 96) Etching with aquatint, 1969, on Hodgkinson paper, signed and inscribed 'A.P. XII' in pencil, one of 20 artist's proofs aside from the edition of 100, printed by Print Shop, Amsterdam, published by Petersburg Press, London, with marginsPlate 238 x 273mm (9 3/8 x 10 3/4in)Sheet 434 x 400mm (17 1/8 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XXII, from Mother and Child (Cramer 692) Etching, 1983, on Arches wove paper, signed and inscribed 'PL XII 26/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 225 x 179mm (8 7/8 x 7in)Sheet 517 x 438mm (20 3/8 x 17 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Marguerites (Scottish Arts Council 157; M.C.A. Tokyo 141) Etching and aquatint in colours, 1973, on Arches mould made paper, signed, dated and numbered 61/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with full margins, framedPlate 235 x 180mm (9 1/4 x 7 1/8in)Sheet 412 x 318mm (16 1/4 x 12 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Antonio Canal, known as il Canaletto (Italian, 1697-1768)La Libreria. V. (Bromberg 18; De Vesme 15) Etching, circa 1740, on laid paper, with a partial three-crescent watermark, Bromberg's second state of three, with trimmed margins, framedPlate 144 x 208mm (5 3/4 x 8 1/4in)Sheet 177 x 257mm (6 7/8 x 10 1/8in)For further information on this lot please visit Bonhams.com

Antoni Tàpies (Spanish, 1923-2012)Matière Etching in colours with carborundum, 1972, on Chiffon de Mandeure wove paper, signed and numbered 75/75 in pencil, inscribed with the title verso, published by Maeght Éditeur, Paris, the full sheetSheet 640 x 890mm (25 1/4 x 35in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Green Darkness (Lynton G44) Etching and aquatint in colours, 1986, on Fabriano wove paper, signed with the initials, dated and numbered 9/90 in pencil (there were also 15 artist's proofs), printed by Vigna Antoniniana Stamperia d'Arte, Rome, with their blindstamp, co-published by Marlborough Fine Art Ltd., London and 2RC Edizioni d'arte, Rome, with the 2RC blindstamp, with marginsPlate 340 x 558mm (13 3/8 x 22in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Sidney Nolan C.B.E., O.M., R.A. (Australian, 1917-1992)Township, from Dust Etching in reddish brown ink with hand-colouring, 1971, on J. Green mould-made paper, signed with the initial 'N' in brown crayon, a unique proof aside from the numbered edition of 60, printed by White Ink Studio, London, with their and the artist's blindstamps, with full margins, framedSheet 630 x 510mm (24 3/4 x 20 1/8in)Footnotes:ProvenanceWhitford Fine Art, London, whereby acquired by the present owner.For further information on this lot please visit Bonhams.com

Churchill family interest, Sarah Churchill (British, 1914-1982) Profile of the artist's father, Sir Winston Churchill (1874-1965), etching, signed in pencil lower right, probably a proof in addition to the limited edition of three hundred, framed, 13 7/8 x 10 1/2in. (35.2 x 26.7cm.), together with a framed certificate awarded to Randolph Churchill MBE (1911-1968), the only son of Sir Winston and Lady Churchill, conferring upon him a Fellowship of the Incorporated Society of Auctioneers and Landed Property Agents, dated 7th May 1940. Also an Ezra Brooks novelty ceramic bourbon whiskey bottle in the form of Churchill delivering a speech inscribed "The Iron Curtain Speech March 5 1946 Fulton, Mo", marked beneath "First edition of the Winston Churchill commemorative bottle. As presented to the honored guests at the dedication of the Winston Churchill Memorial and Library in the United States May 7, 1969". Also the steel company seal of Randolph Churchill's company, Hurst Investments Limited. * Sarah Churchill was an actress and dancer, the third child of Sir Winston Churchill (1874-1965) and Clementine Ogilvy Hozier, Lady Churchill (1885-1977). **Creases in the paper commensurate with a proof etching, otherwise good.

Thomas Rowlandson (British, 1757-1827) "Portsmouth Point", hand coloured etching, published 1814, 10¼ x 14¼in. (26 x 36cm.). *Vertical tear in the lower margin through the plate mark, time staining and general discolouration.

Edmund Blampied (Jersey, 1886-1966)'Noonday Rest', drypoint etching, c.1920, signed in ink to lower margin, from an edition of 100, 8½ x 11in. (21.5 x 28cm.).

James Abbott McNeil Whistler (American 1834-1903) Annie Seated, titled and signed in the plate, 1858, etching, 13 x 9.5 cm (PL)Provenance: private collection. Information verso claims provenance to Seymour Haden (1818-1910) Whistler's brother-in-law and father of Annie.In 1858 Whistler stayed with his sister Deborah and her husband Seymour Haden in London, following an injury. During this time Whistler began experimenting with etching and featured his niece Annie in some of his compositions. Annie was aged around 9/10 years old at the time of the etching.

James Abbott McNeil Whistler (American 1834-1903) Annie, 1858, signed and titled in the plate, etching, 11.6 x 7.8 cm (PL)Provenance: private collection, information verso claims provenance to the collection of Seymour Haden (1818-1910) brother-in-law to Whistler and father of Annie.From the Douze eau-fortes d'apres Nature, or "French Set" published in 1858. In 1858 Whistler stayed with his sister Deborah and her husband Seymour Haden in London, following an injury. During this time Whistler began experimenting with etching and featured his niece Annie in a number of compositions.

William Hogarth (1697-1764) Hogarth Painting the Comic Muse - the artist's last self-portrait, 1764etching and engraving on wove paper, later impression of the 6th and last state48.5 x 42.5cm (sheet)Examined out of frame. Slight undulation to the sheet. Plate 40.3 x 35.5cm. Foxing to margins.

Rembrandt Harmensz. van Rijn (1606-1669) Jan Lutma, Goldsmith (B., Holl. 276; New Holl. 293; H. 290)etching, engraving and drypoint on laid paper, 1656, a good impression of New Hollstein's second/third state (of five), trimmed to platemark197 x 148 mm (Pl.)On laid paper. A short nick bottom centre. A repaired tear above the bowl, near the lettering. A little tear in the paper in the top right quadrant and another short nick along the top edge. Little staining below the window. Slightly frayed corners. Little skinning to the paper in the lower left quadrant and near the lettering above the repaired tear. Some light creasing near the top margin. No visible watermark.

Follower of John Sell Cotman Château de Falaise, Normandy, France watercolour on paper 24 x 35cm Château de Falaise, the ancestral seat of the Dukes of Normandy, was the birthplace of William the Conqueror in approximately 1028 - in an earlier building on the same site. The present composition appears to be closely based on the etching Castle of Falaise (North View) of this subject by Cotman, which was published as pl. 90 in Architectural Antiquities of Normandy in 1821.

George Cuitt the Younger (1779-1854) Two views of Fountains Abbey, Yorkshirethe first dated lower left 1821pen and ink and wash on paper28 x 25cm; 30 x 25cm; and a print of the doorway of Kirkstall Abbey; together with Harriet Green (née Lister, 1753-1821) Roch Abbey, Yorkshireinscribed upper left 'Drawn at Roch Abbey / 1787 Oct.r'pen and ink and grey wash on paper22.5 x 35cm (4)George Cuitt the Younger was born in Richmond, Yorkshire, the only son of the landscape and topographical painter, George Cuitt the Elder. He followed in his father’s footsteps and painted watercolours of local views, but he also turned to etching as a result of his enthusiasm for Piranesi’s Roman Antiquities. In 1804, he left for Chester where he became a drawing master and published several series of etchings of ancient castles, abbeys and other subjects in 1810-11 and 1815. A sketchbook from 1821 documents his travels in North Wales, Durham, Yorkshire, Warwickshire and Derbyshire. Around 1821, he settled in Masham, near Richmond where he later published his Yorkshire Abbeys. In 1848, his collected works were published as Wanderings and Pencillings amongst the Ruins of Olden Times.Framed George Cuitt - 48.5 x 43cm; 48.5 x 42.5cm

Robert Frederick Way1872 - 1947Tomika te Mutu (Ngaiterangi Chief)etching, signed and titled in pencil,30cm x 22.5cm.

Scarce 1822 Pattern George IV/William IV Infantry Officer's Sword32 1/4 inch, single edged, quill point, pipe back blade.  Blade with faint laurel spray cypher and crown etching.  One side with faint London maker's details.  Brass, Gothic pattern guard with crowned cypher GRIV/WRIV cartouche.  Folding rear section of guard.  Brass, stylised floral decorated pommel and backstrap.  Shagreen covered grip with twist wire binding.  Contained in its steel scabbard with two loose hanging rings.

'Marguerite' colour plate/etching after Louis Leloir, framed and glazed

Francis St Clair Miller 'Summer at Bredwardine' artists proof etching, signed bottom right, framed and glazed 68cm x 83cm approx 

A pair of 18ct gold bangle bracelets. Both bangles having polished and cross hatched etching. Marked 18.c. Total weight approx 14.3g. Internal diameter approx 6cm.

A signed etching by Robert Cresswell Boak. Belfast City Hall. 18x26.5cm. Frame 41x55.5cm

SADANOBU HASEGAWA - ETCHING - GEISHA GIRL IN WINTER 55 X 39

Two framed prints studies of dogs High Life and Low Life and a framed etching Sailing Barges at Chatham signed in pencil (3)

Leon L'hermitte (1844-1925) etching, 'Rue St. Andre', framed and glazed. 18cm x 24cm

Tom Maxwell (Scottish, 1874 - 1937) The Queen Mary Passing Henry Bell's Monument on her First Trip to the Sea Titled and signed in pencil, drypoint etching, 22cm x 40cm.

Frederick Arthur Farrell (British, 1882 - 1935) Ponte Vecchio, Florence Pencil signed artist's proof original drypoint etching, with blind stamp, 30.5cm x 48.5cm. This artist served as Glasgow's official war artist during World War I.  Glasgow was the only British city to appoint an artist to such a position.