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Lot 54
Abdur Rahman Chughtai (Pakistani, 1897-1975)Pet Bird signed with title in pencil in lower borderdry-point etching on paper19 x 17cm (7 1/2 x 6 11/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 587
* TOM MACKENZIE (SCOTTISH 1947 - 2018),ON CIOCHcoloured etching on paper, signed, titled and numbered artist's proof from an edition of 50image size 50cm x 40cm, overall size 76cm x 66cmMounted, framed and under glass.Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.
Lot 1314
ELAINE BARRAN (XIX-XX) An ink and watercolour of hillside street scene, signed lower left, 31cm x 36.5cm, J.W. WILLIAMS (XIX-XX): A watercolour of river scene and marshland, 32.5cm x 51.5cm, WILLIAM J. KING (XIX): A watercolour of figure beside beached sailing vessel on coastline, signed lower left, 8.5cm x 12.5cm and REGINALD GREEN (1884-1971): An etching "Cromer Evening", 12cm x 24.5cm. All framed and glazed (4)
Lot 1031
Mary Farnell (1926-2014) "Penhill", signed etching, together with two further etchings by the artist "Two Bottles" and "Garden Millgate House, Richmond", and two woodblock still life prints (5) (unframed)Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 1042
After George Cruikshank"The Fiend's Frying Pan - Or Annual Festival of Tom Foolery and Vice"Coloured print, together with a further coloured print "An Exquisite" Published by Tegg, "Dr Syntax at a Review", "Dr Syntax at Liverpool" and "Dr Syntax Reading his Tour" After Thomas Rowlandson, two black and white lithographs after Delacroix, an engraving depicting Corelius, general view of the ruins of Luxor from the Nile after David Roberts and a further black and white etching depicting George Bernard Shaw after Edward Sullivan (a collection) (some unframed)
Lot 1044
Charles Johnson Payne ''Snaffles'' (1884-1967) "Old Tawney", a coloured reproduction, together with a further coloured engraving, "The Cambridge Telegraph Hunt" after Pollard, and another coloured engraving "The Pick of the Pack, Stormer and Grasper", and a T Hamilton Crawford mezzotint, and a coloured etching by Tatton Winter (5)Artist's Resale Rights/Droit de Suite may apply to this lot
Lot 2
After Holbein, a series of 15 historical head portraits, engraved by Houbraken and Vertue, including Henry VIII, Robert Cecil, George Morley etc, most circa 42 x 27cm (sheet); also - Isabella Clara Eugenie, etching after Rubens, 30 x 26cm; and Maria Beatrix Duchess of York, by Vanderbank, engraving, 47 x 27cm; few others (20)
![[Duke of Wellington] John Phillips, The Man Wot Can Change The Sovereign, coloured satirical etching published by G. Humphrey](https://cdn.globalauctionplatform.com/fecba2e8-f417-4853-8544-adb000d3ce28/67884e25-07cc-4aa5-95e8-adc70135170e/468x382.jpg)
Lot 42
[Duke of Wellington] John Phillips, The Man Wot Can Change The Sovereign, coloured satirical etching published by G. Humphrey 1829, slightly trimmed, 35 x 24cm; After James Gillray, 'Stealing Off - or - Prudent Session', reduced size coloured print, 17.5 x 22.5cm; together with 11 other small size caricatures and cartoons, including some reproductions, all framed (13)Condition report: Wellington colour is strong, trimmed to edge of printed border, light horizontal crease across upper third of image, possibly laid down.Stealing Off, general toning, vertical crease through main character.Pillars of Church, aquatint, some discolouration, light vertical crease.Manner of Rownadson caricature, discolouiration to sheet.Lord Grizzle... light discolouration and tear to top left corner.John Bull few creases, light foxing.Rest Ok. 4 are repro or facsimile strikes including Giraffe subject.
Lot 20
A collection of expansive landscapes. Thomas Girtin, with aquatint by J. B. Harraden, Waterworks at Marli, pub. Jan 15 1803, etching, [formerly with Christopher Mendez], 23 x 55cm (pl.); James G Seymour Lucas (fl. 1831-34), Sampson carrying off the gates of Gaza, and The Destruction of the Cities of the Plain, two mezzotints of biblical scenes, 20 x 28cm (pl.); Amos Green (1735-1807) A Welsh cave, 20 x 27cm (pl.), [formerly with Abbot & Holder] (4)
Lot 29
James Gillray, The Salute, - Vide The Parade, coloured etching published by Humphrey 1797, 26.5 x 36cm; Charles Williams, A New Mode of Presenting Two Addresses at Once, published 1818 by Fores, 22 x 31.5cm; F. Reilly (publisher) The Cock Pitt Royal, 1784, 22 x 31.5cm; Rowlandson, A Little Bigger, 1791, 34 x 26cm (some damage); W. Heath, The Waiter at a Tea Garden, no.12, 1831, 36 x 24.5cm (5)Condition report: I think the Vide Parade is an earlier strike with contemporary colour. There is a small repair patch to the lower right corner. Not examined out of frame.Little Bigger with old colouring; discoloured, possinbly laid down. Tears and losses mainly in title area. Some slight vertical creasing.Heath is faded, colour looks old. Discolouration to sheet.New Mode probably contemp. colour. Cockpit Royal with later hand colour.
Lot 44
Satirical prints, French subjects. After James Gillray, The National Assembly Petrified; The National Assembly Revivified, both 15 x 20cm; Life of Buonaparte, six plates framed in pairs, each pair 14 x 27.5cm; also - H. Bunbury, A Tour to Foreign Parts, coloured etching, 24 x 33cm; all framed and mounted (6)
![Satirical Cartoons.After James Gillray, A Democrat or Reason for Philosophy, hand coloured etching 1793 [or later], pl.98, 36](https://cdn.globalauctionplatform.com/fecba2e8-f417-4853-8544-adb000d3ce28/7ad4d7ee-ee79-460e-bbed-adb9014f6a2b/468x382.jpg)
Lot 45
Satirical Cartoons.After James Gillray, A Democrat or Reason for Philosophy, hand coloured etching 1793 [or later], pl.98, 36 x 26cm; Shrine at St Anne's Hill, originally publ. 1798 [but this a later impression]; Cruikshank after Woodward, A view of Queen Eleanor's Cross, hand coloured etching, 1796, 24 x 19cm; Dighton, A Temple near Buckingham, 1811, 25.5 x 15.5cm; one other by Bunbury (5)
![James Gillray, St George and the Dragon, coloured etching published by H. Humphrey 1805 [but later], pl. 300, 41 x 40.5cm; Th](https://cdn.globalauctionplatform.com/fecba2e8-f417-4853-8544-adb000d3ce28/cb3df843-c29c-4bd6-859c-adb801056ec5/468x382.jpg)
Lot 41
James Gillray, St George and the Dragon, coloured etching published by H. Humphrey 1805 [but later], pl. 300, 41 x 40.5cm; The Tree of Liberty, coloured etching 1798, [this a later impression], 37 x 27cm; Carlo Khan, 'Wife or no Wife - A Trip to the Continent', coloured etching for W. Holland, a later impression, numbered in pencil 816/2500, 37 x 47cm (3)
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71174 item(s)/page