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Lot 397
The Hospital Room was Choked With Flowers, Everybody Likes Flowers, Surplus Flowers, the Room was Filling up with Flowers from The Way We Live Now accompanied by a certificate signed by the artist and Susan Sontag; numbered 155/200 lift-ground etching 28 x 62.5cmFootnote: Published in 1990, the present lots are two of several lift-ground etchings created by Hodgkin to accompany Susan Sontag’s short story The Way We Live Now. Originally serialised in the New Yorker in 1986, The Way We Live Now, titled after Antony Trollope’s 1875 satirical novel of the same name, chronicles the lives of a group of New Yorkers during the beginning of the AIDS crisis and is narrated through a series of fragments and whispered conversations. Other titles created by Hodgkin as accompaniment to the novel include Fear Gives Everything Its Hue, its High, But He Did Stop Smoking, He Didn’t Miss Cigarettes at All, and As You’d Been Wont-Wantonly, Wantonly, Eros Past.
Lot 405
Composition, 1970 signed in pencil 'Sonia Delaunay' (lower right); numbered 54/75 (lower left) aquatint and etching 53.5 x 44cmFootnote: Provenance: With The Redfern Gallery, London Collection of Alan Reynolds (1926-2014) The present lot will be sold for the benefit of Kettle's Yard, University of Cambridge
Lot 444
Landscape Sketchings signed and dated 'Music 68' (lower right); numbered 6/150 lithograph printed in colours 52 x 65cm, unframed; Paysage Siennois signed in pencil 'Music' (lower right); numbered 64/100 etching printed in colours, 1953 50 x 66cm, unframed (2)Condition report: 6/150 good condition, possibly slightest of discolouration Other one a little bit of discolouration, thumb print to right hand side, crayon mark to left hand side plate margin
Lot 458
Untitled etching signed 'Fiorini' (lower right); numbered 22/55 55 x 38cm, unframed; Lourdes Castro (Portuguese 1930-) female figure lithograph 20.5 x 15cm, unframed; Lucio Del Pezzo (Italian 1933-) untitled lithograph signed and dated 'Del Pezzo 60' (lower right); numbered 4/300 23.5 x 25.5cm, unframed; Carl Laszlo (Hungarian 1923-2013) lithograph from La Lune en Rodage, Volume 2, 1965 signed 'Carl Laszlo' (centre right) 32.5 x 31cm, unframed together with two other unframed lithographs from the series (6)
Lot 167
Antony Gormley R.A. (British, born 1950)Another Place, 2013 Etching, on BFK Rives, signed and numbered '21/100' in pencil verso, published on the occasion of the 2013 Liverpool Biennial as part of the 'Archive Editions' series, with full margins, unframed179 x 249mm (7 x 9 3/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 168
David Hockney R.A. (British, born 1937)Vertical Dogs, 1995 (MCA Tokyo 345) Etching and aquatint printed in colours, on Arches, signed, dated and numbered 'AP. IX/XV' in pencil, an artist's proof aside from the numbered edition of 80, printed by Maurice Payne, Los Angeles, co-published by Lococo Mulder Inc., St. Louis and the artist, with his blindstamp, with full margins385 x 465mm (15 1/8 x 18 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 77
Damien Hirst (British, born 1965)One plate, from 'Butterfly Etchings', 2009 Etching and aquatint printed in colours, on wove, signed and inscribed 'PP 1/2' in pencil, one of two printer's proofs aside from the numbered edition of 45, published by Other Criteria, London, with full margins, unframed298 x 248mm (11 3/4 x 9 3/4in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1180
§ Bob Dylan (American, b. 1941) - 'Endless Highway', limited edition 2016 giclée print on Hahnemuhle 350gsm Museum Etching paper, signed by Dylan in bottom right corner in pencil, numbered 149/295, published by Washington Green Fine Art and printed by GTZ Fine Art Editions New York, publishing label and Certificate of Authenticity to verso, in mount and framed, the print 45 1/2 x 29 inches, 56 x 42 inches in frame.Please note Artist's Resale Right may be additionally payable on this lot on top of the hammer price up to a maximum of 4%, where above threshold, for more information please visit www.dacs.org.ukProvenance: from a private collector.
Lot 129
* CHARLES MURRAY (SCOTTISH 1894 - 1954), CHRYSANTHEMUMS oil on board 64cm X 44cm Framed (original) Provenance: Exhibited: City of Bradford Art Gallery, Cartwright Memorial Hall, Jubilee Exhibition 1954, Exhibit No. 770 (label verso). James Bourlet & Sons label verso no H 2611. Artist's label verso, partially obscured by owners (loan) label: Mr E Grierson, Greystead, Tarset, Hexham, Northumberland. Note: Charles Murray's oil paintings rarely appear at auction and, as he often left his work unsigned, some invariably aren't attributed to him. In October (20th) 2018 Tennants (Leyburn) offered "Crinan, Scotland" a small (23.5 x 35cm) watercolour with Leicester Galleries (London) "Artists of Fame & Promise Exhibition" provenance, which sold for £1600 (hammer). Charles Murray was born in Aberdeen and studied at the Glasgow School of Art for three years. He served with the ‘White Army’ in Russia from 1918-20, joining a diverse group of counter-revolutionary forces who fought against the Bolsheviks. On his return to Glasgow, Murray won the highly coveted "Prix de Rome" for etching and studied at the British School in Rome from 1922-25. He travelled extensively in Europe but came back to Scotland in 1926 to teach engraving at the Glasgow School of Art, and later lived in Leeds and Middlesex. He produced paintings and etchings in a style influenced by Mannerism. Murray had his first major one-man show at The Leicester Galleries (London) in 1946 and another at Batley Art Gallery in 1950. There was a Memorial exhibition at Temple Newsam House (Leeds Museum & Art Galleries) in 1955 and an Edinburgh International Festival show at the Merchant Company Hall in 1977. Murray's paintings have always attracted academic acclaim and the Tate bought one of his paintings in 1940. Thirty of his paintings are held in UK Public collections including at Glasgow Museums & Art Galleries, the Arts Council Collection (Southbank Centre), Bradford Museum & Galleries, the Ferens Art Gallery, The Hepworth, Leeds Art Gallery and Museums, Kirklees Museum & Galleries, Sheffield Museums, Aberdeen Art Gallery & Museums and Tate (London).
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