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Lot 29

GEOFFREY GARNIER "Deadman`s Cove in Cornwall", with young bathers. Etching aquatint. Signed and inscribed. 15 1/2 x 12 1/2ins.

Lot 38

FRANS SCHWARTZ En Julegave. Etching. Together with various other works.

Lot 39

GEOFFREY GARNIER Landscape. Etching aquatint. Signed and inscribed. Together with a greetings card by Geoffrey Garnier.

Lot 181

CLAUDE ROWBOTHAM Three of his small West Country etching aquatints, Castle Rock, Lynton; Mylor Quay, Falmouth Harbour; and Godrevy Light.

Lot 275

BRYAN PEARCE Two boats in St. Ives harbour. Etching. Signed. Dated 95 and numbered 7 from an edition of 75. 7 x 9 3/4ins. (See illustration)

Lot 283

NAN FRANKEL Two small works. Together with an etching by Harington.

Lot 305

ALAN MOORE Tower Bridge. Etching. Signed. 6 1/2 x 15ins.

Lot 375

MARGOT MAECKELBERGHE Etching, Coast. Signed. Dated December 71 and No. 13 from and edition of 40. Signed inside Margot and Willy. 5 X 4ins. Together with a hand painted Christmas card, signed inside to Jane from Willy and Margot. (See illustration)

Lot 577

COLIN SEABY Leaving Newlyn harbour. Pencil drawing. Signed with initials. Together with a marine etching.

Lot 215

After Henry Wilkinson, Study of Two Spaniels, limited edition etching, signed in pencil and numbered 73/150, 27cm by 31cm

Lot 1740

Albany E Howarth; black and white etching of street scene, signed in pencil, 38 x 30cm, framed and glazed.

Lot 507

A late 19th century chrystoleum, depicting a cherub and three ladies, two etchings, an old photo and a cruickshank colour etching `monstrosities of 1824, plate`

Lot 444

ZENA FLAX. ` Lorry Load`, colour etching., pencil signed and numbered 7/30, Pl.12 1/2 x 10 in; and an abstract etching by another hand (2)

Lot 428

SAMUEL PALMER. The early Ploughman, etching, Pl. 5 1/4 x 7 3/4 in

Lot 429

SAMUEL PALMER. The Herdman`s Cottage,etching, Pl. 3 3/4 x 3 in

Lot 430

SAMUEL PALMER.The Willow, etching , Pl. 3 1/2 x 3 in

Lot 449

CIRCLE OF JOHN CALLOW. A Gypsy Encampment, watercolour, 6 1/2 x 15 in an etching by William Farley (?) depicting a gypsy caravan on a Road and three pictures by other hands (5);

Lot 288

Evening Standard - Moon Landing Souvenir 1969, "Jack and Gill", pictured by Jon Hassall, "The Open Road for Boys", " Masters of Etching - Francisco de Goya" and "The Browns - A Book of Bears" illustrated by M Parker, etc.

Lot 446

Still life etching depicting fruit by Lincolnshire artist J E Smith

Lot 475

Vict. etching signed Frank Paton

Lot 67

After Valerie Thornton (1931-1991) - `Rooftops, Estella`, ltd ed 9/70, colour etching, pencil signed, titled and dated `77 to margin, 65 x 41 cm

Lot 114

After Morland - two engravings - `Gypsy`s Stealing a Child`, 41 x 54 cm and child recovered, 40 x 56 cm to/w etching of mother and children pencil signed Helene Fornstretcher (3)

Lot 446

John crome composition sandy wood 1813 etching published by the artists widow 1834, or later, and four various other prints

Lot 458

Percy lancaster a dutch town etching signed in pencil and a watercolour attributed to henry bright

Lot 25

T.J. Greenwood - etching of a wren, signed in pencil in the margin and numbered 28/100, 4 1/4" x 3", together with a further small picture of goldcrests by the same artist (2).

Lot 39

Sydney Jones (19th /20th Century) - St. Mary-le-Bow, Cheapside, 15" x 7 3/4", etching, signed in the margin and further views by the same artist, including The Strand, Staple Inn, Holborn etc.

Lot 388

Richard Bawden (b.1936), The Novodichy Convent Moscow, coloured etching no. 26/85, signed in pencil to the margin, 36 x 46cm

Lot 1393

Four 1st editions in similar bindings ``Etching & engraving`` by John Buckland-Wright, ``An introduction to English Silver`` by Peter Whilding, ``Britain in verse and Sketch`` by Lindley Searl and ``Fourteen illustrators`` a series of short essays 100 copies printed 1977.

Lot 375

AFTER BRENDA HARTILL "Arches I", limited edition black and white etching No`d 1/100 together with AFTER JULIA MIDGLEY "Party Party", black and white etching, signed, titled and numbered in pencil (2)

Lot 377

WALID ABU-SHAKRA "Valley", black and white etching, limited edition no`d 7/30, signed and dated 1975 in pencil, together with two others by the same artist (3)

Lot 380

AFTER KATHLEEN CADDICK "Shadows", study of trees in a winter landscape, coloured etching, limited edition no`d 147/150, signed and titled in pencil, together with five others by the same artist (6)

Lot 394

RONAL CARR "Study of the Owl and the Pussycat", oil on velvet, dated `97, ZEN "Facade I", black and white etching, dated `57, a pair of mixed media studies of African ladies and DAVID ROLT "Study of hands" pen and ink plus two others by the same hand

Lot 403

IN THE MANNER OF WILLIAM LIONEL WYLLIE "Steamboats, paddle steamers amd frigates in an estuary scene", black and white etching, a pair of black and white equestrian and figural limited edition engraved prints, and a black and white etching of a head study of a dog

Lot 408

AFTER VAL TEMPLE "Antelope", black and white etching No`d 6/35, plus three further etchings/engravings

Lot 482

Fawley (Charlotte) “Der Rosenkavalier” Glyndbourne 1980; a large scene from “La Clemenza de Tito” Glyndbourne 1995; a large drawing of Andris Lieper and partner in a Firebird rehearsal 1997 the second in watercolour the others in coloured pastels captioned signed and dated the last with an inscription by Lieper all framed and glazed; and two other drawings by Fawley § Mynnsen (Anne) Pencil and watercolour portrait of Fiona Chadwick as Juliet captioned and signed framed and glazed 298 x 198mm. § Brouet (Auguste) Le Salut etching depicting a ballerina taking a curtain call signed and numbered 62/100 framed and glazed image size 130 x 178mm.; and two others v.s. (9)

Lot 191

AFTER JAMES A. M. WHISTLER (American, 1834-1903) Limehouse, etching on laid paper, 5" x 8", mounted but unframed

Lot 194

PERCY J WESTWOOD (British, 1878-?)`Cleopatra`s Needle`, signed and title in pencil in the margin, etching, 5 1/4" x 8 3/4" and two further prints (3)

Lot 196

FREDERICK FARRELL (British, 1882-1935) `The Horse Guards`, signed in pencil in the margin lower right and titled verso, blind stamp lower left, etching, 8 3/4" x 13"

Lot 45

William Lionel Wyllie, `The Battle of Trafalgar`, drypoint etching, signed in pencil, 39 x 88 cm (15 1/4 x 35 in.)

Lot 46

William Lionel Wyllie, River Scene with Shipping, probably The Thames at Tilbury, drypoint etching, signed in pencil, 30 x 49 cm (11 3/4 x 19 1/4 in.)

Lot 47

Cecil Aldin, `I`m not allowed on this Sofa`, limited edition drypoint etching 82/100, signed in pencil, 20 x 31.5 cm (8 x 12 1/2 in.)

Lot 771

William Lionel Wyllie RA, RI, RE, NEAC (1851-1931) "Steamships off Gibraltar" Signed artist`s proof, inscribed verso, black and white drypoint etching, 16cm by 37cm (pl)

Lot 772

William Lionel Wyllie RA, RI, RE, NEAC (1851-1931) "Tynemouth" Signed artist`s proof, black and white etching, 16cm by 37.5cm (pl)

Lot 773

Tom McGuinness (1926-2006) "Women at the Colliery Gates" Signed artist`s proof, limited edition print, 50/50 and dated (19)86, black and white etching, 12cm by 14.5cm (pl)

Lot 777

Tom McGuinness (1926-2006) "Night Shift" Signed artist`s proof, limited edition print 48/50, dated (19)76, black and white etching with some aquatinting, 7cm by 9.5cm (pl)

Lot 788

Alberto Giacometti (1901-1966) Swiss "Annette de Face" Signed artist`s proof, 15/50, originally produced in 1961, black and white etching, 20.5cm by 5.5cm (pl) Possibly a second edition

Lot 56

ANTHONY GROSS (1905-1984) Etching, Malandam`s Barn, signed in pencil dated 1923, p 7" x 7.5", framed.

Lot 76

MARIANO ANDREU (Spanish 1888-1977) Etching, The Dressing Room, unsigned, Published 1928, No. 173/300, p 7" x 5", framed.

Lot 164

JOHN LEWIS STANT Etching, Street scene, Holborn, signed in pencil, p 10" x 6", and an etching, Shambles, York, indistinctly signed in pencil, p 7.75" x 4.75", (2), framed.

Lot 189

DOROTHY SWEET Etching, Mermaid Street, Rye, a coloured etching, Continental Street scene, indistinctly signed, and 2 coloured stipple engravings, Portraits of Gainsborough Ladies, (4), framed.

Lot 191

A K KIMM Watercolour, Country church, signed and dated 1929, 7" x 10", Colour lithograph after Charles Horne, Rough seas and an etching after Corot, Lake scene, indistinctly signed in pencil, i 16" x 20", (3), framed.

Lot 348

MARGARET AULTON Etching, Venice Lagoon, signed in pencil, p4.75" x 10.5", together with 3 other etchings, various artists (4), framed.

Lot 509

Herkomer (Hubert). Etching and Mezzotint Engraving, Lectures Delivered at Oxford, 1st ed., 1892, decorative etched frontis. of a print maker cutting a plate, twelve further etched plates (complete as list), very occ. spotting throughout, untrimmed, comtemp. cloth gilt, stained, spine faded, 4to, together with, Baldry (A. L.), Hubert von Herkomer R.A., A Study and a Biography, 1901, etched portrait frontis., dec. title page printed in red & black, half title, fifteen b & w gravure plates and ninety-two photographic illustrations (complete as list), contents shaken, t.e.g., orig. pubs. cloth gilt, rubbed and frayed at extrems., folio, with, Herkomer (Professor Sir Hubert), My School and my Gospel, 1908, title and half title, tipped in colour frontis., numerous tipped in plates throughout, contemp. qtr. cloth, printed label to spine, 4to, together with another four similar (7)

Lot 234

* Bath. Cossley (Elizabeth Claybourn), This print was etch’d & the original Drawing was taken by Eliz. Claybourn Cossley from the Corner House at the East End of the North Parade at Bath for which Drawing she had the Honour of a Gold Medal as a premium from the Society of of Arts, Manufactures and Commerce in the year 1759, uncoloured etching, slight spotting and dust soiling, image size 320 x 485mm, framed and glazed. Uncommon. A copy is held by the Victoria Art Gallery in Bath. (1)

Lot 250

* Dutton (Thomas Goldsworth). The Naval Review at Spithead, 23rd. April 1856, lithograph after P.J.Ouless, original hand colouring, several repaired closed tears, slight staining, cracking and abrasion to print surface, 475 x 660mm, mounted, framed and glazed, together with, Canot (P. O.), To the Honourable Sir Edward Hawke, Admiral of the Blue....., This Representation of the Glorious Defeat of the French Fleet......, off Belle Isle on the 20th November 1759, uncoloured etching after R.Paton, trimmed to image, stained and rubbed, some surface abrasion and occ. closed tears, later printed title attached to mount below image, 380 x 620mm, mounted, framed and glazed, with, [H.M.S.Victory], Untitled etching, n.d., c.1920, hand coloured etching, old folds, some surface dirt, 305 x 480mm, mounted framed and glazed, together with three others similar (6)

Lot 277

* Piranesi (Giovanni Battista, 1720-1778). Veduta della Piazza del Popolo, c.1760, etching on laid with margins, 405 x 545mm, mounted. 1st. edition, 3rd. state. Hind 14. (1)

Lot 278

* Piranesi (Giovanni Battista, 1720-1778). Veduta sul Monte Quirinale del Palazzo dell’ Eccellentissima Casa Barberini, Architettura del Cavr. Bernino, c.1760, etching on laid with good margins, old printers fold, 405 x 615mm, mounted. 1st. edition 2nd state. Hind 25. (1)

Lot 279

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Palazzo Odescalchi, c.1760, etching on laid with good margins, slight staining and spotting, 405 x 620mm, mounted. 1st. edition, state 2. Hind 26. (1)

Lot 280

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Romano Campidoglio con Scalinata che va alla Chiefa d’Araceli, c.1760, etching on laid with margins, one small repaired closed tear just affecting image, 405 x 545mm, mounted. 1st. edition, state 2. Hind 38. (1)

Lot 281

* Piranesi (Giovanni Battista). Veduta degli Avanzi delle Camere sepolcrali de’Liberti, e Servi, ec. della Famiiglia di Augusto, Tom. III, XXII, Paris edition, c.1810, etching on wove, good margins, 400 x 605mm, mounted. Luigi Ficacci, ‘Piranesi The Complete Etchings’, no. 298. (1)

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