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Lot 225
A collection of contemporary etchings, prints, and photographs, various artists, including:John Connolly, I can See the Sea Dad, colour print, 25x9cm;Trevor Price, Social Mobility, colour etching, 13/50, 11.5x11.5cm;Erika Oller, three sets of three prints, She Arrives... She Critises.... She Leaves;Tom Durkin, Parasol on the Beach, signed limited edition print, 40x50cm;Hazel Armitage, The Old Barn Door, watercolour, 10x14.5cm;three contemporary photographs, indistinctly signed;'Cyclades' series of three coloured etchings, indistinctly signed;'Naxos II', coloured etching, indistinctly signed.
Lot 69
ALFRED HUGH FISHER (1867-1945). A black & white etching “Second Master’s House, Winchester College”, signed & inscribed in pencil lower region, 12” x 7”; & a set of four French School equestrian pen studies, each 7½” x 4¾”, framed in sets of two (foxed, 13” x 16$” over-all; the etching 20½” x 14¼” over-all).
Lot 71
FILIPPO MORGHEN (Italian, 18th century). A black & white etching, plate 16 from the series Le Antichita di Pozzveli, Baja, & Cuma, dedicated to Sir Henry Penruddoche Wyndham, 10½” x 15”, (w.a.f.); two other etchings; & a pair after Henry Aitken from the “Hunters” series, 8½” x 10½”, each framed & glazed (the largest & the pair: 19¼” x 21¾” & 18½” x 24¼” over-all).
Lot 2
A hand coloured etching from the Dirty Dogs Of Paris series after Boris O'Klein titled Sus aux Curiex, signed in pencil, mounted and framed under glass, approximately 17 cm x 45 cm image size and one further framed picture. [2] Condition Report: O'Klein print is unexamined out of the glazed frame but appears in generally good condition, some light foxing in areas, a couple of deceased insects under the glass, possibly loose below the mount as there is a slight wave to the paper.
Lot 183
Deutsches Reich 1933 - 1945 - Führende Persönlichkeiten des 3.Reiches : ADOLF HITLER - PERSÖNLICHER SILBERRAHMEN MIT ORIGINALRADIERUNG SEINES GEBURTSHAUSES IN BRAUNAU AM INN.Repräsentativer handgefertigter gehämmerter Silberrahmen im übergroßen Sonderformat. Mit Originalradierung des Geburtshauses Adolf Hitlers in Braunau am Inn. Am linken unteren Rand Künstlersignatur "Ernst Zippens" . Am rechten Rand handschriftliche Bezeichnung: " Braunau a. Inn, Geburtshaus des Führers". Auf dem Dedikationsfeld des Silberrahmens unterhalb des Fotos innerhalb eines Mäanderbandes der aufgelegte Hoheitsadler und die Initialen "AH". Am Rand Herstellermarke der Goldschmiede Gebrüder Wandinger "FHW" sowie der Silberstempel "925", Krone und Halbmond. Die Gebrüder Wandinger stellten neben repräsentative Geschenkobjekten im Auftrag Adolf Hitlers auch die vergoldeten Beschläge und Hoheitsadler für die Urkunden und Kassetten der höheren Stufen des Ritterkreuzes des Eisernen Kreuzes her. Rückseitig Lederständer und Abdeckung aus dunkelbraunem Saffianleder. In repräsentativer Kassette ohne Hoheitsadler aus rotem Saffianleder. Im Innenteil rotes Samtfutter. Im Rücken Künstlersignatur der Buchbinderin "FRIEDA THIERSCH" Maße: 420 x 460 x 40 mm Verschiedene Formate dieses Geschenkrahmens der Goldschmiede Gebrüder Wandinger aus gehämmertem Silber mit dem von den Initialen Adolf Hitlers flankierten Hoheitsadler wurde von Hitler mit seinem eigenhändig signierten und meist mit einer persönlichen Widmung versehenen Porträtfoto sowohl an bedeutende Persönlichkeiten aus Staat, Wehrmacht und Partei und ausländische Staatsgäste, als auch an bedeutende Persönlichkeiten aus Kultur und Gesellschaft zu besonderen Anlässen überreicht. Die künstlerische Gesamtkonzeption stammt von Professor Gerdy Troost, der Witwe des von Hitler hoch geschätzten Architekten Paul Ludwig Troost. Adolf Hitler nahm persönlichen Anteil an der Gestaltung dieser Art von repräsentativen Geschenken und wirkte auf deren künstlerischen Entwurf teilweise selbst ein. Ausweislich des Archivs Professor Gerdy Troosts wurden etwa 100 solcher Silberrahmen für Geschenk - Porträtfotos Adolf Hitlers zur Überreichnung an hochgestellte Persönlichkeiten durch die Gebrüder Wandinger angefertigt. Mindestens ein Exemplar wurde in silbervergoldeter Ausführung hergestellt. Diese Foto - Geschenkrahmen wurden in durch die Werkstatt der Buchbinderin Frieda Thiersch angefertigten Präsentationskassetten aus rotem Saffianleder mit in Silber, bzw. Gold geprägtem Hoheitsadler auf den Deckeln überreicht. Die herkömmlichen Geschenkrahmen haben die Abmessungen 390 x 285 mm. Das hier vorliegende, mutmaßlich für Adolf Hitler selbst angefertigte Exemplar besitzt die Maße 400 x 440 mm. Es ist meines Wissens das einzige Sonderformat dieses kunsthandwerklich äußerst aufwendig gearbeiteten Präsentationsrahmens, das bisher bekannt geworden ist. Typisch für die Schlichtheit der von Adolf Hitler für den eigenen Gebrauch bestimmten Gegenstände ist auch, daß anders als bei den Geschenkrahmen, die Saffianlederkassette nicht mit einem Hoheitsadler versehen wurde. Bedeutendes historisches Sammlungsstück von imposanter Größe und in dieser Form warscheinlich ein Unikat.The Third German Reich 1933 - 1945 - Leading Personalities of the 3rd Reich : ADOLF HITLER PERSONAL PICTURE FRAME OF A RENDERING OF HIS BIRTHPLACE BRANAU ON THE INN.Large format representative frame is hand made in silver in special large format and features original etching of the birth house of Adolf Hitler in Braunau on the Inn. Lower left edge features artists signature "Ernst Zippens". Right edge features hand written inscription "Braunau a. Inn, Birthplace of the Fuhrer". The silver frame dedication field at the lower portion of the photo features meandering greek bands with an applied national eagle and the initials "AH". The edge of the frame features maker mark for the Brothers Wandiger "FHW" along with silver hallmark "925", crown and half moon. The Brothers Wandiger provided a variety of presentation gifts ordered by Adolf Hitler as well as the national eagles and metal devices for the higher grade documents of the Knight's Cross of the Iron Cross. Reverse features leather stand and is covered in dark brown Saffian leather. Frame includes presentation cassette in red Saffian leather with red felt lining. Interior features artist's signature of the book binder, "FRIEDA THIERSCH" and measures 420 x 460 x 40 mm.. Presentation frames in different dimensions were produced by the goldsmiths, the Brothers Wandiger, they were made of hammered silver and featured the initials of Hitler and a national eagle. When used as presentation frames with his picture Hitler personally signed each photo and usually added a personal dedication. This particular type of frame was presented to important personalities of the military, the party, the nation and foreign officials. Also, to important personalities from art and science. The basic design is attributed to Gerdy Troost, the widow of Hitler's highly regarded architect, Paul Ludwig Troost. Adolf Hitler personally involved himself with the concept and design of this style of presentation gifts. According to the Archives of Professor Gerdy Troost, approximately 100 of these special type of silver frames were delivered by the Wandingers for the purposes of presenting them to high-ranking personalities. At least one example was produced from gold plated silver. The standard photo presentation frames measured 390 x 285 mm and were presented with a superb presentation cassette. The red Saffian leather cassette featured a gold or silver embossed national eagle to its cover and was designed and produced by the famous book binder, Frieda Thiersch. The accompanying frame measures 390 x 285 mm. The rectangular format (horizontal) offered at auction which was probably personally produced for Adolf Hitler mesures 400 x 440 mm. To the best of my knowledge, this is the only type of "special format" presentation frame known. Given Hitler's style of keeping is personal items simple this special frame does not have the embossed national eagle on the Saffian leather cassette. Important historical collector's item of impressive size and in this form, most likely unique.
Lot 1061
George Soper - Return to work, etching, signed in pencil to the margin, 12.5x17cm, and George Thomas Rope (1845-1929) - figure on a country lane, pencil drawing, signed lower right, 17x24.5 (2)Soper - has some light browning otherwise very good.Rope - has some light staining to left hand side.
Lot 1253
ANTOINE JOSEPH PERNETY "Des Herrn Pernety Handlexikon der Bildenden Künste" 1764 worinnen alles, was beym Zeichnen, Malen, Bildhauen, Kupferstechen, Stein- Metall- und Formenschneiden, Aetzen und Gießen, üblich ist, erkläret wird. Nebst einer practischen Abhandlung von den verschiedenen Arten zu malen / Aus dem Französischen übersetzt, HxB: 20/13 cm. Altersspuren, berieben und bestoßen.| ANTOINE JOSEPH PERNETY "Des Herrn Pernety Handlexikon der Bildenden Künste" 1764In which everything that is usual in drawing, painting, sculpting, engraving, cutting stone, metal and moulds, etching and casting is explained. Together with a practical treatise on the different ways of painting / Translated from the French, HxW: 20/13 cm. Signs of age, rubbed and bumped.
Lot 1807
FUCHS, ERNST (1930-2015), "Venus auf der Insel des Todes", Aquatintaradierung/BFK Rives (mit Wasserzeichen), u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. 168/250, HxB: Platte ca. 58,5x44,5 cm, Blatt ca. 83x63 cm, Außenmaße Rahmen ca. 87x67 cm. Altersspuren. Mit verglastem Rahmen.| FUCHS, ERNST (1930-2015), "Venus on the island of death", Aquatint etching/BFK Rives (with watermark), l.r. signed by hand in pencil, u.li. with pencil no. 168/250, HxW: plate approx. 58.5x44.5 cm, leaf approx. 83x63 cm, outer dimensions of frame approx. 87x67 cm. signs of age. With glazed frame.
Lot 1806
JANSSEN, HORST (1929-1995), "Ich will fliegen", Aquatintaradierung/chamoisfarbenes Papier, u.re. mit Bleistift von Hand monogrammiert und datiert 'JH 73', u.li. mit Bleistift num. 16/30, HxB: Platte ca. 29,5x15 cm, Blatt ca. 50x33 cm, Außenmaße Rahmen ca. 51x34 cm. Altersspuren. Mit verglastem Rahmen.| JANSSEN, HORST (1929-1995), "I want to fly", aquatint etching/chamois-colored paper, monogrammed and dated 'JH 73' by hand in pencil, lower left. with pencil no. 16/30, HxW: plate approx. 29.5x15 cm, sheet approx. 50x33 cm, outer dimensions of frame approx. 51x34 cm. signs of age. With glazed frame.
![Signed coloured Etching by M Haranz Depicts eerie street scene. Signed in pencil. [Frame 44x50cm]](https://cdn.globalauctionplatform.com/985114cd-f087-4e0b-8bf7-af2700bbf500/8ae28abd-bcf6-419e-be7e-af2b00b11ae2/468x382.jpg)
Lot 228
THREE PRINTS, comprising THIRZA COTZEN (South African, b. 1953) limited edition (7/50) etching with colour - Room of My Own VII, titled, signed and dated 76, 35 x 25cm; JOHN HENCHER, lithograph - Do All Your Work..., signed in pencil, 28 x 78cm; and another abstract screenprint by another hand, signed & dated with initials 'SM93', 41 x 41cm (3)
Lot 117
Mila Fürstová (born 1975)'Sky Full of Stars' Artwork From Coldplay's 'Ghost Stories' Album, 2014one-off hand-printed etching on paper, signed and inscribed For Mike, titled Test Print and dated 2014 in black ink by the artist, on raised mount, framed and glazed artwork diameter 48.5cm (19in).Footnotes:Provenance:Gifted to the vendor by the artist.The band co-wrote and co-produced the song with Avicii. Upon its release, 'A Sky Full of Stars' charted inside the top 10 in over 16 countries including Australia, Canada, Ireland, Japan, Mexico, New Zealand, the UK and USA.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 67
Jamie Reid (born 1947)Learn from the past, Live in the present, Look to the future (Blue), 2011unique work, with inkjet base print on 310 gsm Hahnemuhle 'German Etching' paper with acrylic screen print additions and mixed media on board, signed in pencil by the artist 111.5 x 82 x 2cm (43.9 x 32.3 x 0.8in).This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 37
Britton (John) The History and Description with Graphic Illustrations of Cassiobury Park, Hertfordshire: the Seat of the Earl of Essex, first edition, one of 170 copies, this one of 150 on small paper, presentation copy inscribed "To Allan Cunningham Esq. from the Author as a mark of esteem July 24 38" on slip mounted on front pastedown, list of subscribers, 2 engraved portraits of the author on one sheet (not called for in list of plates) and 20 engraved plates & plans, some aquatint, some soft-ground etching, 4 after Turner and 5 after Pugin, 8 wood-engraved vignettes of estate cottages to title and as head- & tail-pieces, title lightly foxed, plates with light foxing and marginal water-staining, bookplates of John Cheape and ?C.Mallord W.Turner, original cloth, rubbed and water-stained, rebacked in cloth, [cf.Abbey, Scenery 412, large paper copy], folio, Chiswick Press for the Author, 1837.⁂ Neither the list of plates nor Abbey call for the 2 portraits of Britton but Abbey also lists mezzotint portraits of George Earl of Essex and George Viscount Malden & Lady Eliz. Capel. These were presumably only issued with the large paper copies.Allan Cunningham (1784-1842), Scottish poet and author.
Lot 410
John Bellany C.B.E., R.A., H.R.S.A., L.L.D.(Lon) (British, 1942-2013)Raised beach self portrait numbered 36/45 (lower left) and signed 'John Bellany' (lower right)etching45.5 x 39.3cm (17 15/16 x 15 1/2in).unframedFootnotes:One of the series of prints known as the Addenbrokes series after the hospital in Cambridge where Bellany underwent a major operation.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 416
Barbara Rae C.B.E., R.A., R.S.A. (British, born 1943)Desert Stone edition 3/60, inscribed and signed in penciletching38 x 42 cm. (14 15/16 x 16 9/16 in.)Footnotes:ProvenanceGlasgow Print StudioCollection of Janet BeatThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 430
MCBEY (JAMES)SALAMAN (MALCOM C.) The Etchings of James McBey, NUMBER 97 OF 100 COPIES SIGNED BY THE ARTIST, with an original signed etching of Venice, plates, publisher's vellum-backed red pictorial cloth, gilt, t.e.g., others uncut, slipcase worn and stained, 4to, Halton & Truscott Smith, 1929This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 37
Arthur Henry Knighton-Hammond R.I., R.S.W. (British 1875-1970) Rural view with a horse Signed in pencil in the margin, etching.plate size 14.5cm x 15cm (5.75in x 6in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor spots of foxing across the paper. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Lot 38
Arthur Henry Knighton-Hammond R.I., R.S.W. (British 1875-1970) "Durham" Signed in pencil in the margin, etching.plate size 23.5cm x 28.5cm (9.25in x 11.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The paper has browned lightly across the sheet and there are some minor spots of foxing across the paper. There are some stains and minor spots of foxing on the mountboard. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Lot 39
Arthur Henry Knighton-Hammond R.I., R.S.W. (British 1875-1970) Venetian canal scene with gondolas Signed and marked artist's proof in pencil in the margin, etching.plate size 20cm x 17.5cm (7.75in x 6.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The paper has browned lightly across the sheet and there are some minor spots of foxing across the paper. There are some water stains and minor spots of foxing on the mountboard. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
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