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Lot 1042
Arthur Baylis Allen (b.1889) ''The Transmitter, Brookmans Park'', signed, inscribed and dated 1930, etching, together with five further prints, including; Reginald Goodfellow ''Saturday Afternoon, Brentford'', Norman James, two studies of boats, Jolan Williams (1908-1988), ''Still Life'' and ''Studio Window'' (6) Provenance: Abbott and Holder Ltd., London
Lot 253
HARDY, THOMASSOUVENIR PROGRAMME. THOMAS HARDY'S WESSEX SCENES FROM "THE DYNASTS" Performances at the Corn Exchange, Dorchester, on December 6th and 7th, 1916. 4to, (285 x 225mm.), original printed salmon wrappers; Hardy, Mrs Florence Autograph letter signed to James Fairweather Milne regarding "photograph of the map of Wessex drawn by my late husband", 13 June 1936, with envelope; Hardy, Mrs Florence Autograph letter signed regarding the reproductions "of the map of Wessex drawn by my husband", 21 October, [1936], with envelope (3)Note: Loosely inserted is an etching of Stinsford Church & Grave of Thos. Hardy by R.C. Bean, 75 x 104mm.
Lot 401
Alixe Jean Shearer ARMSTRONG (1894-1984)Two linocuts, each titled 'The Star', one signed and inscribed.Together with a woodcut titled 'This Year of Grace', signed and inscribed, an etching of a cockerel, monogrammed and various exhibition flyers and newspaper articles.Provenance:From the David Wilkinson Collection. David Wilkinson was a seriously multi-talented Architect, Researcher, Sculptor, Musician, Author and more. When he came to St Ives in 1993 it was a breath of fresh, innovative air. What's more he was instantly accepted and liked. This sale touches on the breadth of his knowledge and his interests.
Lot 1027
Belcher, George (1875-1947) R.A Etching signed - golfer and caddie with narrative below - Golfer - what did you think of my game today caddie? -Caddie - "well I prefer golf Sir" image 15.25" x 12.25" overall 24.5" x 18.5" Note George Frederick Arthur Belcher was an English cartoonist etcher and painter of genre, sporting subjects and still life He drew for the Punch Almanac from 1906 and for Punch itself regularly from 1911 also for the Tatler and Vanity Fair - Belcher exhibited at the Royal Academy from 1909
Lot 737
G VALK AFTER PHILIPS WOUVERMAN A cavalry officer taking a welcome drink outside a camp, etching, 19 x 28cm; and four further various engravings to include: The Weight of the Bible, engraving after Huijeh Allardt; a landscape engraving by C Galle; a hand-coloured engraving of Queen'3s College, Oxford; and a western view of All Souls College, one unframed (5)
Lot 289
δ Allix (Susan) Egyptian Green: Views from Egypt, number 8 of 24 copies signed by the artist/binder, printed in green and black on a variety of papers, etchings by Susan Allix, some with hand-colouring and drawing, original green goatskin with cut-out panels and small shapes over tan paper, etching of Egyptian figure in upper panel onlaid with small dots of green and tan goatskin, lower blank, by Allix , uncut, original green cloth drop-back box with paper flaps inside, paper and cloth onlay on upper cover and label on spine, 4to, 2003.⁂ A beautifully-presented compilation of writings on Egypt from the ancients to Amelia Edwards, including ancient coffin texts, Herodotus, Catullus and the Koran.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 272
Whistler (James Abbott McNeill) The Gentle Art of Making Enemies, inscribed by the author "To Siegfried Bing - with compliments & pleasant sympathy" and butterfly monogram on front free endpaper, 1892; Eden versus Whistler: The Baronet and the Butterfly, Paris, [1899] § Pennell (E.R. & J.) The Life of James McNeill Whistler, 2 vol., 1908 § Menpes (Mortimer) Whistler as I Knew Him, number 138 of 500 deluxe copies signed by the author and with original etching by Whistler of the Menpes children, original decorated cloth, t.e.g., spine soiled, A. & C.Black, 1904, plates and illustrations, the first two lightly browned with occasional foxing, all but the last original cloth-backed boards, rubbed, all uncut, 4to (5)⁂ Siegfried Bing (1838-1905), influential German-French art dealer who introduced Japanese art to the West, published the magazine Le Japon Artistique, and was an important figure in the development of the Art Nouveau style.
Lot 136
Heaney (Seamus) The Testament of Cresseid: A retelling of Robert Henryson's poem, number 56 of 75 deluxe copies signed by the author and artist and with an additional original etching, from an edition limited to 450, tipped-in colour illustrations by Hughie O'Donoghue, original cloth, uncut, original colour etching numbered and signed in pencil, loose as issued in original card folder, together in cloth slip-case, 4to, printed at the Rampant Lions Press of Cambridge for the Enitharmon Press, 2004.
Lot 402
Jefferies (Richard) & others. Sun, Sea & Earth, number 35 of 125 copies, copper-engravings by Brian Hanscomb, original wrappers sewn in Japanese style, slip-case, Andoversford, Whittington Press, 1989 § Duncan (Robert) The Structure of Rime, number 175 of 275 copies, illustrations, original cloth with cut-out panel revealing etching by Frank Lobdell in each cover, uncut, slip-case, with accompanying etching with aquatint by Lobdell numbered, signed & dated in pencil, loose in paper folder, with prospectus, San Francisco, Arion Press, 2008, 4to (3)
Lot 20
Bosschère (Jean de).- Baudelaire (Charles) Little Poems in Prose, translated by Aleister Crowley, one of 800 copies, errata leaf, imprint leaf and 4pp. advertisements at end, plates by Jean de Bosschère, original suede-backed cloth, glacine wrapper (frayed at edges), broken slip-case, Paris, Edward W.Titus, At the Sign of the Black Manikin, 1928 § Putnam (Samuel) The World of Jean de Bosschère, number 90 of 100 copies on hand-made paper with an additional signed colour etching, from an edition limited to 1000, title in red and black, colour woodcut frontispiece, plates and illustrations, original vellum-backed cloth, Fortune Press, 1922, t.e.g., others uncut; and 14 others illustrated by de Bosschère, some limited editions, 8vo & 4to (16)
Lot 229
Schwimmer (Max).- Goethe (Johann Wolfgang von) Dreizehn Liebesgedichte, out-of-series copy from an edition limited to only 13, printed on japon, lithographed illustrations by Max Schwimmer (but not hand-coloured as indicated in colophon), with small signed hand-coloured etching by the printer loosely inserted, bound in Japanese style in original pictorial silk wrappers printed in red, slightly soiled, Leipzig, Hellmuth Weissenborn, 1932; and a small quantity of proofs & unbound sheets for the production including one sheet with original watercolour drawing, 2 with hand-coloured illustrations and other pasted-up sheets, folio (a bundle)
Lot 428
*Gillray (James). A Bravura Air Mandane, published H. Humphrey, 1801, etching with contemporary hand colouring, slight staining, 355 x 255 mm, mounted, framed and glazed, together with Dighton (Robert, the elder), Madame Catalani in Semiramide. Her first appearance in England, Decr. 13th 1806 [and] Mr Braham in the character of Orlando..., March 22nd, 1802, two etched caricatures with contemporary hand colouring, each approximately 270 x 200 mm, mounted, framed and glazed, with Freeman (Samuel), Madame Catalani, published William Holland Jany. 10th 180, stipple engraving after Adam Buck with contemporary hand colouring, slight staining.270 x 200 mm, mounted, framed and glazed, plus another French caricature of a scene at the Theatre Royal, London of a performance of an opera, almost certainly of Madame Catalani in Semiramide, 310 x 305 mm, mounted, framed and glazed (5)
Lot 3
Rembrandt van Rijn (1606-1669) Man crying out, bust directed three-quarter to the leftEtching, circa 1630-1631, but a slightly later impression on wove paper without watermark, New Hollstein's final state (of seven), trimmed on or just within the platemark, sheet 39 x 34 mm (1 1/2 x 1 3/8 in) (unframed)Literature:Hind 41E; New Hollstein 33b vii/vii
Lot 2
Rembrandt van Rijn (1606-1669) Beggar Man and Beggar Woman ConversingEtching, 1630, a richly inked but slightly later impression on laid paper without watermark, New Hollstein's third state (of three), platemark 76 x 65 mm (3 x 2 1/2 in), sheet 87 x 72 mm (3 3/8 x 2 3/4 in), one small nick in the left margin, (unframed)Literature:Hind 7; New Hollstein 45 iii/iii
Lot 21
Rembrandt van Rijn (1606-1669)Self-portrait in a Velvet Cap with PlumeEtching with plate tone, 1638, a good but later 20th century impression on laid paper of New Hollstein's final state (of four), platemark 137 x 105 mm (5 3/8 x 4 1/8 in), wide margins, under glass, (framed)Literature:Hind 172; New Hollstein 170 iv/iv
Lot 82
Salvador Dali (1904-1989)Pegasus (Field 68-4-A; M&L 291b)Etching printed in colours, 1968, signed, inscribed 'E.A' and numbered from the edition of 12 in pencil, an artist's proof aside from the numbered edition of 75, on japon nacré paper, as included in 'Quinze Gravures', printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, Basel, with full margins, sheet 440 x 316mm (17 1/4 x 12 1/2in) (unframed) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 165
Ellsworth Kelly (1923-2015)Diagonal with Black (from Concorde Series) (Axsom 195)Etching, 1981-82, signed and numbered from the edition of 18 in pencil, on wove paper, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp, with full margins, sheet 867 x 743mm (34 1/8 x 29 1/4in) (unframed)Condition report:Remains of tape at three places along the upper sheet edge verso, not apparent recto, with some associated very light skinning.Handling creases to the sheet in margins, most only visible in a raking light.Otherwise in very good condition.
Lot 166
Alex Katz (b.1927)The Swimmer (Klaus Albrecht Schröder 76)Aquatint printed in colours, 1974, signed and numbered from the edition of 84 in pencil, on German etching paper, printed by Prawat Laucheron, New York, co-published by Brooke Alexander, Inc., and Marlborough Graphics, Inc., New York, the full sheet printed to the edges, 713 x 914mm (28 x 36in) (framed)
Lot 127
David Hockney (b.1937) (after)An Etching and a Lithograph for Edition Alecto 1973Collotype printed in colours, 1973, numbered from the edition of 2000 in pencil, on wove paper, printed by Cotswold Collotype, published by Editions Alecto, London, the full sheet, 940 x 685mm (37 x 27in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 23
Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, a very good impression of New Hollstein's first state (of three) before any rework by the Basan workshop, with some small areas with touches of brush and grey ink, printed on laid paper with partial fleur-de-lis watermark, trimmed on or just within the platemark, sheet 160 x 138 mm (6 1/4 x 5 3/8 in), sheet with carefully repaired tear running into the image from the upper centre edge and laid on to fine tissue, tipped onto 19th century collector's mount with ruled brown ink borders, (unframed)Literature:Hind 147; NH 159 i/iii
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71082 item(s)/page