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Lot 77
English School (18th century), "Baron Nelson of the Nile and Burnham Thorpe in the County of Norfolk", hand coloured aquatint and etching, published by John Fairburn 1798, 37 x 25cm, together with "The Noble Admiral Lord Nelson fell in the arms of victory by the wound in his left breast...", hand coloured engraving published by P Gally, 1805, 25 x 35cm; after Burke "Baron Nelson of the Nile", stipple engraving published by John Brydon, 1800, 32 x 25cm and one further engraving (4) Provenance: Lyon & Turnbull, The Le Quesne Collection 09&10/07/08 Lot 279
Lot 230
* Szczecin/Poland . De Hooghe ( Romeyn ), Verovering van Stettin , Amsterdam, circa 1677, uncoloured etching of the siege of Szczecin, short split at base of central fold, very slight staining, 430 x 535 mmQty: (1)NOTESA large and scare image of the siege of Szczecin. The siege was an important part of the Scanian War, 1675 - 1679, troops from Brandenburg under Frederick William "the Great Elector" captured Stettin (nowadays Szczecin) in 1677,
Lot 320
Fitzgerald (Edward) . Rubaiyat of Omar Khayyam, The Astronomer-Poet of Persia, illustrated by Niroot Puttapipat, Folio Society, 2009, original monochrome etching numbered & signed by the illustrator, numerous colour illustrations, top edge gilt, publishers original quarter vellum to gilt decorated boards in book box, large 8vo, limited edition 448/1000Qty: (1)
Lot 4
* American War of Independence. Noddle-Island or How are we decieved, by Matthew Darly (1720-1778). May 12, 1776, uncoloured etching on laid paper, with partial watermark of the Dutch paper manufacturer Lubertus van Gerrevink, with margins to three sides (close-trimmed to lower margin), a few light handling marks (generally in good condition), plate size 25 x 17.8 cm (9.75 x 7 ins), sheet size 26.8 x 20.7 cm (10.5 x 8.2 ins)Qty: (1)NOTESBM Satires 5335. A satire on the evacuation of Boston by British forces on March 17th, 1776 under the command of General Sir William Howe, after Washington's placement of fortifications and cannons on Dorchester Heights, overlooking the city. 11,000 British troops and 1,000 Loyalists sailed from Boston on March 17th, heading for the safety of Halifax, Nova Scotia. The image plays on the fashion for women's elaborately decorated hairpieces, here so large that it can accommodate scenes of the entrenchments around Boston, including two flags of the British army decorated with an ass and a fool's cap and bells.
Lot 245
Louis Icart (1888-1950)My ModelEtching and drypoint, 1933, printed in colours, with hand-colouring, on wove paper, signed in pencil, with the artist's blindstamp55.2 x 43.8cm (21 3/4 x 17 1/4in).Footnotes:Provenance: Sotheby's New York, 20th Century Decorative Works of Art, 8 March 1991, Lot 329This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 248
Louis Icart (French, 1888-1950)Joan of Arc (Jeanne d'Arc)Etching with drypoint, 1929, printed in colours, with hand-colouring, on wove paper, with printed vignettes in the lower margin, signed in pencil69.5 x 55cm (27 3/8 x 21 5/8in).Footnotes:Provenance: Sotheby's, New York, 20th century Decorative Arts, 15-16 June 1990, Lot 132This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 249
Louis Icart (French, 1888-1950)Mardi Gras (a la Fête)Etching with drypoint and hand-colouring, 1936, on wove paper, signed in pencil, with the blindstamp of the artist, with margins47 x 46.5cm (18 1/2 x 18 5/16in).unframedFootnotes:Provenance: Christie's (East) New York, Contemporary Glass & Ceramics, Art Nouveau, 18 March 1991, Lot 364This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 250
Louis Icart (French, 1888-1950)On the Grass (Sur l'herbe)Etching and drypoint, 1925, printed in colours, with hand-colouring, with the artist's blindstamp; together with another etching with aquatint and hand-colouring, Basket of Apples, 1924, on wove paper, each signed in pencil (2)26.5 x 40cm (10 7/16 x 15 3/4in).Footnotes:Provenance: Sotheby's, London, Applied Arts, 19 October 1990, Lot 203Phillips, New York, 20th Century Furniture and Related Decorative Arts, 25 November 1986, Lot 52This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 252
Anders Zorn (1860-1920)Beserk (Bärsärk)Etching, 1914, the final, fourth state, together with two others, Elin, 1914, the third state of five, 19.6 x 29.7cm, Summer, 1907, a unique state, each signed in pencil, all on laid paper, 17.8 x 12cm (1 unframed) (3)25 x 17.8cm (9 13/16 x 7in).Ref. A261, A260, A211Footnotes:Provenance: Beijers Stockholm, Beijers Grafik, 20 March 1991, lot 486Beijers Stockholm, Beijers Grafik och Bokauktion, 14-15 December 1990, lot 726ASotheby's New York, 18th and 19th Century Contemporary Prints, 21 February 1991, lot 399This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 253
Anders Zorn (1860-1920)BalanceEtching, 1919, together with two others, Berserk (Bärsärk), 1914, the final, fourth state, 25 x 17.8cm, Alder, 1917, the final, third state, 17.3 x 11.9cm, each signed in pencil, all on laid paper (2 unframed) (3)16.5 x 11.6cm (6 1/2 x 4 9/16in).Ref. A287, A261, A277Footnotes:Provenance:Beijers Stockholm, Beijers Grafik och Bokauktion, 14-15 December 1990, lot 742A and 725Sotheby's New York, 19th and 20th Century and Contemporary prints, 21 February 1991, lot 399This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 254
Anders Zorn (1860-1920)ElinEtching, 1914, the third state of five, together with two others, Shallow (Grunt), 1913, the final, fourth state, 29.8 x 19.8cm, Cercles d'eau II, 1907, a later impression, 19.7 x 11.9cm, each signed in pencil, all on laid paper (unframed) (3)19.6 x 29.7cm (7 11/16 x 11 11/16in).Ref. A260, A259, A213Footnotes:Provenance: Sotheby's New York, 19th and 20th Century Contemporary Prints, 21 February 1991, lot 401Norden Stockholm, Skandinavisk Konst samt Antikviteter Nr. 16, 6-7 December 1994, lot 212 and 206This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 255
Anders Zorn (1860-1920)SappoEtching, 1917, the final, third state, together with two others, Old Soldier, 1911, the second state of three, 13.9 x 11cm, Cercles d'eau II, 1907, the final, second state, 19.7 x 11.9cm, each signed in pencil, all on laid paper (2 unframed) (3)20.6 x 18cm (8 1/8 x 7 1/16in).Ref. A278, A245, A213Footnotes:Provenance: Beijers Stockholm, Beijers Grafik och Bokauktion, 14-15 December 1990, lot 733Sotheby's, New York, 19th and 20th Century Contemporary Prints, 21 February 1991, lot 401 and 399This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 214
ETCHING OF THE TICKET DRAWN BY WILLIAM HOGARTH FOR OLD BOYS DAY 1727 THIS ETCHING IS PRESENTED BY OLD BLUNDELLIANS RESIDENT IN THE UNITED STATES OF AMERICA IN COMMEMORATION OF THE 300th ANNIVERSARY OF THE FOUNDATION OF THE SCHOOL 29th JUNE 1904 IN ACCEPTABLE CONDITION App.size: 15.5cm x 23.5cm (total: 24cm x 31.5cm)
Lot 507
Jorge CASTILLO (1933)"Abstrakte Komposition" Grafik - Radierung, Maße: 59,5 cm x 30,5 cm, unten rechts handsigniert und datiert 1972,vom Käufer 2 % Folgerechtsabgabe / Bildkunst auf den Zuschlagspreis zusätzlich zu zahlenJorge CASTILLO (1933)"Abstract composition"graphic - etching, dimensions: 59.5 cm x 30.5 cm, hand signed and dated 1972 on the lower right,to be paid by the buyer 2% resale right / Bildkunst on the hammer price additionally
Lot 525
Käthe KOLLWITZ (1867-1945)"Losbruch"Grafik - Radierung auf Papier, Platte 50,5 cm x 58 cm, Blatt 59 cm x 75 cm,rechts unten Stempelsignatur, gedruckt bei Felsing, sehr früher Druck mit feinem Grat,insgesamt etwas bügig und einige Randläsuren ausserhalb der Darstellung, links unten WVZ Nr. KlippsteinKäthe KOLLWITZ (1867-1945)"Breakaway"graphic - etching on paper, plate 50.5 cm x 58 cm, sheet 59 cm x 75 cm,stamp signature on the lower right, printed by Felsing, very early print with fine burr,altogether somewhat irony and a few marginal blemishes outside the illustration, on the left bottom catalogue of works number Klippstein
Lot 526
Max KLINGER (1857-1920)"Mondnacht"Grafik- Aquatintaradierung auf Bütten, Platte 36,29 x 26,1 cm, Blatt 60,5 cm x 45 cm,an den Rändern kleine LäsurenMax KLINGER (1857-1920)"Moon night"graphic - aquatint etching on laid paper, plate 36.29 x 26.1 cm, sheet 60.5 cm x 45 cm,small blemishes on the edges
Lot 535
Ludwig VON HOFMANN (1861-1945)"Zur Quelle" (um 1920)Grafik- Radierung auf Bütten, Platte 25 cm x 20 cm, Blatt 41 cm x 29 cm,rechts unten handsigniert, im Passepartout montiertLudwig VON HOFMANN (1861-1945)"To the source" (around 1920)graphic - etching on laid paper, plate 25 cm x 20 cm, sheet 41 cm x 29 cm,handsigned on the lower right, mounted in passe-partout
Lot 537
MARWAN (1934-2016)"Liegendes Mädchen"Grafik- Radierung auf Bütten, Platte 20 cm x 30 cm, Blatt 36 cm x 44 cm,rechts unten handsigniert und datiert 81, links unten Nr. 9/20MARWAN (1934-2016)"Lying girl"graphic - etching on laid paper, plate 20 cm x 30 cm, sheet 36 cm x 44 cm,handsigned and dated 81 on the lower right, number 9/20 on the lower left
Lot 586
Herta GÜNTHER (1934-2018)"Revue"Grafik-Farbradierung, 26 cm x 23,5 cm,rechts unten handsigniert und datiert 1981,vom Käufer zusätzlich 2 % Bildkunst / Folgerechtsabgabe auf den Zuschlag zu zahlen.Herta GÜNTHER (1934-2018)"Revue"graphic color etching, 26 cm x 23.5 cm,handsigned and dated 1981 on the lower right,to be paid by the buyer 2% resale right / Bildkunst on the hammer price additionally
Lot 630
Harald METZKES (1929)"Interieur mit Violine"Grafik - Radierung auf Bütten, Platte 24,5 cm x 32 cm, Blatt 37 cm x 47 cm,rechts unten handsigniert und datiert 75, links unten Nr. 7/15, verso Reste alter MontierungHarald METZKES (1929)"Interior with violin"graphic - etching on laid paper, plate 24.5 cm x 32 cm, sheet 37 cm x 47 cm,handsigned and dated 75 on the lower right, lower left number 7/15, on the backside remains of old mount
Lot 640
Konvolut Grafik DDR"5 Blatt verschiedene Künstler und Techniken"dabei:1.) A.Eckert, Dorfkirche in Mecklenburg, Lithografie 40 cm x 55 cm, handsigniert und datiert 19762.) A. Groschop, ohne Titel, Holzschnitt 41 cm x 32 cm, rechts unten handsigniert3.) H.Leo, ohne Titel, Farblithografie, 39,5 cm x 54 cm, handsigniert und datiert 934.) Edmund Bechta, für junge Welt, Lithografie 49 cm x 38 cm, handsigniert und datiert 725.) Heinrich Tessmer, Stadtbummel, Radierung, Blatt 37,5 cm x 50 cm, handsigniert und datiert 71A group of graphic GDR"5 sheets of different artists and techniques"included:1.) A. Eckert, village church in Mecklenburg, lithography 40 cm x 55 cm, signed and dated in 19762.) A. Groschop, untitled, woodcut 41 cm x 32 cm, handsigned on the lower right3.) H.Leo, untitled, color lithography, 39.5 cm x 54 cm, handsigned and dated 934.) Edmund Bechta, for young world, lithography 49 cm x 38 cm, handsigned and dated 725.) Heinrich Tessmer, city stroll, etching, sheet 37.5 cm x 50 cm, handsigned and dated 71
Lot 653
Manfred BUTZMANN (1942)"Zeughaus"Grafik - Aquatintaradierung auf Bütten, Platte 20 cm x 24,8 cm, Blatt 23,8 cm x 31,3 cm,links unten bezeichnet, rechts unten handsigniert und datiert 1982Manfred BUTZMANN (1942)"Zeughaus"graphics - aquatint etching on laid paper, plate 20 cm x 24.8 cm, sheet 23.8 cm x 31.3 cm,inscribed on the lower left, signed on the lower right and dated 1982
Lot 654
Manfred BUTZMANN (1942)"Ruine des Neuen Museum"Grafik - Aquatintaradierung auf Bütten, Platte 20,6 cm x 22,7 cm, Blatt 26,8 cm x 30,3 cm,links unten bezeichnet, rechts unten handsigniert und datiert 1984Manfred BUTZMANN (1942)"Ruine des Neuen Museum"graphic aquatint etching on laid paper, plate 20.6 cm x 22.7 cm, sheet 26.8 cm x 30.3 cm,inscribed on the lower left, handsigned and dated 1984 on the lower right
Lot 655
Manfred BUTZMANN (1942)"Museumsinsel"Grafik - Aquatintaradierung auf Bütten, Platte 19,2 cm x 24,2 cm, Blatt 30,7 cm x 35,9 cm,links unten bezeichnet, rechts unten handsigniert und datiert 1986Manfred BUTZMANN (1942)"Museumsinsel"graphic - aquatint etching on laid paper, plate 19.2 cm x 24.2 cm, sheet 30.7 cm x 35.9 cm,inscribed on the lower left, handsigned and dated on the lower right 1986
Lot 339
WILLIAM LIONEL WYLLIE (1851-1931) 'WINDY DAY, COWES WEEK', racing yachts in full sail, signed in pencil to lower margin, mounted, framed and glazed, approximate size 17cm x 39cm, together with assorted prints including Bubbles by John MillaisCondition Report This is dry point etching from the original plate, it is not a lithographed print, frame damaged. We estimate it will come up around 12 midday
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78391 item(s)/page