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Louis Icart (1888-1950) La Dame au Camelias (Lady of the Camelias), 1927 etching with drypoint and aquatint, on paper, published by Les Graveeurs Modernes, framed signed in pencil 52cm. wide (image) Literature Catalia and Isen Holland Louis Icart The Complete Etchings, page 152 catalogue no.321 for a comparable example.
'Elfin Palace' a Wedgwood Fairyland plaque designed by Daisy Makeig-Jones, printed rectangular form in wooden frame, and an Elfin Palace etching of this design, framed unmarked, 27.5 x 20.5cm. (2) Literature Una Des Fontaines, Wedgwood Fairyland Lustre, Sotheby Park Bernet, page 194 plate 42 for a comparable plaque in the black and gilt colourway. Provenance From the collection of Anne Makeig-Jones.
Henry Moore (British, 1898-1986), Head of girl soft ground etching on wove paper, signed "Moore" in pencil lower right, numbered "J38/50" in pencil lower left, from an edition of 50, printed for The Henry Moore Foundation, Much Hadham (Cramer, 597), Copyright 1983, Printmaking Department Trust Fund Appeal Royal College of Art, London, Copyright Henry Moore Foundation plate size 11½ x 12 1/8in. (29.2 x 30.8cm.)
Edmund Blampied, RE (Jersey, 1886-1966), 'Fishing Fleet', drypoint etching on laid paper, signed in ink lower right and in the plate "Blampied Sep 1926" lower left, inscribed on reverse 'Fishing fleet ……. 1st proof Aug' 1926', 8½ x 11¾in. (21.5 x 29.8cm.). * Not listed in the Catalogue Raisonné by Appleby & Arnold.
Bartolomeu do Santos (Portuguese 1931-2008)/Flower Girl/signed, dated '67 and numbered 24/50 in pencil/colour etching, image 55cm x 48cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
HENRY ALKEN 'THE WINNING POST' AND 'TATTENHAM CORNER', a pair of prints with hand colouring, published 1871 from the engraving by W Summers, mounted, framed and glazed, approximate size 50cm x 77cm, together with a J McIntosh Patrick framed print 'The Old Course St Andrews, signed 63/100, Sherree Valentine Daines, framed print 'The Ryder Cup', Edwin Penny framed print 'Goldfinches', signed and R J Bromhead etching 'Hedgesparrows' (5)
PAINTINGS AND PRINTS to include George Willott 'Little Moreton Hall', oil on board, framed, approximate size 60cm x 74cm, flamingos wading by E.Bennett, dated 1898, oil on board, two paintings of boats on the Norfolk Broads, late 18th/early 20th century, John Cother Webb etching, Willie Rawson etchings, two stained glass window panels and framed needlework picture
A 19th cent Spanish officer's sword, curved blade 30", with narrow back fuller and similar to top third length of fore edge, faint traces of etching, pierced, ornamental brass hilt incorporating the Spanish R Arms on flags with 2 rosettes, knopped knucklebow, forward sloping foliate pommel cap and backstrap, wirebound polished darkwood grip, in its black painted scabbard with 2 rings to leading edge. GC (refurbished overall). Plate 7 .
A 17th century continental, probably Polish, cavalry trooper's sword, almost flat, straight DE blade 34", with traces of etching, rounded tip, plain steel crossguard with slender langets and large thumb loop for gloved hand, knucklebow curled at top to fit the swollen horn grip. GC for age (some wear, dark rust pitting overall).
A scarce Georgian Royal Naval Purser's smallsword, hollow triangular section blade 32½", with traces of etching including crowned fouled anchor, gilt hilt, the flat oval guard with line engraved border to top and hinged, turn down inner portion, facetted crossguard and quillons, pas d'ane rings, and knucklebow into ball pommel with prominent stud, wirebound swollen fishskin grip with applied plate engraved with crossed fouled anchors, in its black leather scabbard with gilt locket, lions head frog stud and ring, middle band and ring, and chape. Good Condition, the hilt retaining virtually all original gilt, the scabbard mounts approx 25% gilt (some wear to blade). Plate 19
Norman Ackroyd CBE, RA (b.1938) ''St Kilda - Stac Lee and Stac an Armin'' Signed and dated 1990, inscribed and numbered 47/90, etching and aquatint, 49cm by 64cm Provenance: Purchased from the artist See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Norman Ackroyd's penchant for depicting inhospitable, remote locations is reminiscent of J.M.W. Turner's desire to render the sublimity of the landscape. Ackroyd first travelled to St Kilda in July 1989, stating of his experience: ''For many years St. Kilda has been an obsession. Previous attempts to make the crossing have foundered on the hostility and unpredictability of the Northern Atlantic. The archipelago, the most isolated and spectacular of all British islands, situated 50 miles west of the Outer Hebrides and 100 miles west of the Scottish mainland is, even today, difficult to access. My recent visits to the extremities and islands of Cork, Kerry and Clare only strengthened my resolve to make the journey. In July of this year, in spite of heavy seas, I finally set sight and foot on the magical land.''
Norman Ackroyd CBE, RA (b.1938) ''Summer Isles'' ''Altnaharra'' ''Achiltibuie'' Each signed and dated (19)91, artist's proof, etching with aquatint, 19cm by 24cm and 19.5cm by 22.5cm respectively (3) Provenance: Purchased from the artist Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Norman Ackroyd CBE, RA (b.1938) ''Interior at Oranmore Co Galway'' Signed and dated (19)91, inscribed and numbered 25/90, etching and aquatint, 21cm by 25cm Provenance: Purchased from the artist Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
David Hockney OM, CH, RA (b.1937) ''The Cook'', From the Story of Fundevogel for Six Fairy Tales from the Bother's Grimm, 1969 Etching and aquatint from and edition of 400, 22.5cm by 23.5cm Provenance: Goldmark Gallery, Rutland Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
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71174 item(s)/page