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δ Patrick Procktor (British 1936-2003) - Nocturne in North Wales, 1976 Etching printed in colours Signed in pencil and numbered 124/150 45 x 60cm (17 3/4 x 23 5/8in.) Provenance: with Redfern Gallery, London Presented to the current owner in 1999IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A 20th century oil painting on board, painted in the impasto technique, of a study of a shore scene with cliffs, signed with monogram bottom left, WR and dated 62, 36 x 54 cm in gilt frame with linen slip, together with a signed coloured etching after Tatton Winter of figures leaving a church, signed bottom right and with label verso, The Dark Entry, Canterbury Cathedral, 36 x 27 cm, framed
A collection of four 19th century continental botanical studies, all including various text, including example with floral garden surrounding a verse, approx size 10 x 19 cm all in gilt frames; together with further pictures and prints including a signed monochrome print of children in a fishing boat, a late 18th century black and white engraving after Hoppner, showing Sophia Western, a sepia coloured etching of a market cross after Sharland, two watercolours of trees, one inscribed Panjali, etc
A collection of miscellaneous pictures and prints including a pair of early 20th century caricatures after Mabel Lucie Attwell, signed with initials EKP, a 19th century oil painting on card of a landscape view, a coloured etching by W Sharland of the Roman Baths at Bath, further etchings, etc.
Patrick Hickey HRHA (1927-1998) and others GRAPHIC STUDIO DUBLIN FOLIO OF SPONSORS PRINTS, 1972 etching; (4); (unframed in original folio with accompanying letterpress); (nos. 20 from an edition of 75) each signed, numbered and dated in lower margin 5.75 by 8in. (14.6 by 20.3cm) The four works are: Patrick Hickey, Still Life; John Behan, Figure Reclining; Alice Hanratty, Two Heads; and Jan de Fouw, Stag Sugar. Sheet size of each work: 11.75 by 13 inches. This lot also includes two etchings by Estella Solomons HRHA (1882-1968), Dublin Scene and In the Park, numbered 20/80.
Glynn Thomas, (contemporary), British, A pair of charming, detailed, limited edition, colour etchings of Suffolk locations to include, 'Southwold Fishermen' 134/200, signed in pencil by the artist at bottom of etching, (Sight size: 21.5 x 11 cm), (Frame dimensions: 36 x 24 cm) and 'Aldeburgh Steps' 167/200, signed in pencil by the artist at bottom of etching, (Sight size: 21.5 x 11 cm), (Frame dimensions: 36 x 24 cm). Both framed, glazed and mounted. (2)
Charles Bartlett (British), Two framed, limited edition etchings, one entitled, 'A Windy day', 'A/8', signed in pencil by the artist at bottom of etching, (Sight size: 20.5 x 15 cm), (Wooden Frame Dimensions: 41 x 31 cm) and the other entitled, 'Snape Bridge' '11/50', signed in pencil by the artist at bottom of etching, (Sight size: 17 x 19 cm), (Silvered Frame Dimensions: 33.5 x 37 cm). (2)
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71174 item(s)/page