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Click here to subscribeW. GLYN HEARD "Rural scene with bridge in foreground, church in background" oil on board, signed lower right together with AFTER JAMES DUNN "The Junior School" limited edition hand coloured etching No'd 6/100 signed and dated '89 lower right together with a collection of various prints and engravings, daguerreotypes and two Villeroy & Boch collectors plates. NOTE: The two daguerreotypes are in the cabinet
An 18th Century French multiple page deed framed and glazed circa 1742 together with another similar, two mounted but unframed musical scores from "Antifonal" published in Paris circa 1740, AFTER JOHN KAY "Lunardi in his balloon" black and white etching dated 1785 within the print together with two further prints and two framed and glazed 19th Century wax seals
ENGRAVING AFTER FILIPPO MORGHEN - 'ALL' ECCELLENTISS. COLLEGIO REALE DI MEDICINA DI EDINBURGH', together with a soft etching of a woodland scene by Jos. Farington 1790 and an engraving by J. Mason after T. Smith - 'A View in Newstead Park belonging to the Rt. Hon. The Lord Byron', laid down (3)
A folio of 19th and 20th century prints, including Eric Gill ARA (1882-1940), by, Study of a Female Nude, initialled within the plate, [1938], wood engraving, 21.4cm x 12.4cm; Samuel Prout (1783-1852), after, Grampound, [Cornwall], only titled within the platemark, soft-ground etching, first-second half of the 19th century, 35cm x 26cm, collector's pencilled numbering to verso; others, various media, including aquatints, and sizes, [18]
John Fullwood, RBA - Loch Leven and Glencoe, black and white etching, signed, 22 x 36.5cm approx visible sheet size, together with further etchings by A Simes - Outward Bound, The Clyde and Jackson Sampson, Loch Tay, and also together with a late 19th century Japanese wood block type print attributed to Kono Barei showing birds in flight, various sizes, all framed (4)
G Willis-Pryce (British 1866-1949) - River landscapes including the Wye Valley, Tintern, etc, oil paintings on board and canvas, all signed and each with vintage postcard verso showing the location, 19 x 25.5cm approx, all framed (4), together with an oak framed Sharland coloured etching of Bristol University tower (5 total)
Lillian Archer (Early 20th century British) - Still life with vase of honeysuckle, fuchsias, etc, watercolour and bodycolour on paper, signed and inscribed verso with Golders Green, London address details, 41 x 38cm approx, together with four black and white prints after F Robson, York Minster, Canterbury Cathedral, etc, a black and white etching after Donald Crawford and a black and white engraving of a school quadrangle, various sizes, all framed (7)
Harold Sayer (20th century British) - Snowbound Village, signed coloured limited edition etching, 20 x 24.5cm approx visible sheet size, together with Charles O'Connor, Long Tailed Field Mouse, signed black and white engraving with Newark Nottinghamshire address details verso, 10.5 x 12cm approx, J Linwood Palmer - Peter, monochrome study of a horse, all framed together with a Victorian photograph album with family portrait studies (4)
A collection of black and white prints, including a mezzotint by Norman Hirst (1862-1956) after Cox, 'Return of the Napoleonic Wars (to Salisbury)', signed in pencil and blind-stamped, published by Thomas Agnew & Sons, 1916, an etching in the style of Munch and five other prints, together with a coloured print of Greenwich Hospital (8)
* TIM MARA (IRISH 1948 - 1997), PLASTIC FUNNEL, MORTAR AND PESTLE screenprint, signed, titled, dated 1992 and numbered 46/50 in pencil 76cm x 57cm Framed and under glass. Note: Published as part of Six Artists: The 1992 Royal College of Art (London) Portfolio of (6) Prints as a limited edition of 50. The other artists selected for this portfolio were John Bellany RA, Sir Eduardo Paolozzi RA, Nana Shiomi RE, Dame Paula Rego RA and Sir Terry Frost RA. Tim Mara worked as an artist and as a teacher for 25 years teaching at NCAD Dublin, later becoming Head of Printmaking at the Royal Collage of Art, London. He was particularly noted for his use of screenprinting, etching and lithography and was awarded numerous pretigious awards and prizes. In 1978 he was commissioned to write the Thames and Hudson Manual of Screen Printing . Born in Dublin in 1948, Tim Mara moved with his family to England in 1953 where he continued to live and work. Mara's prints are included in collections at the Tate London, Victoria and Albert Museum, Irish Museum of Modern Art as well as many other galleries and private collections worldwide.
Roger Way (20th century) ''The Fisherman and Friend'', signed oil on board, together with Rupert Loydell, Matt Osmond ''Falling'' print, TF, mixed media work, an etching by Kathleen Crozier, Tom Groom watercolour, an Emilia Telese pencil study of a nude and various other unframed examples by other hands (a quantity) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
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