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Lot 248
A Victorian 1827 Pattern Naval Officer`s Sword, the 80cm single edge pipe back steel blade bearing traces of etching (af) the brass gothic hilt bearing traces of gilt, with hinged guard, cast with a fouled anchor, with wire bound fish skin grip and well cast lion head pommel, the black leather scabbard with brass mounts, the locket engraved W.C.Cox, Devonport, shoe missing
Lot 254
A 19th Century Austrian Infantry Officer`s Sword, the 74.5cm single edge fullered epee steel blade bearing traces of foliate etching, stamped with maker`s logo of a visored helmet, the brass hilt with hinged double shell guard, stirrup knuckle bow with foliate sheathed quillon, wire bound grip and foliate sheathed urn pommel, the leather scabbard with nickel mounts
Lot 667
AUGUSTUS EDWIN JOHN, OM, RA (1878-1961) OLD MAN OF LIVERPOOL etching on wove, signed in the plate and dated 1902, signed by the artist in pencil, 14 x 10cm Number 7 of 25 impressions of the only state. Sold with the receipt of Chas Chenil & Co Ltd, Chelsea, 8 March 1918 (4gns). In good condition with slight browning from a window mount, reframed for the present vendor by the late Dorothie Field, the artist, c1980.
Lot 994
A GROUP OF FOUR FRAMED ARTWORKS, CIRCA 1915-1980. Comprising a lovely charcoal and gouache illustration depicting Children in a 4th of July Procession in a New York City Park, signed lower left R.G. Bowie and inscribed, titled and dated on verso Robert G. Bowie 1915, 16 inches x 10.75 inches. Also, an original signed and numbered lithograph by American artist Chaim Gross (1904-1991) depicting a Jewish Man Holding Basket of Bread, 16.5 inches x 12 inches, an original hand signed and numbered color lithograph by the famous French pantomimist Marcel Marceau (1923-2007) image #4 from the series Le Troisome Oeil, 17 inches x 22.75 inches, and a highly accomplished signed and numbered etching and aquatint by American artist Sara Sears (Born 1953-) titled Halloween Parade –dated 1987, 21.75 inches x 15.75 inches. Each work contained in a glazed frame.
Lot 563
Rembrandt van Rijn, Dutch 1606-1669- "The Artist`s Mother Seated, in Widow`s Dress and Black Gloves", 1632, (B.344, H.91) N.-U state I (of III); etching on laid paper, signed within the plate, early impression identified by the etched thumb in the upper left corner above the signature, 14.3x11.1cm., (unframed)
Lot 581
Robert John Thornton, British 1768-1837- "Temple of Flora, A Group of Carnations", after Henderson, sculpt. Caldwell, publ. April 2nd 1803; etching with aquatint printed in colours with hand colouring, 50.5x38cm: together with three other etchings with aquatints printed in colours with hand colouring from the same suite, "A Group of Auriculars", after Reinagle, sculpt. Sutherland, publ. May 1st 1807, "The Nodding Renealmia", after Henderson, sculpt. Caldwell, publ. Nov 1st 1801, "A Sacred Egyptian Bean", after Henderson, sculpt. Burke & Lewis, publ. Dec 1st 1804, in matching frames, ea. approx. 50.5x38cm, (4)
Lot 606
Walter Richard Sickert NEA RBA RE, British 1860-1942- "Chagford", the small plate (Bromberg 177), c.1916; etching, second state, signed within the plate, 10x14.5cm. (may be subject to Droit de Suite) Provenance: with Thos Agnew & Sons Ltd, according to label attached to the reverse of the frame
Lot 612
John Skinner Prout, British 1806-1876- Mountainous lake scene with fishing boats and buildings in the distance; watercolour and pencil, 19.2x26.6cm: Provenance: Thomas Agnew & Sons Ltd, London, No 27644, according to the label attached to the reverse of the back board, Christies Auction 16th May 1966: Follower of Joseph Mallord William Turner RA, British 1775-1851- Four boats at sea; watercolour, pen, ink and wash, heightened with white, 16x11.5cm: British Provincial School, 19th century- Man riding horse on sandy shores; watercolour, 16x20cm: European School, 19th century- The Tomb of General Moreau; sepia hand coloured etching, 8.7x12.8cm: together with three other similar prints by the same or associated hand depicting the Elbe and Schandau, (7), (unframed)
Lot 709
Sandra Blow RA, British 1925-2006- Untitled abstract composition; etching with aquatint, numbered AP IIII/X, bears the artist`s studio stamp on the reverse, 37x37cm: John Plumb, British 1927-2008- "Colour Steps D"; screenprint in colours, signed, titled, numbered 17/75 and dated 71 in pencil, 53x72cm, (2)(may be subject to Droit de Suite)
Lot 713
Julian Otto Trevelyan RA, British 1910-1988- "West Wind"; etching with aquatint printed in colours, numbered 32/50 and titled in pencil, with printed signature and monogram beneath the plate, 35x47.5cm, (may be subject to Droit de Suite) Note: a number of editions were not completed at the time of Trevelyan`s death; from 1990 his print dealer Bohun Gallery and the artist Mary Fedden continued to organised posthumous prints, Fedden designed a monogram to be printed with a rubber stamp of Trevelyan`s signature so that these posthumous prints could be easily recognised.
Lot 730
Dame Elisabeth Frink CH DBE RA, British 1930-1993- "Agamemnon at the Lion Gates"; etching with aquatint in sepia/brown, numbered 16/70 in pencil, 54.8x36.8cm, (may be subject to Droit de Suite) Provenance: with the Compass Gallery, 178 West Regent Street, Glasgow, G2 4RL according to the label attached to the reverse
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71174 item(s)/page