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James Macintyre, Glasgow street scene with St. Vincent's Church, signed in pencil, uncoloured etching, together with J. Alphege Brewer, York Minster (the Oak Leaf window), signed in pencil, uncoloured etching. Framed. (2)(B.P. 24% incl. VAT) CONDITION REPORT: Both etchings are good overall. Odd minor foxing spots on the Macintyre - the other has foxing on the mount. Brewer - 25 x 12.25cms.
Louis Szanto (Spanish, 1889-1965), Spanish Fiesta, signed in pencil 'L Szanto' (in lower margin), etching, 25 x 30cm, together with a 20th century oil of flowers signed 'A Toni', an oil of a man drinking with a woman, signed 'S Ostman' and a reproduction print of a skier after L David, (4) May be subject to ARR
Kriegsmarine Officers Dress Dagger, white celluloid grip retaining the original wire binding, gilt brass eagle pommel top with swastika to the centre. Cross guard with the original button release catch in working order. Brass scabbard with etched decoration and two hanging rings. Original Kriegsmarine issue silver bullion wire dress knot (portepee) loosely tied to the grip. Double edged blade with etching of foliage and anchors etc measuring 24 ½ cms in length. E u F Horster, Solingen makers trade mark to the base of the blade. Some surface staining to the blade but otherwise good untouched example.
Victorian / Edwardian 1827 Pattern Royal Navy Warrant Officers Sword, brass dish guard having fouled anchor with Victorian crown above. Black grip retaining the original grip wire. Plain top pommel incorporating the back strap. Bullion Royal Navy sword knot attached to the guard. Blade with Kings crown above anchor and foliage etching. W Chappell & Co Ltd 267 Commercial Road Portsmouth trade mark to the forte and spine stamped London Made. Housed in its original leather scabbard with brass mounts. Blade 80cms. Some light surface wear to the blade but otherwise a very good example.
George V 1827 Pattern Royal Navy Officers Dress Sword Attributed to Lieutenant Albert Edward Major Royal Navy, regulation pattern example with brass dish guard incorporating crowned anchor. Fish skin grip retaining the original wire binding. Gilt lion head pommel with backstrap. Officers bullion dress sword knot. Locking plate catch to the reverse of the sword. Housed in its original leather scabbard with gilt brass mounts. Top mount is engraved “A.E.MAJOR”. The blade remains in very good condition with much of the original polished finish and etching. Edwards & Gittings, High Street Gillingham retailers mark to the base. Spine of the blade numbered 6937 and his initials A E M also engraved. Accompanying the sword is his original certificate of service which indicates WW1 service and awards of the 1914-15 star medal trio. Very good example.
London.- Banks (J.H.) A Cosmoramic View of London, a bird's-eye panorama, looking north from above Elephant and Castle, from Vauxhall Bridge to St Katherine's Dock, etching and aquatint, with early hand-colouring, 470 x 1065 mm. (18 1/2 x 41 7/8 in), dissected and mounted on linen, varnished with discolouration, minor surface dirt, handling creases with occasional minor surface wear, folding with brown cloth endpapers, without slipcase, E. Wallis and J.H. Banks, 1843. ⁂ This is the first edition of this view, re-issued slightly later in 1845 as 'A Panoramic View'. The composition is similar to that found in cosmorama rooms as public attractions, but this version has been adapted for a smaller scale environment, such as libraries and coffee houses.
Film Poster.- 'Jane Eyre by Charlotte Brontë', directed by Robert Stevenson, starring Orson Welles, and Joan Fontaine, colour lithograph, 920 x 350 mm. (36 1/4 x 13 3/4 in), central horizontal folds, nicks and tears, some restoration visible, surface dirt, Twentieth Century Fox, [1944]; together with an opera poster of Wuthering Heights composed by Bernard Hermann, signed by the artist Carey Wong, offset-lithograph, 600 x 440 mm. (23 3/4 x 17 1/4 in), and with the original artwork for the poster, acrylic on canvas board, 980 x 680 mm. (38 1/2 x 26 3/4 in) § Whitman (Rosalind, 20th century) Lockewood's Dream, etching and aquatint, signed and dated lower right, a proof impression, 340 x 250 mm. (13 1/2 x 9 3/4 in), 1997, (4).
Austen (Jane).- Thomson (Hugh, 1860-1920) Fanny was obliged to introduce him to Mr. Crawford, original drawing for 'Mansfield Park', pen and black ink with watercolour over graphite, on wove paper, signed and dated lower left, c.295 x 190mm., framed and glazed, old manuscript label to verso, 1897. ⁂ For Macmillan's edition of Mansfield Park published in 1897 but with the artist's later addition of watercolour, as in a similar drawing for the work which is in Jane Austen's house at Chawton (see Gilson E88). The original illustrations were reproduced in the book (much smaller) as black and white line drawings but the artist then added watercolour to sell the designs separately. Gilson notes that the illustration offered here was reproduced by the Birmingham Mint in 1975 as an etching on a mounted and framed silver plaque, one of a set of six produced to mark the bicentenary of Austen's birth. It was recaptioned 'Fanny introduces Henry Crawford to her father'.
20TH CENTURY RUSSIAN SCHOOL "Workers 1941", study of a working party with women in the foreground, black and white etching, titled bottom left, indistinctly signed bottom right, image size 60 cm x 56 cm CONDITION REPORTS Rips down the right hand side in various locations. Some affecting the image. General signs of wear and tear throughout.
** δ David Hockney (b.1937) Made in April (M.C.A. Tokyo 188) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
** δ David Hockney (b.1937) Serenade (M.C.A. Tokyo 196) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ David Hockney (b.1937) Marguerites (Scottish Arts Council 157) Etching with aquatint printed in colours, 1973, signed, dated and inscribed in pencil, an Artist's proof aside from the edition of 100, on Arches wove paper, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with margins, 235 x 178 mm (9 1/4 x 7in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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78388 item(s)/page