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Lot 656

Hamilton Macallum (1841-1896), signed photo etching, 'Rocked in the cradle of the deep', 32 x 50cm, 1985 Christie's Callaly Castle Sale ticket

Lot 855

PAINTINGS AND PRINTS etc, to include an oil on canvas of a nude female after Yvonne Jeanette Karlson, unframed, approximate size 90cm x 90cm, Heathcote Hunt Night Time, oil of a motorway service station, Charles Andsell print 'The English Gamekeeper', reproduction Pears advertising prints Sheldon-Williams hunting prints, hand coloured butterfly prints, etching of sheep, African style oil on canvas etc (quantity loose)

Lot 136

FIVE x EXAMPLES OF MIDDLE EASTERN/ARABIC HAND DAGGERS. some are more ornate than others, some well crafted, but lacking makers marks etc, some blades have faint etching and some of the grips are decorated with bone/mother of pearl etc

Lot 397

WILLIAM LIONEL WYLLIE (1851-1931), ST. MALO, signed in pencil, drypoint etching, framed. Plate 15cm by 22.5cm

Lot 63

Antique original print off etching of the Cast Iron Bridge over the Wear dated February 1798 by J & J Taylor

Lot 162

Wilfred Appleby (b.1889), Edinburgh Castle, etching, signed bottom right (24cm x 35cm)

Lot 210

George Harvey, The Curlers, dated 1835, etching (28cm x 75cm)

Lot 4020

Simon Bull (British 1958-): 'Sunlit Doorway I', coloured etching with aquatint signed titled and numbered 173/200 in pencil 46cm x 61cm

Lot 4021

Michael Atkin (Northern Contemporary): 'The Roper', coloured etching with aquatint signed titled and numbered 1/50 in pencil 49cm x 58cm; 'Down in the Valley', artist's proof coloured etching with aquatint signed titled and dated '79 in pencil 8cm x 28cm (2)

Lot 4064

Rachel Ann Le Bas NEAC RE (British 1923-2020): 'Washerwomen by Lake Garda', limited edition etching with aquatint signed titled and numbered 53/75 in pencil 27cm x 32cm Notes: this study was Rachel Ann's diploma piece for the Royal Society of Painter-Printmakers and one of the few illustrated in the Society's publication 'No Day without a Line'; exh. Royal Society of Painters in Watercolours Bankside Gallery, London, Label verso

Lot 4072

Winifred Maria Louise Austen (British 1876-1964): Mallards in Flight, drypoint etching signed in pencil 22cm x 30cm 

Lot 4072A

Winifred Maria Louise Austen (British 1876-1964): Mallards Rising from the Reeds, drypoint etching signed in pencil 24cm x 29cm

Lot 177

After Herbert DickseeAn early 20th century etching, head and shoulders of a bulldog. Published 1913 by Frost and LeedSigned in pencil to margin, 44 x 42cm

Lot 486

Leonard Russell Squirrel, pencil signed etching "The Guild Hall Lavenham"; and another of Fen Drayton, Cambridgeshire

Lot 53

Harold Storey, pencil signed etching depicting Cathedral entrance

Lot 530

Pencil signed limited edition etching, Parisian market scene, indistinctly signed, 42/250, New York print makers stamp plate, 30.5cm x 30cm

Lot 551

Louise Brooks, by Frank Martin pencil signed portrait etching, limited edition 22/100, 37cm x 27cm; and Louise Brooks biography, First Edition by Barry Paris

Lot 91

Bechet, study of sailing vessels on a river, signed oil on board, 13cm x 19.5cm; a small unframed watercolour of a horse racing scene, inscribed verso "Cheltenham '85"; and a small pencil signed etching "River Thames Cheyney Walk"

Lot 1039

A.J. Bound(?) - Barges on the Thames, etching, signed in pencil to the margin, 17.5 x 25cm

Lot 1062

After Henry Edwin Landseer - Pair; High Life and Low Life, monochrome engravings, 23 x 18cm; Albany Howard - The Gateway, York, etching, signed and titled in pencil to the margin, 37 x 30cm; and one other signed etching (4)

Lot 1083

SR Brightwell - Bright Young People, etching, signed and titled in pencil to the margin 15x21cm

Lot 2072

A wooden framed etching of The Wreck of The Athina -B, Brighton, 22 Jan, 1980, by David Barber 15'' x 12''.

Lot 2132

A carved wooden framed oval coloured etching of Gentlemen playing cards along with a small etching of a Harbour scene with castle on a hill initialled B.C. 78.

Lot 201A

A Framed And Glazed Etching Of "Tim" The Late Mascot Of The 73rd Brigade Of The Royal Field Artillery By Lucy Dawson (Bristol), Labeled To Verso 1922 Daily Express Woman's Exhibition.

Lot 1468

Vernon Stokes, Etching of Three Dogs, signed lower right, 20 x 29.5cm; together with four XIX Century Baxter style prints.(5)

Lot 1470

Limited Edition Etching of 120 'Jeux Derisories?', signed indistinctly, 49.5 x 39cm; H. Stoddart circular mezzotint of a Young Girl, E. Jackson Stodart ' Le Billet Doux' signed print. (3)

Lot 32

A framed 'soft ground' etching of a red dog on a blue floor, signed J Wheeler '72, 10 1/2" x 8"

Lot 229

A hand-coloured etching of Norwich Cathedral, circa late 19th/early 20th Century, indistinct pencil signature to margin by artist, framed and glazed, whole approx. 40cm x 30cm

Lot 55A

An etching of farm and field scene signed lower right, framed and glazed, 12cm x 9cm

Lot 1166

Henry Lambert, 'The Law Courts, Fleet St, London'; 'Entrance to The Temple, London', a pair, each signed and titled in pencil, etching, pl. 17.5 x 13cm. 

Lot 1184

William Lionel Wyllie, Portsmouth Harbour, signed in pencil, etching, I.19 x 33.5cm. 

Lot 125

HENRY WRIGHT KERR, THE WEAVES, etching, signed in pencil, 17cm x 12cm mounted, framed and under glass

Lot 255

DONALD CRAWFORD, LOCH LOMOND and WHERE TWINES THE PATH drypoint etching on paper, signed, each titled label verso image size 15cm x 12.5cm each, overall size 40cm x 28cm each Mounted, framed and under glass.

Lot 577

Constantin Emile MEUNIER (1831-1905) 'A self portrait', Etching, 1892. (27 x 33 cm)

Lot 396

After David Hockney (b.1937) - Limited edition Collotype, ‘An Etching and a Lithograph for Edition Alecto 1973’, numbered from the edition of 2000 in pencil, on wove paper, printed by Cotswold Collotype, published by Editions Alecto, London, the full sheet, 94cm x 68.5cm (unframed) Footnote: Ex W.D & H.O. Wills Collection.

Lot 398

Valerie Thornton (1931-1991) - Etching and aquatint, ‘The Museum of the History of Science, Oxford’, artist's proof, signed in pencil lower right 41cm x 53cm, framed and glazedCondition report: Noticeable vertical rippling to paper.

Lot 3707

Geoffrey Sneyd Garnier (1889 - 1970), by and after, HMS Revenge and French Prize Hulk in Plymouth Harbour, signed and inscribed in pencil, aquatint etching, 36cm x 50cm

Lot 3722

Luke Sullivan (1705-1771), after William Hogarth FRSA (1697-1764), A Representation of the March of the Guards towards Scotland in the Year 1745 [...], [London]: Publish'd Dec:br 31st 1750 [...] [&] Retouched and Improved by [...] Hogarth, republish'd June 12th 1761, copperplate etching and engraving, 44cm x 57cm, Hogarth-type frame

Lot 3735

The Duke of Wellington - William Heath (1795-1840), And If I Have Got A Pension Have I Not A Right To it?, [London]: Pub Nov 20 1829 by T. McLean, 26 Haymarket, hand-coloured etching, 44cm x 29cm, (1); another caricature, The Man Wot Drives The Sovereign, April 1829, 39cm x 27cm, (1), [2]

Lot 3738

The South Sea Bubble of 1720, Georgian Satire - After William Hogarth FRSA, caricature, An emblematic print on the South Sea, 19th century impression, probably Heath's edition of 1822, etching and engraving, 27cm x 33.5cm, mounted, eponymous frame, [1]

Lot 3739

Thomas Kirk (1765?1797), probably after Johann Heinrich Wilhelm Tischbein (1751-1829), No. 51, detail of an ancient Attic vase, possibly Drama personified, numbered within the platemark, probably from Outlines from the Figures and Compositions upon the Greek, Roman, and Etruscan Vases of the late Sir William Hamilton [...], London: William Miller, 1804, hand-coloured etching, mounted within margins, 15.5cm x 22.5cm, [1]

Lot 3944

Private Presses - Peele (Cecily, illustrator), The Encylopædia of British Bogies, first edition, Oxford: The Alley Workshops, [n.d., 1939], [52]pp, illustrated with 24 woodcuts accompanied by quotations from literature and folk-lore, contemporary pictorial board, 8vo, (1); Gray (Thomas) & O'Connor (John, illustrator), Elegy/Written in a Country Church-Yard, London: The Rodale Press, 1955, 21pp, printed on pale green paper, illustrated with 7 woodcuts printed in green or brown, original cloth over pictorial boards, transparent lettered dust wrapper as issued, calligraphic ink MS ownership inscription and bookplate of Tom Westley (lecturer in typography), 8vo in 4s, (1); Ryder (John), A Suite of Fleurons [...], London: Phoenix House Ltd, 1956, gilt-lettered parchment over marbled boards, 12mo, (1); Binding, Earle (George Chester), "Love's not Time's Fool.", London: "Clarion" Office, [n.d., c. 1900], 36pp, contemporary Arts and Crafts limp brown calf binding, the upper-cover panelled in relief and lettered in blind, 16mo, (1); others, not private presses, including Keats (John) & Sandheim (May, illustrator), Isbaella [...], London: George Routledge, [n.d., 1910], copperplate etching frontispiece, contemporary cloth gilt, 8vo, (1); etc., [8]

Lot 268

WILLIAM LIONEL WYLLIE, RA (1851-1931) 'The Arrival of HMS Renown at Portsmouth from New York' Etching Signed in pencil lower left 8.5cm x 33.5cm (plate size) Condition Report : the mount is quite badly discoloured and foxed, the ethcing is better, with only a couple of spots to the top middle Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Lot 273

L RUSSELL CONWAY (B.1882 fl. 1920s) White Hill near Burford Etching Signed in pencil and dated 1928 lower right 9cm x 25cm (plate size) Condition Report : some age related discolouration, especially to edges of mount Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Lot 27

SIR WILLIAM NEWENHAM MONTAGUE ORPEN (1878-1931). Irish school, a study of a young girl 'Kit', signed in pen lower right, etching on paper, unframed, 34 x 27 cm

Lot 34

DOUGLAS ION SMART (1879-1970). A continental town harbour scene with boats and figures 'Evening La Rochelle'. signed in pencil lower middle to right, etching on paper, unframed, 34 x 45 cm

Lot 39

LEON DANCHIN (1887-1939). French school, study of a grouse in flight, signed in pencil lower left, limited edition coloured etching on paper 76 / 500, framed and glazed 36 x 58 cm, together with 'After' Samuel Prout (1783-1852). Numerous figures in a cathedral interior, unsigned, coloured lithograph on paper, framed and glazed, 39 x 27 cm (2)

Lot 40

PABLO PICASSO (1881-1973). Figure studies 'LYSISTRATA', see label verso, unsigned, 1934, etching on paper, framed and glazed, 23 x 18 cm

Lot 44

WILLIAM WALCOT (1874-1943). A Venetian scene with boats and numerous figures, signed in pencil lower right, etching on paper, framed and glazed, 10 x 13 cm

Lot 48

ANDRE JACQUEMIN (1904-1992). Study of a barley field, signed in pencil lower right and signed and dated 1950 in plate upper right, limited edition etching on paper 39/60, framed and glazed, 25x37 cm

Lot 49

WILLIAM PALMER ROBINS (1882-1959). English school, 'The Stour near Manningtree, 1922', see verso, signed and dated 1922 in pencil lower right, etching on paper, framed and glazed, 23 x 35 cm

Lot 68

(XIX-XX). A cabaret scene with woman singer on stage and gentlemen onlookers, indistinctly signed in pencil lower right, limited edition etching on paper 16/75, unframed, 18 x 25 cm

Lot 80

AFTER CHARLES NAPIER HEMY (1841-1917). A stormy seascape with sailing yachts and figures in a heavy swell, 'Youth', unsigned, etching on paper, framed and glazed, 39 x 72 cm

Lot 1494

Frank PALOU (XIX), etching, handsigned, framed, 38cm x 45cm, two small framed silhouettes and a humorous illustration titled 'When Words Fail', signed TSB.

Lot 1497

Harold THORNTON (1892-1958) 'Upland Pines', etching, signed, plate size 39cm x 16.5cm.

Lot 1504

Jenny SANDERS, 'Forgotten Square, Venice', etching 8/50, signed, inscribed to the verso, framed, 61cm x 42cm and another etching indistinctly signed, framed 59cm x 73cm.

Lot 328

Nicolette Savage, 'Cat Nap', original etching 30/100, bears label for Peter Headley Gallery, 11.5x13.5cm

Lot 15

Hostile Garden - Digital Illustration on German Etching Paper.Visiting Dungeness in 2019 I was instantly intrigued by the contrasting environment. A dynamic, dry and seemingly barren landscape of shingle, shacks and broken fences, imposed upon by a looming nuclear power station. You may think this is a hostile environment, yet it is full of life, life that is not merely surviving but thriving. There are many plant and animal species that exist nowhere else in the UK.. a reminder of nature's adaptability.

Lot 75

Sunset over Crataegus Trees, Lincolnshire-Wolds - Etching. A winter sunset over silhouetted Crataegus Hawthorn trees in the Lincolnshire Wolds.

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