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PAINTINGS AND PRINTS etc, to include an oil on canvas of a nude female after Yvonne Jeanette Karlson, unframed, approximate size 90cm x 90cm, Heathcote Hunt Night Time, oil of a motorway service station, Charles Andsell print 'The English Gamekeeper', reproduction Pears advertising prints Sheldon-Williams hunting prints, hand coloured butterfly prints, etching of sheep, African style oil on canvas etc (quantity loose)
Rachel Ann Le Bas NEAC RE (British 1923-2020): 'Washerwomen by Lake Garda', limited edition etching with aquatint signed titled and numbered 53/75 in pencil 27cm x 32cm Notes: this study was Rachel Ann's diploma piece for the Royal Society of Painter-Printmakers and one of the few illustrated in the Society's publication 'No Day without a Line'; exh. Royal Society of Painters in Watercolours Bankside Gallery, London, Label verso
After David Hockney (b.1937) - Limited edition Collotype, ‘An Etching and a Lithograph for Edition Alecto 1973’, numbered from the edition of 2000 in pencil, on wove paper, printed by Cotswold Collotype, published by Editions Alecto, London, the full sheet, 94cm x 68.5cm (unframed) Footnote: Ex W.D & H.O. Wills Collection.
Luke Sullivan (1705-1771), after William Hogarth FRSA (1697-1764), A Representation of the March of the Guards towards Scotland in the Year 1745 [...], [London]: Publish'd Dec:br 31st 1750 [...] [&] Retouched and Improved by [...] Hogarth, republish'd June 12th 1761, copperplate etching and engraving, 44cm x 57cm, Hogarth-type frame
Thomas Kirk (1765?1797), probably after Johann Heinrich Wilhelm Tischbein (1751-1829), No. 51, detail of an ancient Attic vase, possibly Drama personified, numbered within the platemark, probably from Outlines from the Figures and Compositions upon the Greek, Roman, and Etruscan Vases of the late Sir William Hamilton [...], London: William Miller, 1804, hand-coloured etching, mounted within margins, 15.5cm x 22.5cm, [1]
Private Presses - Peele (Cecily, illustrator), The Encylopædia of British Bogies, first edition, Oxford: The Alley Workshops, [n.d., 1939], [52]pp, illustrated with 24 woodcuts accompanied by quotations from literature and folk-lore, contemporary pictorial board, 8vo, (1); Gray (Thomas) & O'Connor (John, illustrator), Elegy/Written in a Country Church-Yard, London: The Rodale Press, 1955, 21pp, printed on pale green paper, illustrated with 7 woodcuts printed in green or brown, original cloth over pictorial boards, transparent lettered dust wrapper as issued, calligraphic ink MS ownership inscription and bookplate of Tom Westley (lecturer in typography), 8vo in 4s, (1); Ryder (John), A Suite of Fleurons [...], London: Phoenix House Ltd, 1956, gilt-lettered parchment over marbled boards, 12mo, (1); Binding, Earle (George Chester), "Love's not Time's Fool.", London: "Clarion" Office, [n.d., c. 1900], 36pp, contemporary Arts and Crafts limp brown calf binding, the upper-cover panelled in relief and lettered in blind, 16mo, (1); others, not private presses, including Keats (John) & Sandheim (May, illustrator), Isbaella [...], London: George Routledge, [n.d., 1910], copperplate etching frontispiece, contemporary cloth gilt, 8vo, (1); etc., [8]
WILLIAM LIONEL WYLLIE, RA (1851-1931) 'The Arrival of HMS Renown at Portsmouth from New York' Etching Signed in pencil lower left 8.5cm x 33.5cm (plate size) Condition Report : the mount is quite badly discoloured and foxed, the ethcing is better, with only a couple of spots to the top middle Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
L RUSSELL CONWAY (B.1882 fl. 1920s) White Hill near Burford Etching Signed in pencil and dated 1928 lower right 9cm x 25cm (plate size) Condition Report : some age related discolouration, especially to edges of mount Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
LEON DANCHIN (1887-1939). French school, study of a grouse in flight, signed in pencil lower left, limited edition coloured etching on paper 76 / 500, framed and glazed 36 x 58 cm, together with 'After' Samuel Prout (1783-1852). Numerous figures in a cathedral interior, unsigned, coloured lithograph on paper, framed and glazed, 39 x 27 cm (2)
Hostile Garden - Digital Illustration on German Etching Paper.Visiting Dungeness in 2019 I was instantly intrigued by the contrasting environment. A dynamic, dry and seemingly barren landscape of shingle, shacks and broken fences, imposed upon by a looming nuclear power station. You may think this is a hostile environment, yet it is full of life, life that is not merely surviving but thriving. There are many plant and animal species that exist nowhere else in the UK.. a reminder of nature's adaptability.
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71174 item(s)/page