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Lot 105

John Brunsdon - `Border Country`, colour etching, signed, titled and editioned 75/150 in pencil, approx 42cm x 47cm, within a limed wood frame.

Lot 139

Allan Gwynne-Jones - `Hares in a Field, Summer Afternoon`, monochrome etching, signed, dedicated to Gerald Kelly and dated 1926 recto, inscribed verso, approx 21.5cm x 30cm, within a gilt frame.

Lot 150

E. Burrow - `The School-house, Clifton College`, sepia etching, signed in pencil, approx 18.5cm x 25.5cm, together with a collection of etchings by the same hand.

Lot 162

Ernest Lumsden - View of Town in a Mountainous Landscape, probably Tibet, early 20th Century monochrome etching, signed and numbered 99.106 in pencil, approx 21cm x 31.5cm.

Lot 163

Ernest Lumsden - View of a Riverside Palace, early 20th Century monochrome etching, signed in pencil, approx 20.5cm x 25.5cm.

Lot 175

After Theodore Lane - `Rackets`, late 19th/early 20th Century hand-coloured etching, approx 29cm x 37.5cm, together with five further prints.

Lot 100

An interesting early etching showing various views of Neumunster, Germany

Lot 114

A mirror glass etching of `Hotel De Paris, First Class`, framed, 90cm x 59cm

Lot 124

An Etching of Barnard Bridge, by Frank Brangwyn, signed in pencil

Lot 222

Valerie Thornton (Contemporary British school), architectural study of the exterior of the stone cathedral, unsigned, aquatint etching on paper. H.61cm W.37cm

Lot 228

Keiko Minami (Contemporary Japanese school), study of fish and leaves rendered in a geometric folk art style. Signed lower right in pencil, limited edition aquatint etching, numbered 30/75. H.33cm W.38cm

Lot 343

Ebenezer Newman Dawnard (British, 1829-1894), an anthropomorphic study of a monkey in a turban sitting with cats, signed lower right, blind-stamped lower left, etching on paper. H.41cm W.32cm Together with one other Lilian Cheviot (British 1876-1936), a photogravure of a bulldog with kittens 'he's alright when you know him'. H.34cm W.41cm

Lot 709

An early 20th century signed coloured etching of the interior of Burgos Cathedral, signed in pencil left and right J Alphege Brewer and Henry C Brewer, inscribed Burgos Cathedral and further inscribed with a location to the gilt mount, 7 2 x 47 cm in moulded gilt frame together with a small oil painting on canvas of a white washed farm house, a small watercolour of a lake scene with castle, etc

Lot 720

An early 20th century watercolour of a pair of spaniels in a landscape setting, signed with initials bottom right L W and indistinctly dated, 23 x 36 cm in gilt frame together with a coloured etching of a pair of brown and white spaniels with dead wildfowl, 31 x 37 cm in burrwood type frame

Lot 55

TRACEY EMIN (British, b.1963), 'The kiss', 2011, etching, 377/1000, 34cm x 31cm, signed lower right in pencil and framed. (Please Note Clause 6 of Buyer's Conditions)

Lot 4716

Francisco de Goya (Spanish, 1746-1828), ""Bravissimo! (Brabismo!),"" 1797-1798, later reprint c. 1906, etching, overall (framed): 28.25""h x 25.25""w

Lot 4717

After Rembrandt Van Rijn (Dutch, 1606-1669), ""Bust of a Man Wearing a High Cap,"" etching, image: 4""h x 3.25""w, overall: 22.25""h x 21.5""w. Note: Receipt from Park West Galleries on file

Lot 4718

Gustave F. Goetsch (American, 1877-1969), ""Logo on the River,"" etching, pencil signed lower right, titled lower left, overall (framed): 14""h x 13.75""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Lot 4720

Emil Orlik (Czech, 1870-1932), The Reaper, 1897, etching, pencil signed lower right, overall (framed): 11""h x 8.5""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Lot 4727

Continental School (20th century), Two Cranes, etching with aquatint, signed indistinctly lower right, overall (with frame): 11.25""h x 8.5""w

Lot 4728

John William Winkler (American, 1890-1979), ""Delicatessen,"" etching, signed in pencil lower right, gallery title label (The Print Rooms Inc, San Francisco) affixed verso, overall (with frame): 14.5""h x 11.5""w

Lot 4732

Josef Eidenberger (Austrian, 1899-1991), ""San Francisco Wharf, hand-colored etching, pencil signed lower right, overall: 21.75""h x 18.5""w

Lot 4733

Maurice de Vlaminck (French, 1876-1958), Nesles la Vallee, etching, overall (with frame): 9.25""h x 10.25""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Lot 4737

Jean François Millet (FRENCH, 1814-1875), La Couseuse, 1855, etching, collector`s stamp verso, image: 4""h x 3""w, sheet: 6.25""h x 5""w, overall (with frame): 13""h x 10""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Lot 4752

After Salvador Dalí (Spanish, 1904-1989), Portrait of Toulouse Lautrec, etching, signed ""Dali,"" within plate lower left, overall (framed): 18.75""h x 16.75""w

Lot 4754

American School (20th century), Abstract Hand, 1965, color etching with aquatint, pencil signed ""Welsh"" lower right, overall (framed): 31.5""h x 24""w

Lot 4757

Karl Albert Kasten (American, b. 1916), ""Ascending Mood,"" etching with hand-coloring, pencil signed lower right, titled lower left, overall (framed): 17""h x 15.5""w

Lot 4771

(lot of 3) Irving Amen (American, b.1918), ``Eyes of Wonder,`` woodcut, pencil signed lower right, edition 99/200, overall (with frame): 27.25``h x 19.25``w; Italian School (20th century), ""Piazza,"" lithograph. 1962, signed indistinctly lower right; Chaim Gross (American, 1904-1991), Dancing to the Accordion, etching, unsigned, overall (with frame): 12.5``h x 16.25``w

Lot 4778

Continental School (20th century), Mandrill, color etching, signed indistinctly lower left, edition 3/99, overall (with frame): 33.75``h x 28.5``w

Lot 4779

American School (20th century), ``City Fragment,`` etching, signed ``Altman`` lower right, from Artist Proof edition, overall (with frame): 22.75``h x 30.25``w

Lot 4818

(lot of 2) Johnny Friedhender, (German, 1912-1992), Abstraction, lithograph, pencil signed lower right, edition 93/95, and French School (20th century), Plein Trees in the Wind, color etching, signed indistinctly lower right, largest overall (with frame): 31""h x 26.75""w

Lot 4859

(lot of 3) Hank Laventhol (American, b. 1927), ``Ruth,`` color etching, signed lower right, edition 89/200; American School (20th century), Untitled, color etchings, unsigned, largest sheet overall (each unframed): 18``h x 13``w. Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)

Lot 4863

(lot of 2) John T. Axton (American 1922-2009), ""No. 11"", 1959, lithograph, 1/20, titled, dated, numbered, and signed in pencil lower margin, sheet (unframed): 17""h x 22.75""w and János Viski (Hungarian, 1891-1987), Horses Resting on the Plain, color etching, signed lower right, sheet (unframed): 17""h x 21.75""w

Lot 4866

(lot of 2) Will Mentor (American, b. 1958), Abstract Composition, 1990, color etching, initialed and dated lower right, edition 13/75, sheet (unframed): 33.5""h x 24.25""w and Jack Sonenberg (American, b. 1925), ""Sign no. 5"", 1971, lithograph, signed and dated lower right, titled and editioned lower left, edition 38/110, sheet (unframed): 29.75""h x 22.5""w. Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago, IL)

Lot 4879

(lot of 2) Beatrice Levy (American, 1892-1974), ""The Tide Comes In,"" 1925, color etching, pencil signed and dated lower right, edition 7/20; American School (20th century), ``Trout,`` woodblock print, pencil signed ``M Seaby`` lower right, edition 22/100, largest overall (unframed): 11.25``h x 14.25``w

Lot 4882

(lot of 12) Sandra MacDiarmid (American, contemporary), ""Lady Madonna"", etching, 1976, signed and dated lower right, titled lower left, edition 6/50, overall (with mat): 17""h x 13.5""w, Continental School (20th centruy), ""Tigura"", 1986, etching, signed indistincly and dated lower right, titled lower center, sheet (unframed): 27.5""h x 20""w; amongst others

Lot 4281

(lot of 15) Continental crystal group, including a Daum Nancy lotus plate, ruby cut to clear and cobalt cut to clear bowls, Yugoslavian cut bowls, (2) cut platters, and a footed vase with floral etching, largest, 10""h x 6.5""dia; Provenance: From the estate of Edward Gerber

Lot 6253

Squeak Carnwath (American, b. 1947), Everyday is Not the Same, 1989, etching with aquatint, pencil signed and dated lower right, edition XV/XV, printed by Teaberry Press, Oakland, CA, image: 13""h x 12""w, overall: 25.75""h x 23.5""w

Lot 6263

Shoichi Ida (Japanese, b. 1941), ""Descended Triangle-Triangle,"" 1987, color etching, signed and dated lower right, edition 31/40, published by Crown Point Press (San Francisco, CA), image sight: 44.5""h x 35.5""w, overall (with frame): 56.75""h x 46""w

Lot 6270

Maurice de Vlaminck (French, 1876-1958), French Street Scene, etching, pencil signed on mat lower right, plate signed lower right, titled lower left, image: 12.75""h x 10""w, overall: 21""h x 17""w

Lot 6284

Théo Tobiasse (French, 1927-2012), ""Les Fruits de la Thora,"" color aquatint etching, signed in pencil lower right, titled in pencil lower left, edition 71/75, sheet (unframed): 22""h x 19.25""w. Provenance: Barclay Simpson Fine Arts Gallery (Lafayette, CA)

Lot 6286

Joan Miro (Spanish, 1893-1983), ""L`oiseau Mongol,"" 1969, color etching and aquatint with carborundum, signed lower right, edition H.C., published by Maeght Éditeur, sheet (overall/unframed): 40""h x 27""w. Reference: Dupin, 513

Lot 857

A parcel lot of five framed pictures to include Chinese silk painting of two women under a tree with a horse, silk embroidery of finches amongst peonies, hand coloured etching after a Saxton map, Brecknoc Comitatus pars olim Silvrum, and two Oriental prints. (5).

Lot 870

A parcel lot of mostly early 20th Century glass bottles, to include Enos and Vino lidded bottles, others with names on to include Bovril, P Spencer & Sons, Eiffel tower lemonade, chemists etc, mostly clear and brown glass with soda syphon etc, with two framed and inscribed prints of buildings and an etching signed E H Groom of ships (49).

Lot 398

James Priddey, "The Cliff Newlyn" , coloured etching, signed and titled in pencil, stamped artist`s proof

Lot 4

Frank Brangwyn (1867-1956) British. ‘The Market Square Montreuil’, Etching, Signed in Pencil, Inscribed verso ‘Plate No 106 d 1906’, 5.75” x 7”.

Lot 10

20th Century English School. Two Children with a Dog, Etching, Unframed, 11” x 9.5”, and six others by various hands (7).

Lot 408

JAMES ABBOTT MCNEILL WHISTLER, BILLINGSGATE ETCHING, SIGNED AND DATED IN THE PLATE 1859, WITH PENCIL INSCRIPTION BILLINGSGATE IN MARGIN FOXED, UNFRAMED

Lot 469

GRAHAM CLARKE- TURNIP COURT; HADDOX END, A PAIR, ETCHING AND AQUATINT, HAND COLOURED, BOTH SIGNED BY THE ARTIST IN PENCIL AND ANOTHER PRINT

Lot 1623

Two glass etching machines

Lot 914

Frederick Walker (1840-1875): "The Lost Path" 1863. Etching signed in pencil. Imprint Thomas Agnew with gallery label on reverse. (54cm x 43cm) framed and glazed

Lot 970

Hand-coloured etching of Montreal (signed Simard), 27 x 50 cm

Lot 392

Two pieces of `Eskimo` art by Henry Napatuk, `Eskimo Woman and Dog` and `Eskimo building Igloo`; an etching of The Mermaid Inn, Rye

Lot 209

E.A.Taylor (Scottish, 1874-1951), two monochromatic coastal studies in the modern taste, each signed lower right, etching on paper. H.19cm W.19cm

Lot 224

A collection of five late 19th and early 20th century prints and works on paper to include a polychromatic engraving of sporting interest and a romantic etching of a horse and cart.

Lot 401

James David Smillie (American, 1833-1909), 'evening landscape', signed lower left, etching on paper. H.21cm W.16cm. Together with one other pencil drawing and a late 19th century British etching of a stone bridge over a river, bears a monogram lower right dated 1882

Lot 415

LOUIS ICART (French 1888-1950) "Lady in White Dress" Hand colored etching on paper. Sight: 29 x 20 inches. Frame: 37 x 27 inches. Signed in pencil l/r and blind stamped l/l. Along top margin printed "Copyright 1937 by L Icart cty N.Y.". Starting Bid: €120

Lot 503

Hester Frood (1882-1971) Continental landscape view of Chateau near Arallon, watercolour and pencil signed and dated 1926 framed and glazed together with Henry G. Walker, view of a canal, a coloured etching, signed in pencil (2).

Lot 506

Axel Haig. (1835-1921). The Basilica of St Gilles near Arles. An etching. Signed in pencil by the artist. Framed and glazed. 22 1/2 x 32"

Lot 44

'Haulsyke', Michael Atkin limited edition artist's etching with aquatint, titled, signed and numbered 13/30 in pencil

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