FREDERICK ARTHUR FARRELL (SCOTTISH 1882 - 1935),FRENCH STREET SCENEetching on paper, signed in pencil and numbered 'trial proof' image size 47cm x 26cm, overall size 71cm x 46cm Mounted, framed and under glass.Note: Born in Cowcaddens, Glasgow in 1882, Frederick Arthur Farrell trained as a civil engineer, and was a self-taught artist. Farrell served as the city of Glasgow's official war artist during World War I, being assigned to both Belgium and France. Glasgow was the only city to appoint this position. An exhibition of his work was held at The People's Palace, Glasgow in 2014.
We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Richard Earlom, British 1743-1822- Annunciation scene, after Giovanni Batista Cipriani; etching with aquatint, published by John & Josiah Boydell, Cheapside, 1787, 50 x 30 cm.: together with ten further engravings by Earlom after Cipriani, a mezzotint by Earlom after Carlo Dolci, and two etchings with mezzotint by Earlom after Claude Lorrain (14) (unframed) Unframed. General discolouration and spots of foxing across the sheets, alongside creases, folds, and tears. In fair to poor condition overall.
Samuel William Reynolds, British 1773-1835- Portrait of Sir Joseph Paxton, after Octavius Oakley; mixed-method mezzotint, proof, published May 1st 1851 by R. Moseley 58, London St, P. & D. Colnaghi & Co., 13 & 14, Pall Mall East, and J.L. Grundy, 130, Regent Street, London, 60.5 x 43 cm.: Louis Hague, Belgian 1806-1885- Her Majesty's Picture of the Transept of the Great Exhibition, after David Roberts RA; hand-coloured lithograph, from Dickinson's Comprehensive Pictures of the Great Exhibition of 1851, published May 1st 1852 by Dickinson Brothers, 114, New Bond Street, 65.5 x 46.8 cm.: Robert Carrick, British 1829-1904- Looking over the Dam, after Philip Branon; hand-coloured lithographpublished by Ackermann & Co., June 9th 1851, bears label for Baynton-Williams, Knightsbridge, to the reverse of the frame, 33.5 x 49 cm.: W L Walton, British fl. 1834-1856- The East End, after Phillip Brannan; hand-coloured lithograph published by Ackermann and Co. in 1851, bears label for Baynton-Williams, Knightsbridge, to the reverse of the frame, 33.5 x 50 cm.: together with a contemporary etching of an interior at the Crystal Palace Exhibition, numbered '4/10' in pencil (lower left) (part mounted/unframed) (5) Sir Joseph Paxton: Framed and glazed, unexamined put of frame. Light marks and chips to the frame generally. Light cockling to the sheet within the frame. Discolouration to the sheet generally, alongside dark marks towards the upper and left edges, and further marks to the sheet in areas. Evidence of spots of light foxing in areas. Otherwise in fair condition overall. Great Exhibition: Framed, mounted, and glazed, unexamined out of frame. Light marks and scuffs to the frame generally. Light cockling to the sheet within the frame. Evidence of light horizontal folds running down the sheet, visible to the left-hand side, with a noticeable fold to the lower edge of the sheet. Light discolouration to the sheet in areas. No evidence of further creasing or of tears to the sheet. Otherwise in fair condition overall. Looking over the Dam: Framed, mounted, and glazed, and unexamined out of the frame. General marks and chips to the frame. Very light cockling to the sheet, and evidence of very light creases in areas, consistent with handling. Evidence of very minor marks to the sheet in areas. Otherwise in good condition overall. The East End: Framed, mounted, and glazed, unexamined out of frame. General marks and chips to the frame. Evidence of minor discolouration to the sheet. Evidence of very minor creases in areas, consistent with handling. Possible very minor spots of foxing, and spots of restored foxing, in areas. Otherwise in good condition overall. Crystal Palace etching: Discolouration to the sheet where it has been exposed to the light. Evidence of very minor spots of foxing in areas. No evidence of creases, tears, or water damage to the sheet. Otherwise in good condition overall.
19th Century School, Napoleon at battle d'Eylan; etching on wove, image: 57 x 78 cm, (framed) Framed and glazed. Unexamined out of frame. Light marks and scuffs to the frame generally. Light creasing evident across the sheet. General light discolouration to the sheet, alongside further spots of browning/possible water damage in areas. Spots of foxing in areas. Minor abrasions to the sheet, and some small holes in areas. In poor condition overall.
William Lionel Wyllie, British 1851-1931- Sugarboats off Greenwich; etching, signed in pencil, bears old inscribed label for 'Robert Dunthorne & Son, Ltd., The Rembrandt Gallery, London' on the reverse, 12.5 x 32.8 cm.: together with another etching by Wyllie of a scene on the Thames, signed in pencil lower left, 12.5 x 30 cm. (2) Both framed and glazed, and unexamined out of frames. Minor marks and scuffs to the frames generally. Very minor marks to the sheets in areas. Very light cockling, discolouration/browning, and possible minor spots of foxing to the second sheet. Otherwise in good condition overall.
William Walcot RE, British 1874-1943- View of London and the Thames from above; etching, signed in pencil, 13 x 12.7 cm. Framed, mounted, and glazed, and unexamined out of frame. Light marks and scuffs to the frame generally. Browning/discolouration to the sheet, particularly towards the edges. Very minor spots of foxing in areas. No evidence of creasing or tearing to the sheet. Otherwise in fair condition overall.
A collection of European fans, including a late 18th / early 19th century fan, the double paper leaf with hand coloured etchings on one side with a courting scene, the other with vignettes depicting matadors fighting bulls, signed F Moreno to one side, with shaped and pierced, Spanish, bone picquet work sticks, another English fan, the leaf with a hand coloured etching of figures in a forest, the pierced bone guardsticks with applied gilt mirrors, another bone fan (af), a Victorian lace and mother of pearl fan, an Edwardian white ostrich feather fan, with celluloid sticks, a satin leaf fan painted with flowers, with mother of pearl sticks, and another fan with a short leaf, with pierced and painted guardsticks (7) Condition Report:Available upon request
Henri Matisse, French, 1869-1954- Untitled, from Poesies, 1932; etching in black and white on Japanese wove, edition of 145, visible image: 31 x 23.5 cm, (framed) (ARR) Provenance: Alan Cristea Gallery, London Note: Poesies was published by Stephane Mallarme featuring 29 etchings by Matisse, of which this piece is page 85 Some paper undulation, most notably to the lower right, some pin prick fox marks, otherwise in very good condition.
Property from the estate of the late David Cornwell, best-known as the author John Le CarréTimothy Paul, British school, late 20th/early 21st century- Portrait of a boy, turned to the left; etching, signed and dated 'Timothy Paul / 'Nov 90'' and inscribed 'A/P' in pencil, 8.7 x 10.3 cm. (ARR) Framed, mounted, and glazed, and unexamined out of frame. Minor marks and scuffs to the frame. Light cockling to the sheet within the frame. Minor spots of foxing and possible light creasing consistent with handling. In fair condition overall.
Ben Sunlight, British 1935-2002- Untitled; etching with aquatint, inscribed and dated '29/1/63' upper left, 25 x 20.2 cm.: together with six further etchings with aquatint by the same artist, some variously inscribed and dated, each 25 x 20.2 cm. (unframed) (ARR) (7) Provenance: The Estate of the Artist. Unframed. Minor creases and marks to the sheets, consistent with handling. Some browning and discolouration to some of the sheets, alongside light marks generally. Otherwise in fair condition overall.
British School, 21st Century- Singing The Landscape No. 3, 2007; Song of Experience III, 2007; each etching in colours on wove, (i) signed indistinctly, dated and numbered 7/30, image: 75 x 49.8 cm, (ii) signed indistinctly, dated and numbered 2/20, image: 71 x 52 cm, (2)Please refer to department for condition report
John Behan, RHA, Irish b.1938- Circular still life, 1979; etching with aquatint, signed, titled, dated, and numbered '13/50' in pencil, 81.5 x 62 cm. (ARR) Framed, mounted, and glazed. Unexamined out of frame. Light chips and marks to the frame generally. Evidence of very light cockling to the sheet generally. Possible minor spots of foxing in areas. General marks and light creases to the sheet. No evidence of further creases or tears. Otherwise in good condition overall.
Michael Atkin, British b.1952- Barn Owl; and Baysdale; etching and aquatint, two, the first signed, titled, and inscribed 'Artists Proof' in pencil, the second signed, titled, and numbered '5/30' in pencil, 37 x 24.6 cm. and 31 x 49 cm. respectively (2) (ARR) Both framed and glazed, both unexamined out of frame. General marks, scuffs, and damage to the frames. Barn Owl: The edges of the sheet are uneven, this appears to be original to the work. Possible light creasing to the sheet. Dirty marks/spots of foxing in areas. Baysdale: Damage to the frame and glazing. Evidence of light creasing to the sheet generally. Dirty marks/spots of foxing in areas. The edges of the sheet are uneven, this appears to be original to the work. A small tear evident to the lower left edge. Otherwise in fair condition overall.
Donald Sultan, American b.1951- Morning Glory, 1991; etching with aquatint on wove, initialed, dated, titled and numbered A/P 10/13 in pencil, sheet: 123.5 x 155.4 cm (unframed) There are light handling indentations, very small creases, mainly to the margins and corners, and very minor surface marks, otherwise in good condition.
Gordon House, British 1932-2004- Mumbles, Pontarawe, Penrhos, 1984; Bridges, 1985; each etching and aquatint on rivs wove, each signed, dated and numbered 30/30; 29/30 in pencil, each printed by by Kelpra studios, each 51.5 x 40.5 cm (unframed) (ARR) (2)Please refer to department for condition report
Four 19th century coloured prints of Classical theme comprising two matching frames, one containing a Gainsborough print with tied ribbons to the top of the gilt wood frames, height of each 60cm, and two large circular Classical-style frames containing pictures of maidens, one picking poppies, the other by the coast, diameter of frames 60cm, together with a William Hogarth satirical etching.Qty: 5
AMENDED DESCRIPTION - Collection of prints, some car-related, to include: a map of Surrey, frame size 63 x 82cm, Porsche 911 poster, frame size 98 x 66cm, a photo of Nigel Mansell, with various other miscellaneous prints, all framed. (10)PLEASE NOTE THAT THE LOT NO LONGER INCLUDES THE GRAVIER ETCHING
NORMA CHILTON (20th century) Study of a tree, & tree, & another study of leaves, monochrome lithographs, 8”x6½” & 5¾”x 5¾”, each signed & dated 1969 lower border; a coloured etching titled “Ruskin’s Dream”, signed, inscribed & dated ’99 in pencil lower margin, artist’s proof, 12¾”x11¾”. & another black and white etching by BRIAN HANSCOMB, RE (contemporary) “Eye of the Beholder”, signed, titled & numbered 11/100 in pencil, 6½”x3½”; each framed & glazed. *ARR may apply
![Loading...](/content/bs/images/ajax-loader.gif)
-
71174 item(s)/page