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Lot 124

â–´ David Hockney OM CH RA (b.1937)'The French Shop' (Museum of Contemporary Art Tokyo 112; Scottish Arts Council 122) Etching and aquatint printed in black and red on wove paper, signed and dated 'David Hockney 71' in pencil l.r. and numbered '43/500', printed by The Print Shop, Amsterdam, and published by the Observer, Londonsheet 62.5 x 53.5cm, unframedCondition ReportSlight time staining with foxing throughout. Light handling creases with a 1cm crease mark just above the centre of the right edge. The print has been previously rolled and there is a small crease to the bottom left corner. Please refer to additional condition images.

Lot 350

â–´ Bill Jacklin RA (b.1943)'Afternoon Skaters', 1998etching, signed 'Jacklin' in pencil l.r., inscribed with title and numbered '2/50'plate 71 x 56.5cmProvenance: Purchased from the Royal College of Art.Condition ReportFramed: 92 x 110cmNot viewed out of glazed frame but appears to be in good condition. Well presented and ready to hang.

Lot 343

Roberto Matta (Chilean-Italian, 1911-2002)'Ombre femelle'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm

Lot 97

â–´ Norman Ackroyd RA (b.1938)'Walters Path'etching, signed and dated 'Norman Ackroyd 1985' in pencil l.r., inscribed with title and numbered '12/90'plate 58.5 x 88.5cmProvenance: Purchased from Christopher Mendez, London.Condition ReportFramed 80 x 108cmLight time staining. Not viewed out of glazed frame.

Lot 1137

Manuel Robbe, French 1872-1936 - Femme a l'estampe, c.1906; etching and aquatint on paper, signed in black crayon lower left 'Manuel Robbe', sheet: 53.5 x 37.7 cm

Lot 1262

Peter Freeth RA,British b.1938-City Page, 1978; Midlands City; Cite Cite, 1979; In the City (Lamentation); Twilight City; (i) aquatint on wove, signed, titled and numbered 10/12 in pencil, plate: 24.6 x 20.7 cm, (ii) etching on wove, signed, titled and numbered 2/12 in pencil, plate: 9.3 x 20 cm, (iii) aquatint on wove, signed and dated in pencil, plate: 24.5 x 30 cm, (iv) aquatint on wove, signed, titled and inscribed 'AP' in pencil, plate: 38 x 49.4 cm, (v) aquatint on wove, signed, titled and numbered 3/12 in pencil, plate: 10.6 x 19.3 cm, (unframed)(ARR)(5)(VAT applied on hammer price)

Lot 1225

János Miklós Vaszary (Hungarian 1867-1939) &Istvan Prihoda (Hungarian, 1891-1965), Untitled; etching on wove, signed in pencil 'Vaszary János',blind stamp reads 'Prihoda',plate: 22.2 x 19.3 cm, (framed)

Lot 1280

Derek Boshier,  British b.1937-  Two People Dancing in Mexican Masks, 1983;  etching on Rives Chiffon wove, initialled, dated, titled and inscribed H.C in pencil, an artist's proof aside from the edition of 50, from Vol. 1 Thirty-five Artist's Portfolio, plate: 14.4 x 22.5cm (unframed) (ARR) (VAT charged on the hammer price)  Note: see Victoria & Albert museum, accession number E.619:6-1996, for similar example.

Lot 1254

Robyn Denny,British 1930-2014,Generations 14, 1978; etching with aquatint on watercolour wash on paper, signed, dated, inscribed '14' and numbered 24/35 in pencil, sheet: 52.5 x 70.5 cm,(unframed)(ARR)(VAT applied on hammer price)

Lot 1263

Terence Millington, British b.1942-Firescreen 2, 1975; etching on wove, signed, dated, titled and numbered 34/75 in pencil, sheet: 54.7 x 75.8 cm, (unframed)(ARR)(VAT applied on hammer price)

Lot 1212

After Salvador Dali, Spanish 1904-1989 Don Quichotte, 1987; lithograph on BFK Rives, after the original 1964 etching, signed in the plate and numbered 763/1200 verso, published by Johnson & Johnson Art, New York, 1987, sheet: 66 x 50cm (unframed) Condition Report: After Salvador Dali, Spanish 1904-1989, Don Quichotte, 1987; lithograph on BFK Rives, signed in the plate numbered 763/1200 verso, published by Johnson & Johnson Art, New York, 1987, sheet: 66 x 50cm (unframed)

Lot 446

Three prints of churches. Including an etching of 'Christ Church Oxford', 19cm x 11cm, coloured lithograph 'Gateway to the Vicars Close', 18cm x 23.5cm, and a David Aibus print, 57cm x 38cm, all framed and glazed

Lot 277

After Jennifer Joan Dickson (b.1936)  Etching and aquatint  "Time Within Time", titled, signed and dated 63 in pencil, numbered 3/20, 55cm x 61cm 

Lot 139

Collection of metalware and other items including a drypoint etching after James Power (RBA) titled 'Malines', signed in pencil, framed and glazed, acquired from with Abbott & Holder, July 2000, paper label verso, a boxed silver-plated christening mug, a copper jug with hinged cover, a pair of brass candlesticks and other items  

Lot 269

Roland Green (British, 1896-1976) Etching 'Ducks alighting', limited edition numbered 50/95?, signed in pencil lower right, framed and glazed, 24cm x 31cm

Lot 257

After Jean Baptiste Vanmour (French, 1671–1737) Hand coloured etching Three early 18th century etchings from De Ferriol's 'Recueuil de cent estampes representant differentes nations du Levant', to include - plate 72 "Fille de Tine, Isle de l'Archipel", engraved by Jacques de Franssières (French, active 1715), plate 70 'Grec des Isles de l'Archipel, joüant du Taboura', engraved by G Scotin and plate 60 'Dgi-Guerdgi Albanois, qui porte au Bezestein des Foyes de Mouton pour nourrir les Chats, engraved by G Scotin, all framed and glazed, 42cm x 29cm  D. Deighton (Early 20th century English School) Etching 'Sunset, Lincoln Cathedral', signed and titled in pencil, together with another by the same hand 'Brayford, Lincoln', signed and titled in pencil, both framed and glazed, 17.5cm x 22.5cm (5) 

Lot 14

WILLIAM WYLIE - etching of war ship, together with one other, signed in pencil by the Artist to the mount

Lot 124

AN 18TH CENTURY QIANLONG CHINESE EXPORT PORCELAIN GRISAILLE DECORATED PLATE depicting from the etching based on the painting 'Les Oies de Frère Philippe' by Nicholas Lancret.22.5cm diameterIn good undamaged condition, no chips cracks or restoration - slight rubbing to the gilding - no major scratches.

Lot 369

Thomas Sutherland,  British 1795-1838- Four prints including 'Capture of La Minerve', from J. Jenkins's Naval Achievements of Great Britain; hand-coloured etching, published May 1 1816, 17.1 x 26 cm, together with 3 other hand coloured etchings from J. Jenkins's Naval Achievements of Great Britain. Four (4). 

Lot 367

Richard Cockle Lucas,  British 1800-1883- The Porch of the Tower of the Winds, near Romsey, Hampshire; etching, 17.1 x 14.4 cm. Together with two pictures by the same artist. Three (3). 

Lot 392

Ernest Llewellyn Hampshire,  British 1882-1944- St Pauls from Bankside; etching, 19.1 x 17.2 cm. Together with: an etching of Piccadilly by Percy Robertson. Two (2). 

Lot 588

A 20th century Russian surrealist  hand coloured etching to depict a portrait of a male to centre surrounded by intricate symbolic etched drawings of hourglass, bubbles, butterflies, pocket watch and balance scales. Signed in pencil by the artist and titled. Measures 22cm x 26cm.

Lot 104

ETHEL LARCOMBE - PIXIE HAND COLOURED ETCHING ON WOVE- EARLY 20THC - ARTIST PROOF 20CMS (H) X 14.5CMS (W) APPROX

Lot 273

Old print titled "Entrance To Newmarket", monochrome etching after W Westall, engraved by E Finden, framed & glazed, 27 by 34.5cm. Lots 272 to 294 From the Collection of the Newmarket trainer George Scott Colling (1904-1959); and the Collection of Mrs Marion Glenister, owner of Nimbus, the 1949 Derby & 2,000 Guineas winner, being material subsequently acquired at Graham Budd Auctions. George Colling was the son of R W Colling and brother to Jack, a famous racing dynasty in the history of the turf.

Lot 94

George Cruikshank (British b.1792-d.1878), 'Modern Tourists', hand-coloured etching published by Thomas McLean c.183524.5cm x 35cmQty: 1In good condition.

Lot 1691

Milein Cosman (German, 1921-2017), etching, Malaysian girl, limited edition 1/24, signed in pencil, 23 x 17cm

Lot 1288

The Cox family of Farningham in Kent, 1726-1865i. Letters of administration (Prerogative Court of Canterbury) of the estate of Mary Cox of Eynsford in Kent, widow, granted to her son Henry Cox; 6 Dec 1726ii.William Cobbett (1763-1835), political writer and farmer; letter to J[ohn] Cox esquire, White’s Ground Brewery, Bermondsey; Barn Elm Farm, 21 April 1829Sends two bushels of his corn to be made into malt; ‘if this can be done directly it would be of great advantage to me, because I should be able to speak of it before the time for selling seed corn is past’With an etching of William Cobbett, drawn from the life and published by Adam Buck, 17 Bentinck Street, Manchester Square, Plate 3 of Friends to a Constitutional Reform of Parliament, c1810-1816.In 1827 Cobbett resumed large-scale farming, leasing an 80 acre farm on the south side of the Thames at Barn Elms. Here he experimented with crops of maize (which he encouraged for human consumption) as well as growing a special straw, which he hoped would allow England to rebuild its straw-plait industry and thereby provide more winter employment for country workers. The results of his experiments are duly noted in his agricultural writing of these years, most notably The Woodlands (1825), Treatise on Corn (1828), and The English Gardener (1829).For the Black Eagle Brewery, Whites Grounds, Bermondsey, acquired between 1823 and 1829 by John Cox and sold to Day, Payne and Cox of Westerham in 1848, see London Metropolitan Archives, ACC 2305/17.iii. Sir Henry William Joseph Cipriani (1761-1843), artist and officer of the Yeomen of the Guard; letter to Solomon Penway Cox, York Hotel, regretting his inability to visit on account of illness; Wednesday morning, 17 August 1842Henry was the son of Giovanni Battista Cipriani (1727–1785), decorative painter and draughtsman, who decorated George III’s first state coach. In 1841, at the age of 79, Henry was enumerated in a house on Woolwich Common, living with his adopted daughter Catherine Bayles, aged 15. Living at 12 Grand Parade, Brighton, in November 1842, he made Catherine the residuary legatee of his estate, and was buried at Brighton on 22 April 1843.An obituary of Solomon Penway Cox (1794-1850) of the Inner Temple and Farningham in Kent, antiquary and collector, appeared in the Gentleman’s Magazine for March 1850, page 338.iv. Solomon Penway Cox (1794-1850) of the Inner Temple and Farningham in Kent; marked-up catalogue of his collection of works of Medieval art, Christie and Manson, 8 July 1850v. John Morgan Cobbett (1800-1877) MP, Skeynes, Edenbridge, Kent; letter to Mr Cox with quotations from gardening books (including his father’s The English Gardener) on the varieties of carnation, 10 April 1865Trained as a barrister, John Morgan Cobbett was the second son of the English pamphleteer, farmer, journalist and MP William Cobbett (1863-1835). In 1851 he married Mary Fielden, the daughter of John Fielden, his father's fellow-member for Oldham.For a Napoleon letter owned by Solomon Penway Cox, published by him in the Gentleman’s Magazine for October 1841, see Lot 1292

Lot 130

A small bottle vase adorned in a feathery golden-yellow sheen pattern. Correia Art etching on the bottom. Dimensions: 3.5"L x 2.25"W x 4"HManufacturer: Correia ArtCountry of Origin: United StatesCondition: Age related wear.

Lot 327

Blue coloration with wave etching on body. Clear blue glass on head. Signed by artist Oiva Toikka. iittala sticker. Artist: Oiva ToikkaIssued: c. 1992Dimensions: 5"L x 3"W x 4"HManufacturer: iittalaCountry of Origin: FinlandCondition: Age related wear.

Lot 115

A opalescent vase adorned in a feathery golden-yellow and pink sheen pattern. Correia Art etching on the bottom. Dimensions: 5.5"W x 7.5"HManufacturer: Correia ArtCountry of Origin: United StatesCondition: Age related wear.

Lot 183

Assortment of 18th and 19th Century Shillings, 13 coins comprising; (3x) George III, 1787, Very Fine with some etching to reverse, Very Fine and Near Extremely Fine respectively; 1816, Fine; and, 1817, dark toning, Good Fine; George IV, 1821, 1824, 1825, (2x) 1826, and 1829, Fine to Very Fine; William IV, 1835, Near Fine; and, Victoria, 1887, Good Very Fine

Lot 613A

DENT, Reginald S. G. Etching of a Military Hospital Ward, signed and dated 1934

Lot 290

Alfred R Blundell, 1883-1968, Abbey Gate, Bury St Edmunds, etching, 28 x 19cm, together with Rosa S Hope, 1902-72, Melanie, and a military photograph (3)

Lot 516

Graham Clarke (b. 1941), ' Mullion Cove ', 1976, limited edition etching, titled lower left and number 40/350, signed lower right, 49 x 61cm, framed and glazed together with Yuri Lyukshin (b. 1949), ' Builders ', signed below in Russian and numbered indistinctly, possibly 73/200, 24.5 x 23.5cm

Lot 478

Group of six paintings & prints to include a 20th century oil on canvas of a nude female (indistinctly signed), a local interest Jago Stone watercolour of Marne Hill - Ampney St Mary, pair of roundel prints after Alfred G Stevens (1817-1875), pen & wash study of a cathedral, Dutch Etching (Largest approx 65cm x 47cm)

Lot 450

JOYCE SHILLINGTON SCALES, Petty Cury, Cambridge, etching, signed and dated 1929, framed and glazed. 16 x 23 cm.

Lot 474

JEN PARKER, Cathedral and Garden, limited edition etching, numbered 16/30, framed and glazed. 27 x 29.5 cm.

Lot 219

Cat Outram (Scottish), Alstroemeria, coloured etching no 23/50, in a glazed frame. (32cmx15cm) (artist label verso)

Lot 245

W.J.Maclean, Bird Alter, etching 100/100, signed and titled, in a wooden glazed frame. (artist label verso) (17cmx18cm)

Lot 216

John Doyle (1928-?), Windsor in the Snow, etching, titled and signed pencil bottom right, in a gilt glazed frame. (artist proof) (36cmx49cm)

Lot 208

John Brunsdon, River Wye etching/aquatint no 12/125, signed and titled pencil, in a gilt glazed frame. (49cmx62cm)

Lot 1389

Violet Murial Baber Mimpriss, 'Bosham', five works, each signed and inscribed, etching, largest pl.19 x 22.5cm, (unframed). (5)  

Lot 1371

European School, 19th century, an angel, watercolour, 13 x 10cm; together with a pair of 19th century portraits, (a.f.); and another etching. (4)

Lot 1243

Graham Clarke, 'Hawkmoth', signed and inscribed artists proof, colour etching, pl.9 x 14cm; together with a gilt framed print of a prize cow. (2)

Lot 44

COLLECTION OF ARTWORK including JOHN ROGERS limited edition print (278/500) - 'Under Milk Wood - Abergwawn', signed in pencil, 40 x 57cms, FRANCES ST. CLAIR MILLER limited edition (74/150) etching and aquatint - ' Summer at Bredwardine' signed in pencil, (pl) 60 x 47cms, KEITH FOSTER watercolour - untitled, view of Sugar Loaf mountain, signed, 20.5 x 45cm, GEOFF BARTLETT watercolour - signed, entitled and dated verso '8.88 Gold Hill, Shaftesbury', 25.5 x 38cms, MARTYN VAUGHAN JONES watercolour - untitled, probably of Parrog, Newport, Pembrokeshire, signed in ink, 21 x 34cms (5)Provenance: private collection Abergavenny, consigned via our Cardiff office

Lot 11

‡ DAVID CARPANINI limited edition (5/50) etching - entitled 'Kyffin V', signed, 24 x 19cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang

Lot 31

‡ LEWIS CHRISTOPHER EDWARD BAUMER (1870-1963) drypoint etching - seated ballet dancer adjusting her shoes, Manor House Fine Arts label Cardiff verso, signed, 20 x 28cmsProvenance: private collection Cardiff Comments: framed and glazed, ready to hang

Lot 806

# Boris O'KLEIN (1893-1985) W.C. Prive Coloured etching Signed and titled lower edge Framed and glazed Picture size 17 x 43cm Overall size 25 x 53cm Together with another, a pair

Lot 855

#Peter MERRIN (British 20th Century) Four Avocets Etching Signed in pencil lower right Framed and glazed Picture size 16 x 25cm Overall size 27 x 37cm

Lot 105

Ladi Kwali (Nigerian, circa 1925-1984)Large Dish stamped 'LK' / 'Abuja' in Arabic (to the base) glazed stoneware 5 x 22 x 22.5cm (1 15/16 x 8 11/16 x 8 7/8in).Footnotes:Precision, delicacy and considered rhythmic pattern are terms that would easily be attributed to the present lot. The clay that appears through the sgrafitto etching could possibly be a Body 44 clay given its shade contrast to the glazing. The glazing, very brown in colour, can be concluded as being an Abuja Slip Glaze, or as nicknamed by Cardew, 'Guinness Brown Glaze'. Upon close inspection, shades of red and green come through, this colour variation occurs during the process of glazing has receded. The higher levels of iron in Body 44 clay as opposed to a Body 49 clay could also be relevant to the brown appearance of this dish.BibliographyJohn Edgeler, Michael Cardew and stoneware, continuity and change, (Winchcombe: Cotswolds living Publications, 2008)For further information on this lot please visit Bonhams.com

Lot 172

William Evan Charles Morgan (1903-1979)PerseusEtching and drypoint, 1929, an excellent well inked impression, signed in pencil and numbered from the edition of 70, on cream laid paper without watermark, platemark 223 x 207 mm (8 3/4 x 8 1/8 in), sheet 375 x 280 mm (14 3/4 x 11 in), faint toning and matt staining to margins, hinged into mount (unframed)

Lot 79

δ Salvador Dalí (1904-1989)L'Étalon Blanc (Field 74-9; M&L 639a)Drypoint etching in sienna, 1973/4, signed in pencil, numbered from the edition of 175, printed by Torrents, published by Ärzte-Sammlerkreis, on Arches paper, with full margins, sheet 566 x 760mm (22 1/4 x 29 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 16

Giovanni Battista Piranesi (1720-1788)The Well, plate XIII, from: Carceri d'InvenzioneEtching and engraving, circa 1749-1750, an excellent impression of Hind's second state (of three) on Italian hand-made laid paper with indistinct watermark, platemark 415 x 555 mm (16 1/4 x 21 5/8 in), sheet 530 x 703 mm (22 3/4 x 27 3/4 in), wide margins (unframed)Provenance:Colnaghi & Co., London [their blue mount, pencil inscribed stock no. C33477 to margin]Literature:Focillon 36; Hind 13; Robison 39

Lot 138

Pierre-Auguste Renoir (1841-1919)Sur la plage, à Berneval (Delteil 5; Stella 5)Etching with drypoint, circa 1892, on wove paper, with full margins, sheet 245 x 156mm (9 5/8 x 6 1/8in)

Lot 43

Francisco Goya (1746-1828)Bellos consejos, plate 15 from "Los Caprichos"Etching and aquatint, circa 1799, a good impression of the first edition, Harris's first state on cream laid paper without watermark, platemark 217 x 150 mm (8 1/2 x 5 7/8 in), sheet 319 x 217 mm (12 1/2 x 8 1/2 in), good margins, minor spotting (unframed)Literature:Delteil 52, Harris 50

Lot 83

δ Salvador Dalí (1904-1989)Combat de Cavaliers, from Calderón: La vie est un songe (M&L 516a)Etching with aquatint in colours, 1971, signed in pencil, inscribed 'E.A.', an artist's proof aside from the edition of 250, printed by Ateliers Rigal, Paris, published by Graphic Europa Anstalt, Geneva, on Richard de Bas paper, with full margins, sheet 578 x 794mm (22 3/4 x 31 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 15

Giovanni Battista Piranesi (1720-1788)Veduta degli Avanzi del Foro di Nerva, from 'Vedute di Roma'Etching, 1770, an excellent well inked impression of Hind's first state (of four), on thick laid paper with watermark of lily within concentric circles [Hind's no. 3], platemark 475 x 705 mm (18 3/4 x 27 3/4 in), sheet 520 x 735 mm (20 1/2 x 29 in), minor spotting, faint horizontal drying crease (unframed)Provenance:Colnaghi, London [their blue mount]Literature:Hind 95 i (of iv)

Lot 12

Giovanni Battista Piranesi (1720-1788)Veduta dell' Arco di Costantino, e dell' Anfiteatro Flavio detto il Colosseo, from 'Vedute di Roma'Etching, 1760, an excellent well inked impression of Hind's first state (of six), on laid paper with watermark of lily within concentric circles [Hind's no. 2/3], platemark 405 x 540 mm (16 x 21 1/4 in), sheet 515 x 730 mm (20 1/4 x 28 3/4 in), scattered spotting, some minor surface dirt, vertical fold (unframed)Literature:Hind 56 i (of vi)

Lot 38

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a good clear impression of New Hollstein's second state (of 5), printing before Watelet's scratched signature and subsequent rework to the farmhouse, on fine laid paper without watermark, sheet 104 x 130 mm (4 1/8 x 5 1/8 in), irregularly trimmed to the platemark, some uneven thread margins, (unframed)Literature:Bartsch 237; New Hollstein 251 ii/v

Lot 78

δ Salvador Dalí (1904-1989)Cyclopean Make-Up, from Imaginations and Objects of the Future (Field 75-11F; M&L 827d)Etching with lithography, screenprinting and collage, 1975/6, signed in pencil, numbered from the edition of 75 in roman numerals, printed by Ateliers Rigal, Paris, published by Merrill Chase, Chicago, on Japan paper, with full margins, sheet 770 x 559mm (30 1/4 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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