A rare Thomas Webb & Sons etched and polychrome- infill black glass vase, with a bird and flowers or butterfly and ferns in Greek key borders, 24cm h, oval etched mark GUEST BROS PATENT 1877, c1880 The collaboration between Thomas Webb and the Guest Brothers is confirmed by the allocation of certain designs to the Guest's in the Thomas Webb Pattern Books. A similar but unmarked vase , almost certainly a Webb/Guest product is illustrated Hajdamach (Charles R), British Glass 1800-1914, col plt 40. Guest's were well known for some of the finest etching on glass in the Stourbridge district and such excellence not surprising given that one of the two brothers had been John Northwood's partner in 1859. In fine condition
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Mempes (Mortimer) - Whistler as I knew Him, from the edition de luxe of 500, this copy no 80, signed by the author, plts and an original etching, ivory, cloth gilt; Adam & Charles Black, 1904; Water Shaw Sparrow - A Book of British Etching 1926; Beverley Nichols - A Book of Ballads, illus H M Brock, 1934 (3)
WILLIAM WASHINGTON Clocks to Mend etching, dated 1930 in the plate, signed in pencil, 27 x 23.5cm In excellent condition and apparently not laid down although unexamined out of the modern frame. A good impression and excellent example of this artist's highly realistic print making, reminiscent of the engravings of Stanley Anderson
WILLIAM LIONEL WYLLIE Extensive Industrial Landscape with Shipping etching with roulette and drypoint, signed pencil and with Print Sellers Association blindstamp, published by L H Lefevre & Sons, 1903, 25 x 45cm Some even light time staining with mild vertical bands, a few cuts and scratches to the paper surface which are not too noticeable and do not detract from the appearance
A South German small cabinet inlaid with etched steel plaques, last quarter of the 16th Century of rectangular form, veneered in rosewood, the corners each reinforced by a shaped etched steel bracket, the outer faces each inlaid with pairs of white metal bands framing a raised moulding enclosing a large steel plaque, each etched with scrolling foliage enclosing a central panel of differing scenes, including on the reverse Christ entering Jerusalem on the reverse, a marine monster on one side, a grotesque demi-figure on the other, and with biblical scenes on the top and front, the latter opening to reveal a series of drawers and a central door, the door secured by a contemporary lock, the drawer and panel fronts all inlaid with steel plaques etched with scrolling foliage and strapwork bands, the inside of the lid inlaid with white metal bands and a large steel plaque etched with the Arrest of Christ in the Garden (the carrying handle and keys each missing, the etching with areas of light wear, the veneer with one small chip and cracks on the reverse, one foot associated) 24.1 cm ; 9.5in by 30.4 cm ; 12 in by 21.6 cm ; 8.5in
An North Italian etched comb morion, circa 1580, possibly Brescian with one-piece skull rising to a tall roped comb, pierced with a pair of holes for a plume-holder, encircled around the base with brass-caped lining rivets on brass rosette washers (two missing from each side), down-turned brim rising to a point front and rear, turned roped edge (the skull with several small holes and an internally patched repair), etched throughout in the so-called Pisan manner, comprising an elaborate strapwork panel involving elements of armour on each side of the comb, the skull decorated with a trellis design filled with further elements of armour, and the brim bordered with acanthus at the base of the skull (etching refreshed) 29.2 cm ; 11.5in high A Brescian morion with similar etched ornament on the comb and brim is preserved in the Doge's Palace, Venice.
Damien Hirst, b. 1965, YOU THREW A MELON AT MY HEAD (FROM IN A SPIN, THE ACTION OF THE WORLD ON THINGS), signed Etching on Hahnmuhle paper, plate: 39.5x27cm.; 15.5x10.5in., sheet: 91.5x71cm.; 36x28in. Executed in 2002 and published by Charles Booth - Clibborn at Paragon Press, this work is from an edition . of 68.
1766-67. 7 George III, Acts 1-59 [includes the Tea Act], pp 1-894, the Tables of Statutes partly excised,. slight damp?staining, mostly confined to the margins, contemp. calf, patch of leather missing from upper cover, folio. Contains several important Acts relating to the American colonies, including An Act for taking off the Inland Duty of One Shilling per Pound Weight upon all Black and Single Teas consumed in Great Britain, and for granting a Drawback upon the Exportation of Teas to Ireland, and the British Dominions in America.. for permitting the Exportation of Teas in smaller Quantities than One Lot to Ireland, or the said Dominions in America, and for preventing Teas seized and condemned from being consumed in Great Britain; An Act for granting certain Duties in the British Colonies and Plantations in America, for allowing a Drawback of the Duties of Customs upon the Exportation, from this Kingdom, of Coffee and Cocoa Nuts of the Produce of the said Colonies.. and for more effectually preventing the clandestine Running or Goods in the said Colonies..; and An Act for restraining and prohibiting the Governor, Council, and House of Representatives, of the Province of New York.. from passing or assenting to any Act of Assembly, Vote, or Resolution.. Also includes An Act to enable the Trustees of the British Museum to exchange, sell, or dispose of, any Duplicates of printed Books, Medals, Coins, or other Curiosities..; An Act to amend and render more effectual An Act.. for Encouragement of the Arts of Designing, Engraving, and Etching, Historical and other Prints, and for vesting in, and securing to Jane Hogarth Widow, the Property in certain Prints; and An Act for erecting a proper and convenient Pier at the Port of Saint Ives in the County of Cornwall, for the better Protection of Ships and Vessels.. (1)
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