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Click here to subscribe* Nevinson (Christopher Richard Wynne, (1889-1946)). In The Cafe, 1919, drypoint etching, plate size approx. 223 x 150mm , signed and dated in pencil, with margins, sheet size approx. 375 x 280mm (14.75 x 11ins), tab-mounted Leicester Galleries, Nash & Nevinson, The Graphic Work 1914-1920 (1977), 68. (1)
* Tupke-Grande (Helene, 1871-1946). Sailing Boats, colour woodcut, signed in pencil to lower margin, image size approx. 130 x 150mm (5 x 6ins), mounted, together with Ritter (Karl, 1888-1977), Imaginary Execution, 1919, etching, signed, dated 1919, and titled in pencil to lower margin, approx. 90 x 180mm (3.5 x 7ins), mounted, plus Jungnickel (Ludwig Heinrich, 1881-1965), Tierfabeln, 1919, colour lithograph, signed in pencil to lower margin, image size approx. 130 x 100mm (5 x 4ins), mounted, and four other early 20th c. German signed etchings and similar, including Max BrŸning, P. Hayn, Sepp Frank, etc. (7)
Robert Sargent Austin, RA (1895-1973) Romance, 1922 signed lower right Austin 1922 and inscribed 4th State, A Souvenir - working proof etching 33 x 26cm Literature: Campbell Dodgson, No.33, 4th state of five One of two plates that Austin submitted for his Scholarship in Engraving to Rome; and K Robertson (British, 20th Century) A Kentish Small Holding signed lower right K Robertson Dec. 22 etching 16 x 12cm (2) Provenance: A gift from the artist to Miss Cowell and by descent
August Louis Lepere (French, 1849-1918) Au Luxembourg signed and inscribed in chalk and pencil lower right A Lepere 16 and with artists stamp drypoint with aquatint 15 x 18cm; and Robert Sargent Austin (1895-1973) Ponte Pietra, Verona signed lower right Robert Austin 28 etching 14 x 13cm (2) Literature: Campbell Dodgson No.56, state 8 of 8 (the eighth one has six seagulls), published by the Twenty-One Gallery, edition size 76, plate destroyed
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