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Lot 174
Wayne Thiebaud (born 1920)Chocolates, 1993 Etching and drypoint in colors on Somerset paper, signed in pencil, dated and numbered 22/50, with the blindstamp of the publisher/printer, Crown Point Press, San Francisco, with full margins, framed.9 1/8 x 10 3/8in (23.1 x 26.3cm)sheet 15 1/8 x 16in (38.4 x 40.6cm)
Lot 16
Salvador Dalí (1904-1989)Cybernetic Lobster Telephone, from Imagination and Objects of the Future (F.75-11I), 1975 Lithograph and etching in colors, signed in pencil, numbered 166/250, published by Merrill Chase, Chicago, lithography by Desjoubert, etching by Ateliers Rigal, Paris, with full margins.28 1/8 x 21 1/4in (71.4 x 54cm)sheet 30 1/4 x 22in (76.8 x 55.8cm)
Lot 23
Man Ray (1890-1976)Kiki (A. 51), 1970 Etching in white ink on black chine-collé paper on Arches paper, signed in pencil, presumably a unique artist's proof (aside from the regular edition on blue Vidalon-les-Annonay Carson Montgolfier paper without chine-collé), published/printed by Jacques David, Paris, with margins, framed.12 x 16 1/4in (30.5 x 41.3cm)sheet 19 1/4in (48.9 x 63.5cm)
Lot 25
After Joan Miró (1893-1983)Rose Matinale au Claire de Lune (M.1713), 1958Etching and aquatint in colors on Rives BFK paper, signed in pencil and numbered 56/100, published/printed by Maeght/Crommelynck, Paris, with full margins, framed.15 1/2 x 19 1/8in (39.4 x 48.6cm)sheet 22 x 25 1/2in (55.9 x 64.8cm)
Lot 153
Robert Rauschenberg (1925-2008)Back Up, from Ground Rules, 1997Etching and photogravure in colors on Arches En Tout Cas paper, signed in pencil, dated and numbered PP 4/4 (a printer's proof aside from an edition of 44), with the blindstamp of the publisher/printer, Universal Limited Art Editions, West Islip, New York, with full margins.sheet 57 1/2 x 49 5/8in (146 x 126cm)
Lot 26
Joan Miró (1893-1983)One Plate, from La Bague D'Aurore (D. 134), 1957Etching and aquatint on wove paper, signed in pencil and numbered 58/60 (there were also 10 artist's proofs), published/printed by Louis Broder/Crommelynck et Dutrou, Paris, with full margins, framed. 5 1/2 x 4 1/2in (14 x 11.4cm)sheet 15 x 11 3/8in (38 x 28.8cm)
Lot 50
Pablo Picasso (1881-1973)Le Peintre Devant son Chevalet, from Le Goût du Bonheur (C. 150, B. 2013), 1970 Etching on wove paper, signed in pencil and numbered 29/35 (from the deluxe American edition of 35, there was also deluxe German and French editions) aside from the regular edition of 666, published for deluxe copies of the book by Jean Marcenac, published by Editions Cercle d'Art, Paris, Harry N. Abrams Inc., New York and Carl Schünemann, Bremen, with full margins. 8 1/8 x 5 34in (20.7 x 14.8cm)sheet 13 x 10in (33 x 25.4cm)
Lot 176
Bernar Venet (born 1941)Two Indeterminate Lines, 2014 Polymer gravure, photo etching and carborundum and on wove paper, signed in charcoal pencil, titled and numbered 11/50, published by World House Editions, Middlebury, Connecticut, printed by Thumbprint Editions, London, with full margins, framed.22 3/4 x 32 1/2in (57.7 x 82.5cm)sheet 30 1/2 x 39 3/4in (77.4 x 100.9cm)
Lot 49
Pablo Picasso (1881-1973)Homme Rembranesque, et Deux Femmes Nues, from Séries 347 (Bl. 1767; B. 1784), 1968 Etching on wove paper, signed in pencil and numbered 25/50 (there were also 17 artist's proofs), published by Galerie Louise Leiris, Paris, with full margins, framed. 6 1/8 x 8 1/8in (15.5 x 20.5cm)sheet 9 3/4 x 12 3/4in (24.7 x 32.3cm)
Lot 57
Pierre-Auguste Renoir (1841-1919)Le Fleuve Scamandre, second plate (D. 25), c. 1900 Etching on cream wove paper, with the artist's inkstamped signature, from the edition of 1000 to be published in the deluxe edition of Ambroise Vollard's Tableaux, pastels et dessins de Pierre-Auguste Renoir (never completed), with margins. 9 7/8 x 7 5/8in (24.5 x 18.3cm)sheet 12 5/8 x 9 7/8in (32.1 x 25cm)
Lot 38
Joan Miró (1893-1983)l'Libre dels sis Sentits lV (D.1168), 1981Etching and aquatint in colors on Guarro paper, signed in pencil and numbered 28/50, with the blindstamp of the publisher Sala Gasper, Barcelona, and printed by J.J. Torralba, with full margins, framed.28 1/2 x 21 5/8in (72.3 x 54.9cm)sheet 36 1/4 x 28 1/2in (92 x 72.5cm)
Lot 27
Joan Miró (1893-1983)One Plate, from La Bague D'Aurore (D. 139), 1957Etching, engraving and aquatint in colors on wove paper, signed in pencil and annotated 'épreuve d'artiste' IX/X (an artist's proof, aside from the edition of 60), published/printed by Louis Broder/Crommelynck et Dutrou, Paris, with full margins, framed. 5 1/2 x 4 1/2in (14 x 11.4cm)sheet 15 x 11 1/8in (38 x 28.2cm)
Lot 119
Anish Kapoor (born 1954)Red Shadow (Plate 9), 2016 Etching in colors on Hahnemühle Bright White 350gsm paper, from the series of ten, signed in pencil and numbered 22/39, verso, published by Paragon Press, London, printed by Thumbprint Editions, London, the full sheet, framed.sheet 28 1/2 x 38in (72.5 x 96.5cm)
Lot 144
PortfolioArtists for Obama, 2008-2009The complete portfolio, comprising 13 prints of various mediums (six printed in color) on various papers, each signed in pencil and numbered 72/150 (there were also 13 artist's proofs), Published and printed for the Obama Victory Fund by Gemini G.E.L., Los Angeles, with the colophon and contained in the original paper folder, together with a complimentary screenprint in colors by Shepard Fairey, signed in pencil, dated and numbered 72/300 (there were also 16 artist's proofs).Artists and titles include:John Baldessari, 'Raised Eyebrows/Furrowed Foreheads (Red, White, and Blue)' Jonathan Borofsky, 'Human Structures and the Light of Consciousness for Obama' Frank Gehry, 'Sitonme' Ann Hamilton, 'O' Jasper Johns, 'Untitled' Ellsworth Kelly, 'Blue Gray Green Red' Brice Marden, 'Etching for Obama' Julie Mehretu, 'Untitled (amulets)' Ken Price, 'Living with Rocks' Susan Rothenberg, 'Twisted Cat' Ed Ruscha, 'All Points' Richard Serra, 'Promenade Notebook Drawing for Obama' Richard Tuttle, 'Word of Mouth' Shepard Fairey, 'Obama Hope Gold'(14 works)various sizes
Lot 35
Joan Miró (1893-1983)Rupestres lX (Cave Paintings) (D. 1043), 1978Etching and aquatint in colors with carborundum on Arches paper, signed in pencil and numbered 29/30 (there were also 15 additional proofs in Roman numerals), published/printed by Maeght/Joan Barberia, Barcelona, the full sheet, framed. sheet 29 7/8 x 22in (76 x 56cm)
Lot 31
Joan Miró (1893-1983)Prise à L'Hameçon (D.515), 1969Etching and aquatint in colors with carborundum on Arches paper, signed in pencil and numbered 36/75, published/printed by Maeght Éditeur/Morsang, Paris, with full margins, framed.39 1/2 x 26in (100.3 x 66cm)sheet 41 3/4 x 26 3/4in (106 x 67.9cm)
Lot 163
Richard Serra (born 1939)Leo, from The Leo Castelli 90th Birthday Portfolio (B.-W.118), 1998Etching and aquatint on Somerset paper, signed in pencil, dated and numbered LXV/XC (aside from the edition of 90), published by Jean-Christophe Castelli, New York, printed by Noblet Serigraphie, Inc., New York, the full sheet. sheet 27 1/4 x 37in (69.2 x 94cm)
Lot 54
Pierre-Auguste Renoir (1841-1919)Baigneuse Assise (D. 11), c. 1897Soft ground etching printed in grayish-blue on cream wove paper, signed in the plate upper left, from the edition of 525, from L. Roger-Miles's book 'Art et Nature,' published by G. Boudet, Librarie Artistique, Paris, framed.8 5/8 x 5 3/8in (21.7 x 13.5cm)sheet 12 1/2 x 9 3/4in (31.7 x 24.6cm)
Lot 32
Joan Miró (1893-1983)Bethsabée (D. 556), 1972Etching and aquatint in colors on wove paper, signed in pencil and annotated 'H.C' (an hors commerce aside from the edition of 50), published by Maeght, Paris, printed by Morsang, Paris, with wide margins, framed.27 x 21in ( 68.5 x 53.3cm)sheet 36 x 24 5/8in (91.4 x 62.5cm)
Lot 137
Robert Motherwell (1915-1991)A La Pintura, Black 5-11 ((See B. 87)), 1972Etching and aquatint in colors on JP Green paper, signed in pencil, dated and annotated 'Trial Proof' (one of an unrecorded number of trial proofs hors-texte, the edition was 40 plus 8 artist's proofs), published by Universal Limited Art Editions, West Islip, New York, with full margins, framed.5 1/4 x 9in (13.3 x 22.8cm)sheet 12 3/4 x 17 1/2in (32.3 x 44.4cm)
Lot 139
Robert Motherwell (1915-1991)Mexican Night II (B. 318), 1984Lift ground etching and aquatint in colors on Whatman paper, signed in pencil and numbered 29/70 (there were also 10 Artist's Proofs), with the blindstamp of the artist/publisher, Robert Motherwell, printed by Catherine Mousley, Greenwich, Connecticut, with full margins, framed. 17 1/2 x 17 1/2in (44.4 x 44.4cm)sheet 25 x 24in (63.5 x 60.9cm)
Lot 37
Joan Miró (1893-1983)La Traca III, from Fireworks III (Dupin, 1116), 1979 Etching in colors on Arches paper, signed in pencil and numbered 14/30 (there were also 15 hors commerce proofs), published by Maeght, Barcelona, printed by Joan Barbarà, Barcelona, the full sheet, framed.sheet 35 1/2 x 24 3/4in (90.1 x 62.8cm)
Lot 15
Salvador Dalí (1904-1989)Spectacles with Holograms and Computers for seeing Imagined Objects; Breathing Pneumatic Armchair, from Imaginations and Objects of the Future (2 works) (F.75-11A,C), 19752 lithographs with etching in colors, one with collage, on Arches paper, both signed in pencil, Spectacles with Holograms... numbered 88/250; Breathing Pneumatic Armchair numbered 92/250, published by Merrill Chase, Chicago, lithography by Desjoubert, etching by Ateliers Rigal, Paris, both with full margins (2 works).each image 28 x 20 7/8in (71 x 53.5cm)each sheet 30 3/8 x 21 5/8in (76.5 x 54.5cm)
Lot 16
Portrait of Muzzaffar ad-Din Shah Qajar, the apparent proof copy of an etching later used for souvenir postcards, printed on paper [France or possibly Belgium, 1900-1901] single sheet, etched portrait of the shah seated, with printed reproduction of the signature of the Shah below reading “Muzzafar ad-din Shah Qajar 1318”, reverse blank, edges a little darkened, overall clean and crisp condition, 270 by 185 mm.; in modern card mount, framed and glazed This is a lesser-known depiction of this Shah, taken either in France or Belgium during his travels in the region in 1900 and 1902.
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78388 item(s)/page