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Lot 201
*MARC CHAGALL (1887-1985) 'Sobakévitch' an illustration for Nicolas Gogol's 'The Dead Souls', signed in plate, apparently from the edition of 368, etching, commissioned in 1927 by Vollard and published in 1948 by Tériade, the image 27.5cm x 21cmFrom the collection of an International Designer
Lot 269
*DAME ELISABETH FRINK (1930-1993) 'Vizsla A' (Wiseman 124), 1980, signed and numbered 13/75 in pencil to the margin, etching and aquatint printed in colours on wove, printed by Kelpra Studio, London, published by Waddington Graphics, London, with their blindstamps, with full margins, the sheet 68cm x 91cm
Lot 639
AN ETCHED AND ENAMELED GLASS 'WINTER LANDSCAPE' SNUFF BOTTLE, BY DAUM NANCY, EARLY 20TH CENTURYOpinion: The present lot, with its classic round form and short everted neck, is without a doubt a snuff bottle, as opposed to the more common perfume bottles which are always larger in size, typically varying between 12 and 18 cm. This means that the present lot was specifically designed as an export article for the Chinese market and thus must be considered extremely rare.France, circa 1910. Of flattened globular form, superbly painted in bright enamels to depict a winter landscape with bare trees and bushes against a reddish-orange ground suggestive of the evening sky. The swirled opaque glass with orange and yellow streaks, edged, cut, and finely polished. The base with an enameled mark Daum Nancy with the cross of Lorraine.Provenance: From the private collection of Tuyet Nguyet and Stephen Markbreiter. The base inscribed 'Daum & Nancy'. Tuyet Nguyet was the founder and chief editor of Arts of Asia. She married Stephen Markbreiter, an English architect, in 1959 and moved to Hong Kong to work as a journalist. Arts of Asia's first regular edition appeared in 1971. In the magazine, Nguyet sought to combine authoritative content from major experts with detailed coverage of the Asian art market. Tuyet Nguyet was an early member of The International Chinese Snuff Bottle Society, attending her first convention in 1973, and was later elected as an honorary member. Condition: Very good condition with minor old wear and possibly very light retouching to the mouth rim.Stopper: Pearl stopper with silver mountingWeight: 23.4 g Dimensions: Height 52 mm. Diameter neck 11 mm and mouth 6 mmDaum was created in 1892 by Auguste Daum (1853-1909) and Antonin Daum (1864-1930) in the French town Nancy. They developed the Art Nouveau style for which they received the 'Grand Prix' medal at the world exhibition in 1900. Daum glass works are known for their motifs of scenery and nature with mostly plants or flowers. Daum formed the Ecole de Nancy (Nancy School) together with other glass and furniture factories operating in the French city of Nancy. Acid etching was often combined with carving, enameling, and engraving on a single piece of glass to produce creative glass masterpieces. Auction result comparison:Type: RelatedAuction: Christie's New York, 23 July 2010, lot 217Price: USD 20,000 or approx. EUR 25,500 converted and adjusted for inflation at the time of writingDescription: A French etched and enameled glass 'winter landscape' vase, signed in enamel 'Daum Nancy' and with cross of Lorraine, circa 1910Expert remark: Compare the closely related decoration, the color, and the signature. Note the size of the vase (8 cm). 二十世紀初DAUM NANCY派蝕刻琺琅彩冬景鼻烟壺法國，約1910年。扁平圓形，明亮的琺瑯，描繪了一幅秀麗的冬日夕陽圖，夕陽下掉光了樹葉的樹和灌木叢以及雪地。帶有橙色和黃色條紋的漩渦狀不透明玻璃，經過磨邊、切割和精細拋光。帶有洛林十字架的琺瑯標記和 Daum Nancy款的底座。 專家注釋：本拍品具有經典的圓形、短頸和弦唇，毫無疑問是一個鼻烟壺，而不是香水瓶，後者的尺寸總是更大，通常在 12 到 18 厘米之間變化。這意味著本拍品是專門為中國市場設計的外銷商品，極為罕見。 來源：Tuyet Nguyet 和 Stephen Markbreiter 的私人收藏。底座上標注 'Daum & Nancy'。Tuyet Nguyet 是《Arts of Asia》的創始人和主編。1959 年，她與英國建築師Stephen Markbreiter結婚，並移居香港擔任記者。《Arts of Asia》第一期普通版於 1971 年問世。在該雜誌中，Nguyet 致力於將專家的權威內容與亞洲藝術市場的詳細報導相結合。Tuyet Nguyet 是國際中國鼻烟壺協會的早期會員，1973 年參加了協會的第一次大會，後來當選爲名譽會員。 品相：品相極好，有輕微的磨損，壺口有輕微修飾。 壺蓋：珍珠，鑲銀 重量：23.4 克 尺寸：高 52 毫米，頸部直徑11 毫米 及瓶口直徑6 毫米 Daum 於 1892 年由 Auguste Daum (1853-1909) 和 Antonin Daum (1864-1930) 在法國小鎮Nancy創建。他們創立了新藝術運動風格，並因此在 1900 年世界博覽會上獲得大獎。Daum 玻璃作品以其風景和自然的主題而聞名，主要是植物花卉。Daum 與在法國Nancy市運營的其他玻璃和家具工坊一起成立了 Ecole de Nancy（Nancy派）。酸蝕通常與在一塊玻璃上的雕刻和上釉相結合，以製作出富有創意的玻璃作品。
Lot 148
English landscape.- Newbery (William, artist and friend of John Constable, 1787-1838) Two albums containing 40 drawings and watercolours, and 6 etchings, including many landscapes of Sussex, views of the environs of the artist's home at of Heathfield Park, views in Oxford, Walthamstow, Lewes, some maritime scenes, a few studies after drawings by Crotch, a mezzotint with etching of Tivoli with inscription underneath that reads 'done in mezzotint [?] an etching by W. Newbery about 1838/ from a sketch by [?] PGS/ from one by J. Malchair/ probably from some Italian drawing...', and others similar, all neatly presented on album leaves, many leaves missing, some pages cut, of those that remain many with ink inscriptions and annotations underneath that are likely by William Crotch, various sizes, surface dirt, vol. 1 with manuscript note to front pastedown that reads 'Bequeathed to W. Crotch Kennington 1838/ by my dear friend W. Newbery/ by whom/ these were drawn', half calf, marbled boards, spines gilt, Cambridge Binding Guild stamps to inside covers, rubbed and worn, large 4to, mainly circa 1800-1820Provenance: William Crotch (English composer and organist, 1775-1847);Dawson Turner (patron of John Sell Cotman, 1775-1858);Sale. Sotheby's, London 1991⁂ Newbery was a friend of Dr. William Crotch, whom the present albums were originally bequeathed to, as well as John Constable. He was also a pupil of John Malchair and lived in Heathfield, Sussex. Newbery was well connected with the artistic circles of his day, and was a member of 'The Great Society' of Oxford and is likely to have known J.M.W Turner who also painted views of Heathfield Park, while the Newbery's lived there. The present album includes a landscape of Heathfield Park dated 'Aug. 19 1809', and shows a wooded landscape with two men, one of whom appears to be seated drawing.
![Nonesuch Press.- Dickens (Charles) [The Works], 24 vol., edited by Arthur Waugh, Hugh Walpole and others, one of 877 sets, be](https://cdn.globalauctionplatform.com/7f555423-35bb-47ba-900e-af0400c3d8cc/7d2fc420-fcbd-480e-8f78-af07011ee09d/468x382.jpg)
Lot 222
Nonesuch Press.- Dickens (Charles) [The Works], 24 vol., edited by Arthur Waugh, Hugh Walpole and others, one of 877 sets, beautifully bound in various coloured morocco by Sangorski & Sutcliffe to match the original buckram bindings, ruled in gilt, author's signature in gilt on covers, spines with raised bands and black morocco labels, t.e.g., others uncut, a few spines, especially Barnaby Rudge and Pickwick Papers slightly discoloured, otherwise in fine condition, [Dreyfus 108], 8vo, Nonesuch Press, 1937-38.⁂ A visually even more stunning set than the original variously coloured buckram bindings, which are so prone to fading. The original steel plate for this set is "Traddles makes a figure in parliament and I report him" from David Copperfield, p.540, and the mounted etching is slightly creased. Without 'Nonesuch Dickensiana' which sometimes accompanies the set.
Lot 140
Morris Henry Hobbs (American, 1892-1967). Drypoint etching on paper titled "Street Scene - Chicago," ca. 1930, depicting families and individuals strolling along an urban street with the sprawl of the city seen in the background. Pencil signed along the lower right; titled along the lower left; illegibly numbered from an edition of 50 along the lower left.Provenance: Frederick Baker Inc., Chicago; Distinguished corporate collection, Minnesota.Sight; height: 6 1/4 in x width: 6 1/4 in. Framed; height: 21 1/4 in x width: 17 1/4 in.
Lot 141
Charles William Dahlgreen, (American, 1864-1955). Etching on paper titled "The Art Institute," 1916. Depicting the Art Institute of Chicago on a sunny day. Signed and dated in pencil along the lower right.Provenance: Frederick Baker, Inc., Chicago, Illinois; Distinguished corporate collection, Minnesota.Sight; height: 8 3/4 in x width: 10 1/2 in. Framed; height: 19 in x width: 17 1/2 in.
Lot 142
S. Chester Danforth (American, 19th/20th c). Etching titled "Three Towers," ca. 1935. Signed in pencil along the lower right; titled along the lower left.Provenance: Frederick Baker, Inc., Chicago, Illinois; Distinguished corporate collection, Minnesota.Sight; height: 13 1/2 in x width: 8 in. Framed; height: 21 1/2 in x width: 17 1/2 in.
Lot 145
Luigi Kasimir (Austrian, 1881-1962). Etching on paper titled "Paris, Boul de la Madeleine," depicting a bustling city scene in front of La Madeleine in Paris, France. Titled in the plate along the lower left; pencil signed along the lower center.Sight; height: 19 in x width: 16 in. Framed; height: 27 1/2 in x width: 24 in.
Lot 151
James E. Allen (American, 1894–1964). Etching on paper titled "Teaming Ingots" depicting a pair of metalworkers standing before a bright furnace. Signed in pencil along the lower right. Alternatively titled "Molten Iron" along a Keppel & Co label affixed to the verso.Provenance: Frederick Keppel & Co. Inc, New York.Sight; height: 12 1/2 in x width: 10 1/2 in. Framed; height: 19 1/2 in x width: 17 1/2 in.
Lot 203
Sunol Alvar (Spanish, b. 1935). Group of three lithographs and one etching including:One lithograph titled "Reve du Village," signed along the lower right; numbered 6/285 along the lower left.One lithograph titled "La Muse et les Reveuses," signed along the lower right; numbered 80/225 along the lower left.One lithograph depicting a dove and two wome, one playing a flute; signed along the lower right; numbered 196/225 along the lower left.One etching depicting a woman and a child holding a branch; signed along the lower right; artist proof numbered 71/75.Provenance: Distinguished corporate collection, Minnesota.(Sight) height ranges from 20 in to 40 in; width ranges from 20 in to 29 in. (Framed) height ranges from 32 1/2 in to 53 in; width ranges from 33 in to 42 in.
Lot 229
Lebandang (Vietnamese/French, 1921-2015). Etching with embossing on paper titled "Paysage Poetique 5," depicting a red diamond against an abstract turquoise background. Pencil signed and numbered 78/250 along the lower right.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 19 in x width: 26 in. Framed; height: 27 in x width: 33 1/2 in x depth: 3 in.
Lot 238
Adolph Gottlieb (American, 1903-1974). Color etching and aquatint titled "Night Glow" depicting an abstract circle of red on a black background. Signed, dated 1971, and numbered 40/65 in pencil along the lower margin. A stunning example of the artist's "Bursts" series in which he simplified his imagery and focused on basic sets of polarities within the image.Provenance: Nancy & Dr. E.F. Simpson collection, Los Angeles, CA (1970-2000); Artemis Galleries; Private Minnesota Collection.Sight; height: 25 1/4 in x width: 19 in. Framed; height: 35 1/4 in x width: 27 1/4 in.
Lot 389
Group of three Russian sterling silver cigarette cases including:One rectangular case with a Soviet-era Artel mark, Moscow. The lid with the seal of OSOAVIAKHIM and the underside with a silhouette of a bi-place with an engraved Cyrillic inscription; with a red cabochon clasp. Marked along the interior.One rectangular with a maker's mark "O.V.," first half of he 20th century. The case lid with 14k gold signatures and a monogram. Marked "875" along the interior.One rectangular case inscribed along the interior and a Soviet-era Artel mark, Moscow. Monogrammed along the case lid with red enamel decoration; with the date 1902 along with floral etching along the underside. Marked along the interior.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height ranges from 1/4 in to 3/4 in; width ranges from 3 3/4 in to 4 1/2 in; depth ranges from 3 in to 3 1/2 in.
Lot 7
Ryohei Tanaka (Japanese, b. 1933). Etching on paper depicting a scene of snow gently falling against rooftops and a darkened sky. Pencil signed and dated 1985 along the lower right; numbered 75/100 along the lower left.Sight; height: 12 in x width: 19 1/4 in. Framed; height: 18 3/4 in x width: 26 1/4 in.
Lot 8
Ryohei Tanaka (Japanese, b. 1933). Etching on paper depicting a farm scene of a woodpile, pants hanging on a line, and bundled garlic. Pencil signed and dated 1986 along the lower right; numbered 76/100 along the lower left.Sight; height: 14 3/4 in x width: 14 3/4 in. Framed; height: 21 3/4 in x width: 21 3/4 in.
Lot 18
Dame Elisabeth Frink R.A. (British, 1930-1993)Goggled Head signed and numbered 50/52 in penciletching and aquatint in colours, 1973, on wove paper91.5 x 65cm (36 x 25 9/16in).printed at White Ink, with their blindstamp, published by Leslie Waddington Prints Ltd., LondonFootnotes:ProvenanceWaddington Galleries, London, 1965Acquired from the above by the current ownerLiteratureCaroline Wiseman, Elizabeth Frink Original Prints catalogue raisonne, London, 1998 (W.86)Goggled Head is a wonderful example of the artist combining her interest in printmaking and sculpture. Her preferred printing method was etching, as this involved cutting into a copper plate and therefore shared similarities with sculptural processes. The plate was cut to the shape of the head and a series of deeply etched lines carefully placed to create the form.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 56
Lynette Yiadom-Boakye (born 1977)The World for a Wilderness signed, dated, titled and numbered 16/50 in penciletching, 2020, on Somerset wove paper50.6 x 46.1cm (19 15/16 x 18 1/8in).published by Tate, LondonFootnotes:'I've never liked being told who I am, how I should speak, what to think and how to think it... But the idea of infinity, of a life and a world of infinite possibilities, where anything is possible for you, unconstrained by the nightmare fantasies of others, to have the presence of mind to walk as wildly as you will, that's what I think about most.'Lynette Yiadom-BoakyeThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 7
Dame Paula Rego R.A. (British, 1935-2022)Adjusting the Recipe, from Stone Soup signed and numbered 74/75 in penciletching and aquatint printed in colours, 2014, on wove paper42.5 x 34.5cm (16 3/4 x 13 9/16 in).from the deluxe edition with the accompanying book Stone Soup by Cas Willing, signed by the artist and the author in ink and numbered 74/75 in pencil on the title page, published by Enitharmon Editions, London, within the cloth-covered slipcase and boxThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 171
Preston, Margaret Rose (1875-1963) A View of the Irish Coast (1914) Oil on canvasSigned and dated, lower right: 'M. R. Macpherson / 1914' Depicted here is Bonmahon, Ireland where Preston and her artist companion Gladys Reynell worked in the summer of 1914-15 (and at other times). There is a postcard of an almost identical scene as the painting depicting the road leading down to the beach between the cottages. Preston sent a copy of this postcard to Edith Collier (a New Zealand artist friend) in 1914. There is also an etching of Bonmahon by Preston (see https://www.artgallery.nsw.gov.au/collection/works/DA42.1964/).Margaret Rose Preston was the pioneer of Australian 'national art' and the leading Australian modernist of the 20th century. She is highly regarded for her explorations, as a non-native artist, of Aboriginal motifs in her work.She lived with her close friend, Gladys Reynell, in London, Paris and Brittany between 1912 and 1914, where she was enjoying her new-found European celebrity as a painter of significant consequence. She married her husband, William Preston, in 1919. Provenance:Acquired by the grandmother of the current owner in the 1950s [the grandmother was a great collector of the works of female artists] Property of a Lady of Title Dimensions:(Frame) 18.25 (H) x 21.25 in. (W)(Canvas) 14.75 (H) x 17.5 in. (W) We would like to acknowledge Roger Butler's contributions to the cataloguing of this painting.
Lot 172
Preston, Margaret Rose (1875-1963)A View of the Shore (Bonmahon, Ireland) (1913)Oil on canvasSigned and dated, lower right: M. R. Macpherson / 1913 Depicted here is Bonmahon, Ireland where Preston and her artist companion Gladys Reynell worked in the summer of 1914-15 (and at other times). There is a postcard of an almost identical scene as the painting depicting the road leading down to the beach between the cottages. Preston sent a copy of this postcard to Edith Collier (a New Zealand artist friend) in 1914. There is also an etching of Bonmahon by Preston (see https://www.artgallery.nsw.gov.au/collection/works/DA42.1964/).Margaret Rose Preston was the pioneer of Australian 'national art' and the leading Australian modernist of the 20th century. She is highly regarded for her explorations, as a non-native artist, of Aboriginal motifs in her work. She lived with her close friend, Gladys Reynell, in London, Paris and Brittany between 1912 and 1914, where she was enjoying her new-found European celebrity as a painter of significant consequence. She married her husband, William Preston, in 1919. Provenance:Acquired by the grandmother of the current owner in the 1950s [the grandmother was a great collector of the works of female artists] Property of a Lady of Title Dimensions:(Frame) 18.25 (H) x 21.5 in. (W)(Canvas) 17.75 (H) x 14.5 in. (W) We would like to acknowledge Roger Butler's contributions to the cataloguing of this painting.
Lot 180
To be sold without a reserve. Julian Trevelyan R.A., (1910-1988) Kensington Gardens Etching with aquatint Signed, titled, dated 1969-1970 No. 67 out of edition of 75 Literature: Illustrated in Julian Trevelyan - Catalogue Raisonne of Prints, P. 177, cat. no. 231. N.B. The present work is part of Trevelyan’s ‘London Parks’ suite. Dimensions: (Framed) 26 (H) x 33.5 in. (W) (Paper) 16 (H) x 20.75 in. (W)
Lot 181
To be sold without a reserve. Julian Trevelyan R.A. (1910-1988) Nimes Etching With Aquatint Signed, titled, numbered Artist's Proof 1971-1972 Literature: Julian Trevelyan - Catalogue Raisonne of Prints, p. 124, cat. no. 252 N.B. the present work is part of Trevelyan’s ‘Provencal’ suite. Dimensions: (Framed) 26 (H) x 33.5 in. (W) (Paper) 14 (H) x 21 in. (W)
Lot 185
To be sold without a reserve. Stanley William Hayter CBE (1901-1988) La Noyée Etching with aquatint Signed, titled, dated and numbered 'September 1955' Edition 56/175 Literature: Bears blindstamp of the publisher, L'Oeuvre Gravée. Cat.no 222 Black and Moorhead. Provenance: The present work was a gift from Hayter to a school in Sweden and has come from an old teacher there. N.B. This work is widely thought to be one of Hayter's most accomplished large scale prints and is included in the essay on his artistic practice in the catalogue raisonne of his work. Dimensions: (Framed): 19.5 (H) x 26 in. (W) (Image): 15 (H) x 19 in. (W)
Lot 517
20th Century English School 'Canterbury Cathedral, etching and aquatint, signed indistinctly in pencil lower right, 42cm x 20cm and one other 'Near Glympton, Oxfordshire', etching, signed indistinctly lower right, 20cm x 14cm (2) Canterbury example is unglazed, with resulting marks to the mount and damage to the frame. Both have some foxing and fading in places. Overall scuffs and some wear to the frames.
Lot 215
Pictures and prints - l. Voinet, 'Path beyond the woodland edge', signed, oil on board, 34cm x 19.5cm; another, 'Lakeside Villa', oil on board; Saint Marks Square, Venice, lithograph; Pictures and prints - six 19th century French engravings, pastoral and maritime scenes; 'La Conversation Des Fermierres', 'Le Port de Fecamp'; Pictures and prints - continental school, cattle by a river, watercolour, 21cm x 28cm; a coloured etching, ‘Le Depart Pour La Chases’; another, F. Boscher, print; B. Mallet, Bouquet of Lilac and Roses, signed, gouache, 47cm x 62cm; Maurice de Vlaminck, after, Bouquet de Fleur, lithograph print, qty.
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