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Lot 39

Henry Moore O.M., C.H. (British, 1898-1986)Sheep, Back View, plate 10 from 'Sheep Album' (Cramer 200) Etching printed in black, 1972, on handmade wove with the artist's watermark, signed, inscribed 'PL. X' and numbered 47/80 in pencil, printed by Lacourière et Frelaut, Paris, published by Gérald Cramer, Geneva, with full margins, 302 x 380mm (11 7/8 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 4

Rembrandt Harmensz van Rijn (1606-1669)Joseph telling his dreams (Bartsch 27; New Hollstein 167) Etching, 1638, on laid, New Hollstein's fourth state of six, trimmed to the platemark at upper and left edges, otherwise with thread margins, 110 x 83mm (4 3/8 x 3 1/2in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Lot 46

Victor Pasmore R.A. (British, 1908-1998)Stromboli (Lynton 85) Etching and aquatint printed in colours, 1980, on wove, signed, dated and numbered 33/90 in pencil, printed and published by 2RC, Rome, with their blindstamp, with full margins, 720 x 1420mm (28 3/8 x 55 7/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 47

Victor Pasmore R.A. (British, 1908-1998)Harmony of Opposites Etching and aquatint printed in colours, 1995, chine collé on wove, signed and numbered 25/35 in pencil, with full margins, 430 x 610mm (16 7/8 x 24in)(PL)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 5

Rembrandt Harmensz van Rijn (1606-1669)The Star of the Kings: A Night Piece (Bartsch 113; New Hollstein 263) Etching with touches of drypoint, circa 1652, on laid, New Hollstein's third state (of four), with narrow margins; together with The Tribute Money (B.68; NH.138), etching with touches of drypoint, circa 1634, on wove, New Hollstein's final fourth state, with thread margins; and The Agony in the Garden (B.75; NH.269), etching and drypoint, 1657, on wove, New Hollstein's third, final state, trimmed to the platemark, 94 x 143mm (3 5/8 x 5 5/8in)(PL)(unframed)(3)For further information on this lot please visit Bonhams.com

Lot 6

Giovanni Battista Piranesi (Italian, 1720-1778)The Man on the Rack, from 'Carceri d'Invenzione' Etching with engraving, 1761, on heavy laid paper, with watermark Fleur-de-Lys in a circle surmounted by a Crown (Robison 20), a very good impression of Robison's fifth state (of six), the fourth issue, from the Second Edition (mid to late 1770s), or an early printing from the Third Edition (1778-1799), with the central vertical fold, with margins, 642 x 495mm (25 1/4 x 19 1/2in)(SH); together with 'The Drawbridge' (Robison 33), etching with engraving, 1749-60, on heavy wove paper, a posthumous impression of Robison's sixth and final state, Fifth (Firmin Didot, 1835-1839) to Sixth Edition (1839-c.1940), with the number 355 added to the upper left of the print, with margins, 620 x 482mm (24 3/8 x 19in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com

Lot 68

John Piper C.H. (British, 1903-1992)Foliate Head, plate I from 'Eightieth Anniversary Portfolio' (Levinson 354) Etching and screenprint in colours, 1983, on wove, signed and numbered 16/75 in pencil, printed by Kelpra Studio, London, published by Orde Levinson, with the printer's blindstamp, with margins, 450 x 651mm (17 3/4 x 25 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 7

James Gillray (British, 1756-1815)The Bridal-Night (BM 9014) Etching and aquatint with hand-colouring, 1797, on laid, published by H. Humphrey, London, with margins, 341 x 486mm (13 3/8 x 19 1/8in)(SH)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Lot 75

John Piper C.H. (British, 1903-1992)Old Church of Mynachlogddu (Levinson 399) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 61/70 in pencil, printed by Kelpra Studio, London, published by Orde Levinson, with margins, 395 x 534mm (15 1/2 x 21in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 76

John Piper C.H. (British, 1903-1992)Yellow Flowers (Levinson 392) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 47/100 in pencil, printed by Kelpra Studio, London, published by CCA Galleries, London, with margins, 407 x 550mm (16 x 21 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 77

John Piper C.H. (British, 1903-1992)Dahlias and Ferns (Levinson 391) Etching and aquatint printed in colours, 1987, on wove, signed and numbered 53/100 in pencil, printed by Kelpra Studio, London, published by CCA Galleries, London, with the printer's blindstamp, with margins, 405 x 550mm (15 7/8 x 21 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 80

Sir Terry Frost R.A. (British, 1915-2003)Zeus Light (Kemp 150) Etching and aquatint printed in colours, 1996, on wove, signed, dated and numbered 44/45 in pencil, printed by Stoneman Graphics, Cornwall, co-published by the artist and Stoneman Graphics, Cornwall, with full margins, 480 x 450mm (18 7/8 x 17 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 9

James Abbott McNeill Whistler (American, 1834-1903)Billingsgate (Kennedy 47; Glasgow 51) Etching, 1859, on laid, likely Glasgow's ninth state of nine, with margins, 152 x 224mm (6 x 8 3/4in)(PL)For further information on this lot please visit Bonhams.com

Lot 90

John Hoyland R.A. (British, 1934-2011)Tembi Etching and aquatint printed in colours, 1980, on wove, signed, dated and inscribed 'Brians Proof' in pencil, a proof aside from the numbered edition of 60, printed by Kelpra Studio, London, published by Waddington Graphics, London, with the printer's blindstamp, with full margins, 682 x 923mm (26 7/8 x 36 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 94

Georges Rouault (French, 1871-1958)Amer Citron, from 'Cirque de l'Etoile Filante' (Chapon/Rouault 242) Etching and aquatint printed in colours, 1934-5, on Vergé de Montval laid, from the total edition of 280, printed by Lacourière, Paris, published by Ambroise Vollard, Paris, 1938, with full margins, 447 x 342mm (17 5/8 x 13 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 498

Henry Batley - 'Lady Macbeth' Ellen Terry pencil mezzo etching, signed in pencil by the artist and actress, circa 1889, 54.5cm x 35cm unframed

Lot 12

Charles Bird, large etching of York Minster, pencil signed to margin, 68cm tall, 48cm wide, and one other etching of Westminster Abbey, pencil signed by a different hand, 70cm high, 52cm wide, excluding frames, each within a decorative oak frame (2)

Lot 394

Leon Danchin (1887-1938), a signed etching depicting a Spaniel and Pheasant. 41 x 61 cm, framed.

Lot 395

Leon Danchin (1887-1938), a signed etching of a pair of Setters, marked to the top right Copyright 1934. 40 x 47 cm, framed and mounted.

Lot 396

Leon Danchin (1887-1938), a signed etching of a Pheasant in flight, 34 x 57 cm, framed and mounted.

Lot 260

JOHN ROCQUE (1709 – 1762) Plan of the City and Suburbs of Dublin Engraved map; Together with an etching depicting the Custom’s House (2)

Lot 217

A Spanish 19th century folding knife navaja, broad blade 8¼" stamped with maker's name "MBERON" (?), and with traces of etching, the brass mounted body having sideplates of imitation tortoiseshell and engraved horn. GC (some rust patches) £60-80

Lot 246

A heavy Indian made sabre, the 31" blade having traces of etching, with one piece cast iron hilt; also a pair of cast iron spiked balls for "Morning Star" flails. Generally GC (not old). £50-60

Lot 1064

Gertrude Keeling [19/20th Century]-London Bridge & Southwark Cathedral,:- hand coloured etching, plate size 9.5 x 13.5cm, together with a collection of 11 similar small etchings including The Broad Walk Kensington Gardens, The Orangery Kensington Gardens. St Paul's from Ludgate Hill, The Coolings from Braccadale, Christmas Greetings, Cloisters St. Trophime Arles, Corsica Pine Trees, etc. [12]

Lot 1126

* Edward Julius Detmold [1883-1957]-The Morning Ride,:-etching, signed in the margin bottom rightplate size 26.5 x 42.5cm.* Provenance. S. Fletcher, Fine Art Dealer, Fountain Street & King Cross.

Lot 347

Herbert Thomas Dicksee,The Old Hound,signed, etching,mounted within the platemark, visible 41 x 40cm.

Lot 1015

Cock Fighting interest, William Hogarth hand coloured etching - Pit Ticket, 24cm x 34cm, another similar titled Westminster Pit, 33cm x 49cm, also an early 20th century framed black and white photograph depicting cock fighters, 53cm x 61cm overall framed size (3)

Lot 1028

Three sporting prints, including large etching and aquatint after J Loader, 'William Long'. Image 47cm x 66cm, glazed frame, another after H Hall, The Merry Beagles, and Fly Fishing, all framed. (3)

Lot 1136

*Richard Bawden (b.1936) signed limited edition etching and aquatint, "The Glade", 37/75, 40cm x 50cm, framed and glazed

Lot 1141

*Charles Bartlett (1921-2014) signed limited edition etching and aquatint - Evening Tide, 3/60, 42cm x 57cm, in glazed frame

Lot 1194

*Charles Bartlett (1921-2014) etching - 'The Quay, Ramsholt', signed and numbered 30/60, 35cm x 29.5cm

Lot 1195

*Charles Bartlett (1921-2014) etching - 'Teasels', signed and numbered 34/60, 43cm x 33cm

Lot 753

Abdul Rahman Chughtai (1894-1975) etching, portrait of a young woman in a landscape, signed, plate 24.5 x 14cm, glazed frameCondition report: Provenance: local collection for 20 years. Framed and glazed and not viewed outside frame. Paper has browned somewhat but otherwise appears in good order. Tiny abrasion to the foreground on the right mentioned for accuracy.

Lot 480

Avishai Russell (Contemporary)/Frog/signed and dated '97; inscribed and numbered 1/10/drypoint etching, plate size 14cm x 15cm, paper size 30.5cm x 30cm/Provenance: label verso for Royal Scottish Academy CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 579

Jack Coutu (born 1924)/Grasshopper/inscribed, signed and dated Coutu 54 and numbered 5/25 to margin/etching and aquatint, plate size 37cm x 29.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 587

Wilfred H Frank/Cornish Harbour/drypoint etching, 11.5cm x 17cm/another of Lilies and a pencil sketch by the same CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 589

Andy Lovell (20th Century)/Sunset Swifts Hill II/signed, inscribed and numbered 2/65/photo polymer gravure etching, 24.5cm x 49cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 596

Christopher Richard Wynne Nevinson (1889-1946)/Any London Street/signed in pencil, circa 1922/etching, 13.5cm x 17.5cm CONDITION REPORT: Paper possibly slightly browned, the large mount has some small gashes and one small foxing mark to border left of signature, would benefit from re-framingCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 600

William Monk (1863-1937)/The War Office/etching, 18cm x 35cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 608

John Kiki (born 1943)/Aeroplane/limited edition 3/15/etching, 30cm x 30cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 612

John Kiki (born 1943)/Man and Dog/limited edition 4/15, signed and dated 90/etching, 30cm x 20cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 215

A MIDSHIPMAN'S DIRK OF THE ROYAL NAVY, CIRCA 18009¼in. steel blade with simple etching, circular gilt brass guard with turned ivory grip and brass end cap pommel, contained within brass-mounted leather scabbard -- 13¼ (33.5cm.) longChip to underside of pommel, otherwise wear commensurate with age.

Lot 227

A GEORGE V REGULATION DIRK FOR THE ROYAL NAVY17½in. etched steel blade, acorn quillons, wire-bound grip with lion's head pommel, contained in leather scabbard with sprung lock -- 23½in. (60cm.) overallEtching some what worn, scabbard possibly replaced.

Lot 228

A GEORGE V 1827 PATTERN HALF-BASKET HILT OFFICER'S SWORD FOR THE ROYAL NAVYthe 31in. blade numbered '15366', hilt with hinged thumbpiece, wire-bound shagreen grip, lion's head pommel and bullion loop, contained within brass-mounted leather scabbard of issue --38in. 96.5cm.) overallEtching worn on blade, sword loop frayed

Lot 58

WILLIAM LIONEL WYLLIE (BRITISH, 1851-1931)Rochester CastleSigned in pencil ‘W.L. Wyllie’ (lower left)Etching10½ x 18½in. (27 x 47cm.)

Lot 70

AFTER CHARLES NAPIER HEMYYouthEngraving etched by Victor Focillon16 x 28¼in. (40.5 x 71.5cm.); together with an etching after Whistler, Black Lion Wharf; Regatta signed print by Fritz Neumann and Baxter print The wreck of the Reliance(4)

Lot 1112

Modern aboriginal painting, 11.5ins x 8.5ins, framed together with a humorous French etching of dogs and cats and another small framed coloured engraving

Lot 67

JULIAN TREVELYAN, RA (British, 1910-1988) 'Banana Girl', aquatint and etching, signed, titled and numbered by the artist, published in 1966, 51cm x 38cm, framed. (Subject to ARR - see Buyers Conditions)

Lot 28

The dinghy original etching by Jackson Simpson signed limited edition with blind stamp

Lot 655

PICTURES AND PRINTS ETC, to include a Peter Johnson etching 'Peter Pan, Kensington Gardens', approximate size 23cm x 18cm, still life flower study by Susan Benvegnin dated 1964, oil on board, a still life flower study signed Jensen-Paris, oil on board, Clement Flower golfing print, print of Ironbridge, Sidney Rowe print 'Cowgrove', unframed Cafieri landscape oil on canvas, and two distressed landscape oils (9)

Lot 769

PICTURES AND PRINTS ETC, to comprising Mark Gordon signed limited edition print 'Ulster Cottage' 1/25, mounted framed and glazes, approximate size 50cm x 66cm, together with a Marcia Paul pastel landscape, two Dorothy Bruce watercolour over printed pen and ink outline pictures, Roger Hebbelink mezzotint etching of Brugge, Alan Fearnley 'Lords' cricket print signed by Dennis Compton with certificate and Rosemary H Coates limited edition hunting print (7)

Lot 670

Nelson Dawson (1859-1941), etchings and a drawing;1. 'Even Numbers Deal with the Enemy in Rear...Capt Neville; 3rd Dragoon Guards...', 16 x 12cm.2. 'Even Numbers Deal with the Enemy in Rear...Capt Neville; 3rd Dragoon Guards...', 16 x 12cm.3. Coloured etching, Military trophies, 20 x 24cm.4. Pen and ink, 'Vessels ...awaiting convoy - from an aeroplane Mar 17, 1918', 20 x 26cm.5. Coloured etching, 'U.S and British Admirals at Ostende bombardment', signed, 19 x 23cm.6. Etching, bi-plane ditched beside HMS Leven, 15 x 23cm.All unframed - the last of lot of the collection that we have been selling in recent months.

Lot 225

Eileen A Soper (1905-1990) a charming etching titled 'The Stray', signed in pencil, measures approx. 15cm x 21cm; together with two engravings entitled 'St Andrews Harbour and University Chapel St Andrews, both signed in pencil in the lower right margin, framed and glazed, approx.25.5cm x 35cm.

Lot 230

Graham Stephenson etching entitled 'The George Inn' dated 1997, approx 42 x 25.5 cms, framed and glazed. The George is a early coaching inn and ale house which has now been converted into several residential properties but retaining many of the original features.  *Donated in aid of the Winchcombe Museum Charity 'Raise The Roof' Appeal

Lot 327

Etching - St Dunstan's Fleet Street by Dorothy Street

Lot 1045

Mary Annie Sloane (1867-1961) - Young Dutch boy, etching, signed in pencil to the margin, 17 x 11.5cm; and four other etchings by the artist, each being figure studies to include a shepherd, all signed to the margins (5)

Lot 1046

Mary Annie Sloane (1867-1961) - Street scene, etching, 19 x 11.5cm; together with a figure study by the artist; and five etchings by unknown hands (7)

Lot 1047

Mary Annie Sloane (1867-1961) - Interior scene with lone woman at the spinning wheel, etching, signed in pencil to the margin, 25.5 x 31cm

Lot 1048

Mary Annie Sloane (1867-1961) - The Acropolis, Athens, etching, 11 x 23cm; together with two others being Southgate Leicester and untitled harvest scene (3)

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