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Click here to subscribeWilliam Strang (1859-1921) Thomas Hardy, O.M., signed and inscribed to the margin below 'Final State', additionally signed 'David Strang Imp.', etching on cream wove paper, printed with plate tone, 42 x 28cm (visible)Signed 'W. Strang' and 'David Strang', not Thomas Hardy. It is from the collection of the late Iain Bain.
William Lionel Wyllie (1851-1931) Children Playing Golf on St Andrews Sands, Scotland, signed and titled 'St Andrews' in pencil to lower margin, etching, 17.5 x 39cm (visible)A couple of minor pale spots to the upper margin. Probably just a trifle age faded, but hard to tell. Otherwise appears to have a uniform tone, in period plain frame.
Antonio Francesco Luccini after Stefano della BellaGame of the Bridge, Pisa, signed in the margin 'Stefa della Bella Invetor' (lower left); 'Anton francesco Lucini D.D.D.' (below centre); 'Anton. Fra. lucini Fecit. 1634' (lower right), etching on laid paper with an indistinct watermark, unframed, 35.9 x 50.3cm pl. 37.5 x 51.5cm sheet
Arthur Bond (1888 - 1958) "Off the Chapman Light", a study of a group of boats sailing along the south coast with the lighthouse on the horizon, etching, signed and titled on W R Deighton & Sons label verso, in pen lined card mount and wooden frame under glass, 24 cm x 32 cm overall [Chapman lighthouse was built off Canvey Island, Essex in 1851 and remained operational for 100 years.]
Hedley Fitton (1859 - 1929) "Pont d'Avignon", a study of the medieval bridge stretching across the river Rhone in southern France, with crowds gathered atop and figures fishing below, dry point etching, signed, titled on "The Horner Galleries" label verso, card mounted in ebonised frame under glass, 68 cm x 68 cm overall
δ Antoni Tapies (1923-2012)Nocturn MatinalThe book, 1970, comprising eight lithographs printed in colours, with title-page, text and justification, this copy signed in pencil by the artist and the author Joan Brossa, numbered from the edition of 100 lacking the suite of lithographs and etching, printed and published by Ediciones Poligrafa, S.A., Barcelona, on Guarro paper, the sheets loose within the original paper wrappers, with printed boards and slipcase, overall size 470 x 340mm (18 1/2 x 13 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Alex Katz (b.1927)Reflection IIEtching and aquatint printed in colours, 2011, signed in pencil, numbered from the edition of 30, on Somerset paper, with full margins, sheet 1040 x 7870mm (40.9 x 31in)Please note that this lot is in bonded storage in Switzerland and will be shipped from there and not Forum Auctions, London. Shipping will be charged as an additional cost and quotes will be provided to buyers after the auction. Swiss resident buyers may be required to pay Swiss VAT on release of the art work.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Marc Chagall (1887-1985)Der Akrobat mit der Geige (Kornfeld 40 III B)Etching with drypoint printed in dark brown, 1924, from the unsigned edition of 150, published by Edition Vollard, Paris, on wove paper, with full margins, sheet 577 x 455mm (22 3/4 x 17 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miro (1893-1983) after. La Rosée Matinale au Clair de Lune (Maeght 1713)Etching and aquatint in colours, 1958, signed in pencil, numbered from the edition of 300, printed by Atelier Crommelynck, Paris, on BFK Rives paper, with margins, sheet 560 x 645mm δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Vignette, from 'Petits Nus' from Ronsard (see Field 73-1; see M&L 262)Etching with hand-colouring in watercolour, 1968, signed in pencil, numbered from the edition of 95, published by Editions Argillet, Paris, on Japon paper, with the Dali blindstamp, with full margins, sheet 387 x 285mm (15 1/4 x 11 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Vignette, from 'Petits nus' from Apollinaire (Field 72-4; see M&L 201)Etching with hand-colouring in watercolour, 1967, signed in pencil, numbered from the edition of 95, published by Éditions Argillet, Paris, on Japon paper, with the Dali blindstamp, with full margins, sheet 380 x 286mm (15 x 11 1/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Portait aux Signatures, from Calderón (Field 73-1N; Michler & Löpsinger 525)Etching with aquatint and pochoir, 1971, signed in pencil, numbered from the edition of 250, printed by Ateliers Rigal, Paris, co-published by EditEuropa, Monaco, and Berggruen, Paris, on Richard de Bas paper, with full margins, sheet 665 x 508mm (26 1/8 x 20in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Picasso (Field 68-4I; Michler & Löpsinger 294)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof numbered from the edition of XII, as included in 'Quinze Gravures', printed by Ateliers Rigal, Paris, published by Werbungs- und Commerz Union Anstalt, Basel, with the Orangerie/Colonge blindstamp, on Japon nacré, with full margins, sheet 372 x 277mm (14 3/4 x 11in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)St. George and the Dragon (Field 78-1)Etching with extensive hand-colouring, 1978, signed in pencil, numbered from the edition of 300, with the DALART N.V. blindstamp, on Lana wove paper, with full margins, sheet 706 x 570mm (27 1/2 x 22 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Portrait de Ronsard, from Les Amours de Cassandre (Field 68-2-A; M&L 248)Etching with drypoint extensively handcoloured in gouache and gold paint, 1968, signed in pencil, numbered from the edition of 50, published by Pierre Argillet, printed by the Atelier Robbe, Paris, with the artist's blindstamp, with margins, sheet 380 x 280mm (15 7/8 x 11in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Patrick Procktor (1936-2003)Riva I, VeniceEtching, 1972, signed in pencil, an artist's proof aside from the edition of 75, printed by JC Editions, London, published by Editions Alecto, Cambridge, on wove paper, with full margins, plate 270 x 390mm (10 5/8 x 15 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rinder, Frank D.Y. Cameron: An Illustrated Catalogue of his Etched Work with Introductory Essay & Descriptive Notes on Each Plate, Special Edition on hand-made paper, with proofs on Japanese vellum and an original signed etching of the Lion and the Unicorn as Frontispiece, edition of 200 copies, of which this is number 171, James Maclehose and Sons, publishers to the University, Glasgow, 1912 Condition Report:Available upon request
A Castelli maiolica plate and a saucer, c.1725-40, the saucer painted with the infant Bacchus on the shoulders of a satyr after a 17th century etching by Stefano della Bella, the plate with a huntsman on horseback in pursuit of a stag, the rim with putti, the saucer broken and restored, 23cm max. (2)
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