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A Victorian 1845 pattern Infantry Officer's sword, the 82cm spear point blade etched with a crowned VR cypher by Ranken & Co. Calcutta, having a pierced brass hilt, wire bound fishskin grip and stepped pommel, in a brass scabbard, 99cm. Condition Report / Extra Information Blade in generally good condition. Etching can be clearly seen. Wire to the handle slightly frayed. Some light pin dents to the scabbard. No unit or regiment mark.
A Geo. V. 1827 pattern Rifle Officer's sword, the 82.5cm single edged steel blade etched with a crowned GRV cypher and numbered 10927 to the back edge, having a pierced steel hilt with crowned bugle and wire bound fishskin grip, in a leather covered steel scabbard, 98cm. Condition Report / Extra Information Large pieces of grip missing and no wire as described. Losses to hilt above crowned bugle. Blade in good order. Slight loss to etching at tip and worn to the proof mark, otherwise etching good. Some wear to leather scabbard but stitching good.
A Geo. V. 1827 pattern Rifle Officer's sword, the 83.5cm single edged steel blade etched with a crowned GRV cypher by R.J. Inglis Ltd, Montreal & Winnipeg and numbered 16394 to the back edge, having a pierced steel hilt with crowned bugle and wirebound fishskin grip, in a leather covered wooden scabbard, (scabbard A/F) 103cm overall. Condition Report / Extra Information Blade is good. Etching clear. Hilt tarnished and needs cleaning. Wire bound grip is intact. Scabbard in very poor condition with large areas of leather missing, split to both sides. Frog held together with tape.
A Victorian 1821 pattern General Officer's sword, the 81cm curved blade having crowned VR cypher with crossed sword and baton by H. Poole & Co. Saville Row, London, the mameluke hilt with further crossed sword and baton within a wreath, having a two piece grip (A/F) and bullion knot, in a brass scabbard, 97cm overall. Provenance, Ex Rushbrook Hall, Bury St Edmunds. Condition Report / Extra Information Loss to handle with areas of staining and remaining piece loose. Small crack to the opposing side. Bullion knot slightly frayed. Small areas of light rust to the blade at the forte, otherwise blade good. Etching clear. Scabbard has some small dents, otherwise good.
A Victorian 1845 pattern field officer's sword, the slightly curved 83cm fullered blade etched with crowned VR cypher in scrolled panels on both sides by J. Watson & Co. Bombay, having regulation brass hilt with wirebound fishskin grip, ornamental backstrap, stepped pommel and bullion knot, in a steel scabbard, 100cm overall. Condition Report / Extra Information Etching can be seen. Named to the scabbard Lieut. W. HOLT, Hampshire Regiment, Burmese Campaign 1888-91
Walter Richard Sickert (1860-1942) Jack ashore Signed in the print Soft ground etching, possibly 2nd state of 5 34 x 25.5cm Provenance: Christie~s, 6.2.79 Professor Rodney Fitch C.B.E. Exhibited: Leicester Galleries, Nov. 1962, No. 14 ++Large tear upper right quarter, paper discoloured, slipped in frame
Walter Richard Sickert (1860-1942) Noctes Ambrosianae Signed and titled in the print Etching and aquatint 18 x 22cm With a further signed print of Stooks, Broadwas, Worcester, 1884 by the same hand (2) Provenance: Professor Rodney Fitch C.B.E. ++1. A repaired tear lower margin otherwise good; 2. A repaired tear upper margin otherwise good
Jean Emile Laboureur (French 1877-1943) Les Soldats a L~Estaminet Engraving, from Petites images de la guarre sur le front Brittanique, 1916 17 x 14cm With a signed etching by Pat Lear of an arched window in an interior (2) Provenance: Michael Parkin Gallery, London Professor Rodney Fitch C.B.E. ++1. good condition; 2. with some bloom
Arnold, Jean and Appleby, John, 'Edmund Blampied A Catalogue Raisonne Of Etchings, Drypoints And Lithographs', Deluxe Edition, no.93/350, containing a numbered and previously unpublished Blampied etching, pub. 1996 by JAB Publishing, dark red morocco leather with gilt title to front and spine, gilt edges, with leather edged slip case. * Condition: Very good. Small split to one front corner of slip case. Line of white tape adhesive to one side of case. Small bump to one corner of book. Dirty smudge to top of front free end paper. Otherwise VG.
after Wenceslaus Hollar (Prague, 1607-England 1677), two different views of Elizabeth Castle, Jersey, a pair of copper plate etchings, c.1650, inscribed to plate, one signed and dated 1650 in plate, both 2¼ x 5 1/8in. (5.8 x 13cm.). (2) , * These important etchings are the first ever recorded graphic images of Jersey. ** Condition: - Etching with the castle centralised: Two central vertical creases. Laid down onto paper mount. Two corners very slightly clipped. Clean overall.- Etching with the castle walls to right: Paper browned but with some pale patches (possibly from earlier attempts to clean). Tiny tear to lower left corner. Laid down (glued) onto paper mount.
Edmund Blampied (British, 1886-1966), 'A Jersey Shore', drypoint etching, signed and numbered 77/100 in ink, signed and dated Nov. 1929 to foot of plate, 7 3/8 x 10 7/8in. (18.75 x 27.5cm.). * Condition: Light browning to paper at margins (joint with mount). Tiny pinprick relief imperfection to paper approx. 1cm. to left of signature. Well framed in watercolour lined mount.
Edmund Blampied (British, 1886-1966), Horse in Stable, drypoint etching, c.1951, signed in ink lower left, numbered 2/25 lower right in pencil, titled to artist's handwritten label verso, also inscribed 'Exhibited at the Royal Academy 1958, Cat. No. 1175, bought at Private View by N. Gin', 4 7/8 x 6 7/8in. (12.4 x 17.5cm.).
after Frank Brangwyn RA RWS RBA (British, 1867-1956), 'Old Hammersmith', etching, signed in pencil to margin lower right, 21½ x 27½in. (54.5 x 70cm.). * Condition: Good overall. Very slight time staining at margins from acid mount. Slight cockling to paper to centre right. Also at centre right margin, a small strip where the sepia colour is missing (the colour which is visible across the remainder of the print). In the lower left corner, and to a lesser extend to the lower right corner, the very dark areas of the print have a faint whitish bloom on them, possibly mould. In a couple of places, this has some rubs in it showing the black beneath. Probably fairly easily removed when out of frame.
after Giovanni Battista Piranesi (Italian, 1720-1778), 'Altra Veduta Degli Avanzi del Pronao del Tempio Della Concordia', etching on laid paper, 18½ x 27¾in. (47 x 70.5cm.). * Condition: Some foxing across top half of etching and two small dark stain spots in centre top area of sky. No folds or creases. Paper only very slightly time stained. No restoration or repairs. In a mid-20th century Hogarth style frame with lined mount.
An 18th century Continental large wine glass, the trumpet bowl with foliate and fruit etching within a foliate reserve, on spiral fluted stem, to fold over foot with pontil, 18.8cm. high. * Condition: Sulphur spot to edge of base from the making. Crescent shaped opaque flaw to top of foot from the making when pontil cut. No chips or cracks.
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71174 item(s)/page