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Lot 510
Enkhuizen, Netherlands (Die Stadt Enchuysen), Braun & Hogenberg, Civitates Orbis Terrarum, Florence, ca. 1581. 17 x 13.5”. (BW) A lovely bird`s eye plan of the city of Enkhuizen, Netherlands. Enkhuizen was at the peak of its power in the mid-17th century. It was one of the most important harbor cities in the Netherlands until it lost its position to Amsterdam, in part due to the silting up of the harbors. A mermaid holds up a numbered key at right, which lists numerous important buildings and locations on the map and features the coat of arms of the city. Two 15th century churches tower over the city: the Zuiderkerk or Sint-Pancraskerk (33), and the Westerkerk or Sint-Gommaruskerk (2). The map is adorned with numerous ships sailing the Ijsselmeer, cannons along the city`s fortifications, and windmills. This plan was based off an etching by Lucas Jansz Waghenaer, a cartographer from Enkhuizen. Latin text on verso. Ref: Fussel, p. 230-31. There are a few tiny abrasions along centerfold and some unobtrusive spots. There is light toning in blank margins and a short tear adjacent to centerfold in bottom blank margin. (+B)
![Paris, France ([Notre Dame de Paris in Snow]), [1908]. 12.3 x 12”. (PC) Tavik Frantisek Simon (1877-1942) was a Czech p](http://lot-images.atgmedia.com/SR/36385/2862480/552-2012510164735_468x382.jpg)
Lot 552
Paris, France ([Notre Dame de Paris in Snow]), [1908]. 12.3 x 12”. (PC) Tavik Frantisek Simon (1877-1942) was a Czech painter, etcher, and woodcut artist. He traveled extensively, painting images of his travels, most notably of Prague, New York, and Paris. Simon`s style was strongly influenced by the French Impressionists and Japanese printmaking techniques. This colored etching depicts Notre Dame overlooking the Seine River in winter, with the city of Paris covered in a blanket of snow. Signed in pencil by the artist at lower right. His unique monogram (initials TFS in the form of a Japanese character) is both in the etching and in the margin at lower left. According to the Catalogue Raisonné of the Graphic Art - T.F. Simon compiled by Arthur Novak in 1937, Simon printed only 200 of these etchings Faint toning in blank margins. (A)
Lot 292
Various silver items, comprising pair of earrings set with paua shell, clip-on fittings, pair of elongated hoop earrings, bar & clip fittings, shield shaped brooch with etching of a flower to centre, various pendants & chains (5), necklet (1), bracelets (4), stamped, tested or h/m & a base metal, marcasite & pearl set pendant (gross 2.20oz) (13)
Lot 169
Alice Maher ARHA (b.1956) COMA BERENICES, 1999 etching and aquatint (no. 14 from an edition of 30) signed in the margin lower right, titled centre and numbered lower left 19 by 16.50in. (48.26 by 41.91cm) Provenance: Acquired directly from the artist by the present owner Sheet size: 29 by 25ins. Coma Berenices was the theme of the artist`s solo show entitled, `Knot: Alice Maher Draws from the Collection` at the Hugh Lane Municipal Gallery of Modern Art, Dublin, 21 April to 10 June 1999. The image was later illustrated on the cover of Paul Durcan’s celebrated work, Greetings to Our Friends from Brazil: One Hundred Poems, published the same year. (£320-£410 approx)
Lot 170
Alice Maher ARHA (b.1956) COMA BERENICES II, 1999 etching and aquatint (no. 13 from an edition of 30) signed in the margin lower right, titled centre and numbered lower left 19 by 16.50in. (48.26 by 41.91cm) Provenance: Acquired directly from the artist by the present owner Sheet size: 29 by 25ins. Coma Berenices was the theme of the artist`s solo show entitled, `Knot: Alice Maher Draws from the Collection` at the Hugh Lane Municipal Gallery of Modern Art, Dublin, 21 April to 10 June 1999. The image was later illustrated on the cover of Paul Durcan’s celebrated work, Greetings to Our Friends from Brazil: One Hundred Poems, published the same year. (£320-£410 approx)
Lot 61
JOAN MIRO BARCELONA SIGNED AQUATINT & ETCHINGJoan Miró (SPANISH, 1893-1983) original hand signed aquatint and carborundum etching Sala Gaspar Barcelona. Hand signed lower right. Measures 41" height x 26" width + 8 1/2" mat & frame (104cm x 66cm + 21.6cm). Reference: Etching Book 2. Mourlot number 600. Includes certificate of authenticity and appraisal.
Lot 77
PABLO PICASSO ETCHING TITLED "BLOCH #1489" 1968Pablo Picasso (SPANISH, 1881-1973) etching titled "Bloch #1489" and dated 26-3-68. Pencil signed lower right and numbered 35/50 lower left. Measures 24" height x 19" width + 8 1/2" mat & frame (60.9cm x 48.2cm + 21.6cm). Includes certificate of authenticity and appraisal documentation. Reference: Picasso Volume II Catalogue of the Printed Graphic Work 1966 - 1969 by Georges Bloch.
Lot 78
PABLO PICASSO ETCHING TITLED "BLOCH #1911" 1970Pablo Picasso (SPANISH, 1881-1973) etching titled "Bloch #1911" and dated 23-5-70. Pencil signed lower right and numbered 11/50 lower left. Measures 15" height x 18" width + 9 1/2" mat & frame (38.1cm x 45.7cm + 24.1cm). Includes Certificate of Authenticity and Appraisal documents. Reference: Volume IV Catalogue of the Printed Graphic Works 1970 - 1972 page 88.
Lot 220
GEORGES ROUAULT 3pc SUITE 2 ETCHINGS & ENGRAVINGGeorges Rouault (FRENCH, 1871-1958) 3 piece suite containing two etchings and an engraving. The engraving depicting the profile of a woman. One etching depicts a landscape scene with a mother and child traversing a road. The next etching depicts two women. Each etching is marker signed lower right. Each image measures approx. 11 3/4" height x 7 1/2" width + 5" mat & frame (29.8cm x 19cm + 12.7cm).
Lot 339
A late 18th century engraving of the House of Commons titled `A View of the House of Commons in the Session 1741/2. To the Rt. Honble. Arthur Onslow Esqr. Speaker of the House of Commons, This Plate is most humbly Dedicated by his Honour`s most oblig`d and most obedient humble Servant John Pine Bluemantle.`, London, printed for Bowles & Carver and Robert Wilkinson, etching and engraving with hand colouring, 18 x 24.5in. (46 x 62cm.). See Illustration.
Lot 305
Hunt & Son. Waterloo Cup. 1880. Honeywood, Winner of the Waterloo Cup Value of the Stakes, £500. The Property Of Lord Haddington, By Cavalier Out Of Hummingbird. - Plunger. Runner up for the Waterloo Cup Value of the Stakes, £200. The Property Of T. Hinks Esqre. By Backwoodsman Out Of Gretna. Hand-coloured etching with aquatint, 17in. (43cm) x 20.75in. (53cm). Framed and glazed.
Lot 520
E Collin, French, 19th century- "Abydus Plan des Ruines des environs", A Vol IV Pl 35, after Jomard, publ Imprimerie Impériale, Paris, 1809-1828; engraving, 61x38cm: Ludwig Hesshaimer, Austrian 1872-1956- View of farm buildings with woodland, etching, signed with monogram and datyed 1931 within the plate, signed and inscribed in pencil, 29x37: Praschniker, Austrian, early/mid 20th century- Barns in a winter alpine landscape; colour woodblock print, signed and inscribed in pencil, in an ebonised frame, 29.5x36cm: Rulicz, Austrian, early/mid 20th century- "Serres"; colour woodblock print, signed and titled in pencil, 27x20.5cm: together with one other colour woodblock print of an alpine landscape by the same hand, signed and titled in pencil, a Japanese woodblock print, a framed eastern machine woven textile and a further quantity of other prints, photographs and pictures, (a lot)
Lot 527
Strudwick Y Johnson, British Provincial School, late 19th century- Portrait of Bessie Gray; oil on canvas, signed and dated 89 on the reverse, 46x35.5cm: Lajos Varga Nándor, Hungarian 1895-1978- Mountain village landscape; etching printed in green/black, signed and dated 1930 within the plate, signed and dated 1930 in pencil, 23x22cm., (2) (may be subject to Droit de Suite)
Lot 547
Eugen Hersch, German/British 1887-1967- Recumbent man with angel and cherubs rising to the heavens; etching with drypoint, 23.5x14cm: together with two drawings in pencil, one drawing in pen and ink and one other etching by the same hand, some initialled in pencil, various sizes, (5) (unframed) (may be subject to Droit de Suite) Provenance: John Denham Gallery, London. Note: Hersch was a winner of the Prix de Rome; works held in the José Berado collection, Rio de Janeiro
Lot 588
Carl Toms OBE, British 1927-1999- Two pugs in a garden; oil on board, signed, inscribed to the reverse `To Dicky, with love Carl & John", 28.5x33.5cm: Marguerite Kirmse, British/American 1885-1954- "Pung & Chow"; etching, signed and titled, 15x21cm: together with a watercolour of a cat, a charcoal study of a dog, and two oils of pugs by various hands, (6), (may be subject to Droit de Suite)
Lot 611
James Kirby Baldrey, British 1750-1823- "Symptoms of a Mob", after Brownlow North publ July 1 1799; stipple engraving, 17x22.5cm: James Kirby Baldrey, British 1750-1823- "Symptoms of a Thaw", after Brownlow North publ May 27 1799; stipple engraving, 17.5x22.5cm: After Brownlow North, British 1778-1829- "The Disaster", publ by W Mason; stipple engraving, 17x22cm: W Mason, Cambridge, publ- "The Convention"; etching, 20x25cm: Brownlow North, British 1778-1829- "A College Rout", publ June 21 1799 by J Baldrey Cambridge; etching, 20x25cm: Brownlow North, British 1778-1829- "Highland Reel"; stipple engraving, 15x21.5cm: together with three Japanese colour woodblock, prints, various sizes, (9) (unframed)
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78411 item(s)/page