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Lot 160
French School, late 19th/early 20th centuryBreton harbour scene,indistinctly signed lower right, numbered '32' lower left, Published Edite par Georges Petit, 8 Rue de Leger, Paris - Aout 1900, with Cercle de la Librairie blindstamp,soft ground etching,46 x 60cm (PL)together with a soft ground etching, depicting a lady with a baby in an interior, by a different hand (2)
Lot 144
A.Lewis (British school, early 20th century)Moonlit landscape,signed and dated '05 lower right,oil on panel,24 x 33cmtogether with a view of a village, oil on board, by Doris Thompson, an oil on canvas of a rural river landscape by C.E.Ball and an etching titled 'Dovecote at Twilight' signed in pencil by Michael Oelman. (4)
Lot 529
Willem Hermanus Coetzer (South African 1900-1983) OX WAGON etching with watercolour, signed in pencil in the margin; signed, dated 1937, and inscribed 'REWORKED 1972 W.H.C.' in the plate; signed and inscribed 'n Blik na Blydroominzicht naby Olivier's Hoek Pass grens O.V.S. en Natal' on the back of the frame sheet size: 38 by 43cm
Lot 38
Heading: Author: Gillam, William Charles FrederickTitle: Chartres Cathedral, FrancePlace Published: Publisher:Date Published: 1928Description: Original etching. Image size 41.5x32 cm (16¼x12½"), plus margins. Matted and framed, overall 70x60 cm (27½x23½"). Signed and titled in pencil in the lower margin. William Charles Frederick Gillam (1867-1964) was born in Brighton, England. He worked in England and Vancouver, British Columbia before arriving in northern California in 1921. He was active in the San Francisco Bay area until the early 1940s. Gillam died in Sonoma County, California on February 10, 1962. He was a member of the California Society of Etchers; Palo Alto Art Club; Berkeley League of Fine Arts, etc. A copy of this etching is in the collection of the DeYoung Museum, San Francisco. Not examined out of frame, appears fine or nearly so. Not archivally framed.
![Heading: Author: Beckmann, MaxTitle: Der Abend [Selbstbildnis mit den Battenbergs] (Evening [Self-portrait with the Battenber](https://cdn.globalauctionplatform.com/a4f5ccd1-360c-4588-860a-a65e00203343/4f1e0ccd-22ae-4a37-ef69-84b3105b0df8/468x382.jpg)
Lot 7
Heading: Author: Beckmann, MaxTitle: Der Abend [Selbstbildnis mit den Battenbergs] (Evening [Self-portrait with the Battenbergs])Place Published: Publisher:Date Published: 1919Description: Drypoint etching. Impression size 23.9x17.8 cm (9½x7") on a larger sheet, approximately 30x24.5 cm (11¾x9¾"). Tipped to matting. One of 60 on laid paper. Signed at the lower right, publisher's embossed stamp below. Plate 10 from Beckmann's 1919 portfolio ?Gesichter (Faces). Glaser 84; Gallwitz 67; Hofmaier 90 II B b. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. A bit browned on rear, faint matte-burn, mounting tape at corners on rear; very good.
Lot 15
Heading: Author: Beckmann, MaxTitle: Prosit Neujahr 1917 (Happy New Year 1917)Place Published: Publisher:Date Published: 1919Description: Drypoint etching. 23.7x29.7 cm (9½x11¾") on larger sheet, approximately 30x37 cm (11¾x14½"), tipped to matting. One of 60 on laid paper. Signed at lower right, publisher's embossed stamp below. Plate 17 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 98; Gallwitz 86; Hofmaier 108. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Browned on rear, tape residue to edges on reverse, matte-burn line on front; very good.
Lot 12
Heading: Author: Beckmann, MaxTitle: Gesellschaft (Society)Place Published: Publisher:Date Published: 1915Description: Original drypoint etching. Impression size 26x32 cm (10¼x12½") on a larger sheet, approximately 36.5x51 cm (14¾x20"). Tipped to card backing. Signed in pencil at the lower right. A depiction of a party at the home of the Battenberg family. This state, the first, without "1 Zustand" at lower left, and without the fish on the plate in the foreground. Gallwitz 63. Hofmaier, 86 I. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Edges lightly worn, mounting tape at top edge on rear; a bit toned overall, light matte-burn; very good.
Lot 11
Heading: Author: Beckmann, MaxTitle: Gesellschaft (Society)Place Published: Publisher:Date Published: 1915Description: Original drypoint etching. Impression size 26x32 cm (10¼x12½") on a larger sheet, approximately 31.5x44.5 cm (12½x17½"). Tipped to card backing. Signed in pencil at the lower right. A depiction of a party at the home of the Battenberg family. This state, the third of three, with a fish on the plate in the foreground. Gallwitz 63B. Hofmaier, 86 III b. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Light matte burn; near fine.
Lot 8
Heading: Author: Beckmann, MaxTitle: Der Zeichner in Gessellschaft (The Draftsman in Society)Place Published: Publisher:Date Published: 1922Description: Drypoint etching. Impression size 32.6x23.6 cm (12¾x9½") on large sheet, approximately 50x35 cm (19½x13¾"). Tipped to matting. From an edition of 100. Signed at lower right. Glaser 204; Gallwitz 200; Hofmaier 230 III B e. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned; one small repair on reverse; very good.
Lot 76
Heading: Author: Signac, PaulTitle: Le Pont des Arts avec RemorqueursPlace Published: Publisher:Date Published: 1927Description: Etching and aquatint on Japan paper. Image size 19x12.5 cm (7½x5") on a larger sheet, approximately 22.5x28 cm. One of an edition of 200 copies. Paul Signac (French, 1863-1935). Signed in the plate at lower left. Kornfield 24. Tipped to mount; fine.
Lot 200
Heading: (Evergood, Phillip)Author: Lippard, Lucy R.Title: The Graphic Work of Philip EvergoodPlace Published: New YorkPublisher:Crown PublishersDate Published: [1966]Description: 159, [1] pp. Foreword by Abram Lerner and "Proem: An Opinion" by James A. Michener. Illustrated with black and white plates and text illustrations. (4to) maroon cloth, gilt spine, slipcase. No. 103 of 150 limited copies. First Edition. With signed original etching, "Girl with Sunflowers" laid in. Lots sold without reserve are sold “As Is” and are not returnable under any circumstances. The minimum shipping and handling per invoice is $20 for shipments to the US and $30 for shipments outside the US, please consider this when determining your bid amount. Sunning and wear to slipcase, paper torn away along one edge of slipcase, light wear to cloth; near fine volume in very good slipcase.
Lot 80
Heading: Author: Strang, WilliamTitle: Spanish EtchingsPlace Published: GlasgowPublisher:James Maclehose and SonsDate Published: 1913Description: Seven etchings, various sizes, tipped to card with foldover matting. Images average approximately 10x16", mounts measure 55.5x40.5 cm (22x16") loose in half cloth and board portfolio, as issued. Etched label on front. From an edition of 100 copies, this copy designated in type as a "Presentation Copy." Each etching signed by Strang in pencil. William Strang RA (1859-1921) was a Scottish painter and engraver. He studied under Alphonse Legros at the Slade School and was one of the original members of the Royal Society of Painter-Etchers. Portfolio with some wear; etchings fine.
Lot 13
Heading: Author: Beckmann, MaxTitle: Illustration from Die Fürstin (The Duchess) by Kasimir EdschmidPlace Published: Publisher:Date Published: 1918Description: Drypoint etching. Impression size 18.2x14 cm (7½x5½") on a larger sheet, approximately 32x23 cm (12½x9¼"). Tipped to card backing. One of 130 signed copies from a total printing of 500. Signed by Beckmann at the lower right. Illustration (to face page 78) from Kasimir Edschmid's 1918 book Die Fürstin, one of six illustrations by Beckmann for this book. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz..Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned overall, light matte-burn; near fine.
Lot 14
Heading: Author: Beckmann, MaxTitle: Irrenhaus (Madhouse)Place Published: Publisher:Date Published: 1919Description: Original drypoint etching. Impression size 26x30.5 cm (10¼x12") on a larger sheet, approximately 37x36.5 cm (14½x14¼"). One of 60 on paper. Signed in pencil at the lower right, embossed stamp at lower left corner. Plate 3 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 116; Gallwitz 106; Hofmaier 135. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Slightly browned at right edge; near fine.
Lot 41
Heading: Author: Gramatté, WalterTitle: Die Grosse Angst (The Great Fear). Self-portraitPlace Published: Publisher:Date Published: 1918Description: Original dry-point etching. Impression size 29.7x24 cm (11¾x9½") on large sheet, approximately 40x31 cm (15¾x12¼"). Tipped to paper backing. Signed and dated '18 in lower margin. "Die Schaffenden" blindstamp at lower left. One of 125 examples. Eckhardt, 118. Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned overall; near fine.
Lot 18
Heading: Author: Beckmann, MaxTitle: TheaterPlace Published: Publisher:Date Published: 1919Description: Drypoint etching. 12.8x18 cm (5¼x7¼") on larger sheet, approximately 18.3x24 cm (7¼x9½"). Tipped to matting. One of 60 on laid paper. Signed in pencil at lower right, publisher's embossed stamp in margin below. Plate 8 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 83; Gallwitz 66 c; Hofmaier 89 III B b. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned, mounting tape and tape residue at top edge on rear; very good.
Lot 5
Heading: Author: Beckmann, MaxTitle: Das Karussell (Merry-Go-Round)Place Published: Publisher:Date Published: 1922Description: Dry point etching. Impression size 29x25.7 cm (11½x10¼") on larger sheet, approximately 51.5x38 cm (20¼x15"). One of 125 on wove paper. Signed in pencil at lower right, embossed stamp in margin beneath signature. Plate 7 from Beckmann's 1922 portfolio Jahrmarkt (Annual Fair). Glaser 172; Gallwitz 169; Hofmaier 197 II B. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz. Max Beckmann (German, 1884-1950) was a painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. Beckmann achieved great success during the years of the Weimar Republic but his fortunes changed with the rise to power of the Third Reich. His work was considered degenerate by Adolph Hitler and Beckmann was dismissed from his teaching position at the Art School in Frankfurt. He left Germany for the Netherlands and later the United States. A bit toned overall, matte-burn; very good.
Lot 79
Heading: Author: Stoll, JohnTitle: Downhill Run No. 3Place Published: Publisher:Date Published: Mid-20th centuryDescription: Etching. Impression size 30.5x27.5 cm (12x10¾") plus margins. Matted and framed, overall 60x48.5 cm (23¾x19"). Signed and title in pencil in the lower margin. Four skiers speeding down the slopes. John Stoll (German-American 1889-1974) studied at the Fine Arts Academy in Dresden and settled in San Francisco in 1915. Perhaps best known for his maritime scenes and for his murals at the Golden Gate International Exposition on Treasure Island and for the Sailors Union in the Pacific Building, San Francisco. Fine.
Lot 16
Heading: Author: Beckmann, MaxTitle: Prosit Neujahr 1917 (Happy New Year 1917)Place Published: Publisher:Date Published: 1919Description: Drypoint etching. 23.7x29.7 cm (9½x11¾") on larger sheet, approximately 32x35 cm (12½x13¾"), tipped to matting. One of 40 on Japan paper. Signed in pencil at lower right. Plate 17 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 98; Gallwitz 86; Hofmaier 108. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Mounting tape and tape residue on rear at edges; near fine.
Lot 269
Graham Clarke (British, b .1941), Rustics, artist's proof etching, signed lower right "Graham Clarke", 18 x 23cm; and Robert C Bates (British, b.1943), The Long Harvest, signed lower right "R C Bates '68" and numbered 20/20, etching, 15 x 15cm, Provenance: Lumley Cazalet Ltd., 24 Davies Street, London, W1 (2) A little browning around the edges.
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78411 item(s)/page