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MAURICE BLIK (BRITISH, B. 1939) (2)Animal studysigned 'Maurice Blik' (lower right)pen and ink7.5 x 12cmtogether with an etching of a figure by the same hand, signed and numbered in pencil '1/40' (in lower margin), 7.5 x 5cm(2)ARRProvenanceBlains, Bruton Street, LondonHaunch of Venison

LUCIAN FREUD (1922-2011)Bella (Hartley 30) Etching, 1987, on BFK Rives paper, signed and numbered 'AP XII/XV' in pencil, an artist's proof aside from the edition of 50, printed by Studio Prints, co-published by James Kirkman and Anthony d'Offay, London, the full sheet, in very good condition, framed Plate 423 x 348mm. (16 5/8 by 13 3/4in.); Sheet 695 x 569mm. (27 3/8 by 22 3/8in.)Footnotes:ProvenanceMarlborough Graphics Ltd, London (with their label).Acquired directly from the above by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lucian Freud (1922-2011)Lawrence Gowing (Second Version) (Hartley 9) Etching, 1982, on wove paper, signed with initials and numbered 'A/P II/III' in pencil, an artist's proof aside from the edition of 10, printed by Palm Street Studios, London, with their blindstamp, the full sheet, in very good condition, framedPlate 176 x 150mm. (6 7/8 x 5 13/16in.); Sheet 332 x 280mm. (13 1/8 x 10 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)An Erotic Etching (Scottish Arts Council 172) Etching, 1975, on wove paper, signed and numbered 100/100 in pencil, printed by Michael Rand, published by Secker and Warburg, London, the full sheet, in very good condition, framedPlate 150 x 112mm. (5 7/8 x 4 3/8in.); Sheet 210 x 150mm. (8 1/4 x 5 7/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)He Enquired after the Quality from Illustrations for Fourteen Poems from C.P. Cavafy (M.C.A. Tokyo 49) Etching with aquatint, 1966, on wove paper, signed, dated and numbered XI/XXV in pencil, published by Editions Alecto, London, the full sheet, with very pale time-staining at extreme sheet edges, otherwise in very good condition, framedPlate 345 x 223mm. (13 1/2 x 8 3/4in.); Sheet 635 x 505mm. (25 x 19 3/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Mo Asleep (M.C.A. Tokyo 116) Etching and aquatint, 1971, on J. Green wove paper, signed, dated and numbered 47/75 in pencil (there were also 16 artist's proofs), published by Petersburg Press, London, the full sheet, in very good condition, framedPlate 680 x 535mm. (26 3/4 x 21 1/8in.); Sheet 892 x 705mm. (35 1/8 x 27 3/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Rembrandt Harmensz van Rijn (1606-1669)The Raising of Lazarus: The Larger Plate (Bartsch 73; New Hollstein 113) Etching and engraving, circa 1632, on wove paper, a good impression of New Hollstein's eighth state (of nine), with margins, pale foxmarks in the margins, otherwise generally in good conditionPlate 366 x 258mm. (14 3/8 x 10 1/8in.); Sheet 391 x 270mm. (15 3/8 x 10 5/8in.)For further information on this lot please visit Bonhams.com

Lucian Freud (1922-2011)Thistle (Hartley 23) Etching, 1985, on wove paper, signed with initials and numbered 19/30 in pencil (there were also 10 artist's proofs), published by James Kirkman, London and Brooke Alexander, New York, the full sheet, with very pale mount staining, otherwise the printed area in very good condition, framedPlate 172 x 135mm. (6 3/4 x 5 1/4in.); Sheet 310 x 247mm. (12 1/4 x 9 3/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Vertical Dogs (M.C.A. Tokyo 345) Etching with aquatint printed in colours, 1995, on Arches wove paper, signed, dated and numbered 44/80 in pencil, printed by Maurice Payne, Los Angeles, published by Lococo Mulder Inc. and the artist, the full sheet, with pale time staining, otherwise in good condition, framedPlate 387 x 465mm. (15 1/8 x 18 1/4in.); Sheet 570 x 634mm. (22 3/8 x 24 7/8in.)For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Mo with Five Leaves (M.C.A. Tokyo 117) Etching, 1971, on J. Green wove paper, signed, dated and inscribed 'AP' in pencil, one of 16 artist's proofs aside from the edition of 75, printed by Print Shop, Amsterdam, published by Petersburg Press Ltd., London, the full sheet, in good condition, framedPlate 680 x 540mm. (26 7/8 x 21 1/4in.); Sheet 895 x 702mm. (35 1/4 x 27 5/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Rembrandt Harmensz van Rijn (1606-1669)Chris at Emmaus: The Smaller Plate (Bartsch 88; New Hollstein 129) Etching and drypoint, 1634, on laid paper, a good impression of New Hollstein's only state, with narrow to thread margins, with a repaired tear at the upper right edge, a central horizontal crease and a skilfully repaired tear at the lower right image, other surface defectsPlate 102 x 73mm. (4 1/8 x 2 7/8in.); Sheet 107 x 75mm. (4 1/4 x 2 7/8in.)For further information on this lot please visit Bonhams.com

Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait Etching at a Window (Bartsch 22; New Hollstein 240) Etching and drypoint, 1648, on laid paper, New Hollstein's sixth state (of nine), with narrow margins, a small paper loss at the upper left corner; together with Faust in his study (B.270; NH.270), etching, drypoint and engraving, circa 1652, on wove paper, a later impression of New Hollstein's sixth state (of seven), trimmed to the plate, generally in good condition Plate 160 x 130mm. (6 1/4 x 5 1/8in.); Sheet 167 x 134mm. (6 5/8 x 5 1/4in.) (2)For further information on this lot please visit Bonhams.com

LUCIAN FREUD (1922-2011)Man Resting (Hartley 34) Etching printed with tone, 1988, on Somerset Satin wove paper, initialled and numbered 21/30 in pencil, the second state (of two), printed by Marc Balakjian at Studio Prints, published by James Kirkman, London and Brook Alexander, New York, the full sheet, in overall very good condition, framedPlate 369 x 410mm. (14 1/2 x 16 1/8in.); Sheet 470 x 502mm. (18 1/2 x 19 3/4in.)Footnotes:ProvenanceSotheby's, Old Master, Modern and Contemporary Prints, London, Tuesday 2 July 2002, lot 198.Acquired from the above sale by the present owner.ExhibitedLucian Freud Etchings 1946-2004, Scottish Gallery of Modern Art, Edinburgh (with their label); Abbot Hall Art Gallery, Kendal; Fitzwilliam Museum, Cambridge; Birmingham Museums and Art Gallery; Marlborough Graphics, London, 2004–05.Lucian Freud, Museo Correr, Venice, 2005 (with their label).Lucian Freud: Etchings, Northcote House Gallery, University of Exeter, 2007.The sitter in this work is Angus Cook, a filmmaker who sat for Freud regularly between 1985 and 1990. Angus was one of the few men that posed completely naked for Freud, and in fact one of the first ones to have done so. Freud made seven etchings of Angus, including the one presented here. This work closely relates to another two etchings made the year before in 1987, Naked Man on a Bed (state I), and Naked Man on a Bed (state II), albeit in the present version the focus is on the sleeper's head, emphasizing the infantile effects of sleep on a grown-up man's facial features, and wonderfully conveying Freud's liking for 'people to look as natural and as physically at ease as animals' (Lucian Freud, quoted in Feaver, Lucian Freud, 2002, pp.41-42).This is the first time an impression of this etching has come to the market since 2013.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)The Restaurateur (M.C.A. Tokyo 120) Etching and aquatint, 1972, on Crisbrook handmade paper, signed, dated, titled 'Peter at Odins' and numbered 18/80 in pencil, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, 1974, the full sheet, in very good condition, framed Plate & Sheet 420 x 340mm. (16 1/2 x 13 3/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Rembrandt Harmensz van Rijn (1606-1669)Cornelis Claesz Anslo, Preacher (Bartsch 271; New Hollstein 197) Etching with drypoint, 1641, on Japan laid paper, a good impression of New Hollstein's fourth state (of five), trimmed inside the platemark, laid down onto a support sheet, with pale scattered foxmarks Sheet 182 x 156mm. (7 1/4 x 6 1/8in.)Footnotes:ProvenancePeter Birmann & Söhne, Switzerland, 1758-1844 (Lugt 414c)For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Mirror, Mirror on the Wall (M.C.A. Tokyo 10) Etching and aquatint in red and black, 1961, on wove paper, signed and dated 'David Hockney '61' in pencil, from the edition of approximately fifty impressions, printed by Ron Fuller and Peter Mathews at the Royal College of Art, London, with wide margins, very pale mount and light-staining, other minor surface defects, the image in good condition, framedPlate 400 x 500mm. (16 x 19 5/8in.); Sheet 551 x 703mm. (21 3/4 x 27 5/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Rembrandt Harmensz van Rijn (1606-1669)Joseph telling his Dreams (Bartsch 27; New Hollstein 167) Etching, 1638, on laid paper, a good impression of New Hollstein's third state (of six), with small margins, generally in good condition, framedPlate 110 x 83mm. (4 3/8 x 3 1/4in.); Sheet 118 x 89mm. (5 x 3 1/2in.)For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Self-Portrait (not in M.C.A. Tokyo) Etching and aquatint, 1962, on wove paper, an unrecorded proof aside from the only three known impressions, with margins, the sheet irregularly trimmed circa 5cm along upper and lower sheet edges, otherwise in overall good condition Plate 480 x 262mm. (18 7/8 x 10 1/4in.) Sheet 501 x 343mm. (19 3/4 x 13 1/2in.)Footnotes:There are only three other known examples of this rare, early etching dating from 1962. One proof is currently located in the collection of the artist, and of the other two that have come up for sale, a second is now owned by the Tate Gallery, London. The artist made the work in his final year at the Royal College of Art in London. Entitled Self Portrait, the etching humorously dances around themes of erotic desire, the 'real self' vs. 'the ideal self' and Hockney's interest at this time in his own sexuality.A muscular male nude, that bears little resemblance to Hockney, dominates the image while a much smaller, much less-muscular figure wearing glasses is superimposed over the top. This imagery of the ideal self, exemplified in the muscular nude and the floating classical torso, juxtaposes the skinny figure and the awkward spectacled self-portrait that closely resembles the artist himself.The self-deprecating depictions, the representations of male sexuality, both classical and modern, and the amusing phallic references (a mounting knife held by a delicate, gloved hand), were all central themes to Hockney's work in the 1960s.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

YVES TANGUY (1900-1955)Le Grand Passage (Wittrock 19B-C) The complete book comprising two etchings in colours, 1954, on Creve-Coeur du Marais paper, with text by Jean Laude, each etching signed in pencil and numbered 22/40, further numbered XII on the justification, from the edition of thirty copies numbered in Roman numerals (the total book edition was 41), printed by Atelier 17, published by Les Presses Littéraires de France, Paris, the full sheets, contained in the original collaged paper wrappers and blue paper-covered boards, in good overall conditionOverall 280 x 220mm. (11 x 8 3/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

2 wood engravings, studies of wildlife, and Newton Taylor, etching, young starling, all signed in pencil, framed (3)

Jean Signovert, etching, the hand, published 1949, from an edition of 160 copies, image 17cm x 12cm, framedGood condition

Salvador Dali, colour etching, La Femme Adultere, from the Decameron Suite, 1972, signed in pencil, from an edition of 150, plate size 18cm x 12cm, framed, provenance: Goldmark GalleryVery good condition

P Johnston, miniature etching, girl with a doll, signed in pencil 1938, image 8cm x 6cm, and a group of other pencil signed etchings by various artists (5)

Alfred East (1849 - 1913), etching, ancient bridge, signed in pencil, image 37cm x 25cm, framedEven paper discolouration

NO RESERVE Howard (John) Woods, Pennance Point, Cornwall, etching, signed and dated in pencil, with title inscribed and numbered from an edition of 35, platemark 220 x 385 mm (8 5/8 x 15 1/8 in), wide margins, under glass, framed, 2010; together with 17 further 20th century prints by various artists, including Gerhard Fritz Hensel, K. Vernon, Renee Middleton, Alex Eckener, Edward Cherry, Valerie Baines, and others, various sizes, all framed, 20th century (18)Provenance:From the collection of the late Mr. Laurence Lee; where purchased by the present owner [some additions from elsewhere]

Pound (Ezra) René Crevel, number 11 of 35 special copies with an additional etching and signed by the artist, printed in colours, 3 signed etchings by Michael Caine, loose as issued in original wrappers, original half morocco-backed pictorial folder, slip-case, Éditions Rosbif, Paris, 1992 § Shaw (Susan) Crow, number 3 of only 5 copies, signed by the author, mounted feather and illustration, folding concertina style, original cloth with ribbon tie, n.p., 2005 § Tessimond (A.S.J.) An Advertiser's Alphabet, number 118 of 150 copies, colour illustrations by Ceri Richards, original cloth-backed boards, Quenington, Reading Room Press, 2014 § Halsey (Alan) The Text of Shelley's Death, letter U of 26 copies signed by the author, original parchment with flap, uncut, board drop-back box, Stoke Prior, Five Seasons Press, 1995 § Thomas (Jacqueline) Star Co-ordinates, one of c.10 copies, illustrations, some photographic, original cloth, 2007; Srinavasa Ramanujan Mathematician..., one of c.10 copies, photographic illustrations, original cloth, 2008; and a small quantity of others, modern presses, pamphlets etc., v.s. (c.75)

Rampant Lions Press.- Rampant Lions Press Miscellany (The), [&] Miscellany 2, numbers VIII of 10 special copies & XX of 20 special copies, both with additional material, from editions of 185 and 225 copies respectively, both with illustrations and specimens, some colour, original cloth-backed marbled or paste-paper boards, uncut, slip-cases, 8vo, Cambridge, Rampant Lions Press, 1988-98 (2)⁂ The additional material in the first consists of a Kafka etching by Alan Wilbur, Will Carter's black letter prayer with hand-rubricated initial, and Sebastian Carter's Pencil Mug linocut coloured by hand, all signed; and in the second the prints by Clare Melinsky and Simon Brett are both signed, and Sebastian Carter's illustration of Swan House is hand-coloured and signed.

MORTIMER MENPES. BRITISH 1855-1938 Windsor Castle. Signed in pencil. Drypoint etching. 5¾' x 6½' to plate marks

ROWLAND HILDER. BRITISH 1905-1993 A beached boat. Signed in pencil and numbered 79/84. Etching 6½' x 7¼' to plate marks

Early-Victorian scrapbook featuring 48 pages of etchings, engravings and lithographs (topographical, portrait, allegorical), to include a pencil portrait and two small watercolours of birds, beginning with a loosely-inserted 'Flowers' litho inscribed to Ellen F. Sharpe from her affectionate aunt Maria, 1839, the whole held within later covers. Together with a later scrapbook, partially-filled with amateur watercolours/sketches, 1880s to 1910s, featuring a loosely-inserted etching from Mr & Mrs H. Bailey, Handsworth Wood, Xmas 1924 (2)

Late-Georgian scrapbook of prints, predominantly late-18th century but with earlier material, to include an engraved portrait of Carlos Coloma by Paulus Pontius after Anthony van Dyck, c.1630-1645 (other examples in British Museum); Rural Beauty or Vauxhall Garden, illustrated sheet music or ballad, engraved by George Bickham Jnr, c.1740 (example in V&A); engraved portrait of Anna Maria van Schurman, 1640; Blindman's Buff, droll engraving, Laurie & Whittle, 1794; A Taste in High Life, etching & engraving after William Hogarth; Elegia Quinta, stipple engraving by Thomas Kirk after Richard Westall, J. & J. Boydell, 1797; miniature etching of Thomas Fairfax, 3rd Baron Fairfax, engraved by Thomas Worlidge, 1755 (example in BM); engraved portrait of Countess of Clarendon by Goldar after Kneller (example in NPG); Taking Water for Vauxhall, printed for Robert Sayer, 1790 (example in Yale); engraved portrait of Christopher Columbus by Bartolome Vazquez, 1791 (example in BM); engraving of putti with fish by Pieter van Avont after Wenceslaus Hollar, c.1644-1652 (example in BM); etching of family with baby by Thomas Rowlandson, 1787; Nap in the Country, etching by Rowlandson, 1785 (example in Met); The Satyr and the Peasant, etching by Christian Wilhelm Ernst Dietrich, 1764 (example in Met); The Gigg with a view of Epsom Downs, engraving, Robert Sayer 1792; A Fleet Wedding, engraving by John June, 1747; various portraits including James Whitney (highwayman), Christopher Wright (Gunpowder Plot), Mary Davis (grew horns), Elizabeth Woodcock (found buried in snow), Joseph Capper (eccentric inmate at Horns pub, Kennington), Dicky Dickinson (Governor of Scarborough Spaw), Mrs [Letitia Ann] Sage ('the first female aerial traveller'), Henry Blacker ('The Irish Giant'), John Hatfield ('The Famous Seducer'), and numerous other portraits, fashion plates, stipple engravings by Bartolozzi or similar, natural history plates, and various smaller clippings, well-filled with approximately 180 pictures, plus 25 loose prints, including a stipple-engraved portrait of George Washington by Ridley, 1800, Daniel Dancer (miser), John Elwes (miser), a small mezzotint droll of a fashionable young woman by Sayer, and others. Contemporary polished calf, rebacked with the original spine laid down and a later morocco title label lettered in giltProvenance: From the collection of Stanley Austin, author of The History of Engraving, [1908], thence by descent

A colour etching, The Watch House Mevagissey, signed in pencil, 11ins x 14ins

Gilt framed antique photo of the Lady of Lourdes & antique framed tinted etching of Gibraltar

A pair of mdina maltese glass mushrooms both have original sticker and etching to base

A framed coloured etching titled on mount Eastgate, Totnes - after H.G. Walker

A folio containing three original watercolours and a signed coloured etching, all landscape subjects

Dodgson (Charles Lutwidge, "Lewis Carroll"). Alice's Adventures in Wonderland, London: The Folio Society, 2016, 11 mounted colour plates by Charles van Sandwyk, colour and black and white illustrations, top edge gilt, original vellum-backed pictorial boards, blocked in red, gold and silver, spine titled in 22-carat gold, prospectus loosely inserted, tissue wrapper, contained in publisher's clamshell cloth box, 4toQty: (1)Footnote: Sesquicentenary limited edition 228/1000, with an original copperplate etching, signed and numbered by the artist mounted at front. A lavish production with fine illustrations by Charles van Sandwyk.

* Soper (Eileen Alice, 1905-1990). Skipping, etching on wove paper, depicting a girl skipping, her friend is holding one end of the rope and the other is tied to a fence, 13 x 18.3cm (5 1/8 x 7 2/8ins), mounted, framed and glazed (32.5 x 42.5cm), Chris Beetles gallery label to versoQty: (1)Footnote: Exhibited: Chris Beetles. The Illustrators, The British Art of Illustration 1800-2005, 833. Provenance: The Estate of George and Eileen Soper. Illustrated in The Catalogue Raisonne of the Etchings of George and Eileen Soper published by Chris Beetles, 1995, no 14.

Hockney (David). Hockney's Alphabet, signed limited edition, London: Faber & Faber, 1991, signed by artist & illustrator to limitation page, 27 illustrations by Hockney, original publisher's yellow buckram, base of spine marked, original slipcase, 4to, together with: Garland (Alex). The Coma, signed by author & artist, London: Faber & Faber, 2004, no.58 of 300 copies, numerous black & white illustrations, signed to colophon, original publisher's paper boards, original slipcase, folio, with: Grass (Gunter). Drawings and Words 1954-1977, London: Secker & Warburg, 1983, no. B.45 with original Sign in the Sky etching, numerous illustrations, original publisher's cloth, dust jacket, original slipcase, slightly bumped to extremities, folio and one otherQty: (4)Footnote: Signed by both Hockney & Spender.

William Turnbull (1922-2012), 'Leaf Etching', 1971, 34 cm x 26.5 cm, framed and glazed.

After James Gillray (British, 1757-1815), 'The Hand-Writing upon the Wall' political cartoon etching and aquatint with hand-coloring, published by Gillray, August 24th, 1803. Framed and glazed. Overall: 53cm x 40cm.

Breweriana/Political Interest: After Gillray (James) 'The Triumph of Quassia', hand coloured political cartoon etching, published by Hannah Humphrey, June 10th 1806. Framed and glazed. Overall: 53cm x 40.5cm. Quassia was a South American plant that was promoted as a superior and tax-free substance for brewing beer instead of hops, and the present satire shows major brewers in a celebratory procession.An example of this cartoon is held at the British Museum: https://www.britishmuseum.org/collection/object/P_1868-0808-7464

William Turnbull (1922-2012), 'Nude Etching 10', 1972, 34 cm x 24.5 cm, framed and glazed.

After James Gillray (British, 1756-1815) 'Westminster Conscripts Under the Training Act' political cartoon etching with hand-colouring, published by Humphrey, 1806. Framed and glazed. Overall: 53cm x 40cm. (BM 10596)

After James Gillray (British, 1756-1815) 'German-Nonchalence; -or-, the Vexation of little-Boney', political cartoon etching and aquatint with hand-coloring, published by Gillray January 1st 1803. Framed and glazed. Overall: 53cm x 40cm. (BM 9961)

William Turnbull (1922-2012), 'Nude Etching', c.1972, 24.5 cm x 15.5 cm, framed and glazed.

* C. BAKER, SITTING HARE limited edition coloured etching, signed, titled and numbered 5/150 image size 5cm x 3.5cm, overall size 31.5cm x 28cm, Mounted, framed and under glass.

* WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892 - 1963), SAILING etching on paper, signed image size 9cm x 13cm, overall size 39.5cm x 29.5cm Mounted, framed and under glass.

* JO GANTER (BRITISH b. 1963), UNTITLED etching on paper, signed and dated '02, numbered artist's proof image size 24cm x 36cm, overall size 44cm x 58cm Mounted, framed and under glass.

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921), CHRIST etching on paper, signed image size 23cm x 35cm, overall size 48cm x 59cm Mounted, framed and under glass.

DAVID PALMER, RELIC etching on paper, signed, numbered 15/20, titled and dated '96 image size 25cm x 21cm, overall size 56cm x 48cm Mounted, framed and under glass.

DAVID DODSWORTH, Dyptich titled Moas # I and Moas # II, signed bottom right, titled and numbered, 110 x 74, and another titled Sonona# I, signed bottom right, titled and numbered, etching in colours, 115 x 70cm Condition Report: Available upon request

ROBERT SARGENT AUSTIN Study of a girls head, signed, etching, dated, 1936, 29 x 24cm and two others by FULWOOD (3) Condition Report: Available upon request

DAVID DODSWORTH, Dyptich titled IWA# I and IWA# II, etching in colours, signed bottom right, titled and numbered, 115 x 89cm and another titled Rebus# I, etching in colours, signed bottom right, titled and numbered, 100 x 89cm Condition Report: Available upon request

ANDA PATERSON Glasgow rag traders, signed, etching, dated,(19)75, 53 x 50cm Condition Report: Available upon request

FRANK BRANGWYN Bridge Builders, signed, etching, 52 x 63cm Condition Report: Available upon request

SCOTTISH SCHOOL, a lot comprising an ink drawing of a duck indistinctly signed and dated (1998), 13 x 20cm, another etching titled Ubud Paddy Fields, signed E.D and editioned 2/20, 19 x 30cm, another acrylic on board of a man on bike, 20 x 28cm (3) Condition Report: Available upon request

ARTHUR HEINTZELMAN Mother and child, signed, etching, 23 x 18cm, another of Maternity 32 x 25cm (2) Condition Report: Available upon request

EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002)."Leizarán", 1987.Etching and aquatint on Rives paper, copy 24/50.Publisher: Theo Gallery, Madrid. Hatz Workshop.Work published in "Eduardo Chillida: Opus III". Verlag 1996, pg.100-101. num. 87018.Provenance: Elvira Gonzalez Gallery, Madrid.Signed and numbered in pencil.Measurements: 95 x 67 cm.(plate); 99 x 64 cm.(paper)."Leizarán", dedicated to the homonymous valley, has been one of Chillida's most acclaimed engravings, having even been ceded its use (by the Andoain City Council) as the logo of the Leitzaran bisitarien etxea Center, in 2008. Chillida started drawing at the Círculo de Bellas Artes in Madrid, and little by little his interest in sculpture grew. It was during his years in Paris when he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. In the French capital he held his first sculpture exhibition in 1950. In 1951 he returned definitively to San Sebastian, and made his first work in iron, the material with which he would work for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation of the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts of London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections around the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofia in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.

EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002)."Inguru IV", 1968.Etching on Arches paper, copy 18/20.Signed and numbered by hand.Provenance. Helga de Alvear Gallery, Madrid.Work published in "Eduardo Chillida Opus I" Koelen. Verlag, pg 125. reg. 68003.Measurements: 90 x 64 cm.(paper); 43 x 59 cm. (stain)Chillida begins in the drawing in the Circle of Fine Arts of Madrid, and little by little his interest for the sculpture is growing. It was during his years in Paris when he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. In the French capital he held his first sculpture exhibition in 1950. In 1951 he returned definitively to San Sebastian, and made his first work in iron, the material with which he would work for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation of the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts of London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections around the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofia in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.