BENJAMIN CHARLES BRIERLY (1857 - 1920) MONOCHROME WATERCOLOUR DRAWING 'Marie Antoinette on the way to execution' 11 1/2" x 6" ANOTHER 'Hope' 5 1/2" x 4 1/4" PAINTED SILHOUETTE Birds and foliage 4" x 3" "July" signed 4 WATERCOLOURS, Local topographical scenes, Chadwick Hall built 1620 6" x 10" 3 OTHERS Grey monochrome sketch 'Interior at Marland' and an etching of the similar interiors 4" x 6" (10)
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R* L* (20th century), by and after, The Pyramids at Giza, etching, indistinctly signed in pencil, 13cm x 17cm, framed; A Plan of Jerusalem according to Josephus and ye Rabbies (sic), engraving, c. 1779, 22.6cm x 17.5cm; David Roberts, RA (1796-1864), after, a pair, The Temples of Aboo-Simbel from the Nile (sic), plate no. 203 and Grand Entrance to the Temple of Luxor, plate no. 206, lithographs, 16.5cm x 22cm, framed (4) (selection photographed)
ORIGINAL ETCHING OF DURCHAM CATHEDRAL BY EDWARD CHERRY together with another etching of Durham Cathedral by Walter Lishman, three Victor Venner colour lithographs 'The Jockey's Trainer', The Sportsman's Duck' and 'The Angler's Catch', another etching of St. Enoch's square signed indistinctly in pencil and one small contemporary etcjhing with aquatints. (7) All mounted and framed, most are under glass. Condition is overall very good.
Ayling (Alan) and others. - A Folding Screen: Selected Chinese Lyrics from T'ang to Mao Tse-tung, number V of VI specially-bound copies signed by the author and translator , illustrations by Fei Ch'eng Wu, original pictorial blue calf blocked in silver, 1974 § Azmi (Iftikhar, translator ) The Garden & the Night: Twenty-Six Sufi Poems, number XXVIII of 35 specially-bound copies with an additional etching and signed by the translator and artist, from an edition limited to 240, etching numbered and signed in pencil and loosely inserted, original pictorial blue morocco, gilt, spine slightly faded, 1979; The Mirror & the Eye: Rubaiyat of Omar Khayyam, number 35 of 126 copies, original vellum-backed boards, 1984, the last two with illustrations by Richard Kennedy, all with t.e.g., others uncut, slip-cases, 4to & folio, Andoversford, Whittington Press (3)
Henry Scott TUKE (1858-1929) Black and white etching La Belle Dame sans Merci – (Illustrated Keats Famous Poem) Signed within the plate & dated 1879 6.25” x 8.25” plate size (16cm x 21cm) Note: This etching was part of a project began at Slade with his close friend Thomas Cooper Gotch. The project was to complete a set of etchings by illustrating verses of the poem of Keats. Illustrated ‘Henry Scott Tuke – Paintings from Cornwall’ by Catherine Wallace, page 18 Provenance: Geoffrey Sainsbury, B.D. Price to the present owner.
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