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Lot 119
Halcyon Days Enamels - A musical Box depicting Fireworks and Illuminations on the River Thames, after an etching circa 1749, palyin and extract from 'Music for the Royal Fireworks' by George Frederic Handel; together with boxes depicting Old Waterloo Bridge; Tower Bridge; Big Ben; Nelson's Column; The White Tower; A celestial globe and one other
Lot 1668
Joseph Simpson (British, 1879 - 1939)A chiaroscuro portrait of the Earl of Lonsdale (The Yellow Earl) dressed in formal evening attire, looking down contently from a theatre box or similar vantage point, drypoint etching, signed in graphite, in double card mount and slender ebonized frame, 43 x 53 cm overall[ Joseph Simpson was born in Carlisle and attended the Glasgow School Of Art, he began his career working in Edinburgh as an illustrator and cartoonist, and later taught briefly at the London School of Art. In 1918 he was made an official war artist for the Royal Air Force, and went on to exhibit his widely known etchings in both national and international galleries. ]
Lot 1676
After Marcel Jacque (French, 1906 - 1981) "Barbizon", a delightfully vibrant scene including a figure settled amongst a small flock of grazing sheep, before the Eglise Notre Dame de la Persévérence, watercolour tinted etching, signed and inscribed "In memory of you at Barbizon 1965" in graphite by artist, inscribed "Workshop Th. Rousseau. Original etching by Marcel Jacque. Barbizon Church and the house of Th. Rousseau" on labels verso, in Hogarth frame under glass, 25 x 32 cm overall[ Marcel Jacque was a French Impressionist and Modernist, he attended the Barbizon School of Painters of Barbizon, France as depicted in the picture. ]
Lot 1669
Joseph Simpson (British, 1879 - 1939)"Portrait of an Old Lady", a portrait of a wisened elderly woman looking wryly at the viewer, a shawl draped over her shoulders, drypoint etching, signed and numbered "23/40" in graphite, 1928, in card mount and slender ebonized frame under glass, 53 x 43 cm overall[ Joseph Simpson was born in Carlisle and attended the Glasgow School of Art, he began his career working in Edinburgh as an illustrator and cartoonist, and later taught briefly at the London School of Art. In 1918 he was commissioned as a Royal Air Force War artist, and went on to exhibit his widely recognised etchings both nationally and internationally. ]
Lot 15
ARR Henry Wilkinson (1921-2011) The Partridge Shoot, signed lower left, numbered 31/150, etching with colours, 25 x 35 cm (PL), frame 48.5 x 59 cm, together with a further etching with colours of two partidges, by the same hand (2)Condition:The prints are both framed under glazing - not examined external to the frames. THe sheets appear in good condition, no obvious tears, losses or creases. The colours are well preserved and the surface appears stable. Some ageing to the mounts.
![Tony Cragg (geb. 1949) 'Current' ets, gesign. r.o., 20 x 24 cm. [1] etching, signed lower right](https://cdn.globalauctionplatform.com/90f4b0ca-bd38-47e6-bf38-b211011e52e7/db62aa17-9333-458b-bd5a-b212011dc8ec/468x382.jpg)
![Antoni Clavé (1913-2005) Zonder titel ets, gesign. r.o., 5/35, 50 x 70 cm. volledige blad 70 x 90 cm. [map] etching, signed l](https://cdn.globalauctionplatform.com/90f4b0ca-bd38-47e6-bf38-b211011e52e7/875139f4-7e40-480b-9d63-b212011e36f2/468x382.jpg)
Lot 727
The Mary Rose, 1545 Replica items including pewter plates A replica limited edition Crown & Rose pewter plate with Mary Rose etching to plate centre, edition 184/250, signed S. Mumford, 24.5cm in diameter; a further pewter plate, marked A. Jaxer, Ronneby, 21cm in diameter; a Crown & Rose spoon commissioned by The Mary Rose Trust, 15cm in length,and two replica wooden platters, 20cm in diameter.
Lot 589
JOHN SPANTON (20th century); oil on board, 'Porthgain', signed lower left, 29 x 39.5cm, mounted, together with J. Stewart, etching, 'Aberdeen & West Highland Terriers', signed and titled to lower margin and label verso, 20 x 15cm, framed and glazed (2).Condition Report: Some foxing to the etching
Lot 811
A mixed lot of pictures and prints including James Gillray (British, 1756-1815) 18th century hand coloured etching, 'ENCHANTMENTS lately seen upon the Mountains of Wales', Joseph Appleyard (British, 1908-1960) gouache on board, hunting scene, Malcolm Jones 'Thornhill Parish Church, Winter', oil on board, gilt framed mirror, signed artist's proof print after Montague Dawson (British 1890-1973), 'Sails of Evening', two mezzotint prints, one after Thomas Gaugain (French, 1756-1812), the other by William J Allingham after Jean-Baptiste Pater, etc, etc. Condition- the James Gillray etching appears to be in good condition with no significant damage or marks.
![AFTER THOMAS SAUTELLE ROBERTS (1760-1826) Lower Glanmire [Co. Cork] from Views in Ireland (Abbey Scenery 453)Coloured aquatin](https://cdn.globalauctionplatform.com/bc76ed84-d4a0-4960-80d3-b20b00af3d24/03a25690-3681-4cf0-a53a-b20b00b03fa4/468x382.jpg)
Lot 38
SAMUEL FREDERICK BROCAS (1792-1847) The General Post Office, Dublin Signed, inscribed and dated 1818 Pen, ink and watercolour, 36 x 57.5cmProvenance: Sale, these rooms, Dublin 4th October 2006, lot no. 43Samuel Frederick Brocas was born about 1792 the son of Henry Brocas Snr and brother of James Henry, William and Henry Jnr, all artists. Samuel studied at the Dublin Society’s School and won numerous medals for flower paintings, etching and figure drawing. Strickland wrote that ‘’He practised in Dublin as a landscape painter, both in oils and watercolour, and his works painted broadly and good in colour possess considerable merit.’’ His best known works are views of Dublin. His series of twelve of these views were engraved by his brother Henry. He died in 120 Lower Baggot Street on 14 May 1847.
Lot 3
JAMES BARRY RA (1741-1806) Orpheus Instructing a Savage People in Theology and the Arts of Social Life Etching and engraving, Pressly 1981.17 III/III, 49.5 x 53.5cm (plate); 49 x 62.5cm (sheet) First published by James Barry 1792; 1808 impressionInscription: in plate, within the image, lower left, in reverse: “Jas Barry RA”; below image, in plate: "Painted, Engraved & Publish’d by James Barry R.A. Professor of Painting to the Royal Academy May 1, 1791" Inscribed below image in plate: “Orpheus Instructing a Savage People in Theology & Arts of Social Life / Sylvestres homine sacer –The Wood-born Race of Men when Orpheus tamd, / From Acorns and from Mutual Blood reclaim’d / This Priest divine was fabled to assuage / The Tyger’s fierceness, and the Lion’s Rage, Francis’s Horace"
Lot 19
AFTER THOMAS SAUTELLE ROBERTS (1760-1826) Blackrock Castle from Views in Ireland (Abbey Scenery 453) Carrick Castle from Views in Ireland (Abbey Scenery 453)Aquatint and etching, each 38.5 x 47cm (plate); each 45 x 62cm (sheet) Published by T.S. Roberts, London; T.S. Roberts, del.; John William Edy fecit. (1796) A PairThis aquatint of Blackrock Castle by Thomas Sautell Roberts depicts the original structure as it once stood along the banks of the River Lee, approximately half a mile east of Cork. The original tower, dating to the early 17th century, was part of Lord Mountjoy’s fortifications of Cork, alongside the first fort on Spike Island. Roberts’ portrayal shows the tower in a somewhat deteriorated and overgrown state, surmounted by a newer 18th-century octagonal wooden turret, which functioned as a navigation light for vessels travelling on the river. Several such ships are depicted in the scene, with a man aboard a lugger beside the castle raising his arm.On the river’s north bank, a house situated within a wooded estate is likely Tivoli House. Additionally, the remains of a medieval fort, now destroyed, are visible atop a rocky promontory. The castle itself sustained significant damage in a fire in 1827. It had been leased by the Harbour Commissioners from the Corporation of Cork for 21 years, and by 1829, it was fully renovated. The structure was rebuilt in a Gothic style with additional turrets, and today it serves as Cork’s Astronomy Centre.Thomas Sautell Roberts (c. 1760–1826), the son of Waterford architect John Roberts, followed in the footsteps of his brother, the painter Thomas Roberts, and his brother-in-law, George Richard Pain. After his brother’s death in Lisbon in 1778, Thomas Sautell took over his studio, completing unfinished works under his brother’s name. Renowned for his Romantic landscapes, Roberts frequently portrayed storms and seascapes in contrast to his brother’s more restrained style. Few of his oil paintings remain, but in 1801, he exhibited a series of watercolour views of Irish landscapes in Dublin, with a dozen of these scenes later reproduced as aquatint prints.
Lot 17
AFTER THOMAS SAUTELLE ROBERTS (1760-1826) West View of the City of Waterford from Views in Ireland (Abbey Scenery 453) East View of the City of Waterford from Views in Ireland (Abbey Scenery 453) Coloured aquatint and etching, each 35.4cm x 45.5cm (plate); each 39 x 51cm (sheet)Published by T.S. Roberts, London; T.S. Roberts, del.; Samuel Alken fecit. (1795)A Pair
Lot 11
JAMES BARRY RA (1741-1806) The Thames, or the Triumph of Navigation Etching and engraving, Pressly 1981.20 VI/VI, 41.5 x 50.5cm (plate); trimmed First published by James Barry 1791, from III c.1801-2; 1808 impression Inscription: Lettered below the image with the title, and "Nor are his blessings to his banks confin'd But free and common as the sea or wind So that to us, nothing no place is strange While his fair bosom is the world exchange. Denham / 5th / Painted, engraved & publish'd by James Barry, R.A. Professor of Painting to the Royal Academy May 1. 1791"
Lot 14
AFTER JOSEPH PATRICK HAVERTY RHA (1794-1864) George IV's Public Entry into the City of Dublin, 17th August 1821 His Majesty's Embarkation at Kingstown on 3rd September 1821 Hand coloured aquatint and etching, 44 x 61cm; 46 x 67cm Published by Hurst Robinson & Co., London; Joseph P. Haverty, del.; Robert Havell the Elder fecit. (1823)
Lot 7
JAMES BARRY RA (1741-1806) Lord Baltimore and the Group of Legislators Etching and engraving, Pressly 1981.24, II/II, 74.5 x 47cm (plate); 84 x 62.5cm (sheet) First published by James Barry 1793; 1808 impression Inscription: Lettered below the image "In the Elysium one of the Series of Pictures on Human Culture in the Great Room of the Society for the Encouragement of Arts &c. at the Adelphi, a mistake was committed owing to the delusion which has been so generally spread of considering Wm. Penn as the first Colonizer who established laws of Religious & Civil Liberty: this Design is therefore added to the Series in order to rectify the mistake in the groupe of Legislators by making Lycurgus looking at those exemplary laws as placed in the hands of Cacilius Cavert Baron of Baltimore who was the original establisher of thm in his Colony of Maryland many years before Wm. Penn & his Colony arrived in America to copy the worthy example. / Designed Engraved & Published by James Barry R.A. Professor of Painting to the Royal Academy. Feby. 28. 1793. L. D.".
Lot 541
Graham Clarke (British, b.1941) "Hastings Job", original limited edition etching printed in colours. Signed in pencil by the artist to lower right margin and numbered and tiled 95/200 lower left. Official 'History of England' and 'Portfolio Edition' blindstamps. 43 x 34cm. Framed and glazed.Estimate£60 - £100
Lot 393
Trevor Price (British, b. 1966) - 'Five Vessels' coloured etching print on hand made paper, signed and numbered 57 of 100 in pencil. Framed and glazed 38 x 37 cm (14" x 14").Trevor Price is a member of the Royal Society of Painter Printmakers (since 1991) and Vice President (2013 - 18). He has work in various collections including His Royal Highness Prince Michael of Kent, Victoria and Albert Museum (London), Ashmolean Museum (Oxford), Fitzwilliam Museum (Cambridge), Yinchuan Contemporary Art Museum (China), Guangdong Museum of Art (China), Yale University (USA), Office of Public Works (Dublin), University of Wales, Bank of England etc. Also obtaining many awards including Printmaking Today award, Bankside Gallery 2017, Mall Galleries 1997, Clifford Chance award. Royal Society of Painter Printmakers annual show. Bankside Gallery 2017, Wyndham award. Royal Society of Painter Printmakers annual show. Bankside Gallery 2014, Invited 'Printmaker of the year' 2011 at Printfest. North Britons only annual art event dedicated to Printmaking, Royal Society of Painter Printmakers. University of Wales purchase award 2005. Julian Trevelyan Outstanding Printmaker award. National Original print exhibition 2001.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 1244
James Gillray (1756-1815) hand coloured etching - The Valley of the Shadow of Death, published Sept. 24th, 1808, by H. Humphrey, BM 11031, 26cm x 39cm, in glazed frameGlazed frame, not examined out of the frame - plate mark not visible (beyond the mount) lower edge, possibly repair to a tear from right edge, no other significant damage just stains and marks
Lot 1247
James Gillray (1756-1815) hand coloured etching - Wierd Sisters; Ministers of Darkness; Minions of The Moon, published Dec 23rd, 1791, by H. Humphrey, BM 7937, 25cm x 35cm, in glazed frameGlazed frame, not examined out of frame, plate marks partially visible, very small tear lower left corner, a few minor marks and blemishes
Lot 1242
James Gillray (1756-1815) hand coloured etching - The Apotheosis of the Corsican Phoenix, published August 2nd, 1808, by H. Humphrey, BM 11007, 36cm x 26cm, in glazed frameGlazed frame, not examined out of the frame - plate mark obscured by the mount, condition is otherwise generally good, central fold
Lot 1243
James Gillray (1756-1815) hand coloured etching - The Apotheosis of Hoche, published '11th, 1798', by H. Humphrey, BM 9156, 51cm x 38.5cm, in glazed frameGlazed frame, not examined out of the frame - plate mark not entirely visible. Central fold, appears to be repair to a tear lower right, fold and possibly a repair lower left (see images), small tear lower edge, possibly other small repairs but no significant damage, we can't be certain but it doesn't appear to be stuck down (raised in places) paper browned, mostly ok
Lot 1238
James Gillray (1756-1815) hand coloured etching - Comforts of a Bed of Roses, published April 21st 1806, by H. Humphrey, BM 10558, 26.5cm x 35.5cm, in glazed frameThough it has not been inspected out of the frame it does not appear to be laid down. The plate mark is not visible. The colours are good and it is well mounted and framed - ready to hang.
Lot 1230
James Gillray (1756-1815) hand coloured etching - A Phantasmagoria, published Jan 5th 1803 by J. Gillray, BM 9962, ex Draper Hill Collection, 36cm x 26cm, in glazed frameNot examined out of the glazed frame - Mounted very close to plate mark, but mostly visible, paper browned but otherwise appears to be good
Lot 1389
*Anthony Gross ( 1905-1984) etching - Chateaux Corrèze, signed and titled below in pencil, 15cm x 22cm, in glazed frameFirst issued in 1929; this is one of 500 reissued from the original plate by Merivale Editions in 1983. Only a very limited number of these 500 were signed and titled by the artist.
Lot 1241
James Gillray (1756-1815) hand coloured etching - Phaeton Alarm'd!, published March 22nd, 1808, by H. Humphrey, BM 10972, 34cm x 38cm, in glazed frameGlazed frame, not examined out of the frame - mounted beyond the plate mark which is visible. Paper is browned throughout, some marks to margins and but no significant damage
Lot 1384
*Joan Miró (1893-1983) etching with aquatint in colours - Ponts Suspendus (Bridges in Suspense), 1964, signed and numbered 2/100 in pencil on the reverse, Dupin-Miro Graveur no. 387, 19cm x 14cm, in glazed frameProvenance: William Weston Gallery, London Although the work has not been removed from the frame it is clearly not fully laid down, it has been professionally mounted and framed. The colours are good, some slight discolouration to the paper on the outer edges. The glass is dirty and marked, the remnants of tape. A couple of minor marks to the frame but not serious.
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