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Tate Ward
Lot 173

Baldur Helgason (Icelandic 1984-), 'Picaresque', 2023, hard ground etching on 300gsm Somerset Satin White paper, signed, dated and numbered from an edition of 50 in pencil, published by Avant Arte; sheet: 64 x 54cm (Framed)ARR sheet: 64 x 54cm (Framed) In very good condition No visible knocks, tears or creases to the sheet Deckled edges in good condition This work has been framed in a wooden frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

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Tate Ward
Lot 94

Sarah Ball (British 1965-), 'Untitled I', 2018, Polymer etching in colours on wove paper, signed and numbered from an edition of 25 in pencil; sheet: 43.7 x 34.1cmARR sheet: 43.7 x 34.1cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.

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Tate Ward
Lot 95

Sarah Ball (British 1965-), 'Untitled II', 2018, Polymer etching in colours on wove paper, signed and numbered from an edition of 25 in pencil; sheet: 43.7 x 34.1cmARR sheet: 43.7 x 34.1cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.

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Olympia Auctions
Lot 251

LUIGI ROSSINI (ITALIAN 1790-1857) PANORAMA DI ROMAetching with engraving, 1827, by the artist and possibly by Bartolomeo Pinelli (1781-1835)56 x 86cm; (visible sheet)73.5 x 103.2cm; 29 x 40 3/4in (framed)Property from a London Collectionoffered for sale without reserve

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Olympia Auctions
Lot 241

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816) VIEW OF THE GREAT WALL OF CHINAetching with engraving, originally published 1796, by Medland36.5 x 51cm; 14 1/4 x 20in56.5 x 71cm; 22 1/2 x 27 1/4in (framed)Property from a London CollectionA view of the Great Wall of China taken near the pass of Cou-Pe-Koo. The view features in Sir George Staunton's An authentic account of an embassy from the King of Great Britain to the Emperor of China (see note to previous lot). LiteratureSir George Staunton, An authentic account of an embassy from the King of Great Britain to the Emperor of China, London, 1797, p. xxi, the scene described; pl. 24, illustratedoffered for sale without reserve

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Olympia Auctions
Lot 246

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816) VIEW OF LAKE PAO-YNGetching with engraving by William & Elizabeth Ellis, published 1796 by G.Nicol36.5 x 50.5cm 57 x 70.7cm (framed)Property from a London CollectionA view of Lake Pao-Yng (possibly Gaoyou Lake or Shaobo Lake) and a southern section of the Grand Canal (or Jinghang Waterway), a vast man-made network of canals and rivers that run 2,000km from Beijing to the Zhejiang province. In Staunton's description of this plate he notes the extensive practice of fishing cormorant - the use of birds, in this case Pelicanus Sinensis, to catch fish. LiteratureSir George Staunton, An authentic account of an embassy from the King of Great Britain to the Emperor of China, London 1797, p. xxvi, the scene described; pl. 36, illustrated offered for sale without reserve

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Olympia Auctions
Lot 243

LUIGI ROSSINI (ITALIAN 1790-1857) (i) IL MONTE AVENTIO; (ii) RACCOLTA DI FRAMMENTI DIVERSI(i) etching with engraving, a good impression, possibly partly engraved by Bartolomeo Pinelli (1781-1835)(ii) etchingeach 55.3 x 80.7cm; 21 3/4 x 31 3/4in (plate)each 73.6 x 103.2cm; 29 x 40 1/2in (framed)(2)Property from a London Collectionoffered for sale without reserve

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Olympia Auctions
Lot 249

EDOUARD WILLMANN (FRENCH 1820-1877) A VIEW ACROSS PARIS, INCLUDING NOTRE DAME CATHEDRALetching with engraving, a very good impression, Paris, 186067.9 x 107cm; 26 3/4 x 42in (sheet)81.9 x 120cm; 32 1/4 x 47 1/4in (framed)Property from a London Collectionoffered for sale without reserve

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Olympia Auctions
Lot 242

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816) THE APPROACH OF THE EMPEROR OF CHINA TO HIS TENT IN TARTARY, TO RECEIVE THE BRITISH EMBASSADORetching with engraving, by J.Fittler, published 1796 by G.Nicol36.8 x 50.9cm 56.5 x 70.5cm (framed)Property from a London CollectionA depiction of the Qianlong Emperor (Emperor Gaozong of Qing) and the British Ambassador Lord Macartney meeting on 14 September 1793 at the Wanshu Garden, also known as the Garden of Ten Thousand Tree. Now a UNESCO World Heritage site, Wanshu Garden is in the Chengde Mountain Resort. LiteratureSir George Staunton An authentic account of an embassy from the King of Great Britain to the Emperor of China, London 1797, p. xxii, the scene described; pl. 25, illustrated offered for sale without reserve

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Olympia Auctions
Lot 248

F. B. LORIEUX (FRENCH 1786-1810) (i) THÈBES. KARNAK. VUE GÉNÉRALE DES RUINES DU PALAIS, PRISE DU NORD-OUEST; (ii) DENDERAH (TENTYRIS) VUE GÉNÉRALE DES RUINES PRISE DE L'OUEST(i) numbered Pl. 17, A Vol. III (ii) numbered Pl. 3, Vol IVboth: etching with engraving by F. B. Lorieux after André Duterte (French 1753-1842)(i) 50.5 x 104.5cm; 20 x 41in64 x 118cm; 25 1/4 x 46 1/2in (framed)(ii) 51.5 x 102.5cm; 20 1/4 x 40 1/4in64 x 116cm; 25 1/4 x 45 3/4in (framed)(2)Property from a London CollectionThe temple complex of Karnak was part of the ancient city of Thebes now in Luxor, about forty miles south of Denderah which is located on the west bank of the Nile.offered for sale without reserve

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Olympia Auctions
Lot 240

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816) VIEW OF A PAI-LOOetching with engraving, by J.Chapman, published 1796, by G.Nicol49.8 x 63.8cm 56.5 x 70.3cm (framed)Property from a London CollectionLiteratureSir George Staunton, An authentic account of an embassy from the King of Great Britain to the Emperor of China, London, 1797, p. xxix the scene described; pl. 31, illustrated A pai-loo, the central architectural feature of the present print is a Chinese triumphal arch; a tower or fortress is featured in the right foreground, and a place for performances on the left side as recounted by Sir George Staunton in An authentic account of an embassy from the King of Great Britain to the Emperor of China. The publication was the official report of the 1793 British Macartney Embassy mission, the first British diplomatic mission to China, led by Lord George Macartney. offered for sale without reserve

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Dresdener Kunstauktionshaus Günther
Lot 542

Plenkers, Stefan (1945 Ebern (Bamberg) - lebt und arbeitet in Dresden)Im Lokal (In der Bar). Aquatintaradierung, 1983. Unterhalb der Darstellung rechts signiert und datiert, links auflagenbezeichnet. Exemplar 23/100. Hinter Glas gerahmt. 24,5 x 29 cm (Pl), 50 x 47,5 cm (Ra). Leicht angegilbt und minimale Stockfleckchen. Werktypische Interieurszene des Dresdner Künstlers, in der die Affinität zur geometrischen Abstrahierung besonders feinsinnig augenscheinlich wird. Organische, weiche Stofflichkeiten reduzieren sich auf eckige Flächen und Körpernetze, die eine immanente Räumlichkeit ausblenden oder überdecken. Ein Abzug dieses Motivs findet sich in der Sammlung des Kupferstich-Kabinetts der Staatlichen Kunstsammlungen Dresden, Inventarnummer A 1989-250. In the bar. Etching, 1983. Signed and dated below the motif right. Copy 23/100. Framed behind glass. Very typical motif. A bit tanned yellowish and with some very fine foxing.

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Dresdener Kunstauktionshaus Günther
Lot 524

Hunt, Leslie G. (1954 Temple (Texas) - lebt und arbeitet in Frankfurt a.M.)"Stethoskop". Kolorierte Radierung in zwei Farben, 1995. Unterhalb der Darstellung in Blei signiert und datiert sowie auflagenbezeichnet. In der Platte unten rechts datiert. Exemplar 26/50. 17 x 22 cm (Pl), 40 x 40 cm (Bl). Original verpackt. Spielerisch leichte Schilderung des Instruments eines Arztes aus der umfangreichen Berufe-Serie des Künstlers. Stethoscope. Coloured etching from two plates, 1995. Signed and dated below the motif. dates in the plate bottom right. Copy 26/50. In original wrapping.

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Dresdener Kunstauktionshaus Günther
Lot 555

Unger, Hans (1872 Bautzen - 1936 Dresden)"Birken am Meer". Radierung, 1896. Unterhalb der Darstellung rechts in Blei signiert. Im Passepartout hinter Glas gerahmt, hier rückseitig ausführlich durch Maja Unger, der Tochter des Künstlers, bezeichnet. 29 x 16 cm (Pl), 46,5 x 31,5 cm (Ra). Wohl etwas gebräunt. WVZ 12 - eine der zeitigen Radierungen, die motivisch nach einem Aufenthalt auf der Ostseeinsel Bornholm entstanden ist. Provenienz: Schenkung durch die Tochter des Künstlers an eine Dresdner Familie, aus deren Nachlaß in eine Dresdner Privatsammlung. Birch trees at the sea. Etching, 1896. Signed in pencil below the motiv right. Farmed behind glass; on backside of framing with detailed notes by Maja Unger, the artist's daughter. A bit tanned by the sunlight.

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Dresdener Kunstauktionshaus Günther
Lot 486

Thiele, Johann Alexander (1685 Erfurt - 1752 Dresden)"Prospect von dem Königl. LustSchloss Pillnitz an der Elbe und umliegenden Gegend wie sich solches gegen Mittag Presentiret" (Blick auf Schloss Pillnitz bei Dresden aus südlicher Richtung). Kupferstich/Radierung, 1726. Unten mittig in Platte signiert "JA Thiele", Stechersignatur und Datierung auf Textplatte unten rechts. Ebenda ausführlich zweisprachig in Deutsch und Französisch betitelt und mit Widmung an den Kurfürsten von Sachsen und König von Polen versehen. Im Passepartout. 36,5 x 56 cm (Pl. ges.), 37,5 x 57 cm (Bl), 48 x 67,5 cm (PP). Etwas angebräunt, rückseitig eine Hinterlegung am unteren Rand. Kleinster Eckabriß unten links. Schöner breiter Rand. View of the castle of Pillnitz from the southern direction. Copperplate engraving / etching, 1726. Signed in the plate lower margin middle. Engraver's signature and date below motiv right. Titled and dedicated in French and German. Mounted in passepartout. A bit tanned brownish, backside with one small patch. Loss of a tiny piece of the lower left corner.

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Dresdener Kunstauktionshaus Günther
Lot 502

Leibl, Wilhelm (1844 Köln - 1900 Würzburg)"Bildnis des Malers Josef Wopfner". Radierung, um 1874. Unsigniert. Oben links in der Platte abweichend der Initialen ligiert monogrammiert. Im Passepartout hinter Glas gerahmt. 10,8 x 8,0 (Pl), 34 x 26,5 cm (Ra). Lichtgebräunt, etwas fleckig. Das unter der Inventarnummer G 835 in der Sammlung des Lenbachhauses München befindliche Blatt weist die Initialen oben links nicht auf. Evtl. handelt es sich hier um eine Sonderauflage oder eine Wiederholung. Portrait of the painter Josef Wopfner. Etching, around 1874. Unsigned. Kind of a monogram in the plate top left corner. Framed behind glass. Tanned by the sunlight, some stains. The copy in the Lenbachhaus Munich shows no such monogram; pres. special edition or made after Leibl.

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Dresdener Kunstauktionshaus Günther
Lot 496

Dikenmann, Johann Rudolf (1832 Zürich - 1888 ebenda)"Genève, prise sur le pont des Bergues". (Genf, von der Bergues-Brücke aus gesehen). Aquatintaradierung, nach 1881. Unterhalb der Darstellung in der Platte betitelt und mit Künstlerbezeichnung. Im Passepartout. 17,5 x 35 cm (Pl), 20 x 38 cm (Bl), 30 x 48 cm (PP). Angestaubt und etwas berieben. Sehr detaillierte Panorama-Ansicht von der 1881 errichteten neuen Brücke über die Rhône am Genfer See mit Rousseau-Insel und Alpen im Hintergrund. View of Genève from the Bergues bridge. Etching, after 1881. Titled below the motif, also with name of artist. Mounted in passepartout. Dustay and a bit rubbed. Very detailled.

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Dresdener Kunstauktionshaus Günther
Lot 541

Plenkers, Stefan (1945 Ebern (Bamberg) - lebt und arbeitet in Dresden)Traurige Fische. Kolorierte Radierung, 1976. Unterhalb der Darstellung rechts in Blei signiert und datiert, links auflagenbezeichnet. Exempar 1/1 (Unikat!). Ungerahmt. 23 x 32 cm (Pl), 34,5 x 46,5 cm (Bl). Etwas berieben. Sad fishes. Coloured etching, 1976. Signed and dated below the morif. Copy 1/1 (single print). Unframed. A bit rubbed.

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Dresdener Kunstauktionshaus Günther
Lot 508

Täubert, Carl Gregor (1778 Dresden - 1861 ebenda)Das Jagdschloss in Moritzburg bei Dresden von Südosten über den Schlossteich gesehen, im Vordergrund eine Reitergruppe mit König Friedrich August I. von Sachsen. Lavierte Radierung nach Adrian Zingg, nach 1810. Unsigniert. Hinter Glas gerahmt. 30,0 x 42,8 cm (Bl), 47 x 60,5 cm (Ra). Stark verbräunt und stockfleckig.Ein Exemplar befindet sich in der Sammlung des Kupferstichkabinetts der Staatlichen Kunstsammlungen Dresden, Inv.-Nr. A 1995-6295.The hunting castle of Moritzburg near Dresden, view across the pont with riders accompagnying King Friedrich August I. of Saxony. Ink washed etching after Zingg, after 1810. Unsigned. Framed behind glass. Strong tanning by the sunlight, foxing.

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Dresdener Kunstauktionshaus Günther
Lot 515

Fischer, Otto. 1870 Leipzig - 1947 Dresden.Baumbestandene Landschaft an der Meeresküste. Radierung/ Aquatinta, sign. i. d. Platte, Druck: Otto Felsing. Battoberfläche stellenweise berieben. 24 x 31,5 cm (Einfassung), hinter Glas gerahmt. Ra. 36 x 45 cm. Coastal landscape, etching, abraisons of surface in places. Framed with glass. 36 x 45 cm incl. frame.

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Dresdener Kunstauktionshaus Günther
Lot 505

Orlik, Emil. 1870 Prag - 1932 Berlin.Im Hydepark. 1898. Radierung, sign., dat., betitelt und num. "L 162" (?), Blattrand beschn., gebräunt mit Lichtrand, 8 x 11,5 cm, hinter Glas gerahmt. Ra. 17 x 18 cm. View of Hydepark, 1898, etching, margins cut, signed, dated, entitled, tanned. Framed with glass. 17 x 18 cm (frame).

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Dresdener Kunstauktionshaus Günther
Lot 530

Körnig, Hans (1905 Flöha - 1989 Niederwinkling)"Die alte Salzgasse in Dresden". Aquatintaradierung, 1953. Unterhalb der Darstellung in Blei signiert und datiert. Im Passepartout hinter Glas in älterer Rahmung. 15,5 x 20,5 cm (Pl), 32 x 38 cm (Ra). Minimal lichtrandig. WVZ Körnig 6. Winterlicher Altstadtblick, wie er heute nicht mehr existent ist, mit tief hängender Mondsichel und der Dresdner Frauenkirche im Hintergrund. Schon 1953 war diese Szene eine Erinnerung, da das gesamte Areal im Februar 1945 zerstört wurde. Old Dresden. Etching, 1953. Signed and dated in pencil below the motif. Framed behind glass. A bit tanned by the sunlight.

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Dresdener Kunstauktionshaus Günther
Lot 540

Niemeyer-Holstein, Otto. 1896 Kiel - 1984 Lüttenort auf Usedom.Landschaft, 1976, Radierung/ Aquatinta auf Bütten, monogr. und dat. in Bleistift, Druckersign. Ernst Lau. 13,5 x 20,5 cm (Pl), hinter Glas mit Pp. gerahmt, Ra. 29,5 x 33 cm. Landscape, etching/ aquatint print, 1976, monogram and date, printer's signature, framed with glass and passepartout. 29,5 x 33 cm incl. frame.

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Flanders Auctions
Lot 371

Roger RAVEEL (1921-2013) 'Wegdoezelen in de kosmos'' an etching. 1982.  Signed R. Raveel, 20/20Signed and dated 6-8-1990. Dimensions complete paper: 50 x 64 cm. Literature: "Roger Raveel. Het overzicht. Het grafische oeuvre: prenten en multiples" Octave Scheire, Ludion, pagina 106. According to the book above there is a by an unknown person coloured etching, this etching is possibly the one listed in the book. Condition report:- Foxing on the paper.Dimensions: (W:30,5 x H:32,5 cm)

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Olympia Auctions
Lot 174

HUGH CRONYN (BRITISH 1905-1996) INTERIOR, NAYLAND, SUFFOLKsigned, titled, numbered and dated 8/12, Interior, Hugh Cronyn / 72etching47.5 x 35cm; 18 3/4 x 13 3/4in (plate)79.5 x 56.5cm; 31 1/4 x 22 1/4in (sheet)(unframed)Using Julian Trevelyan’s press Cronyn investigated etching as a reprise of his pre-war wood engravings. The Cronyns kept connections with Suffolk by renting there. The subject of the present work is a view through a cottage kitchen looking down to the River Stour that runs through Nayland.

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Tennants Auctioneers
Lot 218

A Victorian 1822 Pattern Infantry Officer's Sword, the 82cm 1845 pattern single edge fullered steel blade faintly etched with Royal cypher, the gothic brass hilt pierced with Royal cypher and with wire bound fishskin grip, wtih brass scabbard, 101cm, post 1854Pitting to blade with nicks to the edge and faint etching. Part of fishskin grip is missing. Dents to the scabbard.

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Tennants Auctioneers
Lot 210

An Imperial German Artillery Sword by Alcoso, the 84cm plain single edge fullered steel blade with maker's logo, the plated steel stirrup hilt with wire bound black plastic grip, with black painted steel scabbard and silver bullion thread portapee, 99cm; a Victorian Rifle Regiment Officer's Sword, the 80cm single edge fullered steel blade etched with crowned VR cypher, strung bugle and a family crest, by Maynard, Harrison & Rice, London, with Proved poincon, the silver plated steel gothic hilt with wire bound fishskin grip, 94cm, lacks scabbard; an Indian Kukri, the curved blade stamped ORDEP, NEPAL, with brass bolster and pommel to the horn grip, with leather scabbard and two sharpening knives (3)1 - Some scratching to blade. Plastic grip with a crack under the pommel. Portapee strap is broken. Rust pitting and wear to the paint on the hilt. 2 - Minor rust patches to blade towards the tip, wear to the etching. Lacks scabbard.

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Tennants Auctioneers
Lot 219

A Victorian 1845 Pattern Staff-Sergeant's Sword, the 71cm single edge steel blade pipe backed for the last 18cm, the brass gothic hilt pierced with crowned VR cypher, the inner guard stamped 8, the quillon stamped 2 and 57, with wire bound later leather grip and associated steel mounted leather scabbard, 96cm; a Victorian 1822 Pattern Infantry Officer's Sword, the 82.5cm pipe back steel blade faintly etched with the crowned VR cypher and indistinct London maker's name, the brass gothic hilt pierced with crowned VR cypher, with hinged guard, wire bound fishskin grip and leather scabbard with brass locket and chape, 99cm af (2)1 - Grey patching and pitting to the blade which has been ground towards the tip. The fishskin grip has been replaced by leather. The scabbard is not correct for this sword; 2 - Pitting to blade with nicks to the edge, very faint etching. Part of the brass hilt is missing.

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Mitchells
Lot 623

Marie Simonds Gooding (British contemporary), an etching Going To The Islands - The Blaskets, signed and numbered 80/80. 39 x 49 cm (see illustration).

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Mitchells
Lot 567

Bernard Cohen (born 1933 British contemporary), limited edition etching "Things Seen", signed and numbered 7/60. 68 x 54 cm, framed.

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Mitchells
Lot 569

Bernard Cohen (born 1933 British contemporary), limited edition etching, signed and dated 1981 and numbered 26/50. 56 x 51 cm, framed.

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Mitchells
Lot 568

Bernard Cohen (born 1933 British contemporary), limited edition etching "The Trace", signed and dated 1981 and numbered 30/60. 68 x 54 cm, framed.

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Mitchells
Lot 614

S King (British contemporary), an etching Lighthouse, signed and dated (20)01, numbered 6/10. 9 x 9 cm (see illustration front cover).

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Mitchells
Lot 728

Percy Kelly (1918-1993), an etching "Teasels" 40 cm x 35 cm, framed. Castlegate House Gallery label verso and signed by Brian R A Kelly. ARR.

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Mitchells
Lot 640

Arthur Turrell, a dry point etching Mangia Tower. 36 x 21 cm.

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Cheffins
Lot 190

John Crome (1768-1821) Sandy Road through Woodlandsigned upper right 'J Crome' and dated 1813 in the plateetching37 x 27cmProvenance:Label to the reverse for St. Peter's Gallery, Clare, Suffolk51 x 41cm framed

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Cheffins
Lot 182

John Sell Cotman (1782-1842) The Garden House on the banks of the River Yaresigned and dated lower right 'J S Cotman 1802' pencil and sepia wash on paper25 x 19cm Provenance:Christie's, London, 5th March 1974, lot 181 for £1,365The subject of the Garden House on the banks of the River Yare was also made into an etching which Cotman published as the title page of his 'Liber Studiorum: A Series of Sketches and Studies'.Numerous fly spots under glass, mostly to the mount. Main image - wrinkling visible along the right hand edge. An old repaired tear and further old repair top right quadrant. Signature faded. Discoloured. Foxing throughout. Not examined out of frame.

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Cheffins
Lot 194

John Crome (1768-1821) Two Norfolk landscape viewsFigures and cows in a landscape before a cloudy skyetching8.5 x 11cm;Road near park palingsetching11.5 x 18.5cmframed in a common mountProvenance:Label to the reverse for St. Peter's Gallery, Clare, Suffolk44 x 35cm framed

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Cheffins
Lot 215

Charles Turner (1774-1857) after Joseph Mallord William Turner Norham Castle on the Tweed; and The Tenth Plague of Egyptplates 57 and 61 from the Liber Studiorum, 1816, part XIIetching and mezzotinteach 17.5 x 26cm (2)Both sheets stuck down to mounts along their outer edges but original text and plate lines visible beneath mounts.Tenth Plague of Egypt overall in good, clean condition. Sheet size 27.5 x 36.5cmNorham Castle with light spotting and 7 small pinholes to the sky. Sheet size 26 x 36.5cmFramed 33 x 41cm

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Cheffins
Lot 192

John Crome (1768-1821) Near Hinghamsigned within the plate 'J Crome Fecit' and dated 1812etching17.5 x 22.5cmProvenance:Label to the reverse for St. Peter's Gallery, Clare, Suffolk34 x 42cm framed

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Cheffins
Lot 129

Rembrandt Harmensz. van Rijn (1606-1669) Christ Driving the Money Changers from the Temple (B., Holl. 69; New Holl. 139; H. 126)Etching with touches of drypoint, 1635, New Hollstein's second state (of four), unframedsheet size 14.5 x 17.5cmUnframed. Attached to a card support at the four corners (not laid down). Very slight wrinkling to corners. Few small scattered spots.

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Cheffins
Lot 132

Jan Lievens (1607-1674) The Hermit (Hollstein 17)signed with initials in the plateetching, eighth state (of eight)20 x 14cmProvenance:Alan Barlow (1926-2005),Thence by descent to the present vendorOn laid paper. With watermark. Little foxing to paper. Slight wrinkling/undulations to the paper. Plate mark - 20 x 14.3cm42.5 x 32.7cm framed

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Peter Francis
Lot 269

George Chapman, (Welsh, 1908-1993), Welsh Valleys Miners cottages, signed in pencil. Uncoloured etching good original condition in original frame. (B.P. 21% + VAT)

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Bamfords Auctioneers & Valuers
Lot 619

Tom Maxwell (Scottish 1874 - 1937), by and after, George Square, Glasgow, etching, signed in the plate, and to the margin in pencil, 28.5cm x 21cm, label to verso for James Connell & Sons, oak frame, 55cm x 42cm

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Trevanion Auctioneers & Valuers
Lot 326

After James Gillray (British, 1757-1815),'Tales Of Wonder',Hand-coloured etching on paper,Publishing details obscured by mount,22cm x 30.5cm,Framed and glazed

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Moore Allen & Innocent
Lot 369

AFTER RICHARD DIGHTON "Hudson Gurney", black and white engraving published April 1820, 28.5 cm x 18.5 cm, together with AFTER RICHARD DIGHTON "Is friend Rothschild on Change?", black and white etching published March 1826, 30 cm x 19 cm (2),together with a pencil sketch of "William Henry and Carwithen", dated 1831 and bearing inscription verso, 20 cm x 16 cm, together with a print of "Two boys with a dog", 24 cm x 19 cm (4)

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Barry L Hawkins
Lot 4

Hunt & Son. Waterloo Cup. 1880. Honeywood, Winner of the Waterloo Cup Value of the Stakes, £500. The Property Of Lord Haddington, By Cavalier Out Of Hummingbird. - Plunger. Runner up for the Waterloo Cup Value of the Stakes, £200. The Property Of T. Hinks Esquire. By Backwoodsman Out Of Gretna. Hand-coloured etching with aquatint, 17in. (43cm) x 20.75in. (53cm). Framed and glazed. Please note there are a lot of Thrips (Thunderflies) behind the glazing

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Barry L Hawkins
Lot 17

Etching of The Union House with Court House and National Schools, Downham Market, published by W. Daniell, framed and glazed 

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Hartleys
Lot 644

WILLIAM LIONEL WYLLIE (1851-1931) Sailing boats racing, signed in pencil in the margin lower left, etching 7 1/2" x 9 3/4", (PL) framed (Est. plus 24% premium inc. VAT)Condition Report: The etching has no visible losses or tears under the glass. One of two small spots of foxing to the paper.

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Hartleys
Lot 636

Y PAUL RICHIE (b.1948) "Still Life I", signed and inscribed in pencil, coloured etching, plate size 9" x 8" framed (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: Very good

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Queens Road Auctions
Lot 539

ANTHONY OSLER; WATERCOLOUR OF A SAILING VESSEL MOORED BESIDE A HOUSE, SIGNED & DATED, TOGETHER WITH A LIMITED EDITION ETCHING OF FIGURES IN A ROWING BOAT, SIGNED INDISTINCTLY AND NUMBERED 38/45, [2] APPROX 8” X 8” [2]

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Queens Road Auctions
Lot 537

CLAUDE ROWBOTHAM; A GOOD COLOURED ETCHING OF LOW PETERGATE, YORK . PENCIL SIGNED AND INSCRIBED IN THE MARGIN. 18 X 14”

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Golding Young & Mawer
Lot 607

Henry Rayner (1902-1957). Yacht, dry point etching, signed, 12cm x 17cm and another The Great Hall Lincoln's Inn c.1930 (2).

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Adam Partridge Auctioneers & Valuers
Lot 240

CHARLES HENRY BASKETT (1872-1953); etching, shipping scene depicting boats in a harbour, signed in pencil lower left, 19 x 31.5cm, framed and glazed, a further etching by J Hamilton Mackenzie, 'Ponte Nomentano', and six further indistinctly signed engravings (8).

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Adam Partridge Auctioneers & Valuers
Lot 267

A pair of plate engravings, both titled 'Children at Play', a small black and white etching, 'Prepeno', 11.5 x 15cm, a modern oil on canvas of a lady and two maple framed prints of 'Jack in the Box'.

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Adam Partridge Auctioneers & Valuers
Lot 271

MORTIMER MAPLES; etching, street scene, indistinctly signed in pencil, 18 x 30.05cm, and four indistinctly signed engravings, one titled 'Florence' (5).

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Cotswold Auction Company
Lot 107

Maxine Relton (20th century) Etching and aquatint "The Dovecote, Horsley Court", limited edition, signed, titled and numbered 27/50 in pencil within margin, framed and glazed, image size 27.5cm x 32.5cm

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Cotswold Auction Company
Lot 106

Richard Spare (b.1951) Etching and aquatint "Anemones", limited edition, signed, titled and numbered 88/125 in pencil within margin, framed and glazed, image size 64cm x 57cm

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Cotswold Auction Company
Lot 187

Marc Chagall (1887-1985)  Etching “L’Envolee”, two female figures, signed in pencil lower right and numbered 20/35, 46cm x 35cm Condition Report The picture appears to be in good condition, with no apparent damage such as tears, foxing or fading.

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Cotswold Auction Company
Lot 109

Maxine Relton (20th century) Watercolour "Japanese Pot", signed lower left, framed and glazed, image size 12.5cm x 12.5cm, together with a pastel landscape by the same hand, "Snow Comes Early", initialled lower right, framed and glazed, image size 11cm x 8.5cm, and after Rosemary Farrer, etching and aquatint, "Night Azaleas", limited edition, signed, titled and numbered 45/100 in pencil within margin, framed and glazed, image size 12cm x 8.5cm (3)

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