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Lot 10
Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a good but later impression on laid paper with indistinct text-based watermark, New Hollstein's fourth state (of five), before later reworking, sheet 435 x 350 mm (17 x 13 3/4 in), remnants of blue-ink 'colportage' stamp verso, the lower half of the sheet with thin support visible verso, several areas of restoration to loss and tears (unframed)Literature:Bartsch 161; New Hollstein 173 iv/v
Lot 103
δ Barry Flanagan (1941-2009)The Wren's NestEtching, 1972, signed, titled, dated and numbered from the edition of 77 in pencil, on wove paper, with margins, 285 x 380mm (15 x 11 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 112
δ Patrick Procktor (1936-2003)Lilies IEtching with aquatint printed in colours, signed in pencil, numbered from the edition of 75, on wove paper, with full margins, 270 x 200mm (10 5/8 x 7 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 119
δ Richard Smith (1931-2016)Untitled from Eighteen Small Prints Etching printed in colours with collage, 1973, signed and dated in pencil, numbered from the edition of 100, published by Bernard Jacobson Gallery, London, on wove paper, the full sheet printed to the edges, sheet 210 x 150mm (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 194
George Condo (b.1957)Untitled (From. More Sketches of Spain for Miles Davis)Etching, 1991, signed and inscribed H.C. in pencil, an hors commerce impression aside from the edition of 40, published by Alexander Kahan, New York, on Guarro wove paper, with full margins, sheet 480 x 565mm (18 ¾ x 22 ¼ in) (unframed)
Lot 195
δ Jake and Dinos Chapman (b. 1962 & 1966)The Rape of CreativityEtching printed with tone, 2003, signed and numbered from the edition of 100 verso, on wove paper, published by Modern Art Oxford, with full margins, sheet 493 x 590mm (19 ½ x 23 ¼in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 202
δ Tracey Emin (b.1963)Mother/BrotherSoft-ground etching, 2010, signed and dated in pencil, numbered from the edition of 100, printed at Paupers Press, London, on Somerset Tub sized paper, with full margins, 320 x 360mm (12 1/2 x 14 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 203
δ Tracey Emin (b.1963)No TimeSoft-ground etching, 2010, signed and dated in pencil, numbered from the edition of 100, printed at Paupers Press, London, on Somerset Tub sized paper, with full margins, 320 x 360mm (12 1/2 x 14 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 233
δ Anish Kapoor (b.1954)UntitledPolymer gravure type etching, 2014, signed and numbered from the edition of 150 in pencil, on BFK Rives paper, with full margins, sheet 320 x 380mm (12 5/8 x 14 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 256
δ Gio Pomodoro (1930-2002)UntitledEtching with carborundum, 1964, signed, dated and numbered from the edition of 20 in pencil, on wove paper, printed by Stamperia 2RC, Roma, the full sheet, 480 x 640mm (18 3/4 x 25 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 3
Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression on laid paper without watermark, New Hollstein's third state (of four), before final reworking, touched with brush and black ink in the shadowy areas, platemark 91 x 114 mm (3 5/8 x 4 1/2 in), sheet 99 x 126 mm (3 7/8 x 5 in) (unframed)Literature:Hind 118; New Hollstein 128 iii/iv
Lot 31
δ Salvador Dali (1904-1989)Cheval Royal (Field 72-1; M&L 429b)Etching with aquatint and extensive hand-colouring in blue and yellow, 1970, signed and numbered from the edition of 100 in pencil, on Arches wove paper, printed by Visat, with full margins, 315 x 245mm (12 3/8 x 9 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 32
δ Salvador Dali (1904-1989)L'Alchimiste (M & L 581c: Field 72-13)Etching printed in colours, 1973-1975, signed and numbered from the edition of 50 in pencil, on Arches paper, with full margins, 760 x 565mm (30 x 22 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 320
δ Harland Miller (b.1964)In Shadows I Boogie (Pink)The complete box set, comprising the etching with letterpress relief printing in colours and monograph, 2019, the print signed recto and numbered from the edition of 100 verso in pencil, the monograph signed and numbered from the edition of 100 in black ink, all housed within the original blue presentation box, together with a second signed copy of the monograph (pink), overall 345 x 253 x 45mm (13 1/2 x 9 7/8 x 1 6/8 in) (folio) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 33
δ Salvador Dali (1904-1989)L'Etalon Blanc (Hommage au cheval) (M & L 639a)The scare etching printed in sepia, 1973-1974, signed and numbered from the edition of 175 in pencil, on Arches paper, printed by Torrents, published by Ärzte-Sammlerkreis, with full margins, plate 495 x 645mm (19 1/2 x 25 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 37
δ Salvador Dali (1904-1989)Venus (Field 74-17-A; M&L 677e)Etching, 1971, signed, inscribed 'H.C' and numbered in roman numerals in pencil from the edition of 25, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 38
δ Salvador Dali (1904-1989)Apocalyptische Reiter (Field 74-18; M&L 722c)Etching in sepia, 1974, signed and inscribed 'P.A.', a proof aside from the edition of 50, on Japon paper, published by Arzte Sammlerkreis/Graphos Verlag, with full margins, image 490 x 640mm (19 1/4 x 25 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 4
Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong PlateEtching and drypoint, circa 1639, a good but later impression of New Hollstein's fourth state (of five) on thin laid paper without watermark, some wear showing in the densely hatched background, sheet 217 x 295 mm (8 1/2 x 11 1/2 in), thread margins, laid onto very fine paper support with some associated cockling, several expert repairs to fine splits and perforations, marginal loss at lower left corner, faint blue-ink stain just above the dog's head in the lower left corner (unframed)Provenance:Anthony Poggi (painter, engraver and publisher, d. 1836) [L. 617]Literature:Bartsch 49; New Hollstein 184 iv/v
Lot 42
δ Salvador Dali (1904-1989)Plaza Mayor (Field 73-11)Etching with pochoir printed in colours, 1973, signed and inscribed from the edition of CL in pencil, on Japan paper, printed and published by Ateliers Rigal, published by Vison Nouvelle, Paris, with full margins, plate 405 x 590mm (16 x 23 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 43
δ Salvador Dali (1904-1989)Flung out like a Fag-end by the Big-wigs (Field 74-8A; M&L 668d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artist verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 5
Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, but a later early 19th century impression of New Hollstein's fourth state (of four), on laid paper without watermark, platemark 209 x 158 mm (8 1/4 x 6 1/4 in), sheet 213 x 170 mm (8 3/8 x 6 3/4 in), signs of wear in the densely hatched areas, blue ink 'colportage' duty stamp verso (unframed)Literature:Bartsch 280; New Hollstein 286 iv/iv
Lot 6
Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good but later impression on laid paper without watermark, New Hollstein's third state (of four), some wear to the shadows beneath the hat and the artist's ear, even toning, trimmed to or just within the platemark, tipped in at corners onto paper support with some associated cockling, sheet 106 x 93mm (4 1/8 x 3 5/8in) (unframed)Literature:Hind 144; New Hollstein 158 iii/iv
Lot 7
Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a very good bold but later impression of the third state (of five) on laid paper without watermark, before re-work to the shadows and arch, trimmed to or just within the platemark, sheet 165 x 130 mm (6 1/2 x 5 1/8 in), sheet 169 x 134 mm (6 5/8 x 5 1/4 in), small nick to lower right edge (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v
Lot 8
Rembrandt van Rijn (1606-1669)Clement de Jonghe, PrintsellerEtching and drypoint, 1651, but a later impression of New Hollstein's eight state (of ten), platemark 208 x 164 mm (8 1/8 x 6 1/2 in), sheet 215 x 170 mm (8 1/2 x 6 3/4 in), expert repairs to the upper left and lower right corners (unframed)Literature:Bartsch 272; New Hollstein 264 viii/x
Lot 9
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good detailed impression of New Hollstein's fourth state (of eight) printing with clarity, on thick laid paper without watermark, with little sign of wear in the plate and before any re-working by later hands, featuring the publisher's name of Hendrick Gerritszoon van Uylenburgh in the lettered margin, sheet 525 x 410 mm (20 3/4 x 16 1/4 in), trimmed within the platemark, with left, right and upper margins restored, several handling creases with old repairs verso to splitting and marginal tears, careful restoration to upper corners, other small repairs to nicks and minor loss (unframed)Literature:Bartsch 103; New Hollstein 119 iv/viii
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78391 item(s)/page