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Lot 540

Dahmen, Karl Fred (1917 Stolberg - 1981 Preinersdorf (Chiemsee)Vertikal durch Grün. Farbradierung mit Aquatinta und Prägung, 1971. In Blei unterhalb der Darstellung rechts signiert, mittig datiert. Unten links auflagenbezeichnet "Epr.[euve] d'artiste" (Künstlerabzug vor der Auflage). Im Passepartout hinter Glas gerahmt. 83 x 63 cm (Ra). Vertically through green. Colour etching with drypoint and embossing, 1971. Signed in pencil below the motif right, titled middle. Artist's print. Framed behind glass.

Lot 18

Janssen, Horst, 1929 Wandsbek - 1995 Hamburg"2. Kröte für Langenhorn", 1964. Radierung, rechts unterhalb signiert, im Blatt datiert und bezeichnet "2. Kröte für Langhorn, 10.10.1964", vermutlich ca. 150 Exemplare. 40 x 49 (Pl), 54,5 x 76,5 cm (Bl). Hinter Glas gerahmt, 66,5 x 86,5 cm (Im unausgerahmten Zustand katalogisiert) Janssen, Horst, etching. Signed, dated, named. Framed behind glas.

Lot 701

Große Panorama-Ansicht der Stadt HamburgKupferstich-Ansicht, doppelbl., auf Bütten, schönes altes Kolorit, Legende oben rechts a-z, oben links Legende 1-19 und Stadtdwappen, Legende im unteren Plattenrand 11 Spalten. Gestoch. Bez. "Iohan Frid. Probst Haeres Ieremiae Wolffy excud: Aug. Vindel". Verlag Probst u. Wolff Erben Augsburg, um 1745. Partiell Stockflecken, Blattrand mit einigen Einrissen, vom Pp. verdeckt, leicht gebräunt, Pl. 37 x 104 cm, D. 33 x 103 cm. Hinter Glas mit Pp. gerahmt. Ra. 66 x 138 cm. Unausgerahmt katalogisiert. Vgl. Fauser Nr. 5397. Panoramic view of the city of Hamburg, copper etching, coloured, publisher: Probst and Wolff successors in Augsburg, ca. 1745. Minor lacks of condition, stains, framed with glass and passepartout. Frame: 66 x 138 cm,

Lot 533

Undeutl. sign., Ende 19./ Anf. 20. Jh.Landschaft mit Kiefern auf einer Anhöhe. Radierung auf feinem (Japan-)Papier, in Bleistift signiert, leicht gebräunt, Wasserrand re. ob. Blattrand. Stockflecken, Randläsuren. Hinter Glas gerahmt. Ra. 85 x 108 cm Landscape with pines, etching, signed (unclearly) in pencil, stains, tanned, margin wears, water spots at margin. Framed with glass. 85 x 108 cm

Lot 787

Karte von St. Petersburg. Mitte 19. Jh.Stahlstich, 1854, re. o. gestoch. Titel, unten Legende 1-12, rechts, links und unten gestoch. Ansichten einzelner Bauten. Zahlr. Erhaltungsmängel (Faltspuren, Einrisse im li. Blattrand, Falze teilw. durchgebrochen. Braunfleckig.). Hinter Glas mit Pp. gerahmt. BA 35,5 x 48,5 cm, Ra. 52,5 x 63 cm Map of Saint Petersburg, 1854, steel etching, lacks of condition. Framed with glass and passepartout. Cutout 35,5 x 48,5 cm, frame 52,5 x 63 cm

Lot 504

Kasimir, Luigi. 1888 Pettau-1962 WienAnsicht von Kloster Neuburg. Farbradierung/ Bütten, Nachlasssignatur, i. d. Pl. dat. "October 1912", hinter Glas gerahmt. Ra. 65 x 81 cm Luigi Kasimir: Neuburg Monastery, colour etching, inheritance signature, framed with glass. 65 x 81 cm

Lot 548

Dahmen, Karl Fred. 1917 Stolberg - 1981 Preinersdorf (Chiemsee)O.T. 1980. Radierung/ Farbradierung mit Prägung, auf Büttenkarton, sign., dat., als Künstlerexemplar bez. "e.a.", num. "10/ XII". 17,5 x 13,8 cm (Pl), hinter Glas mit Pp. gerahmt. Ra. 49,5 x 38 cm K. F. Dahmen: untitled, 1980, etching, signed, dated, marked artist's proof, numbered copy 10/ XII. Framed with glass. 49,5 x 38 cm

Lot 698

Karte Balkanländer, 2. H. 17. Jh.Kupferstichkarte, grenzkoloriert, am rechten Rand Kartusche mit Kriegstrophäen, gestoch. Titel "Illyricum orientis (...), v. Cordier n. N. Sanson, bei Petrus Mariette. Mittelfalte hinterlegt, hinter Glas mit Pp. gerahmt. 70,5 x 79 cm Ra. Zacharakis, Nr. 2103. Zeigt Rumänien mit Siebenbürgen, Moldavien, Bessarabien und Bulgarien sowie das nördl. Griechenland. Map of Balkan countries (Romania, Bulgaria and North Greek), copper etching, coloured, by Cordier after N. Sanson. Editor: Petrus Mariette. 2nd half of 17th ct. Framed with glass. 70,5 x 79 cm

Lot 763

Ansicht von Rio de Janeiro, Anfang 19. Jh.Kupferstich auf Bütten, alt koloriert, im oberen Plattenrand gestochen "European Magazine", im unteren Plattenrand "Rio de Janeiro, Published by I Asperne at the Bible Grown & Constitution Cornhill March 1. 1809". Im Passepartout, hinter Glas gerahmt, 21,5 x 27 cm (Ra) View of Rio de Janeiro, copper etching, coloured, in passepartout, framed behind glass.

Lot 702

Karte des Herzogtums Braunschweig, 1. H. 18. Jh.Kupferstichkarte, grenz-und flächenkoloriert (partiell), rechte ob. Ecke Titelkartusche mit gestoch. Titel "Ducatus Luneburgici et Comitatus Dannebergensis (...)", bei Johann Baptist Homann, Nürnberg. 49,5 x 58,5 cm (Pl), hinter Glas mit Pp. gerahmt. Ra. 75,5 x 83,5 cm Gebiet Hamburg, Elblauf bis Schnackenburg, Braunschweig, Hannover, Nienburg. Map of duchy of Braunschweig, copper etching, coloured, published by Johann Baptist Homann in Nürnberg, 1st half of 18th ct. Framed with glass and passepartout. Frame 75,5 x 83,5 cm

Lot 768

Gautier, Lucien. Geb. 1850 Aix en Provence"H.M.S. Ajax" (Schlachtschiff vor Küste). Radierung auf aufgewalztem China auf Bütten, Verlag Paul Delarue Paris, gedruckt bei Clément in Paris. Gestoch. Adresse im Schriftrand. Blattrand Einriss, Wasserränder. Hinter Glas gerahmt. Ra. 45 x 54 cm Battle ship H. M. S. Ajax. Etching, imprinted signature and printing adress, framed with glass. Water margins, margin wear. Framed with glass. 45 x 54 cm

Lot 705

Ansicht von München.Kupferstich / Bütten, koloriert, re. o. gestoch. Titel "Monachum, nominatissima Bavariae civitas". Aus: Braun/ Hogenberg: Civitates orbis Terrarum, 1572-1617, Bd. I. Stockflecken, Blattrand v. Passepartout verdeckt. Hinter Glas gerahmt, unausgerahmt katalogisiert. BA 10 x 22,5 cm, Ra. 24 x 35,5 cm View of Munich, copper etching, coloured, from Braun/ Hogenberg 1572-1617, vol. I., tanned, stains, framed with glass and passepartout, margin covered by passepartout, catalogued unframed. Cutout 10 x 22,5 cm, frame 24 x 35,5 cm

Lot 560

Randon, Claude (1674-1704)"Bruslot a la fonde". Radierung, nachkoloriert, unterhalb des Bildes bezeichnet, Nachdruck. 41,5 x 55,5 cm (Pl), Hinter Glas gerahmt, 51,5 x 67 cm (Ra). Papier vergilbt. Randon, Claude Etching of the ship "Bruslot a la fonde", coloured, reprint, framed behind glass, paper yellowed.

Lot 547

Coignard, James. 1925 Tours-2008 AntibesO.T. Farbradierung mit Prägung, sign., num. Ex. V/ XV. BA gebräunt. 29 x 19,5 cm (Pl), hinter Glas mit Pp. gerahmt. Ra. 52 x 42 cm James Coignard: untitled, colour etching, signed, numbered copy V of XV. Passepartout cutout tanned. Framed with glass. Frame: 52 x 42 cm

Lot 530

Ansicht von Münster"Ansicht der Stadt Münster von der Morgenseite ohnweit Lüdichenbech". Publiziert von der Coppenrathschen Buch und Kunstsammlung in Münster. Gezeichnet und gestochen von J. Chr. Savin, 1815, nachkolorierter Kupferstich. Min. stockfleckig, kleinere Wasserflecken. Im Passepartout, hinter Glas gerahmt, 59 x 72,5 cm (Ra) Coloured copper etching, view of Münster. Min. foxing, small water marks, in a passepartout, framed behind glass.

Lot 128

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979)The Sheep Shearer pencil, pen and ink and wash on paper 19 x 21cm (7 1/2 x 8 1/4in).together with a further pen and ink on paper, The Chicken Coop, by the same hand(2)Footnotes:ProvenanceWith David Cross Gallery, Bristol, where acquired by the present ownerPrivate Collection, U.K.The Sheep Shearer is an original study by Tunnicliffe for the etching of the same name.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 129

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979)The Newborn Calf pencil on paper21 x 27cm (8 1/4 x 10 5/8in).together with a further pen and ink and chalk on paper, A Study for 'The Shire', by the same hand (2)Footnotes:ProvenanceWith David Cross Gallery, Bristol, where acquired by the present ownerPrivate Collection, U.K.The Newborn Calf is an original study by Tunnicliffe for the etching of the same name.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 133

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979)The Cheshire Plain; The Water Trough Etching, 1926, on laid, signed and numbered 46/75 in pencil, with margins, 200 x 245mm (7 7/8 x 9 5/8in)(PL); together with 'The Water Trough', 1926, etching, on laid, signed and numbered 5/75 in pencil, with margins, 150 x 147mm (5 7/8 x 5 7/8in)(PL)(2)Footnotes:ProvenanceWith David Cross Gallery, Bristol, where acquired by the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 135

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979)The New Rick; Carting Hay Etching, 1927, on wove, signed and numbered 42/75 in pencil, with margins, 195 x 255mm (7 5/8 x 10in)(PL); together with 'Carting Hay', etching, on laid, signed and numbered 31/75 in pencil, with margins, 180 x 225mm (7 1/8 x 8 7/8in)(PL)(2)Footnotes:ProvenanceCarting Hay; with H. Dickins, Oxfordshire, where acquired by the present owner Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 136

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979)The Spotted Sow; To the Slaughter Etching, 1928, on wove, signed and numbered 8/75 in pencil, with margins, 175 x 250mm (6 7/8 x 9 3/4in)(PL); together with 'To the Slaughter', etching, on laid, signed in pencil, with margins, 285 x 210mm (11 1/4 x 8 1/4in)(PL)(2)Footnotes:ProvenanceTo the Slaughter; with H. Dickins, Oxfordshire, where acquired by the present owner Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 137

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979)Christmas Chickens; The Pig Dealer Etching, 1927, on laid, signed and numbered 25/75 in pencil, with margins, 240 x 190mm (9 3/8 x 7 7/8in)(PL); together with 'The Pig Dealer', etching, on laid, signed and numbered 33/75 in pencil, with margins, 175 x 225mm (7 x 8 7/8in)(PL)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 138

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979)The Thief; The Stallion Etching, 1928, on laid, signed and numbered 47/75 in pencil, with margins, 150 x 230mm (5 7/8 x 12 5/8in)(PL); together with 'The Stallion', 1928, etching, on laid, signed in pencil, with margins, 170 x 225mm (6 3/4 x 8 7/8in)(PL)(2)Footnotes:ProvenanceWith David Cross Gallery, Bristol, where acquired by the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 336

19TH CENTURY ENGLISH SCHOOL "Study of a gentleman in white cravat", pencil, unsigned, 23 cm x 18 cm, together with various etchings, engravings, etc, to include AFTER ROWLANDSON and PUGIN "Tattersall's, Horse Repository", etching heightened in colour etc

Lot 302

William Walcot: a signed etching, "The Thames from Waterloo", 3 3/4" x 7", in gilt strip frame

Lot 303

William Walcot: a signed etching, Liver Buildings, Liverpool, 4 3/4" x 13", in gilt frame

Lot 1592

* Frank Brangwyn [1867-1956]-Strand on The Green, No.1, 1904:-etching, signed in pencil in the marginimage 15 x 10cm.*Note With the Goldmark Gallery, Rutland.

Lot 1683

Ernest Matthews [early 20th Century]-Low Tide; figures on a beach white chalk cliffs beyond,:-signed bottom right, oil on board, 24 x 34cm, together with a small oil Autumn Landscape by Margaret Cheffins, a small oil of Mediterranean Fishermen by a different hand, and an etching of a Bull Fighter by Stracha Halpern. [4]Please see website for further images of this lot www.bhandl.co.uk

Lot 458

Sporting Adventure by J. Wentworth Day with Photogravure Plates & line drawings by “Fish Hawk”, published Harrap 1937 first edition in gilt lettered cloth with etching loosely inserted. Dogs As I See Them by Lucy Dawson (Mac) with 22 illustrations in colour, published Collins 1936 first edition in illustrated dust-wrapper. Wild Geese & Eskimos by Peter Scott 1951 illustrated with photographs and line drawings. The Book of Lawson Wood and Tom Browne illustrated 1930, both in picture cloth plus a group of small leather and suede bindings (12)

Lot 562

Cruickshank, G: Etching 'Monstrosities of 1824 pt 7' hand coloured, and 'Symptoms of Lewdness or a Peep into the Boxes', by Fores JW. published 1794, inscribed to verso 'This picture was a present from the wonderful Margaret Leighton after we had done Anthony and Cleopatra - such a special and great actress and person'

Lot 136

Late 20th Century Scottish Sgian Dubh4 3/4 inch, single edged blade.  Clipped back edge with narrow fuller with holes.  Both blade flats with thistle etching.  Antler grip with white metal disk pommel cap.  Contained in its leather scabbard.  Clean condition.   PAYMENT BY BANK TRANSFER ONLY

Lot 5

1831 Pattern Victorian Duke of Albany Highlanders Scottish Broadsword32 1/4 inch, double edged blade.  Narrow double fullers and similar to the forte.  Etched foliage scrolls, Duke of Albany Highlanders and battle honour scrolls.  Forte with retailer "Meyer & Mortimer Conduit St London".  Steel basket hilt with heart pierced panels.  Steel dome pommel.  Shagreen covered grip with twist wire binding.  Steel with dark patina.  Etching faint in places.   PAYMENT BY BANK TRANSFER ONLY

Lot 62

1796 Pattern Officer's Cavalry Sword32 1/4 inch, single edged, curved blade with wide fuller.  Traces of etching.  Steel, downturn quillon and stirrup knuckle bow.  Plain steel backstrap.  Leather covered wooden grip with twist wire binding.  Steel with dark patina.   PAYMENT BY BANK TRANSFER ONLY

Lot 75

Honourable Artillery Company Napoleonic War Period 1796 Light Cavalry Sword. A rare example. The single edged, 29 inch curved blade with etched decoration of a crowned GR cypher, the crest of the HAC and a Stand of Arms. The hilt of regulation pattern with gilt single bar guard and leather covered grip. Complete with original black leather and gilt mounted scabbard. The etching to the blade is clear, but the blade with areas of deep pitting. Gilt worn to base metal. Blade fully fits into the scabbard. PAYMENT BY BANK TRANSFER ONLY

Lot 76

Napoleonic War Period 1796 Infantry Pattern Sword. scarce and good quality example by Osborne 1798. Straight 32 inch blade with etched decoration depicting crowned GR cypher, panel of a crown above BA, initial E.J, Britannia etc. The hilt of regulation pattern with gilt single bar, urn pommel and wire grip. Complete with steel scabbard. The sword has been professionally restored, with some pitting to the blade, etching clear. PAYMENT BY BANK TRANSFER ONLY

Lot 77

Victorian 1887 Heavy Cavalry Officer?s Sword. slightly curved, single edged, 35 inch blade with etched decoration of a crowned VR cypher and retailer's details of Hamburger Rogers & Co. The hilt of regulation pattern, the guard enclosing a shagreen grip with twist wire binding. Housed in steel scabbard with two loose rings. Etching to blade clear. PAYMENT BY BANK TRANSFER ONLY

Lot 78

Honourable Artillery Company Victorian Artillery Section Officer?s Sword. example of the 1821 pattern sword.  Single edged, slightly curved blade with etched decoration of a crowned VR cypher, Artillery field gun with HAC above. The forte with the retailer's details of SEWELL AND CROM. Three bar open guard with shagreen grip with twist wire binding. Complete with steel scabbard with two loose rings. Etching to blade clear, overall age wear. PAYMENT BY BANK TRANSFER ONLY

Lot 85

Honourable Artillery Company Light Cavalry Officer?s Sword. rare regimental example of the 1821 Light Cavalry Pattern sword. The blade etched with a crowned VR cypher, HAC entwined initials, Light Cavalry scroll and the original owner's name of E. Duckworth. The forte with the retailer's details of Kirby of London. The hilt with three bar open guard and shagreen grip. Complete with scabbard. Some overall age wear, etching clear. PAYMENT BY BANK TRANSFER ONLY

Lot 288

Nevinson, C. R. W. Modern War Paintings With an Essay by P. G. Konody. London: Grant Richards Limited, 1917. First edition, 4to, original green quarter cloth, green paper boards, printed labels to spine and front cover, dust jacket, colour lithographic frontispiece ('The Column on the March') signed by Nevinson in pencil and with captioned tissue-guard, 24 monochrome plates, peripheral toning to boards, corners bumped, dust jacket with toned spine, chipping to head and foot of spine and joints, short closed tear to head of front panel, a few small marks; Bone, Muirhead. Glasgow. Fifty Drawings. Glasgow: James Maclehose, 1911. 'Special edition', number 2 of 110 copies (of which 10 were for presentation) with a signed original etching, comprising text volume (folio, original wrappers, partly unopened), signed etching (in window-mount), and 53 unbound plates (each on separate card mount and including duplicates of plates 3, 11 and 36), all in portfolio as issued; Binyon, Laurence. The Art of Botticelli. An Essay in Pictorial Criticism. London: Macmillan and Co., 1913. First edition, one of 275 copies, folio, original quarter vellum, etched frontispiece by Muirhead Bone (signed by the artist), 23 tipped-in colour plates, tissue-guards browned; Burns, Robert (1869-1941). Scots Ballads. London: Seeley Service & Co Limited, [1939]. First edition, one of 320 copies only, folio, original quarter cloth, printed on japon, wood-engraved illustrations throughout; [Chromolithography]. Poem by Lord Byron. Illuminated by W & G Hudsley, Architects. London: Day & Son, 1865. 4to, original decorative cloth, 20 chromolithographic leaves, gutta percha perished and contents loose; Stevenson, Robert Louis. Familiar Studies of Men and Books, New Arabian Nights. A New Edition; Ballads. London: Chatto and Windus, 1888-89-90. 3 works, large-paper editions, each one of 100 copies only, 4to, original cream cloth, slightly marked, tips bumped (8)

Lot 880

An Edwardian mirror brass fire screen with Art Nouveau style etching.

Lot 995

2 framed and glazed oriental silk paintings and an etching of the Lord Mayors Mansion House

Lot 23

LILIAN CHEVIOT (1884-1932). Study of two kittens and a dog, signed in pencil lower left, also indistinctly signed lower right by another artist, etching on paper laid on card, with academy proof stamp, unframed, 25 x 31 cm

Lot 30

D LAW - A LAKELAND SCENE ETCHING WITH FIGURE SIGNED IN PLATE 54CM X 37CM

Lot 33

A QUANTITY OF FRAMED AND GLAZED PRINTS TO INCLUDE A SIGNED ETCHING OF A CHURCH (8)

Lot 185

Sale Item: 5 MODERN MASTERS OF ETCHING BOOKS (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

Lot 511

LANDSCAPE WITH TREE, ETCHING (proof) indistinctly signed, French or Belgian, early 20th century

Lot 525

SIR FRANK BRANGWYN (1867-1956) Etching, a scene of labourers on a building site 66 x 75 framed

Lot 547

JUDY WILLOUGHBY (?), ARTISTS PROOF ETCHING, SEATED COUPLE on handmade paper, 23cm x 17cm, framed, one other watercolour by the same artist and a watercolour entitled 'Services Rendered, both framed

Lot 563

JUDY WILLOUGHBY (?), ARTISTS PROOF ETCHING, GIRL ON A SWING 2/50, 45cm x 30cm, five other pictures by the same artist and seven other decorative pictures, all framed

Lot 158

A small watercolour painting of a lady & child signed Tina Robinson & dated 74, 10¼” x 7”; & a small coloured French etching of Corsham House, 5¾” x 7¼”, each in a glazed frame.

Lot 640

Victor Pasmore CH, CBE (1908-1998) - Word and Image 'When the Curtain Falls', 1974, etching, aquatint and screenprint, signed by the artist with initials in pencil, dated '74 and numbered 56/60, 47.5 x 45cm Pinhead sized brown stain lower margin. Gold mark gallery label on backboard

Lot 97

FRAMED ETCHING OF NORWICH CATHEDRAL SIGNED BY E J MAYBERY

Lot 52

ANTONI TAPIES (Spanish, 1923-2012) 'Symetrique Noir', 1984, etching, resin and carborundum in colours, on Arches wove paper, signed in white crayon and numbered 20/50, published by Galerie Lelong, Paris, 80cm x 121.5cm, framed. (Subject to ARR - see Buyers Conditions)

Lot 67

HENRI MATISSE (French, 1869-1954) 'Femme et Satyr', 1932, etching, a very rare proof from the edition of 30, issued for the series 'Poesies, etchings inspired by the poetry of Mallarmé', printed at the Studio of Lacoutiere, published Lausanne, with William Weston label to verso, 27.7cm x 35.5cm, framed. (Subject to ARR - see Buyers Conditions)

Lot 13

BSA, BIRMINGHAM A SCARCE .177 UNDER-LEVER AIR-RIFLE, MODEL 'CLUB', serial no. EC2033, for between March and May 1956, with blued 18in. barrel, ramp fore-sight fitted with a period Parker Hale tunnel sight with interchangeable elements, elevating notch rear-sight, automatic loading tap at breech, plain 9 1/2in. air-chamber, the top of cylinder etched 'THE BIRMINGHAM SMALL ARMS CO LTD' over THE CLUB .177 AIR RIFLE' over 'MADE IN ENGLAND' (all etching bright and clear), the wording partially obscured by applied period Parker Hale telescopic sight mounting dove-tailed blocks, black stove enamelled trigger unit fitted with a dedicated folding Parker Hale aperture sight, plain three-piece constructed walnut half-stock with ribbed heel and broad finger-grooves to fore-end, the underside of butt fitted with a fore-sight element holder (with elements), bakelite stock-bolt cover, concealed under-lever and fitted with sling swivels, the whole appearing very little used

Lot 17

BSA, BIRMINGHAM A SCARCE .177 UNDER-LEVER AIR-RIFLE, MODEL ''A' PREFIX STANDARD', serial no. A1789. for 1936, with blued 17in. barrel, dove-tailed fore-sight, elevating notch rear-sight, tap-loading breech, plain air-chamber etched 'THE BSA STANDARD AIR RIFLE .177 BORE (No.1)' bisected by the 'Piled Arms' trademark above 'THE BIRMINGHAM SMALL ARMS CO LTD ENGLAND, PATENTED, SOLE MAKERS' over three lines of various countries patents (etching faded but quite legible), single hole trigger unit with weight of pull adjuster to front of guard, walnut saw-handled butt-stock with pressed chequered panels incorporating the letters 'BSA', ribbed end to butt, no provision for fore-end and push-button under-lever, the whole retaining much original finish Pre-1939

Lot 20

WEBLEY & SCOTT, BIRMINGHAM A RARE .177 BARREL-COCKING AIR-RIFLE, MODEL 'MKI', serial no. 464, circa 1927, with blued 19in. barrel, dove-tailed blade fore-sight, elevating notch rear-sight, plain barrel release block with sliding locking catch, plain blued air chamber, left hand side of breech housing etched with 'REGISTERED' and the 'winged bullet' trademark, right side of air-chamber etched with 'PATENTS GRANTED' above ten countries patents in five lines, the left side etched 'WEBLEY AIR RIFLE MKI, the trigger housing stamped 'MANUFACTURED BY WEBLEY & SCOTT LTD, BIRMINGHAM & LONDON' and fitted with a rotating safety catch, the underside of block with trigger adjustment screw marked 'ADJUST PULL', the right hand side with serial number to rear, walnut saw-handled pistol-grip half-stock (cracked and repaired at wrist), plain iron heel-plate, the whole retaining much original finish but etching faded and barely legible in places Pre-1939

Lot 1601

Frank Lewis Emanuel (1866-1948), pencil drawing, Richmond Street scene, signed, 18 x 16.5cm and a Frederick Carter (1863-1947), etching. 'The Dean's Eye Gate, Wells', signed, 4/30, 19 x 24cm

Lot 1635

E.J. Detmold, drypoint etching, 'The Captive', signed in pencil, 33.5 x 29cm

Lot 1652

Chris Orr, coloured etching, 'The Platters on the Holiday', signed and dated 1989, 11/40, sheet overall 58 x 76cm

Lot 1668

A. Van Heintzelman, drypoint etching, Scene in a music hall, from the edition of 100, signed in pencil, 28 x 24cm

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