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Artist: Henri Matisse (French, 1869 - 1954). Title: "Cite - Notre Dame". Medium: Original etching. Date: Composed 1937. Dimen

Stanford Auctioneers

Lot 111

Artist: Henri Matisse (French, 1869 - 1954). Title: "Cite - Notre Dame". Medium: Original etching. Date: Composed 1937. Dimensions: Overall size: 20 x 15 1/16 in. (508 x 383 mm). Image size: 13 1/8 x 10 1/4 in. (333 x 260 mm).Lot Note(s): Signed in reverse in the plate, lower right. Edition of 500. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: D248. Comment(s): An example has sold at auction for as high as $2,585 (Christie's, East [19th & 20th Century, Contemporary Prints & Multiples, Sale #8423] - 09/20/2000 - Lot #71). Image copyright © The Estate of Henri Matisse. [17489-4-800]

Live Auction

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the

Stanford Auctioneers

Lot 302

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the original etching. Date: Composed 1903. Printed later. Dimensions: Overall size: 6 11/16 x 8 11/16 in. (170 x 221 mm).Lot Note(s): Titled in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): Please note that the original image was created as an etching by Klee in 1903. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29301-1-400]

Live Auction

Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color eng

Stanford Auctioneers

Lot 315

Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color engraving, etching, and aquatint, with handcoloring. Date: Composed 1812. Dimensions: Overall size: 16 x 23 3/4 in. (406 x 603 mm). Image size: 12 x 21 7/8 in. (305 x 556 mm).Lot Note(s): After Jean Joseph Bostier de Bez (1780-1845). An extremely rare proof (1 of 3) before letters. Cream wove paper. The full sheet, deckle edges four sides. An excellent impression. Condition: good; some foxing and browning with color attenuation; no serious problems. Literature/catalogue raisonne: See: Beraldi, Volume 8, pg. 229; IFF2; B4. Provenance: Ex-collection Cortlandt F. Bishop, with his stamp, verso; M. Knoedler, NYC, with their labels from frame back, separate from the print, since lost. Comment(s): A rare print even with letters. We could find only three sales at auction, all with letters, in the past 25 years, the last in 1995 (sold at $1,168). The print shows a part of the Boulevard du Temple, then called the Boulevard du Crime. "Jean Pierre Marie Jazet was one of the most prominent aquatint engravers of the Napoleonic era. He worked almost exclusively in aquatint, reproducing the paintings of the grand Republican artists such as David, Vernet, de Gros, and Grenier. Although the majority of his prints were patriotic images, he also produced many fine aquatints of pastoral paintings and genre scenes. His fresh images exhibit the beauty of the medium and exemplify his amazing technical ability. His extremely complex prints are fluid yet detailed; they express the beautiful painterly technique of the medium…" Courtesy: Donald A. Heald. [24412-4-800]

Live Auction

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Pri

Stanford Auctioneers

Lot 321

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): Another impression of this work sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]

Live Auction

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printe

Stanford Auctioneers

Lot 330

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]

Live Auction

Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Da

Stanford Auctioneers

Lot 420

Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Date: Composed 1983. Dimensions: Overall size: 19 13/16 x 14 7/8 in. (503 x 378 mm). Image size: 11 3/4 x 9 15/16 in. (298 x 252 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #5 of Edition of 5. Soft handling creases; otherwise fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): The winner of the first prize in the print category at the Toronto School of Art in 1983, when the artist was 23. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18624-0-300]

Live Auction

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Seafarers [tan]". Medium: Color etching. Date: Composed c1940. Dimensi

Stanford Auctioneers

Lot 557

Artist: Steve Wheeler (American, 1912 - 1992). Title: "Seafarers [tan]". Medium: Color etching. Date: Composed c1940. Dimensions: Overall size: 7 x 9 3/8 in. (178 x 238 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Edition size unknown (perhaps never editioned, with only a few proofs pulled). Cream wove paper. Wide margins. Fine impression with pronounced platemark. Very good to fine condition; printed slightly off-center; would be fine save a few ink smudges in the margins. Comment(s): Wheeler’s prints in woodcut and etching are rare. ‘Gordon’s Print Prices’ lists only his silkscreens – not a single woodcut or etching. He is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. The influence of Arshile Gorky on Wheeler’s oeuvre is often overlooked. His work is increasingly being "discovered," as evidenced by the sale of his painting "W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000 (including premium). There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [30114-1-800]

Live Auction

Jean-François Millet (French 1814-1875): Shepherdess and Her Flock in the Shade of Trees, etching c.1854/55 signed in th

David Duggleby Auctioneers & Valuers

Lot 170

Jean-François Millet (French 1814-1875): Shepherdess and Her Flock in the Shade of Trees, etching c.1854/55 signed in the plate 24cm x 18.5cm

Live Auction

Sir Terry Frost RA (British 1915-2003): 'It is True' (Lorca Sun) (Kemp 130), lithograph and etching on Somerset paper signed

David Duggleby Auctioneers & Valuers

Lot 235

Sir Terry Frost RA (British 1915-2003): 'It is True' (Lorca Sun) (Kemp 130), lithograph and etching on Somerset paper signed titled dated '91 and numbered 13/25 in pencil 56cm x 38cm with full margins

Live Auction

Peter Godfrey Coker RA (British 1926-2004): Untitled, artist's proof etching with aquatint signed and dated '79 in pencil 65c

David Duggleby Auctioneers & Valuers

Lot 242

Peter Godfrey Coker RA (British 1926-2004): Untitled, artist's proof etching with aquatint signed and dated '79 in pencil 65cm x 48cm (unframed)

Live Auction

MICHEAL CARLO (b.1915): A framed and glazed etching "February Track". Pencil signed and No. 104/200. Plate size 35cm x 50.5cm

TW Gaze

Lot 1058

MICHEAL CARLO (b.1915): A framed and glazed etching "February Track". Pencil signed and No. 104/200. Plate size 35cm x 50.5cm

Live Auction

Mixed pictures and prints including unframed and mounted pencil signed limited edition coloured etching by Margaret Levinson

TW Gaze

Lot 1283

Mixed pictures and prints including unframed and mounted pencil signed limited edition coloured etching by Margaret Levinson

Live Auction

Henry G. Walker, Boy in a Sailing Boat, etching, signed in pencil lower right, 21 x 32cm; together with a pair of prints. (3)

Sheffield Auction Gallery

Lot 1458

Henry G. Walker, Boy in a Sailing Boat, etching, signed in pencil lower right, 21 x 32cm; together with a pair of prints. (3)

Live Auction

James Priddy 'Old Mill, Warwickshire' Artists Proof Etching, pencil signed, 22 x 29cm. E.G Earthrowl 'Old Holly and Poacher'

Sheffield Auction Gallery

Lot 1462

James Priddy 'Old Mill, Warwickshire' Artists Proof Etching, pencil signed, 22 x 29cm. E.G Earthrowl 'Old Holly and Poacher' original drypoint etching, pencil signed 25 x 32cmm map.(3)

Live Auction

Lyonel Feininger - - 1871 New York - 1956 New York The Disparagers (Die Höhnenden / Die Ausgestoßenen). 1911. Radierung. Pra

Ketterer Kunst München

Lot 183

Lyonel Feininger - - 1871 New York - 1956 New York The Disparagers (Die Höhnenden / Die Ausgestoßenen). 1911. Radierung. Prasse E 38. Signiert und datiert. In der Platte signiert, betitelt und datiert. Auf gelblichem Bütten. 21,7 x 26,4 cm (8,5 x 10,3 in). Papier: 30,5 x 34 cm (12 x 13,3 in). [KT]. • Seltenes und gesuchtes Blatt aus dem Frühwerk des Künstlers. • Feiningers Faszination für Architektur und Technische Konstruktionen lässt ihm wiederholt das Viadukt von Meudon zum Motiv werden, das er während einer Parisreise besichtigt. • Weitere Exemplare des faszinierenden Blattes befinden sich im Museum of Modern Art, New York sowie dem Art Institute, Chicago. PROVENIENZ: Sammlung Dr. Keins, Buenos Aires. Privatsammlung (vom Vorgenannten erworben). Aufrufzeit: 18.06.2021 - ca. 14.50 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONLyonel Feininger -1871 New York - 1956 New York The Disparagers (Die Höhnenden / Die Ausgestoßenen). 1911. Etching. Prasse E 38. Signed and dated. Signed, titled and dated in the plate. On yellowish laid paper. 21.7 x 26.4 cm (8.5 x 10.3 in). Sheet: 30,5 x 34 cm ( x 12 x 13,3 in). [KT]. • Rare and sought-after sheet from the artist's early creative period. • Feininger's fascination with architecture and technical constructions made the Meudon Viaduct a motif that he visited during a trip to Paris. • Further copies of the fascinating sheet are in the Museum of Modern Art, New York and the Art Institute, Chicago. PROVENANCE: Collection Dr. Keins, Buenos Aires. Private collection (acquired from the above). Called up: June 18, 2021 - ca. 14.50 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).

Live Auction

Joseph Beuys - - 1921 Krefeld - 1986 Düsseldorf Zu Terremoto. 1982. Radierung und Bleistiftzeichnung. Schellmann 456 B (von

Ketterer Kunst München

Lot 424

Joseph Beuys - - 1921 Krefeld - 1986 Düsseldorf Zu Terremoto. 1982. Radierung und Bleistiftzeichnung. Schellmann 456 B (von B). Links oben signiert und bezeichnet 'a.p. 5/20'. Verso abermals signiert, datiert und mit Technikangabe versehen. Aus einer Auflage von 20 Künstlerdrucken. Auf Velin von Fabriano (mit Wasserzeichen). 16 x 12 cm (6,2 x 4,7 in). Papier: 49,5 x 35,4 cm (19,4 x 13,9 in). Gedruckt von Sebaste Carella, Studio Bernalda (mit Trockenstempel) und herausgegeben von der Galerie Schmela, Düsseldorf. [EH]. • Visualisierung der physischen, psychischen und sozialen Folgen des Erdbebens im Mezzogiorno. • Für Beuys birgt diese konzertierte Künstleraktion auch Potenzial zur Veränderung. PROVENIENZ: Galerie Schmela, Düsseldorf. Privatsammlung Deutschland (1984 beim Vorgenannten erworben). AUSSTELLUNG: Joseph Beuys: Wo ist Element 3?, Ketterer Kunst, Berlin, 26.3.–22.5.2021. Nach einem schrecklichen Erdbeben im Mezzogiorno am 23. November 1980 regt der Galerist Lucio Amelio seine Künstler an, Arbeiten zum Thema 'Erdbeben' zu schaffen, die in der Villa Campolieto ausgestellt werden. Beuys konzipiert 1981 den Raum „Terremoto in Palazzo“ und die Skulptur „Terremoto“, deren Erlös er darüber hinaus aus Solidarität mit der linken Gruppe „Lotta Continua“ für den Erhalt der gleichnamigen Zeitung spendet. Auf eine der an eine ausgediente Setzmaschine der italienischen Druckerei gelehnten Tafeln finden sich die schmerzvollen Physiognomien der übereinander gestaffelten mit Kreide gezeichneten Köpfe, die Beuys auf der vorliegenden Radierung wiederholt. [Eugen Blume] Aufrufzeit: 19.06.2021 - ca. 12.42 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONJoseph Beuys -1921 Krefeld - 1986 Düsseldorf Zu Terremoto. 1982. Etching and Pencil drawing. Schellmann 456 B. Signed and inscribed 'a/p 5/20' in upper left. Verso once more signed, dated and inscribed with the dimensions. From an edition of 20 artist proofs. On Fabriano wove paper (with watermark). 16 x 12 cm (6.2 x 4.7 in). Sheet: 49,5 x 35,4 cm (19,4 x 13,9 in). Printed by Sebaste Carella, Studio Bernalda (with blindstamp) and published by Galerie Schmela, Düsseldorf. • Visualization of the physical, psychological and social aftermath of the earthquake in the Mezzogiorno. • For Beuys this concerted artist action bears potential for change. PROVENANCE: Galerie Schmela, Düsseldorf. Private collection Germany (acquired from aforementioned in 1984). EXHIBITION: Joseph Beuys: Wo ist Element 3?, Ketterer Kunst, Berlin, March 26 – May 22, 2021. After a terrible earthquake in the Mezzogiorno region on November 23, 1980, the gallery owner Lucio Amelio encouraged his artists to create works on the theme of 'earthquakes', which were exhibited in the Villa Campolieto. In 1981 Beuys created the room “Terremoto in Palazzo” and the sculpture “Terremoto”, proceeds of which went to the left-wing group “Lotta Continua” to fund the newspaper of the same name. The painful physiognomies of the heads in chalk, which Beuys repeated in this present etching, can be found on one of the plates leaning against an old typesetting machine in the Italian printshop. [Eugen Blume] Called up: June 19, 2021 - ca. 12.42 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Live Auction

JAMES GILRAY Posting in Ireland . Hand-coloured etching and aquatint published by Hannah Humphrey 8 April 1805 320mm x 398mm

TW Gaze

Lot 5216

JAMES GILRAY Posting in Ireland . Hand-coloured etching and aquatint published by Hannah Humphrey 8 April 1805 320mm x 398mm together with the companion portrait published one month later by JAMES GILRAY Posting in Scotland hand-coloured etching and aquatint published by Hannah Humphrey 25 May 1805. * These two satirical etchings are among the largest James Gilray produced and were signed C.Lorraine Smith in comic reference to Claude Lorraine the classic landscape artist.

Live Auction

CHARLES HOLME (ED): MODERN ETCHING AND ENGRAVING, London, The Studio, 1902, 1st edition, 4to, original wraps, lacks most of b

Keys Fine Art Auctioneers

Lot 205

CHARLES HOLME (ED): MODERN ETCHING AND ENGRAVING, London, The Studio, 1902, 1st edition, 4to, original wraps, lacks most of backstrip and wraps detached

Live Auction

Collection of four oils of 18th century folk in gilt frames along with 18th century French etching of a Gentleman.

Hansons Auctioneers and Valuers

Lot 3058

Collection of four oils of 18th century folk in gilt frames along with 18th century French etching of a Gentleman.

Live Auction

Blue & Yellow, coloured etching, signed and inscribed A/P, 33.5 x 41.5cm

Cheffins

Lot 499

Blue & Yellow, coloured etching, signed and inscribed A/P, 33.5 x 41.5cm

Live Auction

Three modern framed botanical prints after Robert Faber's June, July and August, together with Chris H Clark limited edition

Cheffins

Lot 500

Three modern framed botanical prints after Robert Faber's June, July and August, together with Chris H Clark limited edition etching, signed in pencil lower right; A Michael Hunter print of Pyramus and Thisbe and an oval coloured print in a gilt frame (6)

Live Auction

‘Meadow Light’, etching with aquatint by Phil Greenwood, A/P, signed, 41 x 47cm; another by Gillian Stroudley, 'The Old Bridg

Cheffins

Lot 505

‘Meadow Light’, etching with aquatint by Phil Greenwood, A/P, signed, 41 x 47cm; another by Gillian Stroudley, 'The Old Bridge at Ebb Tide', signed, 39 x 30cm; Chrissy Norman, Winter Oaks, signed, 10/60, 15cm square, (3)

Live Auction

Graham Evernden, (British b.1947-) 'Sunlit Wood'; etching with aquatint printed in colours, signed na dtitled in pencil, 18 x

Busby

Lot 382

Graham Evernden, (British b.1947-) 'Sunlit Wood'; etching with aquatint printed in colours, signed na dtitled in pencil, 18 x 12cm

Live Auction

Graham Evernden, (British b.1947-), 'Home Field'; etching with aquatint printed in colours, artists proof 5/20, signed and ti

Busby

Lot 385

Graham Evernden, (British b.1947-), 'Home Field'; etching with aquatint printed in colours, artists proof 5/20, signed and titled in pencil, 30 x 39cm

Live Auction

Renee Halpern (1914-) Tuscan Interior VIII/XV lithograph, signed and numbered in pencil, 53cm x 40cm; Reginald Montague Lande

Busby

Lot 402

Renee Halpern (1914-) Tuscan Interior VIII/XV lithograph, signed and numbered in pencil, 53cm x 40cm; Reginald Montague Lander (1913-1982) Dunster castle, Minehead, Somerset, Artist's Proof, signed in pencil, 18cm x 27cm; Claire Brown (20th Century) British Fenlands colour etching edition of 150, signed and titled in pencil, 60 x 50cm (3)

Live Auction

George Edward Horton (1859-1950), 19th century etching heightened in colour depicting Tynemouth Sands with St. George's, Cull

Busby

Lot 289

George Edward Horton (1859-1950), 19th century etching heightened in colour depicting Tynemouth Sands with St. George's, Cullercoats in the distance, signed and titled in pencil, 15cm x 19cm; Mouth of Tyne looking to Tynemouth, 19th century etching heightened in ink, signed and titled in pencil, 10cm x 20cm (2)

Live Auction

After Giovanni Battista Piazzetta (1682-1754), A young Man embracing a Girl, dedicated to Angelo Maria Labia, etching and en

Busby

Lot 298

After Giovanni Battista Piazzetta (1682-1754), A young Man embracing a Girl, dedicated to Angelo Maria Labia, etching and engraving by Giovanni Cattini or Marco Pitteri, Venice, c.1743-1754, 44.5 x 33.5 cm

Live Auction

Stanley William Hayter (British, 1901-1988), Dadi Wirz, Gail Singer, Enrique Zanartu and Inger Sitter Untitled (poster for At

Busby

Lot 365

Stanley William Hayter (British, 1901-1988), Dadi Wirz, Gail Singer, Enrique Zanartu and Inger Sitter Untitled (poster for Atelier 17 exhibition at the ICA), 1962 signed in pencil (in the margin) (Black and Moorhead 269) engraving, deep etching, scorper and aquatint 24 x 39cm

Live Auction

20th century contemporary, abstract, signed and titled indistinctly, numbered 17/30, dated 1953, engraving, deep etching, and

Busby

Lot 367

20th century contemporary, abstract, signed and titled indistinctly, numbered 17/30, dated 1953, engraving, deep etching, and aquatint, 22 x 40cm

Live Auction

H Sheppard Dale, set of ten signed prints of Glastonbury, in folio titled 'Etchings of Glastonbury' by H Sheppard Dale 1885,

Ewbank's

Lot 1267A

H Sheppard Dale, set of ten signed prints of Glastonbury, in folio titled 'Etchings of Glastonbury' by H Sheppard Dale 1885, each etching sheet size 56.5 x 39.5cm,

Live Auction

Morgan Dennis (American, 1892-1960). Schools Out. Portrait of a terrier looking out a window. Etching, signed in pencil. With

Ewbank's

Lot 1269

Morgan Dennis (American, 1892-1960). Schools Out. Portrait of a terrier looking out a window. Etching, signed in pencil. With title and gallery labels verso. 12.5 x 9cm. Framed and glazed.

Live Auction

Hans Frey, Austrian 20th century, 'Matterhorn', signed etching, 11.5 x 14.5cm,

Ewbank's

Lot 1270A

Hans Frey, Austrian 20th century, 'Matterhorn', signed etching, 11.5 x 14.5cm,

Live Auction

Jos van Hoof (Belgian, 1889-1937). 'Village Campinois', limited edition etching, signed, titled and numbered 6(?)/100 in penc

Ewbank's

Lot 1280

Jos van Hoof (Belgian, 1889-1937). 'Village Campinois', limited edition etching, signed, titled and numbered 6(?)/100 in pencil to margin. 24 x 31cm. Framed and glazed.

Live Auction

Sheila Oliver, a signed limited edition etching, 26/50 Summer V, signed, framed and glazed. H.42xW.33cm

Criterion Auctioneers Ltd - London & Bath

Lot 399

Sheila Oliver, a signed limited edition etching, 26/50 Summer V, signed, framed and glazed. H.42xW.33cm

Timed Auction

Antony Gormley RA (British, born 1950)Domain etching and aquatint, 2000, on wove, signed and numbered 13/110 (on recto), the

Bonhams

Lot 75

Antony Gormley RA (British, born 1950)Domain etching and aquatint, 2000, on wove, signed and numbered 13/110 (on recto), the full sheet90 x 76cm (35 7/16 x 29 15/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Live Auction

JEAN THOMAS.  Bhasteir Tooth, pencil signed etching 2/60; also 5 other engravings & etchings.  (6).

Thomson Roddick Auctioneers & Valuers

Lot 452

JEAN THOMAS. Bhasteir Tooth, pencil signed etching 2/60; also 5 other engravings & etchings. (6).

Live Auction

Stanley R Wilson.  Sgurr-Nan-Gillean, orig. signed coloured etching 11/100; also a collection of other etchings, pr

Thomson Roddick Auctioneers & Valuers

Lot 459

Stanley R Wilson. Sgurr-Nan-Gillean, orig. signed coloured etching 11/100; also a collection of other etchings, prints & drawings, mainly Skye.

Live Auction

HENRY MARTYN LACK- 'THE COPPER', 1932, ETCHING, SIGNED LOWER RIGHT, APPROXIMATELY 12.5 x 11cm

Cato Crane Auctioneers

Lot 29

HENRY MARTYN LACK- 'THE COPPER', 1932, ETCHING, SIGNED LOWER RIGHT, APPROXIMATELY 12.5 x 11cm

Live Auction

SEYMOUR HADEN- 'TWICKENHAM CHURCH', ETCHING, SIGNED LOWER LEFT, APPROXIMATELY 14 x 21cm

Cato Crane Auctioneers

Lot 44

SEYMOUR HADEN- 'TWICKENHAM CHURCH', ETCHING, SIGNED LOWER LEFT, APPROXIMATELY 14 x 21cm

Live Auction

SEYMOUR HADEN- 'SHEPPERTON LOCK', ETCHING, 1864, SIGNED LOWER RIGHT, APPROXIMATELY 14 x 12cm

Cato Crane Auctioneers

Lot 45

SEYMOUR HADEN- 'SHEPPERTON LOCK', ETCHING, 1864, SIGNED LOWER RIGHT, APPROXIMATELY 14 x 12cm

Live Auction

LOUIS ROSENBERG- 'APPIAN WAY ROME', ETCHING, SIGNED LOWER RIGHT, APPROXIMATELY 15 x 19.5cm

Cato Crane Auctioneers

Lot 46

LOUIS ROSENBERG- 'APPIAN WAY ROME', ETCHING, SIGNED LOWER RIGHT, APPROXIMATELY 15 x 19.5cm

Live Auction

M BAYER, ETCHING OF ST BASIL'S CATHEDRAL, MOSCOW, SIGNED LOWER RIGHT, APPROXIMATELY 19.5 x 14cm

Cato Crane Auctioneers

Lot 47

M BAYER, ETCHING OF ST BASIL'S CATHEDRAL, MOSCOW, SIGNED LOWER RIGHT, APPROXIMATELY 19.5 x 14cm

Live Auction

FRANCIS DODD- 'THE PIAZZETTA VENICE', ETCHING, SIGNED LOWER RIGHT, APPROXIMATELY 21.5 x 26.5cm

Cato Crane Auctioneers

Lot 48

FRANCIS DODD- 'THE PIAZZETTA VENICE', ETCHING, SIGNED LOWER RIGHT, APPROXIMATELY 21.5 x 26.5cm

Live Auction

J G HAMILTON- 'URQUHART CASTLE', ETCHING, SIGNED LOWER LEFT, APPROXIMATELY 22 x 30cm

Cato Crane Auctioneers

Lot 50

J G HAMILTON- 'URQUHART CASTLE', ETCHING, SIGNED LOWER LEFT, APPROXIMATELY 22 x 30cm

Live Auction

UNKNOWN, LANDSCAPE WITH TREES ETCHING, SIGNED (INDISTINCT) LOWER RIGHT, FRAMED AND GLAZED, APPROXIMATELY 15 x 15.5cm

Cato Crane Auctioneers

Lot 51

UNKNOWN, LANDSCAPE WITH TREES ETCHING, SIGNED (INDISTINCT) LOWER RIGHT, FRAMED AND GLAZED, APPROXIMATELY 15 x 15.5cm

Live Auction

J CRAWSHAW- 'AMIENS', ETCHING, SIGNED LOWER LEFT, FRAMED AND GLAZED, APPROXIMATELY 15 x 23cm

Cato Crane Auctioneers

Lot 53

J CRAWSHAW- 'AMIENS', ETCHING, SIGNED LOWER LEFT, FRAMED AND GLAZED, APPROXIMATELY 15 x 23cm

Live Auction

SEYMOUR HADEN- ' EGHAM LOCH', ETCHING, SIGNED LOWER LEFT, FRAMED AND GLAZED, APPROXIMATELY 15 x 22cm

Cato Crane Auctioneers

Lot 54

SEYMOUR HADEN- ' EGHAM LOCH', ETCHING, SIGNED LOWER LEFT, FRAMED AND GLAZED, APPROXIMATELY 15 x 22cm

Live Auction

SEYMOUR HADEN- 'THE TOWING PATH', ETCHING, SIGNED LOWER LEFT, FRAMED AND GLAZED, APPROXIMATELY 14 x 20.5cm

Cato Crane Auctioneers

Lot 55

SEYMOUR HADEN- 'THE TOWING PATH', ETCHING, SIGNED LOWER LEFT, FRAMED AND GLAZED, APPROXIMATELY 14 x 20.5cm

Live Auction

PHILIP BUSH- 'INTERNED 1914', ETCHING, SIGNED LOWER RIGHT, FRAMED AND GLAZED, APPROXIMATELY 12.5 x 17cm

Cato Crane Auctioneers

Lot 57

PHILIP BUSH- 'INTERNED 1914', ETCHING, SIGNED LOWER RIGHT, FRAMED AND GLAZED, APPROXIMATELY 12.5 x 17cm

Live Auction

R P BONNINGTON- 'ABBEVILLE SEEN FROM THE ROAD TO CALAIS', PRINTED ETCHING, SIGNED LOWER LEFT, UNFRAMED, APPROXIMATELY 12.5 x

Cato Crane Auctioneers

Lot 70

R P BONNINGTON- 'ABBEVILLE SEEN FROM THE ROAD TO CALAIS', PRINTED ETCHING, SIGNED LOWER LEFT, UNFRAMED, APPROXIMATELY 12.5 x 18cm

Live Auction

Alfred Richard Blundell 1883-1968 - Norfolk, etching, 28 x 38cm, LOC LWB

Bourne End Auction Rooms

Lot 333

Alfred Richard Blundell 1883-1968 - Norfolk, etching, 28 x 38cm, LOC LWB

Live Auction

* Aldin (Cecil Charles Windsor, 1870 - 1935). A Bunch of Mischief, etching, signed by the artist in pencil to the lower right

Dominic Winter Auctions

Lot 345

* Aldin (Cecil Charles Windsor, 1870 - 1935). A Bunch of Mischief, etching, signed by the artist in pencil to the lower right, limited edition 41/150, 180 x 125 mm, mounted, framed and glazedQty: (1)

Live Auction

* Aldin (Cecil Charles Windsor, 1870 - 1935). A most Popular Gentleman (Spaniel), etching, signed in pencil by the artist to

Dominic Winter Auctions

Lot 346

* Aldin (Cecil Charles Windsor, 1870 - 1935). A most Popular Gentleman (Spaniel), etching, signed in pencil by the artist to the lower right, limited edition 31/100, two small 'white spots', one affecting the image and one in the upper right margin, 265 x 210 mm, mounted, framed and glazedQty: (1)

Live Auction

* Aldin (Cecil Charles Windsor, 1870 - 1935). A Sealyham Puppy, etching, signed by the artist in pencil to the lower right, l

Dominic Winter Auctions

Lot 348

* Aldin (Cecil Charles Windsor, 1870 - 1935). A Sealyham Puppy, etching, signed by the artist in pencil to the lower right, limited edition of 121/150 mm, 165 x 120 mm, mounted, framed and glazedQty: (1)

Live Auction

* Aldin (Cecil Charles Windsor, 1870 - 1935). Five etching of dogs: I'm Delighted, Just Longing, Cheerio, Ready & Trustin

Dominic Winter Auctions

Lot 352

* Aldin (Cecil Charles Windsor, 1870 - 1935). Five etching of dogs: I'm Delighted, Just Longing, Cheerio, Ready & Trusting, five zinc etched cards of dogs, each approximately 135 x 95 mm, uniformly mounted, framed and glazedQty: (5)

Live Auction

* Aldin (Cecil Charles Windsor, 1870 - 1935). Portrait of a Sealyham, etching, signed by the artist in pencil to the lower ri

Dominic Winter Auctions

Lot 354

* Aldin (Cecil Charles Windsor, 1870 - 1935). Portrait of a Sealyham, etching, signed by the artist in pencil to the lower right, 150 x 200 mm, mounted, framed and glazedQty: (1)

Live Auction

* Aldin (Cecil Charles Windsor, 1870 - 1935). Sounds like the Missus, etching, signed in pencil by the artist to the lower ri

Dominic Winter Auctions

Lot 360

* Aldin (Cecil Charles Windsor, 1870 - 1935). Sounds like the Missus, etching, signed in pencil by the artist to the lower right, limited edition 11/150, very slight spotting, 295 x 215 mm, mounted, framed and glazedQty: (1)

Live Auction

* Aldin (Cecil Charles Windsor, 1870 - 1935). Susan the Pekinese, etching, signed by the artist in pencil to the lower right,

Dominic Winter Auctions

Lot 362

* Aldin (Cecil Charles Windsor, 1870 - 1935). Susan the Pekinese, etching, signed by the artist in pencil to the lower right, 225 x 315 mm, mounted, framed and glazedQty: (1)

Live Auction

* Aldin (Cecil Charles Windsor, 1870 - 1935). What about a Walkie? Eyre & Spottiswoode (Publishers) Ltd, etching, signed

Dominic Winter Auctions

Lot 368

* Aldin (Cecil Charles Windsor, 1870 - 1935). What about a Walkie? Eyre & Spottiswoode (Publishers) Ltd, etching, signed in pencil by the artist below the image to the lower right, limited edition 78/150, 160 x 220 mm, mounted, framed and glazedQty: (1)

Live Auction

* Boxing. Cruikshank (Isaac R.), The Great Match between Randal and Martin, S. W. Fores, circa 1820, hand-coloured etching wi

Dominic Winter Auctions

Lot 373

* Boxing. Cruikshank (Isaac R.), The Great Match between Randal and Martin, S. W. Fores, circa 1820, hand-coloured etching with descriptive text above and below the image, very slight spotting, 285 x 415 mmQty: (1)

Live Auction

71174 item(s)

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