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Charles Chaplin, RE, 'New Forest Glade', etching, numbered 19, signed, dated 1963 and inscribed with title in pencil to margin, unframed; a 19th Century hand coloured photograph of Mount Sinai, mounted and framed, together with a coloured photograph of a Middle Eastern street scene, published by the American colony, Jerusalem, framed (3)
Léopold Flameng after John Collier, portrait of Charles Darwin, etching published 1883, The Fine Art Society, London, bearing 'signature' lower right; 53 x 40cm (text rubbed in places) ; and seven Vanity Fair prints of British scientists; one other - an 18th century print of Archbishop James Ussher
Charles Keene (1822-1891) Two small watercolour figure studies and an etching of a seated gentleman; three monochrome landscape watercolours by the Rev. James Bourne; a small pen and ink illustration by Hugh Thomson; together with 7 small 19th century drawings and sketches by other hands. Provenance: Mostly acquired from Abbott and Holder.
Frederick Landseer Maur Griggs St. Botoloph's Bridge, etching, 1937, 25 x 20cm (plate); John Piper, India Love Poems by Tambimuttu, London: Paradine 1977, unnumbered, 3 colour reproductions; Leo Wyatt, St George, signed engraving, edition of 50, and 12 signed loose engravings of caligraphy; also other loose signed prints by John O'Connor, R H Middleton, etc. and a signed pen and ink cartoon by Nicholas Bentley 1938
Leslie Moffat Ward (British, 1888-1978), The Langdales From Tarn Hows, etching signed and inscribed below, 28 x 35cm (image); another, loch fishing, signed, trial proof, 18 x 25cm; John Greenwood, College quad scene, wood engraving, 12.5 x 14cm (slightly stained); a Grant of Arms dated 1919 to John Evelyn Ansell, boxed, and framed crest (4)
A 19th century coloured aquatint, View from Mont St Jean, The Battle of Waterloo, published by R Bowyer, 14ins x 23ins, together with three satirical historical limited edition coloured etchings after James Gillray, coloured etching, Wife & no Wife or A trip to the Continent, published by William Holland, designed by Carlo Khan, 15ins x 18.75ins, Temperance Enjoying a Frugal Meal, 14.5ins x 11.5ins and Voluptuary Under The Horrors of Digestion, 14.5ins x 11.5ins (two framed together), all with blind stamp ST
Salvador Dali, Spanish (1904 - 1989) Color Etching "Samson and Delilah,1972" Pencil Signed and Numbered 887/1000 on Lower Margin. Measures 13-1/2" H x 16-1/4" W, frame measures 25-1/8" H x 28" W. Condition: very light spotting overall good condition Domestic Shipping: $165.00 Min Est. $500.00 Max Est. $700.00
Led Zeppelin - 2, 3 4 and Physical Graffiti. 2 (588198) red/plum, Lemon Song record appears Ex, wear to sleeve, 2 x 1/4 inch tears to front opening.3 (2401002) red /plum Do What Thou Wilt, Peter Grant credit, record and cover appear Ex, less etching on side 1.4 (2401012) red/plum, misty Mountain Top, record and inner appear Ex, cover VG.Physical Graffiti (SSK 89400) A1, B4, C1, D1. Kings Road address. Records, inners and fold around appear Ex, some wear to cover
The World of Jean de Bosschere by Samuel Putnam with a Letter of Paul Valery, The Fortune Press (1932) First Limited Edition on Kelmscott handmade paper, Illustrated. This copy with a signed etching in colour - intended for the 100 Special copies, white cloth gilt in dust wrapper with an exhibition catalogue of the artist's work 1918 (2)
Arthur William Heintzelman (American, 1891 - 1965), by, The Prelude, signed in pencil by the artist to margin of plate, drypoint etching, 26.5cm x 28cm, inscribed gallery label to verso; Percival Gaskell (1868 - 1934), by, Torcello, signed in pencil by the artist to margin of plate, drypoint etching, 20cm x 26cm, inscribed gallery label to verso [2]
FOUR PICTURES AND PRINTS to include a Jan Balet limited edition print 64/300 of bathers riding a horse and cart, signed in pencil, approximate size 40cm x 47cm (some foxing), a Francis Kelly etching 'Cock Farm', 3/50 signed, a surrealist pencil drawing by Peter Knox, signed and titled to the mount and an abstract painting on paper, indistinctly signed (4)
A SMALL GROUP OF PICTURES AND PRINTS etc, to include Sheila Knapp-Fisher, a study of white flowers, watercolour, signed and dated (19)87, approximate size 36cm x 24cm, David Leech 'Maen Sigl - St Davids Head', watercolour on paper, signed with title verso, approximate size 31cm x 30cm, Pam Smedley 'Stone Carving, Wirksworth', an etching 6/40 based on a stone carving found at St Marys Church in Wirksworth, Derbyshire, approximate size 15cm x 15cm, a Shelly Cains print 1/5 'The Drawing Room', a hand coloured engraving 'The Sleeping Shepherd', three Alex Holland photographs and a punch cartoon (9) (A)
A SMALL GROUP OF PAINTINGS etc, to include Jean Inglis (1884-1959) a preparatory study of a woman, unsigned but sold previously as part of a portfolio by her in 2010, approximate size 30cm x 20cm, together with Steve Slimm 'Cottage in the Woods' mixed media, approximate size 10cm x 16cm, Michael J Taylor 'Saint Brides' watercolour of a London church, approximate size 25cm x 34cm, R.H.Hill 'London at Dusk' approximate size 14cm x 21cm and a Claude H.Rowbotham 'Ludgate Hill London' etching (5) (A)
A Vic 1827 pattern Rifle Regt officer’s sword, slightly curved, fullered blade 32½” by J. Spooner (? unclear) Northampton, with traces of etching, regulation steel hilt incorporating crowned strung bugle, stepped pommel, fishskin grip, in steel scabbard with 2 rings. QGC (worn and pitted overall)
A Vic infantry field officer’s 1845 pattern sword of the 7th (or Royal Fusiliers), slightly curved, fullered blade 32½”, and 1¼” wide at forte, etched with crowned VR cypher and grenade with “VIII” on the ball on one side, and crowned regimental badge and scrolls “Martinique”, “Albuhera”, “Talavera”, “Badajoz” and “Salamanca” on the other, all in foliate panels, regulation brass hilt incorporating crowned VR cypher with turn down inner portion, stepped pommel, plain backstrap, wirebound fishskin grip, in its brass scabbard (tip AF) with 2 rings. Basically GC for age ( worn overall, etching faint). See inside front cover.
Percy Lancaster RI RBA ARE (1878-1951) etching 'Three Women', artists proof from an edition of 70; together with Casper Walter Rauch (1912-1983), etching 'Der Horcher auf dem Baum', the eavesdropper in the tree 1968, artists proof and Woman with camellia, original pen, ink and pastel, Carolyn Stevenson, Swaledale winter, etching unframed (4)
A group of miscellaneous prints, including Nathaniel Parr (d. 1751) after John Elphinstone (1706-1753) etching, 'Prospect of Edinburgh Castle from the South East' 21 cm x 32 cm; together with an 18th Century etching of the North Bridge in Edinburgh, 20 cm x 32 cm; Caroline Watson after Sir Joshua Reynolds aquatint and stipple engraving, 'Prince Serge and Princess Barbara Gagarin with Prince Nicholas Their Son' 21 cm x 13.5 cm; a coloured stipple engraving of an angel on a cloud, 14 cm x 9.5 cm; and a 19th Century will, all framed and glazed (5)
Walter Henry Sweet (1889-1949) etching, 'Harbour at Polperro', signed and titled in pencil to margin, 9.2 cm x 12.7 cm, framed and glazed (glass af). Together with Frank Norris (Early 20th Century) drypoint, 'Emanuel School', signed and titled in pencil to margin, artist's proof, 17.8 cm x 25 cm, framed and glazed, Provenance: Vicars Brothers, London; Donald Crawford, 'Durham Cathedral, signed in pencil to margin, 12.2 cm x 15.1 cm, framed; and a drypoint street scene no. 5/25, 21.6 cm x 17 cm, framed and glazed (4)
A magnificent French porcelain oil lamp circa 1870-1890. Fabulous two-tone green porcelain pillar with graceful swags applique' with gilt highlights, sitting onto a polished cast brass foot in the form of an inverted crown. The vessel is finely cut glass in the 'Lens Cut' manner with 8 pointed stars between each. The twin wicks Hinks type double burner has 2 black glass winders, each engraved with galleons in gold leaf. The snuffer is in place. The round original shade is also finely cut glass with acid etching and has a fine glass oval bulge chimney and an old wick.
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71174 item(s)/page