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Lot 41
* WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892 - 1963),ON THE TAGUSetching on paper, signed, titled versoimage size 16cm x 34cm, overall size 32cm x 47cm Mounted, framed and under glass.Note: In our auction of 25th September 2020, lot 443 "Try" set an new auction record for an etching by William Douglas MacLeod of £460 (hammer).
Lot 42
* WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892 - 1963),SUNSET, NORTH UISTetching on paper, signed, titled label versoimage size 24cm x 38cm, overall size 43cm x 58cm Mounted, framed and under glass.Label verso: T & R Annan & Sons, Glasgow.Note: In our auction of 25th September 2020, lot 443 "Try" set an new auction record for an etching by William Douglas MacLeod of £460 (hammer).
Lot 31
BARDSEA MILL signed l.r. Oliver Hall oil on canvas 56 x 76.5cm. / 22 x 30in. British artist Oliver Hall was inspired by the etching prints of Sir Francis Seymour Haden. Similarly to Haden he focused on the pure naturalistic landscape. The recognition of his etchings awarded him the title of Associate of the Royal Society of Painter-Etchers and Engravers in 1891, later promoted to fellow in 1894. Oliver's paintings are defined by the excellence of his atmospheric effects as seen in this oil painting of Bardsea Mill. Bardsea is an area he particularly focused on having also painted 'Beech Trees' in Bardsea forest.
Lot 118
CITY OF NEW YORK, COMMANDER BYRD'S EXPEDITION signed l.r. Frederick Haagensen, and numbered l.l. 13/75 label to reverse City of New York at Ice barrier, Antarctic. Commander Bryd's expedition, 1929. etching plate size: 320 x 230mm Richard E. Byrd (1888-1957) was an American U.S. naval officer, pioneer aviator and polar explorer. He was best known for his explorations of Antarctica using airplanes and other modern technical resources. Byrd's first Antarctic expedition (1928-1930) set off in October 1928, with Bryd's flagship City of New York . After reaching the Ross Ice Shelf, the largest ice shelf in Antarctica, a substantial and well-supplied base was erected and named Little America. Flights were made from this base over the Antarctic continent. It was during these expedition flights that the Rockefeller Mountains were discovered along with a large tract of hitherto unknown territory beyond the mountains, which were subsequently named Marie Byrd Land, after Byrd's wife. On November 29, 1929, Byrd, as navigator, and three companions made the first flight over the South Pole, flying from Little America to the Pole and back in 19 hours with no mishap. Byrd was afterward promoted to rear admiral for this achievement.
Lot 347
After Guercino (Bolognese, Italian, 1599-1666) etching by various engravers: 1) original etching by James Basire I (British, 1730-1802) landscape; 2) A bearded man in profile, half length, turned to the left, circa 1764 etching by Richard Dalton (British, 1715-1791), published by John Boydell (British, 1719-1804); 3) “Death of the Virgin” Three figures contemplate a dead lady etched by James Basire I (British, 1730-1802); others (9) James Basire - Original 18th Century Etching. View after Giovanni Francesco Barbieri, il Guercino. James Basire - Original 18th Century Etching. View after Giovanni Francesco Barbieri, il Guercino. James Basire - Original 18th Century Etching. View after Giovanni Francesco Barbieri, il Guercino.
Lot 1
A fine walnut Dolls House, English 1820s/30s, the front and sides with brick shape etching, decorative columns and finial to each side, central arched dummy front door with two panels, door knob and glazing above, flanked by two glazed arched windows, elegant bay window to first floor with sweeping canopy, window bars and ledges, two oblong windows to top floor, flat roof with protruding cornice and shaped back. Front opens in one wing to three rooms on three levels containing a good selection of mostly modern doll house furniture, ornaments and dolls, kitchen includes wooden dresser, table and chairs, benches, cupboard and spinning wheel, various copper cooking pots, blue and white ceramics, general kitchenalia and cook and kitchen maid modern dolls, parlour with ornate gilt metal marble top table and gilt surround mirror by John J Hodgson, other pieces include Regency style settee and chairs, harp chess table, cased model boat and miniature replica of the dolls house and more, four modern dolls, bedroom with chest of drawers and side table by Dennis Jenvey other pieces include four-poster bed, crib, rocking horse writing desk, ornaments and more, antique shoulder head lady doll and three all bisque fixed neck children (one with damaged foot another chipped), house on a shaped wooded stand (not original to house), house 37 ½” (95cm) high, 19 ¾” (50cm) wide, 16 ½” (42cm) deep. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.
Lot 453
AFTER ERICH WOLFSFELD (German, 1884-1956); a black and white etching 'Joseph Being Sold into Slavery', 57 x 96cm, framed and glazed (af). CONDITION REPORT There are several areas of tears that have been repaired, most notably a vertical tear just left of centre at the top, which comes down into the image, approx 13cm, and then appears to run across the image horizontally 33cm. Other creases are visible, but overall very well presented in the frame.
Lot 212
CALVERT RICHARD JONES (1804-1877) Figures on a Quay of a Mediterranean Harbour, signed and dated 1854, pencil, watercolour and bodycolour, 8 ½ x 13 in ; sold together with a rare lithograph by the artist depicting a coal boat off the Welsh Coast (with colliery ramps in the background); and an 1842 etching by the artist depicting shipping off a Mediterranean Coat with lighthouse; three (3)The Rev. Calvert Richard Jones was the son of a Swansea landowner and studied at Oriel College, Oxford. As a marine painter he was influenced by the work of George Chambers. He was an early Daguerrotypist, and occasionally worked with Henry Fox Talbot, and Hippolyte Buyard, the French inventor of creating direct positive prints on paper.
Lot 214
AFTER JOHN SELL COTMAN (1782-1842). Greta Bridge, Yorkshire, watercolour, laid down on backing mount, 9 x 13in. The original version of this subject was painted by Cotman in 1805, at the time of a visit to his patron, Francis Cholmeley, at Rokeby Park, North Yorkshire. Cotman produced a second slightly altered version in 1810, and his son, Miles Edmund Cotman, some years later produced an etching of the same subject, as a tribute to his father. John Sell Cotman's original 1805 watercolour could not find a purchaser in the artist's own lifetime and stayed in the artist's own possession, possibly until the posthumous sale of his work in 1843, but more probably remained in the Cotman family's possession until 1862 when it is believed to have been bought by James Reeve. Reeve was known to be an amateur artist in his spare time (as well as a noted collector and connoisseur) when not involved in his responsibilities as Curator of the Castle Museum, Norwich, where he worked for over 73 years. It was indeed due to Reeve's tireless championing of the Norwich School and John Sell Cotman in particular, through a series of loans and exhibitions, that Cotman's reputation began to equal that of Turner by the latter decades of the nineteenth century. This watercolour would appear to date from c.1880-1910. That would coincide with the time that James Reeve actually owned Cotman's original watercolour of the same subject. The possibility remains that this work could even have been painted by Reeve himself as a keepsake, before he sold the original to the British Museum in 1902.
Lot 82
δ FRANK HENRY MASON (BRITISH, 1876-1965) Six-metre yachts racing off the Castle at Cowes Monochrome watercolour Signed and dated 'Frank H. Mason '28' (lower right) 15½ x 21¼in. (39 x 54cm.); together with a signed etching by the same hand Parting with the tug, 1920 (2)Provenance: Illustrated in The Book of British ShipsCondition report: Slight scratching in the sky
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