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Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): Another impression of this work sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]

Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color engraving, etching, and aquatint, with handcoloring. Date: Composed 1812. Dimensions: Overall size: 16 x 23 3/4 in. (406 x 603 mm). Image size: 12 x 21 7/8 in. (305 x 556 mm).Lot Note(s): After Jean Joseph Bostier de Bez (1780-1845). An extremely rare proof (1 of 3) before letters. Cream wove paper. The full sheet, deckle edges four sides. An excellent impression. Condition: good; some foxing and browning with color attenuation; no serious problems. Literature/catalogue raisonne: See: Beraldi, Volume 8, pg. 229; IFF2; B4. Provenance: Ex-collection Cortlandt F. Bishop, with his stamp, verso; M. Knoedler, NYC, with their labels from frame back, separate from the print, since lost. Comment(s): A rare print even with letters. We could find only three sales at auction, all with letters, in the past 25 years, the last in 1995 (sold at $1,168). The print shows a part of the Boulevard du Temple, then called the Boulevard du Crime. "Jean Pierre Marie Jazet was one of the most prominent aquatint engravers of the Napoleonic era. He worked almost exclusively in aquatint, reproducing the paintings of the grand Republican artists such as David, Vernet, de Gros, and Grenier. Although the majority of his prints were patriotic images, he also produced many fine aquatints of pastoral paintings and genre scenes. His fresh images exhibit the beauty of the medium and exemplify his amazing technical ability. His extremely complex prints are fluid yet detailed; they express the beautiful painterly technique of the medium…" Courtesy: Donald A. Heald. [24412-4-800]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the original etching. Date: Composed 1903. Printed later. Dimensions: Overall size: 6 11/16 x 8 11/16 in. (170 x 221 mm).Lot Note(s): Titled in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): Please note that the original image was created as an etching by Klee in 1903. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29301-1-400]

After Margaret Ann Gaug (1909-1994) (American) - 'Thetis' signed artist etching, 4.25" x 1.25", within a maple frame **The work bears a later label verso giving the title, the artist's name and the fact that the etching is a limited edition print 3/21

Lot to include a limited edition print, signed, titled and numbered in pencil by the artist, an early 20th century etching after Francis Unwin and one further print, largest approximately 39 cm x 52 cm image size. [3]

A Leonard Squirrell etching print of Wolseys Gate in Ipswich and a pastel of Blickling Hall, both framed and glazed

Alexander Creswell, 'The Quayside, St Vaast, Normandy' signed watercolour, 27cm by 37cm, together with a Piers Browne artist proof etching titled 'Ploughing Shropshire' signed and dated 1977, an E.S Booth watercolour of a seaside cottage, a sampler and two garden views (6)

A Joseph Farquharson print, 56.5cm by 82cm, together with Thomas Sydney (19th century) view of Bamburgh Castle, an Oswald Fletcher etching of Westminster, and a Colin Hunter etching of fisher folk (4)

MARIO FORTUNY: A large set of curtains in coral and taupe with coronets and acanthus leaf scrolls (3 pairs). 282cm drop x 140cm wide approxSome sun fading on some panels to the edge. Mariano FortunyA Spanish fashion designer and early Interior Designer and Inventor born in 1871 in Granada, opened his first Couture House in 1906 in Venice.As a young man Fortuny travelled throughout Europe seeking out artists he admired including the composer Richard Wagner for whom he later did many set and stage and lighting designs including his famous lighting dome. The young Fortuny had many talents : painting, sculpting, architecture, etching, and stage lighting and he patented and registered more than 20 inventions in Paris between 1901 and 1934.The achievements Fortuny is most well-known for were made in the field of Fashion and Interior Design.His Parisian wife Henriette Negrin was an experienced dressmaker who helped construct many of his dress designs and from 1902 they lived in the Palazzo Pesaro Orfei in Venice surrounded by the artwork of his renowned painter father and Fontuny's own collection. He called the Palazzo his "think tank" in which he had many rooms set up for his experiments and inventions as well as inspiration.Fortuny manufactured his own dyes and pigments for his fabrics using ancient methods and he began printing on velvets and silks dyeing them himself and using a press which he invented using wooden blocks onto which he engraved the pattern.His famous pleated dresses the Delphos, the Klismos and the Knossos and his printed fabrics are seen as fine works of art today and are in many Museum and private Collections around the world. His workshops continue to dye and print in Venice , in the Giudecca, as before, and still use Fortuny's secret techniques and specifications . His Palazzo in Venice is a world-renowned Museum.These curtain panels were made in the U.S in the 1960's from fabric purchased in Venice from the Fortuny Atelier and are part of a larger set.

William Wilson, by, from a drawing by Pillement, 'Shepherd and Shepherdess', etching; another, 'Le Cordonnier Hollandois', early 19th century etching; the east prospect of Sheffield, a 20th century reproduction, (3).

A 19th century rectangular gilt wall mirror, etching panel top, 75cm x 41cm

Sheila Oliver Honeysuckle and Poppiescoloured etching, plate size 29.5 x 30cm, limited edition 9/10 signed in pencil , framed 

Buddha Feng Shuai by Patrice Murciano, along with a watercolour of a badger and an early 20th Century Continental etching 

An etching by EJ Maybery of John Knox's house, Edinburgh, in frame

Framed etching of Nelson with belt buckle made from copper, off Nelsons flagship 

Henry Wilkinson - Limited edition coloured etching - Springer Spaniel, 42/200, signed lower right, 32cm x 25cm, framed and glazed

Palmer, Samuel, et al., Etchings for the Art-Union of London by the Etching Club,1857, 30 plates as per contents list including three by Samuel Palmer (The Sleeping Shepherd, The Rising Moon, The Sky-Lark) and others including W. Holman Hunt, J. E. Millais and T. Creswick, on india paper mounted, occasional spotting, outer edges of mounts browned, original cloth gilt, loose in binding, folio

Meryl Watts (1910-1992) - 'White Rabbit', signed artist's proof also inscribed with the title, limited edition print 19/50, also inscribed verso, coloured wood cut, 9.5" x 14.5"; together with three further prints, one black and white etching signed Holloway of haystacks besides trees, another wood block print depicting soldiers on horseback and another artist's signed print by F. Morley Fletcher depicting a tranquil river landscape, various sizes (4)

Cecil Charles Windsor Aldin (1870-1935) - 'Ploughing', a farmer with two shire horses ploughing a field, signed artist's proof, black and white etching, limited edition print 30/100, also inscribed on the artist's original label verso, black and white etching, 9.75" x 13.75" (pl)

English School (19th century) - 'Market Place, Norwich', black and white stone lithograph, 8.75" x 11"; together with a collection of various prints and other pictures which include advertising memorabilia for growing cucumbers, and various powders as well as Daniels Eureka Manure, other advertising memorabilia for Cadbury's Milk Chocolate, all taken from the Daniels Brothers Magazine published in Norwich, 1889, a wool work picture depicting the head of Tutankhamun, a photograph of Costessey Hall, east front, an old engraving of King Louis XVIII, another print depicting the surrender of Napoleon to Captain Maitland, various book plates one depicting Norwich Cathedral, another depicting South Gate, Lynn, Norfolk, a signed etching by G.H. Bloome depicting Red Mount Chapel, Lynn, another of The Tower of The Grey Friars Monastery, Lynn, Norfolk, various other reproductions, various sizes (a collection)

Norman Ackroyd, large etching, mid summer morning - Charleston, signed in pencil, 1989, no. 15/60, image 60cm x 66cm, framedA few tiny fox marks in the top margin, generally very good

Norman Ackroyd, etching, Ballymaloe House Co. Cork, signed in pencil, 1988, numbered 50/90, image 51cm x 39cm, framedVery good condition

Frank Brangwyn, etching, Bernard Bergl, ex libris 1914, signed in pencil, plate 16cm x 13cm, framedSlight paper discolouration, no foxing, modern mount, oak frame

Graham Clarke, coloured etching, Tilly's, signed in pencil, artist's proof, image 28cm x 34cm, framedVery good condition

Graham Clarke, coloured etching, The Sweet Nightingale, signed in pencil, no. 127/400, image 25cm x 27cm, framedVery good condition

Graham Clarke, coloured etching, Bon Chance, The Shores of Albion Recede, signed in pencil, no. 270/400, image 43cm x 53cm, framedVery good condition

Tilopa Monk, coloured etching, abstract, sheet size 53cm x 76cm, unframedSlight creasing and possibly very slight paper discolouration

A Fragment, etching, thought to be depicting Vita Sackville West, image 18cm x 6.5cm, framedEven paper discolouration

Albany Howarth (1872 - 1936), etching, old houses and stocks, Aldbury Herts, signed in pencil, image 30cm x 37cm, framedGood condition

French School, coloured etching, La Provence, indistinctly signed in pencil, image 21cm x 34cm, framedGood condition

18th century satirical colored etching on paper titled "The Sailor's Pleasure," published by Carington Bowles. The print includes a poem that reads: "When Storms and Tempests all are o'er, And Jack receives his Cash on Shore, Then for his Doxies all he'll send, What's dearly earn'd he'll freely spend." Marked "Printed for Carington Bowles, Map & Printfeller at No. 69 St. Pauls Church Yard, London." along the lower center.Sight; height: 13 7/8 in x width: 9 7/8 in. Framed; height: 20 3/4 in x width: 16 3/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 13 7/8 in x width: 9 7/8 in. Framed; height: 20 3/4 in x width: 16 3/4 in.

Nic Jonk (Dutch, 1928-1994). Group of four prints on paper depicting a mother and child and nude women. Two prints housed in a portfolio with Nic Jonk's signature printed on the front cover with "de nereïden grootschermer holland." Inside cover reads (in Dutch): "map no 127/150, 21 juni 1981 de derde map van nic jonk met 3 zeefdrukken in een oplaag van 150 in 10 kleuren gedrukt op 300 grams economos etching bij henk vander vet te's-gravenhage uitgegeven door. de nereïden grootschermer holland eerder uitgegeven 18 mai 1980 eerste map 12 april 1981 tweede map." Print of the mother and child pencil signed, dated "Sept 30 1985," and inscribed "for Bob" in the bottom center. Standing nude editioned in pencil 127/150 in the bottom left and pencil signed and dated 1981 in the bottom right. Crouching nude with "Epreuve d' Artiste" (Artist's proof) written in pencil in the lower left. Pencil signed and dated 1979 in the bottom right. Nude woman lying down editioned in pencil IV/XI in the lower left. Signed in pencil "To my best friends Hannah and Bob." in the bottom center and pencil signed and dated 1991 in the lower right.Crouching nude; height: 27 5/8 in x width: 19 5/8 in. Nude woman lying down; height; 27 1/2 in x width: 35 1/2 in. Mother and Child; height: 19 1/2 in x width: 12 1/2 in. Standing nude; height: 23 1/2 in x width: 17 5/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Crouching nude; height: 27 5/8 in x width: 19 5/8 in. Nude woman lying down; height; 27 1/2 in x width: 35 1/2 in. Mother and Child; height: 19 1/2 in x width: 12 1/2 in. Standing nude; height: 23 1/2 in x width: 17 5/8 in.

Francisco José de Goya y Lucientes (Spanish, 1746-1828). Etching and aquatint on paper titled "Loyalty," ca. 1816. The print depicts a group of contorted figures, some fighting.Sight; height: 8 in x width: 12 in. Framed; height: 21 1/2 in x width: 25 1/2 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 8 in x width: 12 in. Framed; height: 21 1/2 in x width: 25 1/2 in.

Group of five lithographs. Includes Laurie Bolton "Three and One," Don Millken "Ivan Is," Samuel Maitin "Garden," a Leonard Baskin etching, and Laurie Bolton "Wings."Laurie Bolton Three and One; height: 13 in x width: 20 1/8 in. lvan Is; height: 23 in x width: 18 1/2 in. Laurie Bolton Wings; height: 15 in x width: 22 1/4 in. Leonard Baskin; height: 22 in x width: 26 in. Samuel Maitin Garden; height: 23 1/4 in x width: 15 1/2 in. Don Millken Ivan Is; height: 23 1/2 in x width: 18 1/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Laurie Bolton Three and One; height: 13 in x width: 20 1/8 in. lvan Is; height: 23 in x width: 18 1/2 in. Laurie Bolton Wings; height: 15 in x width: 22 1/4 in. Leonard Baskin; height: 22 in x width: 26 in. Samuel Maitin Garden; height: 23 1/4 in x width: 15 1/2 in. Don Millken Ivan Is; height: 23 1/2 in x width: 18 1/4 in.

After Rembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "Bust of Man Wearing a High Cap," depicting a seated man looking off to the right. Initialed and dated 1630 in the plate along the upper left. With Certificate of Authenticity from Park West Gallery. A 20th Century impression printed by Marjorie Van Dyke for the Millennium edition.Sight; height: 5 in x width: 4 1/4 in. Framed; height: 22 5/8 in x width: 21 7/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 5 in x width: 4 1/4 in. Framed; height: 22 5/8 in x width: 21 7/8 in.

Eric Fischl (American, b. 1948). Etching and aquatint on wove paper titled "Dark Figure," from the "Four Aquatints" suite, 1989. The artwork depicts a group of nude figures on a beach. Signed and dated in pencil along the lower left. Numbered 77/100 in pencil along the lower center. Published by Parasol Press, Ltd. New York.Sight; height: 35 1/2 in x width: 54 in. Framed; height: 39 3/4 in x width: 58 3/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 35 1/2 in x width: 54 in. Framed; height: 39 3/4 in x width: 58 3/8 in.

Paul Cadmus (American, 1904-1999). Etching on paper titled "Stewart's" depicting a rowdy bar or diner scene full of people surrounding a table. Signed in pencil along the lower right. Titled and numbered "13/35" and "II" in pencil along the lower left. Second edition of 2, printed in 1979 and conceived in 1934.Provenance: Estate of Paul Cadmus (d. 1999) afterwards Jon Anderson (d. 2018).Height: 14 1/2 in x width: 18 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 14 1/2 in x width: 18 in.

Georges Henri Rouault (French, 1871-1958). Posthumous etching on paper titled "Satan II" from the series "Fleurs du Mal I," 1926. Signed and dated 1926 in plate along the lower right. Inscribed along the verso with a description of the piece.Provenance: Private collection, Minnesota.Sight; height: 14 3/8 in x width: 10 5/8 in. Framed; height: 18 1/2 in x width: 14 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 14 3/8 in x width: 10 5/8 in. Framed; height: 18 1/2 in x width: 14 in.

Style of Pablo Picasso (Spanish, 1881-1973). Etching on paper depicting four abstract female nude figures. Three of the figures stand over one figure who is sitting on the ground. Signed and dated 6.3.37 in pencil along the lower right.Sight; height: 8 1/2 in x width: 11 in. Framed; height: 16 1/2 in x width: 17 5/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 8 1/2 in x width: 11 in. Framed; height: 16 1/2 in x width: 17 5/8 in.

WILLIAM STRANG RA, RE (SCOTTISH 1859-1911) GRIEF AND CONSOLATION Etching with drypoint, signed and inscr. 2nd state, 15 x 20cm (6 x 8") Ewan Mundy Fine Art Ltd label verso Condition Report: The etching and paper are found to be in good condition with no significant issues.

Gillian Ayres C.B.E., R.A. (British, 1930-2018)Juno and the Paycock Lift-ground etching with carborundum printed in colours, with extensive hand-painting, 1993, on heavy wove, signed, dated and inscribed 'PP 2/3' in pencil, one of three printer's proofs aside from the numbered edition of 25, printed by Jack Shirreff at 107 Workshop, Wiltshire, with full margins, 1069 x 1070mm (42 1/8 x 42 1/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Damien Hirst (British, born 1965)Fate, from 'Butterfly Etchings' Etching and aquatint printed in colours, 2009, on wove, signed and inscribed 'PP 1/2' in pencil, one of two printer's proofs aside from the numbered edition of 45, published by Other Criteria, London, with full margins, 472 x 392mm (18 5/8 x 15 3/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Linear Movement (Lynton G77) Etching and aquatint printed in colours, 1992, chine collé on wove, signed with the initials, dated and numbered 9/90 in pencil, co-published by Marlborough Graphics Ltd., London and 2RC Edizioni d'arte, Rome, with margins, 360 x 448mm (14 1/8 x 17 5/8in)(PL)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Gillian Ayres C.B.E., R.A. (British, 1930-2018)Muscari Lift-ground etching with carborundum printed in colours, with extensive hand-painting, 2006, on heavy wove, signed, dated and inscribed 'PP 2/2' in pencil, one of two printer's proofs aside from the numbered edition of 18, printed by Jack Shirreff and Andrew Smith at 107 Workshop, Wiltshire, published by Alan Cristea Gallery, London, with full margins, 762 x 762mm (30 x 30in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Cold Water about to Hit the Prince, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 94; Scottish Arts Council 97) Etching and aquatint, 1969, on Hodgkinson handmade wove, a proof, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with margins, 454 x 310mm (17 7/8 x 12 1/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Gillian Ayres C.B.E., R.A. (British, 1930-2018)Sikar II Etching with aquatint and carborundum printed in colours, with extensive hand-painting, 1993, on wove, signed, dated and numbered 54/100 in pencil, printed by Jack Shirreff at 107 Workshop, Wiltshire, with margins, 860 x 850mm (33 7/8 x 33 1/2in)(PL)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)My Mother with a Parrot (MCA Tokyo 148; Scottish Arts Council 161) Etching, soft-ground etching and aquatint printed in colours, 1973, on wove, signed, dated and numbered 86/100 in pencil, printed by Atelier Crommelynck, Paris, published by Petersburg Press, New York, with the printer's blindstamp, with full margins, 652 x 502mm (25 5/8 x 19 3/4in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Graham Sutherland O.M. (British, 1903-1980)Pecken Wood (Tassi 21) Etching, 1925, on laid, from the edition of 85, printed by the artist, published by Twenty-one Gallery, London, with margins, 136 x 186mm (5 1/8 x 7 1/4in)(PL)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Zao Wou-Ki (Chinese/French, 1921-2013)La Pêche (Fishing) (Agerup 57) Drypoint etching printed with tone, 1951, on BFK Rives, signed and numbered 4/30 in pencil, printed by G. Leblanc, Paris, with margins, 148 x 248mm (5 7/8 x 9 3/4in)(PL)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Francisco José de Goya y Lucientes (Spanish, 1746-1828)Quien lo creyera!, Plate 62 from 'Los Caprichos' (Delteil 99; Harris 97) Etching with aquatint and burin printed in black, 1799, on wove, a later edition (possibly fifth edition), printed by the Calcografia for the Real Academia, Madrid, circa 1881-1886, with wide margins, 375 x 258mm (14 3/4 x 10 1/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Mo Asleep (MCA Tokyo 116; Scottish Arts Council 124) Etching and aquatint, 1971, on wove, signed, dated and numbered 24/75 in pencil, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, 894 x 710mm (35 1/8 x 27 3/4in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Sleeping Child (Cramer 499) Etching printed with tone, 1979, on BFK Rives, signed and numbered 19/50 in pencil, printed by Lacourière et Frelaut, Paris, published by Raymond Spencer for the Henry Moore Foundation, Much Hadham, with margins, 370 x 436mm (14 1/2 x 17 1/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Paula Rego R.A. (British, born 1935)Ecstasy, from 'The Children's Crusade' (Rosenthal 145) Etching and aquatint with hand-colouring, 1996-8, on wove, signed and numbered 22/25 in pencil, printed by Culford Press, London, co-published by the artist, Marlborough Graphics, London and Galería Marlborough, Madrid, with the printer's blindstamp, with full margins, 508 x 360mm (20 x 14 1/8in)(SH)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marino Marini (Italian, 1901-1980)Giochi dal fondo (Guastalla A124) Etching and aquatint printed in tone, 1971, on wove, signed and numbered IX/XXX in pencil (there was also an edition of 60 numbered in Arabic numerals), published by Graphis Arte, Livorno, with full margins, 752 x 555mm (29 5/8 x 21 7/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Horse (Wiseman 135) Etching and aquatint printed in colours, 1986, on wove, signed and inscribed 'A/P VI' in pencil, one of ten artist's proofs aside from the numbered edition of 100, printed by Kelpra Studio, London, published by Harpavle Books, Salisbury, with the printer's blindstamp, with full margins, 211 x 197mm (8 1/4 x 7 3/4in)(PL)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Frank Stella (American, born 1936)Dubiaxo, from 'Imaginary Places II' Lithograph, screenprint, etching, aquatint, stamping and relief printed in colours, 1996, on TGL handmade, signed, dated and numbered 9/35 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet printed to the edges, 740 x 710mm (29 1/8 x 28in)(SH)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Peter Doig (British, born 1959)Paragrand Etching and aquatint printed in tone, 2008, on Japanese surface gampi, signed with the initials, dated and numbered 34/55 in pencil, published by Skowhegan School of Painting & Sculpture, New York, with full margins, 720 x 578mm (28 3/8 x 22 3/4in)(SH)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Wenceslaus Hollar (Czech, 1607-1677)Head of a Cat (Pennington 2109) Etching, 1646, on laid, with narrow margins, 192 x 145mm (7 1/2 x 5 3/4in)(SH)(unframed)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Pierre-Auguste Renoir (French, 1841-1919)Le Chapeau Épinglé, 3e planche (Delteil 8) Etching and drypoint, circa 1894, on cream laid, an impression of the second (final) state, with wide margins, 120 x 82mm (4 3/4 x 3 1/4in)(PL)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Sir Terry Frost RA (British, 1915-2003)Ghost II (Red) (Kemp 126) Etching and aquatint printed in colours, 1991, on wove, signed, dated and numbered 2/25 in pencil, printed by the Print Centre, London, published by the artist, Newlyn, with full margins, 300 x 300mm (11 3/4 x 11 3/4in)(PL)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com