There are 78388 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeEuropean School mid-late 20th century- Portrait of a young man; pencil heightened with white, 22x18cm: Italian School late 20th century- View of a town; pen and black ink wash, signed and dated 1965: H Leitch, late 20th century- Figure reading a book; etching, signed, dated 79 and numbered 4/6 in pencil, (3)
* European School early 20th century- "The Laughing Cavalier"; etching, after Frans Hals I 1580-1666, indistinctly signed and inscribed 'Exhibitor RA', eight states of the same plate, each signed and inscribed, 33x25cm., ea: together with a collection of other prints titled "The Doctor", after Sir Samuel Luke Fildes 1843-1927, signed and inscribed in pencil, five states of the same plate: together with further multiple examples of other prints, (a lot) (unframed)
Sandhurst, British Colonial school, late 19th/early 20th century- Figure and mule on a stone bridge in a mountain landscape; pencil, signed, 12x17cm: Thomas Rowlandson 1756-1827- "Doctor Syntax, Made Free of the Cellar"; published 1817, etching with aquatint; together with seven other examples from the same series and others by different hands, (part unframed)
Graham Clark (born 1941) - Three artists proof coloured etchings - “Year of the Wild Pig”, “Kettle Watching”, and “Pondering”, and one one other signed proof etching - “Le Jeu du Mail”, 6.5ins x 5ins, two of 5ins x 4ins and 3ins x 4.5ins respectively, all signed in pencil to margin, in frames and glazed
After John Sell Cotman (1782-1842) "Castle at Tancarville" Inscribed and published 1st October 1821 by J & A Arch, Cornhill & J.S. Cotman, Yarmouth, the plate numbered "85", black and white etching, 26cm by 36.5cm; together with "Rievaulx Abbey Yorke Doorway to the Refectory"; "West Front of Byland Abbey of Yorks"; "Castle at Dieppe" Various sizes (4) Probably taken from John Sell Cotman's series of etchings resulting from his three visits to Normandy in 1817, 1818 and 1820 together with his trip to Yorkshire between 1800 and 1806.
After Graham Vivian Sutherland O.M. (1903-1982) Figure at the Edge of a Garden, thatched building nearby Signed artist's proof, numbered "10/60", black and white etching, 14cm by 13cm (pl); together with Ten Further Examples (two unframed) Various sizes (11) The artist was born in London and studied at Goldsmiths College 1920-1925, producing etchings in the 1920's and early 1930's, which are probably part of that series as they depict a romantic representation of the countryside showing the strong influence and the etching work of Samuel Palmer. He was official ware artist 1941-1944 and lived in Kent.
After William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "Our Father's to the memory of the nameless killed and wounded after the original work by Captain Ronald A. Hopwood R.N.", a series of vignettes Each extensively inscribed and numbered "I", "II", "III", "IV", also signed in pencil, black and white drypoint etching, each 31cm by 21cm (pl) (a set of four)
William Walcot R.B.A., R.E. (1874-1943) Parliament Square and Abingdon Street, with figures, trams and other vehicles, the Houses of Parliament nearby Signed artist's proof, black and white drypoint etching, 16.5cm by 30cm (pl) Provenance: With Victor Waddington Galleries, 28 South Anne Street, Dublin
Norman Wilkinson (1878-1971) An etching of H.M.S. Lion anchored in company with other shipping Signed in pencil 'Norman Wilkinson' (lower left); and 'Beatty' (lower right) 15 x 14½in. (38 x 37cm.) Framed and glazed, the reverse with a trade label for Ackerman. Provenance: Reputedly this picture was Beatty's own copy and hung in his office until given or acquired by Sub Lieut D.R. Duff who passed it to the vendor.
E. Gordon Carter (20th Century) The Cymbol Dance Signed, titled and numbered 37/100 Etching, mounted, unframed 15 x 20.5cm; 6 x 8½in With 2 linocuts by Ninos Stavroski, 4 woodcuts by another hand and a pen and ink drawing of a monkey all, mounted, unframed (8) 1. minor dents and some rippling, paper slightly yellowed. The woodcuts foxed. The pen and ink yellowed but good
John Crome, Senior (1768-1821) Deepham near Hingham Signed and dated 1813 on the plate Etching, fourth state of five, mounted, unframed 16.25 x 16.5cm 6½ x 6¾in With an etching after Cotman of Beeston, Norfolk inscribed and published 1910, mounted, unframed(2) 1. Slightly discoloured 2. Yellowed, some blemishes
Loading...
