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Lot 42

Francis H DODD (1874-1949) St Clement Danes, (Schwabe 83) Etching and drypoint Signed in pencil (Dimensions: 30 x 40cm)(30 x 40cm)

Lot 89

Francis H DODD (1874-1949) Strand with Sky - 1916 (Swabe 136) Etching and drypoint Signed in pencil (Dimensions: 34.5 x 25.5cm)(34.5 x 25.5cm)

Lot 1

Alfred Charles S. ANDERSON (1884-1966) Les Arcades, Dieppe Etching Signed (Dimensions: 21 x 31.5cm)(21 x 31.5cm)

Lot 75

Frederick Landseer GRIGGS (1876-1938) Anglia Perdita, 1924/25 (Comstock 28) Etching Signed in pencil State iv/v (Dimensions: 24.8 x 18.2cm)(24.8 x 18.2cm)

Lot 971

DENNING, WILLIAM F; 'Telescopic Work for Starlight Evenings', with numerous illustrations of telescopes and observatories, published by Taylor & Francis, London 1891, first edition, bound in red cloth with gilt etching and decoration. 

Lot 1212

AFTER MEISSONIER; two etchings, 'Outpost on a White Horse' and 'Generals in the Snow' respectively, both indistinctly signed and bearing blind stamps lower left, the larger 24 x 29cm, a further untitled example and another similar etching, all framed and glazed (4).

Lot 749

A signed etching by Frances Dodd – Trafalgar Place

Lot 732

A signed etching of the Moray Firth by W. Douglas. Ex Frost & Reed labels

Lot 731

A signed etching of Ponte Vecchie Florence by W Monk

Lot 375

Lord Elyse Ashe (1895-1971) 'Chinese' drypoint etching, signed in pencil lower left 34m x 39cm and one other Chinese pith painting of a botanical study, 18cm x 26cm (2)

Lot 139

After Rachel Roberts Hollington Church in the woodA limited edition etching No.10/1009 x 11cmTogether with another “The Fisherman's dream” No.4-100

Lot 304

DALI SALVADOR: (1904-1989) Spanish Surrealist Painter. An excellent signed `Dali´, limited edition 20 x 26 print (50cm x 66cm), drypoint etching coloured with stencil, being Dali´s work entitled Japanese Fairy Tale JUGOYE. The copy being number 142 of a total edition of 175 copies. Signed in dark ink by Dali to the bottom right corner. Framed in wooden gilt and glazed to an overall of 24 x 30 (60cm x 75cm). VG £400-600

Lot 66

William Walcot 1874-1943 - Kings College, Cambridge, etching signed in pencil to lower margin, 4 1/2" x 6 2/8", in a glazed frame

Lot 5177

Pictures and Mirrors - a large rectangular mirror, the frame with scrolling vines, 62.5cm x 45cm; by and after, FL Griggs, Laneham, etching, signed to margin; Impressionist oil on canvas; English School, Still Life, Polyanthus, watercolour; a small watercolour diorama, alpine scene; various frames (8)Provenance: From the Estate of Lady Elizabeth Georgiana Alice Cavendish CVO (24 April 1926 -15 September 2018), daughter of Edward Cavendish, 10th Duke of Devonshire, Chatsworth House, Derbyshire

Lot 474

William Lionel Wyllie (1851-1931) - Discharging cargo in barges, drypoint etching, pencil signed to lower left margin, 10.5 x 33 cmGood original condition

Lot 476

Norman Wilkinson (1878-1971) -'The Spey Pool', drypoint etching, signed lower right margin, 22 x 30 cm, Taylor & Brown of Edinburgh gallery label to reverseOriginal condition, discolouration overall

Lot 473

William Lionel Wyllie (1851-1931) - Tynemouth bay, drypoint etching, pencil signed to lower left margin, 16 x 37 cmGlass broken, etching good condition for age etc

Lot 475

William Lionel Wyllie (1851-1931) - The mouth of the Tyne, drypoint etching, pencil signed to lower left margin, 16 x 38 cm Good original condition

Lot 477

Norman Wilkinson (1878-1971) - 'Spring fishing on the Dee', drypoint etching, pencil signed to lower right margin, 22 x 30 cm, Taylor & Brown of Edinburgh label to reverseSlightly grubby, discoloured, original condition

Lot 526

Nicholas St John Rosse (b 1945) - Cornish coastal view, oil on board, signed lower left, 10 x 15 cm; Deborah Anne Knight - 'Milas', pencil signed coloured etching artist proof, 10 x 17 cm and E Dalton - A river mill, oil on canvas, signed and dated, 22 x 29 cm (3)All good condition

Lot 472

William Lionel Wyllie (1851-1973) - Portsmouth Harbour, drypoint etching, pencil signed to lower left margin, 16 x 37.5 cmGood original condition

Lot 478

George Soper (1870-1942) - Ploughing team, drypoint etching, pencil signed to lower right margin, 18 x 30 cmGood clean condition, in modern frame and mount

Lot 78

HENRIETTA JOHANNA REUCHLIN-LUCARDIE (1877-1970). Dutch school, a figure and hut in Montana, see label verso, signed in pencil lower right, etching on paper, framed and glazed, 29 x 24 cm

Lot 79

LEON DANCHIN (1887-1939). French school, study of a spaniel, signed in plate, lower left, coloured etching on paper, framed and glazed, 29 x 23 cm

Lot 74

BERGEHM (XVII). Dutch school, mountainous track with dog, sheep, donkeys and drover, unsigned, etching on paper, framed and glazed, 28 x 37 cm, together with R.H. CAWTHORNE. 'The Cross Chester', signed in pencil lower right, etching on paper, framed and glazed, 19 x 22 cm, SIR ERNEST GEORGE (1838-1922). 'Bruges', signed with initials in lower plate, lower right, etching on paper, framed and glazed, 15 x 21 cm and COLIN LOCKYEAR. Wooded river landscape, signed in pencil lower right, limited edition etching and aquatint on paper, no. 37, framed and glazed, 12 x 18 cm (4)

Lot 85

A FRAMED, SIGNED JAMES PRIDDEY ETCHING ENTITLED 'OLD TOWN HALL HANDSWORTH'

Lot 938

2 watercolours and an etching, including Leathwood (3)

Lot 332

COLIN HUNTER etching and a SAM J M BROWN etching

Lot 509

Jack Copeland, signed and dated 1938 in pencil to lower margin, black and white etching, inscribed "By Church Farm at Drailwell in Cambridgeshire", 21 x 30cm

Lot 545

N Ward, signed black and white etching, Tractor, 10 x 14cm, together with a further etching by the same artist, both mounted but unframed (2)

Lot 549

Catherine Maud Nichols, signed in pencil to margin, black and white etching, Street scene, together with two further signed etchings by the same artist, all unframed, assorted sizes (3)

Lot 88

Artist's equipment, including etching tools, paintbox, easels, lino-cutting tools, etc (Qty: 1 box)

Lot 287

Two French Ballooning Prints, Breugel Print and a Coloured Etching

Lot 396

Fourteen watercolours and prints 10, Edward Stamp, January Evening, watercolour Edward Stamp, Lane at Stewkley, watercolour A. W. Meadows, Near Warmington, watercolour A. W. Meadows, Northamptonshire Farmhouse, watercolour C. Davis, Buster, print C. Davis, Dogs Dinner, print Clare Curtis, Rescue, linocut Laura Boyd, Harvest Poppies, aquatint etching Anna Pugh, Old Spot, aquatint etching Tracy Boyd, Hamlet, print Anne Rayner, boats, watercolour Neroli Sharp, Rabbit trio Anne Braham, Toadstools, watercolour Brenda Moore, Iris, watercolour

Lot 438

W Rennison, an early 20th century etching of Bootham Bar and York Cathedral, signed in pencil, 51 x 41cm

Lot 266

Marie Laurencin (1885-1956) French Cubist painter - A 20th Century etching on paper entitled ' Three Dancers ' depicting a reductionist scene of three dancers using simple lines and layers of shading. Signed in plate. Framed and glazed with ADAGP Paris gallery authentication label to verso. Frame measures: 49cm x 42cm, picture measures 37cm x 27cm.

Lot 241

signed, dated 93, editioned 19/20, numbered 6 and titled in pencil in the margin drypoint etching sheet size: 16 by 17cm

Lot 240

signed, dated 93, editioned 19/20, numbered 1 and titled in pencil in the margin drypoint etching sheet size: 16 by 17cm

Lot 84

AA.VV (-) Rocco BorellaSenza titolotempera su carta cm 21x21firmato in basso a destraUntitled tempera on paper 8 26x8 26 insigned lower rightCorrado CagliSenza titolo 1973acquaforte cm 35x25esemplare V/XXXfirmato e datato in basso a destraUntitled 1973etching 13 77x9 84 inedition V/XXXsigned and dated lower right

Lot 73

An enamel tray and contents of coins; Players cigarette cards and silks depicting butterflies; a pencil signed etching entitled Aylesbury etc.

Lot 754

Contemporary Norwegian artist, Rocks, Landscape, etching and aquatint, signed, titled and dated 1556, Framed and glazed, H.85xW.66cm

Lot 744

Contemporary artist Lucy Wynne, Piglet (brown), etching and aquatint, signed and dated '12', framed and glazed, 23x19cm

Lot 742

Contemporary British artist, Winter Jasmin, etching and aquatint,signed, framed and glazed, 34x29cm

Lot 522

A Robert Burns etching, plate and book of poetry

Lot 623

An early print of Steeple chase and etching after F S Tuker

Lot 688

A selection of original art works and prints including Bermudian Sloop etching

Lot 357

Hans Figura, coloured etching, Flemish canal scene, signed in pencil, 31 x 23cm

Lot 433

KATE T HILL (SCOTTISH act. 1906 - 1916), LOCH EARN etching, signed and titled in pencil 13cm x 17cm Mounted, framed and under glass

Lot 413

SIR DAVID YOUNG CAMERON RA RSA (SCOTTISH 1865 - 1945), PERTH BRIDGE etching, signed and titled in the plate, further inscribed "From the coast" in pencil 17.5cm x 26cm Mounted, framed and under glass Label verso: The West End Gallery of Fine Arts, 565 & 569 Sauchiehall Street, Glasgow

Lot 428

WILFRED CRAWFORD APPLEBY (SCOTTISH b. 1889), UNIVERSITY OF GLASGOW FROM STEWART FOUNTAIN etching, signed and titled in pencil 22cm x 35cm Mounted, framed and under glass

Lot 404

JOHNSTONE BAIRD (SCOTTISH 19TH/20TH CENTURY), LOCH KATRINE, LOOKING WEST etching, signed in pencil 31cm x 20cm Mounted, framed and under glass Labels verso: L J Brown & Co, 37 Hanover Street, Glasgow; together with artist label inscribed with title and artist's name.

Lot 431

* TOM CARR (BRITISH 1912 - 1977), IN THE VALE etching, signed, titled, numbered 55/75 in pencil, further signed in the plate 24cm x 33cm Mounted, framed and under glass

Lot 402

SIR DAVID YOUNG CAMERON RA RSA (SCOTTISH 1865 - 1945), PERTH BRIDGE etching, signed and titled in the plate 17.5cm x 26cm Mounted, framed and under glass

Lot 401

SIR DAVID YOUNG CAMERON RA RSA (SCOTTISH 1865 - 1945), ARRAN etching, signed and titled in plate 12cm x 24.5cm Mounted, framed and under glass

Lot 403

ROBERT HOUSTON RSW (SCOTTISH 1891 - 1942), THE BANKS O' AYR etching, signed in pencil, bears blindstamp 20cm x 10cm Mounted, framed and under glass Artist label verso

Lot 95

Piers Browne, 'Is my Team Ploughing', signed, numbered 41/65, etching, 19 x 12cm (Pl), 36 x 28.5cm framed Piers Browne is a British contemporary artist based in Wensleydale, North Yorkshire. He was born in Shropshire and studied at the Byam Shaw School of Art in London where he found inspiration under the tutelage of Maurice de Saumarez and Diana Armfield. He then attended the Royal Academy Schools 1972-1972 where he won the David Murray Landscape Prize in both 1974 and 1975, and was taught printmaking at Islington Studio under Hugh Stoneman. Browne spent some time travelling through Europe and Central Africa whilst painting and eventually settled in Yorkshire. He has had over 75 one man exhibitions across the UK, Iceland, USA and in Germany and was a member of the Askrigg Group for 20 years. Browne is renowned as a printmaker, working extensively in oils and as an etcher.

Lot 108

Charles Frederick Tunnicliffe R.A. OBE (1901-1979), Porketts, signed, etching, 1927, edition size 75. Measurements 15 x 20cm (PL), framed measurements 38 x 41cm Note: Porketts appears in Meyrick R. & Heuser, H., 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, number 42, page 73 Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. He was born in Macclesfield and spent much of his early life working on his family's farm before attending the Macclesfield School of Art, winning a scholarship to the Royal College of Art in London shortly after. Following the completion of his studies he relocated to Anglesea in 1947 where he remained for the rest of his life. His used a variety of mediums in his work inlcuding watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. He was well known as a book illustrator, particularly his work for Ladybird books, and he had a long relationship with the Royal Society for the Protection of Birds for whom he illustrated many magazine covers and who awarded him a Gold Medal for his service in 1978. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.

Lot 92

Charles Frederick Tunnicliffe R.A. OBE (1901-1979), The Spotted Sow, signed, etching, dated 1928, framed. Measurements 17.5 x 25cm (PL), framed measurements 40 x 46.3cm Note: The Spotted Sow appears in Meyrick R. & Heuser, H., 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, number 52, page 92 Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. He was born in Macclesfield and spent much of his early life working on his family's farm before attending the Macclesfield School of Art, winning a scholarship to the Royal College of Art in London shortly after. Following the completion of his studies he relocated to Anglesea in 1947 where he remained for the rest of his life. His used a variety of mediums in his work inlcuding watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. He was well known as a book illustrator, particularly his work for Ladybird books, and he had a long relationship with the Royal Society for the Protection of Birds for whom he illustrated many magazine covers and who awarded him a Gold Medal for his service in 1978. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.

Lot 5

Anthony Gross CBE(1905-1984) British 20th Century, 'Saturday Night at Richmond Yorkshire in 1940', print numbered 10/50, signed bottom right, mounted and framed. Measurements 16.2 x 26cm (PL), framed measurements 40 x 52.5 cm Anthony Gross (1905-1984) was a British etcher and painter, born in London. He studied at the Slade School of Fine Art, Ecole des Beaux-Arts in Paris and at the Academia de San Fernando in Madrid. He was taught etching under Jozef Hecht and was a lifelong friend of Stanley William Hayter. During World War Two he was appointed as an official war artist which saw him create depictions of English coastal defences and training grounds as well as being posted to the front lines of India and Burma, and was present at D-Day. His style is characterised by the use of variegated marks to express tone and texture rather than cross-hatching. Post-war, Gross divided his time between London and le Boulve. In 1965 he created the first President of the Printmakers Council and in 1982 awarded a CBE.

Lot 17

Piers Browne, The Wrekin from Caer Caradoc, signed, numbered 86/100, dated 1982, etching, 7.5 x 15cm (PL), 31 x 40cm framed Etching from A.E. Housman 1988 A Shropshire Lad, Ashford Press Publishing, Plate XLIII Piers Browne is a British contemporary artist based in Wensleydale, North Yorkshire. He was born in Shropshire and studied at the Byam Shaw School of Art in London where he found inspiration under the tutelage of Maurice de Saumarez and Diana Armfield. He then attended the Royal Academy Schools 1972-1972 where he won the David Murray Landscape Prize in both 1974 and 1975, and was taught printmaking at Islington Studio under Hugh Stoneman. Browne spent some time travelling through Europe and Central Africa whilst painting and eventually settled in Yorkshire. He has had over 75 one man exhibitions across the UK, Iceland, USA and in Germany and was a member of the Askrigg Group for 20 years. Browne is renowned as a printmaker, working extensively in oils and as an etcher.

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