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Michael Richecoeur (Jersey, b.1946), 'Boules au Moulin', coloured etching, signed, inscribed and numbered 179/200, 7 x 13 3/8in. (17.75 x 34cm.). *Condition: Paper very slightly cockled. Otherwise very good. 

James Arden Grant RE, PPS (British, 1887-1973), The Drawing Lesson, etching, signed and dated 1927 in pencil, 8 1/8 x 9½in. (20.7 x 24.1cm.).

James Abbott Mc Neill Whistler PRBA (American, 1834-1903), Limehouse, London etching and drypoint on ivory laid paper with wide margins, signed in the plate "Whistler" and dated 1859, signed and inscribed in pencil in the margin "A Madame Coronio homage respectueux J Whistler" 5 x 7 7/8in. (12.7 x 20cm.) * Eighty two known impressions of all states. This is the rare third state of six showing the reduction of the slanting shading on the bow of the barge, vertical shading lines now being prominent. This etching was produced by Whistler as a trial before he produced the fourth state which was published in The Thames Set in 1871. ** References: (K.40) Edward G. Kennedy, The Etched Work of Whistler, New York, The Grolier Club, 1910. (G48). Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2012. *** Provenance: Gift from the artist to Aglaia Coronio (1834-1906). Aglaia Coronio (nee Ionides) was the wife of Theodore John Coronio. She was the sister of Helen Euphrosyne Ionides who married Whistler's brother Dr William Mc Neill Whistler. Their father was the wealthy Greek merchant and collector Alexander Constantine Ionides. Aglaia Coronio, like the rest of her family, collected works of art and she bought a number of Whistler's paintings. Exhibition of 19th and 20th Century Masters; Etchings and Lithographs. The Leicester Gallery, London, November 1965. Situated on the north bank of the Thames opposite Rotherhithe, Whistler was looking east away from Wapping and has depicted the Harbour Master's House closest to him. Further away is The Grapes pub and Broadway Wharf is in the distance. In the distance is an advertisement for the Curtis Gin Distillery Co. Ltd. Narrow Street backs on to this stretch of the Thames. Whistler turned to the subject of the River Thames in the summer of 1859 and Limehouse was one of the areas that he depicted. The area was dangerous and infested yet the artist appreciated the picturesque disrepair of the wharfs and warehouses that lined its banks. He also depicted the working men whose lives were intimately connected to the river and placed them in the foreground where they could not be seen as incidental to the scene. The Thames set was published in 1871 by Ellis and Green as part of 'Sixteen Etchings of Scenes on the Thames and Other Subjects'. Impressions were also later available through The Fine Art Society and the artist himself.

Arthur Royce Bradbury (British, 1892-1977), Gulls over a rocky Sark cove watercolour, signed lower right, unframed 7¾ x 11¼in. (19.7 x 28.5cm.); together with two other unframed Sark watercolours by the same hand; and an unframed etching, 'Le Manoir, Sark' by Maurice Boots, dated 'Aug.1985'. (4)

Rembrandt van Rijn (1606-1669) Christ carried to the TombEtching with touches of drypoint, circa 1645, a well inked impression of the only state printed on laid paper without watermark, platemark 133 x 108mm (5 1/4 x 4 1/4 in), sheet 138 x 115mm (5 3/8 x 4 1/2 in) (unframed)Literature:Bartsch 84; New Hollstein 215 i/i

δ Joan Miro (1893-1983)Barcelona Plate 10 (Dupin 601)Etching with aquatint and carborundum printed in colours, 1972, signed and numbered from the edition of 50 in pencil, on Guarro wove paper, published by Sala Gaspar, Barcelona, the full sheet printed to the edges, 700 x 1058mm ( 27 1/2 x 47 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Joan Miro (1893-1983)Femme et Oiseau Devant La Lune (Dupin 51)Etching with aquatint, 1947, signed, dated and numbered from the edition of 300 in pencil, on wove paper, as included in the Laurels Number 1 portfolio, printed at Stanley William Hayter's Atelier 17, New York, with full margins, sheet 113 x 149mm (4 1/4 x 5 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Joan Miro (1893-1983)Untitled from Passage de L'Egyptienne (Cramer 257; Dupin)Etching with aquatint printed in colours, 1985, signed and numbered from the edition of 25 in pencil, on Japan nacre, printed by Fequet-Baudier et Dutrou and Atelier Morsang, Paris, the full sheet printed to the edges, 605 x 425mm (23 ¾ x 16 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Portrait de Vollard IV (Bloch 233)Etching, 1937, signed in pencil, the total edition was 310, on Montval laid paper with the Picasso watermark, printed by Lacourière, published by Vollard, Paris, 344 x 245mm (13 1/2 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Rembrandt van Rijn (1606-1669)David at PrayerEtching with drypoint, 1652, a well inked impression of New Hollstein's second state (of three) with the faint scratch on David's cloak, on cream laid paper without watermark, plate 141 x 91mm (5 5/8 x 3 5/8 in), sheet 155 x 102mm (6 1/8 x 4 in) (unframed) Literature:Hind 258; New Hollstein 268 ii/iii

δ Pablo Picasso (1881-1973)156 Series: Reclining Male Nude and Five Embracing Nudes, One a Hermaphrodite (Bloch 1977)Etching, 1971, with the stamped signature, numbered from the edition of 50 in pencil, on BFK Rives paper, with full margins, sheet 368 x 495mm (14 1/2 x 19 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, 1634, a very good, but slightly later impression of New Hollstein's final state (of five) on cream laid paper without watermark, printing with light plate tone, platemark 121 x 106 mm. (4 3/4 x 4 1/8 in) (unframed)Literature:Hind 122; New Hollstein 127 v/v

Rembrandt van Rijn (1606-1669)The Adoration of the Shepherds: With the lampEtching, 1654, a good impression of New Hollstein's second state (of three), before later reworking by Basan, mounted on thin tissue support with careful repair to loss in the centre right, platemark 107 x 130 mm (4 1/4 x 5 1/8 in), sheet 111 x 144 mm (4 3/8 x 5 3/4 in) (unframed)Literature:Bartsch 45; New Hollstein 279 ii/iii

Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, a good but a slightly later impression of New Hollstein's eighth state (of nine), the landscape printing weakly but inky edges to the upper right quadrant, on laid paper without watermark laid on thin tissue, platemark 158 x 131mm (1/4 x 5 1/4 in), sheet 161 x 133mm (6 3/8 x 5 1/4 in) (unframed)Literature:Hind 229; New Hollstein 240 viii/ix

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching, 1634, a fine detailed impression of New Hollstein's third state (of four) on laid paper with partial watermark of a flower, printing with strong contrasts before further rework, platemark 91 x 116mm (3 5/8 x 4 1/3 in), sheet 96 x 120mm (3 3/4 x 4 3/4 in) (unframed)Literature:Hind 118; New Hollstein 128 iii/iv

δ David Hockney (b.1937)The boy Hidden in an Egg (Tokyo 69)Etching with aquatint, 1969, signed in pencil, inscribed 'Grimm Ed.' in brown ink verso, numbered from the edition of 100, on Hodgkinson handmade paper, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, plate 198 x 170mm (7 7/8 x 6 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)The Princess in Her Tower (Tokyo 68)Etching with aquatint, 1969, signed in pencil, inscribed 'Grimm Ed.' in brown ink verso, numbered from the edition of 100, on Hodgkinson handmade paper, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, plate 447 x 323mm (17 1/2 x 12 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Wayne Sleep (Scottish Arts Council 112)Etching, 1969, signed and dated in pencil, numbered from the edition of 30, printed by Maurice Payne, London, on Crisbrook handmade paper, with full margins, plate 245 x 245mm (9 5/8 x 9 5/8in) (framed) Wayne Sleep, dancer, director and choreographer, was the shortest male dancer ever to be admitted to the Royal Ballet School, he is noted for his unusual physique and often had roles created specifically for him including notably that of Mr. Mistoffelees by Andrew Lloyd Webber in Cats. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Richard Hamilton (1922-2011)Un des effets des eaux de miersEtching with aquatint printed in colours, 1973, signed and numbered from the edition of 100 in pencil, on Jeyes toilet paper mounted onto rag wove support, as included in the '18 Small Prints' portfolio, printed by the artist and Maurice Payne at the Petersburg Press, published by Bernard Jacobson Ltd., London, the full sheet, 150 x 210mm (5 7/8 x 8 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later impression of New Hollstein's eighth state (of eight) on chine collé, dark and evenly printed with some signs of wear, with Lamoureux's address starting to fade in the lower right corner, platemark 526 x 408mm (20 3/4 x 16in), sheet 615 x 485mm (24 1/4 x 19 1/8in) (unframed)Literature:Hind 103; New Hollstein 119 viii/viii

Rembrandt van Rijn (1606-1669)Joseph Telling his DreamsEtching, 1638, a very fine lifetime impression of New Hollstein's third state (of six), before the filling in of the white space between Joseph's left arm and the woman's cheek, printing with detail and strong contrasts, fine touches of black wash in the upper borderline, platemark 110 x 83mm (4 1/4 x 3 1/4 in), sheet 120 x 92mm (4 3/4 x 3 5/8 in) (unframed)Literature:Hind 160; New Hollstein 167 iii/vi

Alexander Calder (1898-1976)Presenza GraficaEtching with aquatint printed in colours, with embossing, 1972, signed and numbered from the edition of 90 in pencil, on Fabriano Rosaspina wove paper, printed and published by 2RC Edizioni d'Arte, Rome with their blindstamp, the full sheet printed to the edges, 950 x 950mm (37 1/2 x 37 1/2in) (framed)

Roy Lichtenstein (1923-1997)On (Corlett 32)Etching, 1962, signed, dated and numbered from the edition of 60 in pencil, on wove paper, as included in the portfolio 'The International Anthology of Contemporary Engraving: The International Avant-Garde, Vol. 5, America Discovered', published by Galleria Schwarz, Milan, with wide margins, sheet 253 x 187mm (10 x 7 3/8in) (unframed)The present lot is the first true Pop Art print by Roy Lichtenstein, it is based on a painting of the same title from 1961.

Rembrandt van Rijn (1606-1669)Old Man with Beard, Fur Cap and Velvet CoatEtching with drypoint, circa 1632, a particularly fine impression of New Hollstein's second state (of three) on laid paper without watermark, printing with excellent detail and contrasts with faint touches of burr to the left of his left eye and on the top of his hand, thread margins, sheet 152 x 133mm (6 x 5 1/4 in) (unframed)Literature:Hind 92; New Hollstein 92

Rembrandt van Rijn (1606-1669) Portrait of Jan Cornelisz SylviusEtching on thin wove paper, 1633 but later, an evenly printed impression of the third state (of three) published by M'Creery, sheet 170 x 145 mm (6 3/4 x 5 3/4 in)Together with three others prints, including later impressions of Rembrandt's 'Christ crucified between the two thieves', and 'Jan Antonides van der Linden', with the other by Chevalier Ignace Joseph de Claussin (1766-1844) after a drawing by Rembrandt with five studies, on various wove papers, the latter on buff wove, between 140 x 100 mm (5 1/2 x 3 7/8 in) and 185 x 225 mm (7 1/4 x 8 7/8 in) (unframed) (4).Literature:New Hollstein 124 iii/iii

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a very fine impression of New Hollstein's first state (of two) on laid paper without watermark, with touches of burr behind the back and in front of the right shoulder of the kneeling woman, the delicate lines on Lazarus's forehead still visible, and fine vertical wiping scratches alongside areas of light tone, thread margins, sheet 152 x 116 mm (6 x 4 1/2 in) (unframed)Literature:Hind 198; Hind New Hollstein 206 i/ii

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Keith Haring (1958-1990)Untitled (From the Valley Suite) (see Littman p.136-141)Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed)

Stefano della Bella (1601-1664)The Temple of Concordia and the Roman ForumEtching, 1656, an excellent impression of De Vesme's first state (of two), on thin laid paper with indistinct circular watermark, some minor surface dirt and stains, platemark 304 x 272 mm (12 x 10 3/4 in), sheet 309 x 280 mm (12 1/8 x 11 in) (unframed)Literature:De Vesme 1971 i/ii

George Condo (B.1957)From. More Sketches of Spain for Miles DavisEtching, 1991, signed and numbered from the edition of 40 in pencil, on Guarro wove paper, published by Alexander Kahan, New York, with full margins, sheet 480 x 565mm (18 ¾ x 22 ¼ in) (unframed)

δ Zao Wou-Ki (1921-2013)Illuminations, one plate (Agerup 180; Rivière 181)Etching with aquatint printed in colours, 1967, signed and inscribed 'E.A.', a proof aside from the edition of 200, on Rives wove paper, as included in 'Illuminations', printed by Atelier Lacouriere et Frelaut, published by Le Club Francais du Livre, Paris, with margins, plate 266 x 238mm (10 1/2 x 9 2/5in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Jake and Dinos Chapman (b.1962 & b.1966)Bunny DreamsEtching with aquatint printed in colours, 2012, signed and numbered from the edition of 100 in pencil, on wove paper, published by Paupers Press, London, with full margins, sheet 400 x 320mm (15 3/4 x 12 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Tracey Emin (b.1963)Bird on a Wing After DBEtching printed in blue, 2018, signed, dated, titled and numbered from the edition of 200 in pencil, on wove paper, published by Emin International, London, with full margins, sheet 460 x 450mm (18 x 17 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Damien Hirst (b.1965)To Lure Etching printed in colours, 2008, signed and inscribed in pencil, a proof aside from the edition of 75, stamped 'Happy Christmas 2008' in red ink, on wove paper, printed and published by Other Criteria, London, the full sheet, 400 x 430mm (17 x 15 3/4in) (framed) The present artwork was one of an edition that were given as gifts to the staff of Science, the artist's studio, for Christmas 2008. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Howard Hodgkin (1932-2017)For JackEtching with aquatint and carborundum printed in colours, with extensive hand-colouring, 2006, on wove paper, initialled, dated and inscribed in pencil, a proof aside from the edition of 60, printed and hand-coloured by Jack Shirreff at the 107 Workshop, published by Alan Cristea Gallery, London, sheet 985 x 1360mm (39 1/8 x 53 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Anish Kapoor (b.1954)UntitledEtching with aquatint in colours, 2002, signed and numbered from the edition of 200 in pencil, on wove paper, with full margins, plate 483 x 660mm (19 x 26in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Francisco Goya (1746-1828)Quien se pondrá cascabel al gato? (Otras Leyes por el Pueblo), from 'Los Proverbios'Etching with aquatint, circa 1824, but a slightly later impression on cream laid paper with text, as published in L'Art, wide margins, platemark 245 x 350mm (9 5/8 x 13 3/4in), sheet 370 x 480mm (14 1/2 x 18 7/8in) (unframed) Literature:Delteil 222; Harris 268

Giovanni Battista Piranesi (1720-1788)Interno del Tempio di Canopo nella Villa Adriana (from Vedute di Roma)Etching and engraving, 1776, an excellent well inked impression of Hind's first state (of three), platemark 450 x 575 mm. (17 3/4 x 22 5/8 in) (framed)Literature:Hind 131 i/iii

δ James Ensor (1860-1949)Iston, Pouffamatus, Cracozie and Transmouff, famous Persian physicians examining the stools of King Darius after the Battle of ArabelaEtching, 1886, a good impression of the final state (of three) on buff japan, signed and dated in pencil in the lower right, platemark 245 x 190 mm. (9 3/4 x 7 1/2 in) (unframed)Literature:Delteil, Taevernier, Elsh, 6δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Léonard Tsuguharu Foujita (1886-1968)Femme à la cravate rose (Buisson 30.26)Etching with aquatint printed in colours, 1930, signed and numbered from the edition of 100 in pencil, on imitation Japan paper, with margins, sheet 400 x 321mm (15 3/4 x 12 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

James Jacques Joseph Tissot (1836-1902) Mavourneen (or Portrait of Kathleen Newton)Etching with drypoint, 1877, a good impression on laid paper with watermark of 'D&C Blauw', careful repair to upper section of right hand platemark with some light spotting, platemark 373 x 200mm (14 3/4 x 7 7/8in), sheet 450 x 290mm (17 3/4 x 11 1/2in) (unframed)Literature:Wentworth 31

δ Marc Chagall (1887-1985)Le Colère II from Sept Péchés capitaux (Seven Deadly Sins) (K 59)Etching printed in bistre, 1925, signed and inscribed 'epreuve d'artiste' in pencil, a artist's proof aside from the edition of 300, on china paper, printed by Louis Fort, Paris, published by Simon Kra, Paris, with full margins, plate 171 x 106mm (6 3/4 x 4 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Marc Chagall (1887-1985)Pierrot avec ParapluieEtching with aquatint, 1926-27, signed and numbered from the edition of 50 in pencil, on Richard de Bas hand made laid paper, with full margins, sheet 483 x 324mm (19 x 12 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)The Laurels of Happiness (Field 74-8D; M&L 665d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 500 x 652mm (19 3/4 x 25 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)The Curse Overthrown (Field 74-8E; M&L 666d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)The Great Inquisitor Expels the Saviour (Field 74-8F; M&L 671d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)A Shattering Entrance upon the American Stage (Field 74-8H; M&L 673d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)The Divine Love of Gala (Field 74-8J; M&L 674d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Gala's Castle (Field 74-8K; M&L 675d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in numerals for the edition of 35 in pencil, on Japan Nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Le métamorphoses érotiques (Field 69-15; M&L 342d)The complete set, including the etching 'La Chimère', 1969, signed and numbered from the edition of 150 in pencil, on Velin Rives wove paper, together with the title, justification and various text and collaged pages, each on Velin Rives wove paper, signed again in pencil and stamp numbered from the total edition of 300 on the justification page, the etching printed by Ateliers Rigal, Paris, all loose (as issued) and housed within the red fabric covered boards and slipcase, published by Edita, the etching diameter 125mm (5in); overall 340 x 265mm (13 3/8 x 10 1/2in) (folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Hendrik Goudt (1583-1648)Ceres seeking her Daughter, after Adam Elsheimer (1578-1610)Etching and engraving, 1610, on laid paper without watermark, trimmed just within the platemark, sheet 313 x 247 mm (12 3/8 x 9 3/4 in) (unframed)Together with two others: 'Landscape at Dawn, Aurora', and 'Jupiter and Mercury in the house of Philemon and Baucis', engravings, sheets 150 x 170 mm (5 7/8 x 6 3/4 in), and 205 x 220 mm (8 1/8 x 8 5/8 in), respectively (unframed) (3)Provenance:(Ceres) Hubert Georges Désiré Dupond (1901-1982) [L. 3926];Albert Aaron Feldmann (b.1920) [L. 4812](Aurora) Albert Aaron Feldmann (b.1920) [L. 4812]Literature:Bartsch, Hollstein 5, 6, and 7

δ Salvador Dali (1904-1989)Eléphants (Field 65-5F; M&L 139a)Etching with aquatint printed in colours and gold leaf, 1965, signed and numbered from the edition of 175 in pencil, on tinted Arches paper, printed by Ateliers Rigal, published by Webungs- und Commerz Union Anstalt, with full margins, 530 x 670mm (20 7/8 x 26 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Les Animaux Malades de la Peste (Field 74-1D; M&L657c)Drypoint with pochoir printed in colours, 1974, signed and numbered from the edition of 250 in pencil on Arches paper, printed by Ateliers Rigal, Paris, published by Mouret, Paris, with full margins 567 x 761mm (22 1/4 x 30in); with the original etching plate (cancelled) and three proofs pulled from the cancelled plate, two with handcolouring in watercolour (5) (unframed)Accompanied by a certificate of authenticity signed by the publishers Pierre Salord and Robert Mouret.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Vignette, from 'Petits nus d'Apollinaire' (Field 72-4; M&L 202)Etching with hand-colouring in blue, green and red, 1967, signed and numbered from the edition of 95 in pencil, on Japan paper, printed by Robbe, Paris, published by P. Argillet, with the Dali blindstamp, the full sheet, 90 x 120mm (3 1/2 x 4 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dali (1904-1989)Don Quichotte (Field p.237)Etching, 1975, signed in pencil, from the unnumbered edition of 149, on wove paper, printed by Sorini, published by a German Print Club, with margins, plate 390 x 295mm (15 3/8 x 11 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong PlateEtching, drypoint and engraving, circa 1639, a good but later impression with plate tone of New Hollstein's final state (of five), on laid paper without watermark, platemark 212 x 286mm (8 3/8 x 11 1/4 in), sheet 226 x 297mm (8 7/8 x 11 3/4 in) (unframed) Literature:Bartsch 49; Hind 162; New Hollstein 184 v/v

William Lionel Wyllie RA (1851-1931) The Battle of Trafalgar, etching, signed in pencil, mounted and framed. 40 x 73cm (Heavy discolouration)