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Click here to subscribeδ Marc Chagall (1887-1985)The Bible: Abraham Pleurant Sara (See Cramer 30)Etching extensively handcoloured in gouache, 1958, initialled and numbered in pencil from the artist's proof edition of V, on Arches wove paper, with full margins, plate 290 x 240mm (11 3/4 x 9 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marc Chagall (1887-1985)The Bible: Lot and his Daughters (See Cramer 30)Etching extensively hand coloured in gouache, 1958, initialled and numbered from the edition of 100 in pencil, on Arches wove paper, with full margins, plate 290 x 240mm (11 3/8 x 9 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
William Blake (1757-1827) Chaucer's Canterbury PilgrimsEtching and engraving on heavy wove paper, printed circa 1810-1823, a good even impression of Essick's fourth state (of 5), with no trace of the drypoint verses to the left and right of the title, platemark 355 x 960mm (14 x 37 3/4in) (framed)Literature:Bindman 477; Essick XVI⁂ A good example of Blake's monumental print, where the artist aimed to capture the complex whole of the Canterbury Tales in a single image depicting "the physiognomies or lineaments of universal human life, beyond which Nature never steps." [William Blake]
δ Salvador Dali (1904-1989)The Return of Ulysses (Field 77-4A; M&L 934&1495)Etching and lithograph printed in colours, 1977-78, signed and inscribed 'EA.' in pencil, an artist's proof aside from the French edition of 100, on Arches wove paper, printed by Torrents, published by Diversified and Grafos-Verlag, the full sheet, 750 x 550mm (29 1/2 x21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Portrait of Goya (from Les Caprices de Goya de Dali) (Field 77-3-80; M & L 848b)Etching with pochoir printed in colours, 1977, signed and inscribed 'Epreuvre d'artiste' in pencil, one of twenty artist's proofs aside from the edition of 200, on Rives wove paper, printed by Ateliers Rigal, published by Berggreuen Editions, Paris, sheet 445 x 306mm (17 1/2 x 12in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Portrait of La Fontaine (Field 74-1-A; M&L 653d)Etching with drypoint, 1974, signed, inscribed 'E.A.' and numbered in roman numerals from the edition of 62 in pencil, on Auvergne wove paper, printed by Ateliers Rigal, published by Mouret, Paris, with margins, plate 572 x 400mm (22 1/2 x 15 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Levi (Field 72-6I; M&L 628e)Etching printed in colours, 1973, signed and numbered in roman numerals from the edition of 35 in pencil, on BFK Rives wove paper, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with margins, plate 510 x 370mm (20 x 14 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Fontaine (M&L 146a)Etching with hand colouring in gold, 1966, signed and numbered in roman numerals from the edition of 60 in pencil, on BFK Rives wove paper, printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, plate 177 x 127mm (7 x 4 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
FRANCIS DODD, RA, RWS (1874-1949) Street scene with figuresblack and white etching, signed in pencil to lower right margin 16 x 22cms together withNORMAN WILKINSON RI, CBE (1878-1971) Shipping sceneblack and white etching, signed in pencil to lower right margin 17 x 23cms and a further etching by Harold Storey (3)
Charles Frederick Allbon (British 1856-1926) - View of Antwerp, black and white etching, signed, 16 x 40cm, together with an 18th century engraved map of the parish of St Mary Rotherhithe, published 1755 Stow's Survey, 40 x 51cm, a black and white engraving after JMW Turner - A View of the Inside of Brazen Nose (sic) College Quadrangle, 36 x 45cm, various sizes all framed
20th century continental study of a Parisian type street scene with figures, oil on canvas, 61 x 92cm, together with an early 20th century continental coloured etching of a harbour scene with a team of horses, indistinctly signed and a further signed coloured limited edition print of horse drawn carriages after P Buckley? inscribed Evensong at Long Grove, all framed
W Melville (Early 20th century British) - St Paul's Canon Alley, signed monochrome etching, 13 x 7.5cm together with Frederick Farrell (British 1882-1935) - Etching of Horseguards Parade, William Walker etching of St James' Palace, also together with a naive style pen and ink study of Tower Bridge, London, various sizes, all framed
ARTHUR CHARLTON (1917-2007) colour lithograph - Swansea footballers playing against a team at the old Vetch Field ground circa 1950s (with referee in a blazer), unsigned, 28 x 38cms Auctioneer's Note: Arthur Charlton was born in the North-East of England but Swansea became his adopted home from 1952 onwards. A prisoner of war from 1942-45, he set out to record his experience through drawings and a diary; lack of materials forced him to improvise by utilising whatever materials were available, including bitumen paper, biscuit wrappers and the backs of labels from tins. On the 23 April 1945 he was released by the Russian army and flown back to England where he resumed his art education at the Royal College of Art. He then pursued a career as an artist and senior art lecturer, after taking an appointment at the Swansea School of Art. A close friend of the Swansea artists Glenys and Ron Cour, during sixty years of creative activity he created prints using wood engraving, etching, aquatint, lithography, linocut and silkscreen. His work is in the permanent collection of the Imperial war Museum and the Welsh Arts Council (print of Caswell Bay).
ARTHUR CHARLTON (1917-2007) aquatint etching - Pembrokeshire coastal scene with boat house and boats, entitled 'Solva With Boats', unsigned, circa 1982, part of a series of Welsh coastal prints primarily of the Gower Peninsula (please see verso), 39 x 49cms (framed and glazed) Auctioneer's Note: please see lot 105
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![[§] HARLAND MILLER (BRITISH, B.1964)RAGS TO POLYESTER, 2014 AP 3/10, signed and numbered in pencil, giclée print on German et](https://cdn.globalauctionplatform.com/3460b8af-433f-4d78-b36b-a9eb00a441df/78fa641d-c8ea-4d71-963f-aa0900c70359/468x382.jpg)
