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Click here to subscribeLudwig Emil Grimm (1790-1863) Bauerin aus Egern am Tegernsee mit ihren zwei Kleinen Madchen Stoll 109, first state of two 1813, inscribed "2t Probe D" in pencil, etching 15 x 18cm; and one further by the same hand - Alise Zschokke, 10 x 9.5cm (2). Provenance: From the Collection of the late Professor Eric Gerald Stanley (1923-2018).
Margaret M. Rudge (1885-1972) Lincoln Cathedral signed in pencil (in the margin) etching, 18.5 x 24.5cm; another of the same but unsigned; and further cathedral subjects to include: Lichfield (x 2); York Minster; Durham etc, varying sizes and some duplicates, all unframed, eighteen in total (18).
Eric Hesketh Hubbard (1892-1957) "The Lights of Volendam" signed, titled and numbered "2/75" in pencil (in the margin) etching with aquatint 17.5 x 23.5cm; and assorted further etchings, artists to include: Salomon von Abbe, Dorothy Woollard, George Atkinson, Reginald Green, Janet Simpson, E.M. Wilson etc; some inscribed to Margaret Rudge, all mounted but unframed. approx 25 in total.
*VINCENT HENRY LINES (1909-1968) 'Margaret Fisher Prout Painting' etching, 19cm x 24cm; together with another work by the same Artst, 'Fishing, Canal St-Martin Paris c1930' etching, 17.5cm x 29.5cm and a copy of the auction catalogue for the remaining studio of Margaret Fisher Prout, Tuesday 11th November, Phillips, Son & Neale (3)Millicent Margaret Fisher Prout ARA (1875- 9 December) was a highly successful and productive artist who helped improve perceptions of modern art in Britain. Prout was born in Church Street, Chelsea, on 31 March 1875, the only daughter of the painter Mark Fisher R.A. She studied under her father and at the Slade School of Art between 1894 and 1897. By 1914 she was teaching life drawing at the Hammersmith School of Arts and Crafts and had her first solo exhibition at the Beaux Arts Gallery in 1922. Prout was a painter of flowers, landscape and figures in an Impressionist style. She produced various subjects including animals, landscapes, figures, flowers, and other still life. In 1908 she married a farmer, John Prout, and was based in various locations throughout her career including Harlow, Essex, London, Sawbridgeworth in Hertfordshire, East Grinstead and was most latterly associated with Sussex and remained there until her death in 1963. Prout had an extensive career over a period of at least 58 years. She exhibited at the New English Art Club from 1897 (which was an alternative institution for showcasing artists as opposed to the Royal Academy of Arts, which was mostly unwelcoming to the work of female artists), the Royal Scottish Academy (1935), the Royal Hibernian Academy (1924-39), the Royal Glasgow Institute (1928-58) and the Royal Academy itself in 1921-64. She also exhibited with the Society of Women Artists (1927-63) and the Women's International Art Club, both institutions for the promotion of the work of women. Prout was elected an associate member of the Royal Academy in 1948. She was a member of the Society of Women Artists from 1935 to 1937 and from 1952 to 1958 and was also a member of the New English Art Club. A retrospective exhibition of Prout's work was held at the Worthing Art Gallery in 1961, the Royal Watercolour Society held a memorial exhibition in 1966 and Blond Fine Art also held a retrospective in 1979. Vincent Lines, a neighbour of Fisher Prout's in St Leonards-on-Sea, wrote a book on Mark Fisher and Margaret Fisher Prout "Mark Fisher and Margaret Fisher Prout, Father and Daughter: A Record of a Hundred Years of Painting" with the image of Fisher Prout painting offered here featured on the front cover.*Artist Resale Right may apply to this lot
Herbert Dicksee Original Artist's Proof Etching, Pencil Signed to the margins, titled 'The Old Garden' (HD 1921). Label to verso - An Artist's Signed Proof. Impression on Japanese vellum. Edition strictly limited, price 5 Guineas. Copyright Frost & Reed (1921). Fine impression, glazed and framed. Size 21" x 28".
GEORGES BRAQUE (French, 1882-1963) - original etching, Eros and Eurybia, from La Theogonie d'Hesiode 1932, unsigned, image 36cm x 29cm, mounted Very good original condition, no holes, tears or restoration, very faint oxidation mark around the border from an old mount, paper is very slightly rippled on mount.
Album. A large album of watercolours, silhouettes, engravings, and cuttings, 1830s-1920s, approximately 80 leaves (plus some blank), filled with drawings and watercolours, prints and engravings, newspaper cuttings, etc., mounted on rectos and versos (and some loosely inserted), one album leaf with upper half excised, including approximately 40 pen & ink or pencil drawings and watercolours, comprising mostly landscapes, but also portraits, fruit and flowers, animals, some titled, e.g.: 'Mt. Lebanon from Beyroot'; 'Loch Ard'; a Continental figure fencing by Jane Dicky; several competent small drawings by D. Barlee, titled 'Bangor', 'Pass of Llanberis', 'Coventry', 'Bicton Church', 'Berkfield Lodge, Suffolk', 'Crammock Water, Cumberland', 'Priory Gateway, Kenilworth', plus 4 full-length female and 3 head-and-shoulder (1 male, 2 female) scissor cut silhouettes, some with gilt detailing, several small engravings of Welsh costume, and 2 early 20th century large colour-tinted photographs with figures (one of Bruges), original red half morocco, rubbed and worn, with covers detached, folio, together with 2 other albums similar: the first belonging to hymnologist William John Hall (1793-1861), 1830-1850s, containing a variety of manuscript writings and engravings, and some stencilled watercolours of fortresses and lighthouses, original red half morocco, rubbed and extremities worn (with top portion of spine detached), 4to; and the other a large vellum-bound volume, circa 1833-35, containing manuscript writings, engravings (including a worn copy of Isaac Cruikshank's etching 'A Consultation of Doctors on the Case of Sr Toby Bumper!!'), and several original drawings, including a humorous cartoon, folio (Qty: 3)
* Gillray (James, 1757-1815). La Belle Espagnole, - ou - la Doublure de Madame Tallien, Hannah Humphrey, 25th February 1796, etching on laid paper with hand-colouring, faint central horizontal crease (generally in very good condition), sheet size 35 x 24.5 cm (13.75 x 9.75 ins), together with: The Bulstrode Siren, Hannah Humphrey, April 14th 1803, etching with roulette work, on wove paper, with hand-colouring, short marginal closed tear to upper left margin, restrengthened with archival tape to verso (generally in very good condition), sheet size 36.5 x 28 cm (14.4 x 11 ins), A Lyoness, Hannah Humphrey, July 13th 1801, etching on wove paper, with hand-colouring, in very good condition, sheet size 35.5 x 26 cm (14 x 10.25 ins) (Qty: 3)NOTESProvenance: Formerly in the collection of Peter Ward-Jackson (1915-2015), curator at the Victoria & Albert Museum. BM Satires 8898, 10168 and 9758 respectively. According to Dorothy George, the Belle Espagnole represents a Creole dancer from Spanish America, who bore a striking resemblance to the famous French beauty and society hostess Theresa de Tallien (1773-1835). The second caricature depicts the Duke of Portland listening with rapt attention to the famous opera singer Elizabeth Biddington, and is the earlier issue of this print, before the Duke's facial expression and thin legs were altered (both versions carrying the same publication date). The third work satirises the extravagant Polly Lyon de Symons (1753-1841), wife of the diamond broker Baron Lyon de Symons.
Guild of St Joseph and St Dominic. Collection of prints and ephemera from the library of Dunstan Pruden, mid-20th century, comprising : 1. Holloway (Edgar, 1914-2008). [Norman Church], etching on wove paper, signed in pencil 'Edgar Holloway', ink inscription 'Greetings from Monica & Edgar Holloway' to head, toning along right-hand side not visible in image, sheet with transverse crease from folding not affecting image, image size 5.5 x 8.6 cm, sheet size 14.5 x 11.1 cm, 2. Pruden (Dunstan, 1907-1974). [Mother and Child], woodcut on laid paper, signed in pencil 'Dunstan Pruden' (faded), inscribed in pen verso 'Love to all from Daddy & Winefride', toned, slightly marked, short nick to top edge, 17 x 11.4 cm, 3. Holloway (Timothy), [Mother, Father and Son], woodcut in orange on sheet of wove card folded into a bifolium, ink inscriptions 'By Timothy Holloway' and 'From Edgar, Monica & Family' verso, toned, slightly spotted, image size 7.6 x 5 cm, sheet size 12.6 x 17.6 cm, 4. [Attributed to Timothy Holloway], [Christ the King], woodcut on sheet of laid paper folded into a bifolium, conjugate leaf with printed text 'St. Rose + Ditchling Common + Sussex' verso and ink inscription 'Happy Christmas from Edgar, Monica & Family' recto, 11.4 x 14.4 cm, 5. Group of 5 unsigned woodcuts of Christian subjects, i.e. a) [Christ in the Manger], laid paper, toned along one edge, 9.7 x 15.4 cm, b) [Christ in the Wilderness], depicting a haloed figure seated beside a thorn bush and alpha-omega monogram, laid paper, 11.6 x 10.6 cm, c) Sicut dixit Alleluia, wove paper, 8.7 x 14.6 cm, d) [Christ Emerging from the Tomb], laid paper, marginal toning, 14.5 x 20 cm, e) S. S. Dorotheus, John Prophet, Barsanuphius, laid paper, marginal toning, 14.5 x 20.3 cm, 6. Group of 3 funeral cards, i.e. a) In gratitude for the things that he made & the truths that he taught, pray for Eric Gill who died on November 17, 1940, letterpress, 10 x 5.3 cm, b) Pray for the Soul of Joseph Cribb who died on Nov 6 1967 aged 75, woodcut, inscribed verso 'Thank you dear Angela for your very kind letter of sympathy, Agnes', 9.8 x 7.5 cm, c) Remember Daisy Monica Holloway, 18 X 1917 27 IX 1979, probably by Edgar Holloway, woodcut in red on wove card, marked, 12.6 x 8.2 cm, and 3 others (Qty: 12)NOTESProvenance: 1) Dunstan Pruden (1907-1974), silversmith in the Guild of St Joseph and St Dominic at Ditchling from 1934. 2) Angela Lowery née Pruden (1937-2018), silversmith and daughter of Dunstan Pruden, late of Upton St Leonards, Gloucestershire. 3) Thence by descent.
Damien Hirst (B. 1965)The Souls on Jacob's Ladder Take Their Flight, 2008 signed, dated and numbered U.P. 2008 Damien Hirst (lower edge)unique etching and aquatint in coloursSheet: 119.3 x 108.4 cm.46 15/16 x 42 11/16 in.Plate: 93.3 x 85.8 cm.36 3/4 x 33 3/4 in.Footnotes:ProvenanceParagon Press, LondonAcquired directly from the above by the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ferdinand Bol (Dutch 1616-1680)St. Jerome in the cave (Bartsch 3)Etching and drypoint, 1644Sheet: 28.6 x 24.3cm (11¼ x 9½ in.)Condition Report: The sheet has been hinge mounted in two places along the upper edge verso. This has caused some light, white discolouration recto. There are two old tabs to the lower edge verso which are no longer stuck down. There are several brown spots to the sheet verso. The sheet has been cut down along the plate edge. There is a small tear to the upper left corner of the sheet (approx 2mm) and a patch of skinning to the lower left corner (approx 2mm). There is some staining to the sheet, predominantly along the extreme edges. There is some light creasing throughout the sheet. There is a small area to the lower right below the sitter where the printed text has been heightened in sepia ink. Condition Report Disclaimer
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![A PELHAM PUPPET - TYRO[LEAN] GIRL, BOXED, ANOTHER, SEVERAL OTHER WOODEN TOYS, AN ETCHING OF CHELSEA BY CHARLES WATSON 1879, A](https://cdn.globalauctionplatform.com/dc18d1f0-7792-4850-8fea-abd700dd86a6/184c5069-aa2a-4378-9040-abd700e08730/468x382.jpg)
