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Lot 755

Edmund Blampied (Jersey, 1886-1966) Chez Madame Dupont drypoint etching, 1931-32, signed and numbered 33 from the edition of 100 in ink 9¼ x 12¼in. (23.5 x 31cm.) .

Lot 243

L Pool, `Tackle-boxes Hastings`, signed in pencil and dated 1938, black and white etching, and `The Albert Bridge of the Thames at Chelsea`, signed in pencil, lithograph, 17.5 x 25cm and 25 x 38cm

Lot 357

G.J. Matheson, pencil signed etching of a Scottish loch scene with castle, 23cm x 35cm

Lot 397

Alma Pugh, pencil signed coloured etching, "Brown Bird nesting", limited edition 6/15, with dedication

Lot 1622

19th century `Visit to Grandpa` print surrounded by machine carved wooden frame with mirrors, some deep etching and cutting, together with a late 20th century oil on canvas and a world map framed print

Lot 1631

Late 18th century engravings/etchings of Chinese interest `A Mandarins Garden at Chusan` and a ``Chinese Temple near Hang Tchou`` together with a similar dated etching/engraving of Stonehenge (3)

Lot 302

A VICTORIAN OFFICERS 1874 PATTERN SWORD having a pierced and engraved hilt and shagreen grip, the curved and fullered single edge blade with remains of etching, manufactured by Jones, 6 Regent street, London, scabbard lacking. 94cm(L) Condition Report: Tarnishing to blade, some knocks and bending to hilt.

Lot 247

PIERRE ADOLPHE VALETTE (1876-1942) ORIGINAL ETCHING `The Flight into Egypt` signed with initials `A.V.` in the print and dated 1911 6" x 8 1/2" (15cm x 21.5cm) EST 80-120

Lot 334

WILLIAM HOGGARTH (R.I.) SMALL WATERCOLOUR DRAWING Coastal scene at sunset signed 2 3/4" x 3 1/2" (7cm x 8.9cm) N. WARD SIGNED LIMITED ORIGINAL ETCHING `Breydon Bridge` under construction m 1986 5 1/2" x 18" (13.9cm x 45.7cm) and TERRY KILLAGAN LIMITED EDITION COLOUR PRINT `Henley` 5 1/4" x 7 1/4" (13.3cm x 18.4cm) (3) EST 40-60

Lot 402

ERICH WOLDSFELD ORIGINAL ETCHING Group of five Arabs walking signed in pencil 9 3/4" x 11 3/4" mounted but unframed and 2 OTHER ETCHINGS by Woldsfeld, Roman buildings (unframed) (3) EST 30-50

Lot 670

After H. Dicksee, "The Challenge - Lion", etching with aquatint, 18 x 25cms.

Lot 697

Mary A Sloane, "Pleasure Fair, Leicester", signed and inscribed etching, 21.5 x 20cms and two other views of Leicester by the same hand, (3).

Lot 27

Gerard Dillon (1916-1971) GIRL AT WELL etching with artist`s name, title and medium in the lower margin; with inscribed Taylor Galleries label on reverse 10 by 13.25in., 25.4 by 33.655cm. Taylor Galleries, Dublin; Where purchased by Jim O`Driscoll SC Jim O`Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond. He was an early supporter and friend of Tony O`Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented in his collection, although some, for example those by Evie Hone and Gerard Dillon, come from an earlier generation. "

Lot 137

Sean Scully (b.1945) A FLOWER GIVEN TO MY DAUGHTER, FROM THE PORTFOLIO POMES PENYEACH, 1993 etching, aquatint, sugarlift, and spitbite on paper; (no. 20 from an edition of 33) signed and dated in the margin lower; numbered lower left 3 by 9in., 7.62 by 22.86cm. Sheet size: 22 by 16ins. An example from this edition can be found in the Smithsonian American Art Museum, Washington D.C. Pomes Penyeach refers to James Joyce`s collection of thirteen short poems published between 1904 and 1924. "

Lot 1306

An Ed VIII 1897 pattern infantry officer’s sword, straight blade with traces of etching, regulation steel hilt, the guard incorporating crowned Ed VIII cypher, chequered backstrap, wirebound fishskin grip. QGC

Lot 1323

A 1796 pattern light cavalry officer’s sword, curved, shallow fullered blade 32½”, marked Richd Turner on backstrap, and finely etched with pre 1801 R Arms, mounted Hussar, flying angel, pavilion and trophies within elaborate panels, steel stirrup hilt with langets, facetted guard, pommel and backstrap with ears, leather grip (most wire missing), in its steel scabbard (tip dented) with 2 rings. GC for age (blade sharpened, some wear and light pitting overall, etching faint in places)

Lot 93

Continental cathedral interior mid 19th Century watercolour, an etching of Rose End Farm by William Flinton and a pair of Victorian engravings after Julian Dupre

Lot 551

E. G Earthrowl, An etching and Harry Harvey Clarke, an etching (2)

Lot 1568

"Jurgen Gorg - Erotica IID, etching, numbered 56/220, titled and signed in pencil, 33 x 25cm "

Lot 486

AFTER REMBRANDT "Self portrait", black and white etching, another similar "Figures before a cleric in front of a building", black and white etching, and another depicting boat on canal, indistinctly inscribed (3) CONDITION REPORTS All with some general wear and dirt.

Lot 489

WILLIAM EVAN CHARLES MORGAN "The forge, Achranich", dry point black and white etching, No'd. 5/30, signed and inscribed and dated 1932 in pencil in the margin

Lot 549

AFTER G. VERNON STOKES "Two hunting dogs before a rabbit hole", coloured limited edition etching No'd. 72/75, signed in pencil in the margin

Lot 294

A FRAMED AND GLAZED DUTCH ETCHING OF PLOUGHMEN AND HORSES IN THE FIELD, SIGNED TO BOTTOM RIGHT (35 X 21 CMS) DATED JUNE 1933.

Lot 302

AN ETCHING OF LOVERS KISSING IN AN ORCHARD, VIENNA, SIGNED BOTTOM RIGHT POSSIBLY G JOHANNIS (10 X 17 CMS).

Lot 45

George Vernon Stokes 1873-1954 'Otterhounds', hand coloured etching, signed in the plate also signed in pencil and numbered 73/75, 24cm x 28.5cm

Lot 78

George Vernon Stokes 'Setters on a Moor', hand coloured etching, signed in the plate, also signed in pencil and numbered 36/75, 24.5cm x 30cm also three other etchings by the same hand - all depicting sporting dogs (4)

Lot 88

George Vernon Stokes 'Hounds on the scent', etching printed in colour, signed in the plate, also signed in pencil and numbered 1/75, 25cm x 30.5cm

Lot 755

After J. Marants?, continental river landscape with bridge, signed etching, 40cm x 59cm.

Lot 1506

A framed etching of Lincoln cathedral, ink drawing of Park Street, Lincoln, framed photograph, a folder of sundry prints and a gilt framed mirror.

Lot 30

Etching and aquatint After David Hockney (b. 1937) "Myself and my Heroes", bears a signature in the margin and dated '61, etched plate measurements 25.5 x 49.5cm (cropped to margins) NB This is the first print produced by Hockney on arriving at the Royal College of Art in London and depicts the artist together with Mahatma Gandhi (haloed) and Walt Whitman Artist's Resale Rights maybe payable on this lot

Lot 172

Giovanni Battista Piranesi (Italian, 1720-1778): 'The Grand Piazza', etching, numbered IV upper right, signed lower right 'Piranesi fecit' H 53 x W 41.5 cm

Lot 78

GIORGIO DE CHIRICO (Italian, 1888-1978), 'Apollo', handcoloured etching, 43cm x 37cm, signed, inscribed and with studio blind stamp. (Please note Clause 6 of Buyer's Conditions)

Lot 79

GIORGIO DE CHIRICO (Italian, 1888-1978), 'Apollo and horse', etching in colours, signed, numbered 72/95 with studio blind stamp. (Please note Clause 6 of Buyer's Conditions)

Lot 1378

RONALD WERDEMIER ETCHING "BUILDING A BRIDGE MACHINAW STRAITS:" Pencil signed and titled. Framed and matted under glass.

Lot 2014

PABLO PICASSO [SPANISH, 1881-1973] ETCHING & DRYPOINT, 22/50, 6" X 8", 347 SERIES: NO. 294:00:00 On BFK Rives paper, pencil singed and numbered; actual dimensions are 6 5-8" x 8 1/8". Under glass, matted, and framed.

Lot 2020

HENRY MOORE [BRITISH 1898-1986] ETCHING AND DRY POINT 7" X 10", "RECLINING FIGURE IN LANDSCAPE:" Signed lower right and numbered edition 21/50. Framed and matted under glass. Letter describing the work from Phillips Gallery Salt Lake City, UT.

Lot 2095

MARC CHAGALL [RU/FR 1887-1985], HAND COLORED ETCHING, 11 1/2" X 9 1/2", "LA FEMME DE POTIPHAR:" Plate 21 from "The Bible;" no. 47/100; pencil initialed; framed. Reference: Vollard no. 218; Cramer 30 As is.

Lot 2211

FRANCISCO GOYA, ETCHING, 8 1/2" X 6" [PLATE], "NO GRITES, TONTA:" Caprigios page 74 Sheet size 12 1/4" x 8 3/4".

Lot 383

MISCELLANEOUS ITEMS COMPRISING SEVERAL CHINESE AND OTHER VASE STANDS, PAIR OF SILVER PLATED PARTRIDGE TABLE ORNAMENTS, SET OF ANTLER HAFTED STEAK KNIVES AND FORKS, VENETIAN RED, BLUE AND CLEAR GLASS FREE-FORM VASE AND CONTINENTAL ETCHING

Lot 436

G HUNT AND J R MACKREL AFTER F C TURNER, THE NOBLE TIPS, HUNTING PRINT FROM MOORS TALLY-HO! TO THE SPORTS, ETCHING WITH AQUATINT PRINTED IN COLOUR 1853 AND A SIGNED HUNTING PRINT OF THE SOUTH NOTTS OF CROPWELL BISHOP BY NEIL CAWTHORNE

Lot 442

ARTHUR KEITH - SPRINGTIME AT OLD DALBY MELTON MOWBRAY, ETCHING WITH AQUATINT IN COLOUR SIGNED BY THE ARTIST IN PENCIL AND INSCRIBED

Lot 730

After Cecil Charles Windsor Aldin RBA (1870-1935) ``For What we are About to Receive`` Signed artist`s proof, 81/100, inscribed verso, black and white etching, 24cm by 16.5cm (pl) See illustration

Lot 1028

Sir Terry Frost (1915-2003) Bow Movement (Kemp 16), Signed and dated (19)54, (there was no edition), printed by the artist, St Ives, black and white drypoint etching, 14cm by 34cm (pl)

Lot 627

*Scianna (Francesco). A group of three original etching colour prints depicting Mille Miglia c1935, Le Mans 1953 and Mille Miglia 1957, each captioned & signed in pencil by the artist, in matted mounts for framing (studio stored slight soiling to mounts), 8 x 12in (21 x 30cm) (3)

Lot 1109

*A Victorian 1845 Pattern infantry officer`s sword, the 81cm slightly curved steel blade bearing traces of etching, proof mark towards the tang, pierced brass guard with V.R. cypher and folding langet, wire-bound fish-skin grip with brass back and stepped pommel, 96cm overall, in its leather scabbard with brass and copper mounts (1)

Lot 121

Cecil Charles Windsor Aldin (1870-1935) - Limited edition etching - Ploughing, No.52/100, signed and numbered in pencil, verso with original Eyre & Spottiswoode title label, 25cm x 35cm General condition consistent with age **

Lot 774

An early 20th century French coloured artists proof etching

Lot 112

JOHN BRUNSDON ETCHING AND AQUATINT `FOLDING HILLS` NUMBERED AND SIGNED IN THE MARGIN 13/150 APPROX. 59 X 45 cm

Lot 113

JOHN BRUNSDON ETCHING AND AQUATINT `AVEBURY` NUMBERED AND SIGNED IN THE MARGIN 50/100 APPROX. 60 X 45 cm

Lot 114

JOHN BRUNSDON ETCHING AND AQUATINT `GORDALE SCAR` NUMBERED AND SIGNED IN THE MARGIN 13/150 APPROX. 59 X45 cm

Lot 115

JOHN BRUNSDON ETCHING AND AQUATINT `WELSH FARM` NUMBERED AND SIGNED IN THE MARGIN 4/150 APPROX. 60 X 45 cm

Lot 116

JOHN BRUNSDON ETCHING AND AQUATINT `VIEW FROM BEACHY HEAD` NUMBERED AND SIGNED IN THE MARGIN 85/125 APPROX. 44 X 38 cm

Lot 365

A trio of multi coloured Murano style cut glass decanters with elaborate etching to the main body.

Lot 303

A set of six Regency green glass rummers with floral and fruit etching to the bowl, bobbin shaped knops and circular domed and footed feet.

Lot 305

A circular cut glass fruit or flower bowl with etching and astral design to base

Lot 664

Fred Richards, Park Street Windsor, uncoloured etching, signed in pencil together with another ECV Coal, strangers paul doorway, Norwich, uncoloured etching signed in pencil, framed. (2).

Lot 1059

William Lionel Wylie 1851-1931 original etching of sailing boats. Label verso `Off The Isle of Wight`.

Lot 1261

B Kay, aquatint, Beauvois Abbey, Richard Beer, A Spanish Hillside, etching, and Allan B Laycock, `Hayfields Darley Wood, Mayhill`, signed and dated `83, acrylic

Lot 410

After Peter Scott, "Birds in Flight at Dusk", signed print , after R.W. Millican, signed print, after Richard Harrison, "White fronted geese, signed print and a coloured etching, (4).

Lot 432

After M.M. Rudge, "A Cornish Fishing Village", monochrome etching, signed, label verso.

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