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A VICTORIAN OFFICERS 1874 PATTERN SWORD having a pierced and engraved hilt and shagreen grip, the curved and fullered single edge blade with remains of etching, manufactured by Jones, 6 Regent street, London, scabbard lacking. 94cm(L) Condition Report: Tarnishing to blade, some knocks and bending to hilt.
WILLIAM HOGGARTH (R.I.) SMALL WATERCOLOUR DRAWING Coastal scene at sunset signed 2 3/4" x 3 1/2" (7cm x 8.9cm) N. WARD SIGNED LIMITED ORIGINAL ETCHING `Breydon Bridge` under construction m 1986 5 1/2" x 18" (13.9cm x 45.7cm) and TERRY KILLAGAN LIMITED EDITION COLOUR PRINT `Henley` 5 1/4" x 7 1/4" (13.3cm x 18.4cm) (3) EST 40-60
Gerard Dillon (1916-1971) GIRL AT WELL etching with artist`s name, title and medium in the lower margin; with inscribed Taylor Galleries label on reverse 10 by 13.25in., 25.4 by 33.655cm. Taylor Galleries, Dublin; Where purchased by Jim O`Driscoll SC Jim O`Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond. He was an early supporter and friend of Tony O`Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented in his collection, although some, for example those by Evie Hone and Gerard Dillon, come from an earlier generation. "
Sean Scully (b.1945) A FLOWER GIVEN TO MY DAUGHTER, FROM THE PORTFOLIO POMES PENYEACH, 1993 etching, aquatint, sugarlift, and spitbite on paper; (no. 20 from an edition of 33) signed and dated in the margin lower; numbered lower left 3 by 9in., 7.62 by 22.86cm. Sheet size: 22 by 16ins. An example from this edition can be found in the Smithsonian American Art Museum, Washington D.C. Pomes Penyeach refers to James Joyce`s collection of thirteen short poems published between 1904 and 1924. "
A 1796 pattern light cavalry officer’s sword, curved, shallow fullered blade 32½”, marked Richd Turner on backstrap, and finely etched with pre 1801 R Arms, mounted Hussar, flying angel, pavilion and trophies within elaborate panels, steel stirrup hilt with langets, facetted guard, pommel and backstrap with ears, leather grip (most wire missing), in its steel scabbard (tip dented) with 2 rings. GC for age (blade sharpened, some wear and light pitting overall, etching faint in places)
Etching and aquatint After David Hockney (b. 1937) "Myself and my Heroes", bears a signature in the margin and dated '61, etched plate measurements 25.5 x 49.5cm (cropped to margins) NB This is the first print produced by Hockney on arriving at the Royal College of Art in London and depicts the artist together with Mahatma Gandhi (haloed) and Walt Whitman Artist's Resale Rights maybe payable on this lot
*A Victorian 1845 Pattern infantry officer`s sword, the 81cm slightly curved steel blade bearing traces of etching, proof mark towards the tang, pierced brass guard with V.R. cypher and folding langet, wire-bound fish-skin grip with brass back and stepped pommel, 96cm overall, in its leather scabbard with brass and copper mounts (1)
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71174 item(s)/page