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Lot 86
WHISTLER JAMES MCNEILL: (1834-1903) American Artist. An attractive printed oblong 12mo invitation card completed and signed by Whistler, being an invitation to his Exhibition of Paintings, Etchings and Pastils at The College for Men and Women at Russell Square, London, May (1889). Whistler has issued the invitation to Monsieur L. E. Lefevre and made several corrections to the printed text, allowing the recipient to visit at any time during May (the invitation card having originally been issued for the opening of the exhibition on 1st May when it was opened by the Lord High Chancellor and Lady Salisbury), signed (‘With the compliments of J Mc N. Whistler’) in black fountain pen ink to the clear margin. Some extremely minor, very light traces of former mounting to the verso, VGWhistler’s exhibition ran from 2nd -16th May 1889 and was organised by Walter Richard Sickert (1860-1942) British Artist, pupil and etching assistant to Whistler.
Lot 1
ROYAL SOCIETY OF PAINTER-ETCHERS Diploma of Associate membership issued to Sir Nevile Rodwell Wilkinson, army officer, artist, and herald, on the 28th March 1912; etching on laid paper by George W. Eve, signed by President Frank Short, Hon. Secretary J[ohn] Fanshawe Badeley and Hon. Treasurer Arthur Evershed - all distinguished printmakers. The lettering enclosed in an ornate border surmounted by the royal coat-of-arms and with the Society's embossed seal below The paper age-toned, some spotting, the margins folded back on four sides. The Royal Society of Painter-Printmakers (RE) - as it has been called since 1991 - was established in London in 1880 and given a Royal Charter in 1888
Lot 497
Isabel Bishop (American, 1902-1988), ''Interlude - Teller 48", signed and numbered I/XXV in pencil in the margin, 1952, etching, plate size 18.5 x 11.5cm.; 7.25 x 4.5in. * Isabel Bishop was born in Cincinnati, Ohio and grew up in Detroit. She created drawings, etchings, and aquatints. Earlier in her career, she concentrated on single figures, capturing her models' strong personalities. In 1961, she started making aquatints and her compositions became more abstract. In Detroit she studied at the John Wicker Art School before moving to New York and studying illustration at the New York School of Applied Design for Women.
Lot 518
David Hockney (1937-), "In Despair", signed, dated '66 and numbered 7/75 in pencil in the margin, etching, plate size 35 x 22.5cm.; 13.75 x 8.75in. * This is one of thirteen etchings for Illustrations for Fourteen Poems from C.P. Cavafy. Hockney's first major series of etchings since A Rake's Progress (1961-3), it was conceived almost entirely in terms of line, and contained some of the artist's most accomplished line drawings to that date. Artists' Resale Right ("droit de suite") may apply to this lot.Condition Report: The etching is in good, original condition. There is foxing across the surface of the print and the paper has undulations as can be seen in the images. The etching is framed and glazed as can be seen.
Lot 414
A FOLIO OF ETCHINGS, PRINTS, PENCIL SKETCHES AND OTHER PICTURES, mostly 19th Century, some earlier pieces, includes after Rembrandt Christ and The Woman of Samaria amongst ruins, probably a 19th Century impression, approximately 12.5cm x 11cm, numbered 13 in ink bottom right, Alphonse Legros a Breton etching, a number of pencil sketch studies of church/cathedral interiors, approximately 23 items (parcel)
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