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Lot 181
Art Trade.- O'Neale (Jefferyes Hamett), attributed to. The Painter submitting his picture to the Examination of Connoisseurs and Antiquarians, etching and engraving, 19.5 x 12.5 cm (7 ¾ x 5 in.), trimmed to or just within platemark, tiny tear at bottom edge, [BM Satires 2008], [Sentimental Magazine, January 1774]
Lot 188
Carracci (Annibale), Attributed to. Virgin seated with pillow, etching on laid paper with circular watermark containing initials 'A.A.', sheet 162 x 117 mm. (6 3/8 x 4 5/8 in), trimmed to or just within platemarks, Spanish collector's ink inscription verso, initialled 'J.Z.', some browning and surface dirt, unframed, [circa 1580-1600 but later]; presented on one mount with St Francis of Assisi in prayer, once understood to be by Annibale Carracci, now with an attribution to Luca Ciamberlano [cf. TIB]; together with an impression of Agostino Carracci's Apollo and the Python, after Bernardo Buontalenti's stage design for the third intermezzo of the festivities for the marriage of Ferdinando I de' Medici and Christine of Lorraine, etching on laid paper with indistinct circular watermark, sheet 245 x 345 mm. (9 3/4 x 13 1/2 in), trimmed within the platemark, repaired nicks and tears, surface dirt, toning to sheet, handling creases, all unframed, [circa 1589] (3).Provenance:(Virgin with Pillow; St Francis of Assisi) J. Peoli [Lugt 2020](Apollo and the Python) Giuseppe Storck (1766-1836) [L. 2318]; Unidentified collector 'vg' [L. 2513a]
Lot 189
Courtois (Guillaume, 1628-1679) Abdon and Sennen preparing a burial, after Courtois's own fresco from the nave of San Marco, the Venetian church in Rome, the fresco cycle was undertaken by the pupils of Pietro da Cortona, etching on laid paper with indistinct circular watermark of [?] an anchor or fleur-de-lis, sheet 305 x 310 mm. (12 x 12 1/4 in), trimmed to or just within the platemark, faint vertical "drying" crease as issued, small marginal nick in the lower left corner, unframed, published by Arnold van Westerhout, [circa 1650 or slightly later].Literature:Robert-Dumesnil 1
Lot 191
Rembrandt van Rijn.- Hamerton (Philip Gilbert) Etching & Etchers, first edition, title in red & black with vignette copy of Rembrandt's 'Self-portrait in flat cap', 35 etchings or drypoints, including an impression of Rembrandt's 'Three Oriental Figures (Jacob and Laban?)', and others, 6 double-page or folding, small hole to the centre of the Rembrandt, occasional light foxing throughout, some spotting and surface dirt, hinges weak with some splitting, original roan-backed cloth, gilt, g.e., rubbed, foot of spine missing, corners and spine ends very worn, 8vo, Macmillan, 1868.⁂ Includes original etchings by Rembrandt, J.M. Whistler ("Billingsgate"), Samuel Palmer ("Sunset"), J. Israels, H. Herkomer, A. Legros, and others.
Lot 192
Runciman (Alexander, 1736-1785) Perseus and the Sleeping Medusa, etching on fine handmade wove paper, platemark 170 x 260 mm. (6 3/4 x 10 1/4 in), sheet 220 x 280 mm. (8 3/4 x 11 in), good margins so unlikely to be from Kay's 1826 re-issue, but with clumsy correction to scratch in the plate running across the lower leg of Medusa, otherwise minor handling creases, unframed, [circa 1774 but later]; together with Gerard Valck's mezzotint portrait Guillaume III Roy de Angleterre, and an oval mezzotint portrait of Mary II after Kneller, and three decorative mezzotint cards by Lawrence Josset (20th century), various sizes, unframed (6)
Lot 215
Richard Brinsley Sheridan (1751-1816).- Rowlandson (Thomas), After. A Theatrical Candidate, after the caricature etching published circa 1797, pen and black ink, watercolour, bears date and signature 'Publd. April 6th by Ludivco Scratchi. 1802', in the lower left corner, on cream wove paper with partial text-based watermark, sheet 220 x 220 mm. (8 3/4 x 8 3/4 in), some minor spotting and light surface dirt, unframed, 1802 [or slightly later].Engraved:cf. BM Satires 9086
Lot 233
Mississippi Bubble.- Picart (Bernard) Monument consacré à la postérité en mémoir de la folie incroyable de la XX année du XVIII. siècle, satire on one of the earliest examples of an economic bubble, specifically John Law's scheme of 1720, possibly a proof impression or a separately published copy, etching and engraving, on thick laid paper without watermark, with title and text below in both French and Dutch, platemark 282 x 375 mm. (11 1/8 x 14 3/4 in), sheet 315 x 430 mm. (12 1/4 x 16 7/8 in), good margins, some repaired tears, spotting and surface dirt, unframed, [Amsterdam], 1720; together with a copy after Picart's satire on the Mississippi Bubble, etching and engraving, sheet 265 x 375 mm. (10 1/2 x 14 3/4 in), large repaired tear at the right edge, several folds, unframed, [c. 1720] (2)
Lot 90
Roman Catholic cause in Europe.- Hooghe (Romeyn de), After. Arlequin sur l' Hypogryphe à la Croisade Lojoliste / Armée van de Heylige Lingue voor der Jesuiten Monarchy, Dutch broadside satirising Louis XIV, James II and the Roman Catholic cause in Europe, engraving and etching with Dutch text in four columns below, on laid paper without watermark, sheet 535 x 390 mm. (21 x 15 1/4 in), several tears with two larger running in from the upper edge, other minor nicks and losses, particularly to corners, handling creases and surface dirt, unframed, [c. 1689].Literature:BM Satires 1205; Hollstein 156
Lot 122
German K98 rifle bayonet & scabbard by W.K.C. with post war etched blade. Features birds head pommel, with moving locking button, with upturned guard, wear to nickel, black chequered grips with pins. 24.5cm bright plated blade with makers stamp. Post war remembrance etching to ‘3rd Deutsch Eylau Infantry Regt.’ Black painted metal scabbard with surface rust towards end. Overall length 37cm.
Lot 17
1800s George III era naval officer’s sword with ivory hilt. Features lions head pommel with maned backstrap, double chained guard with ribbed ivory hilt, with period wire stitch mend to grip . Cutdown 31cm sword blade is nicely curved and still carries a good cutting edge, with no noticeable stamping or etching to the surface. Very attractive 44cm long naval dirk, most likely later converted to be used as a late 19th century navy dirk.
Lot 40
WW2 German Navy officer’s 2nd pattern dagger, scabbard & knot by Carl Eickhorn of Solingen. Features yellow grip with 2 splits mid-way around hilt but solid, wire wrap intact. Long cotton dagger knot is present. Interlocking button, in working condition. 25.3cm long double blood grooved blade, with very good double naval themed etching to both sides of the blade, maker named to ricasso. Lightning bolt engraved scabbard in good condition.
Lot 33
δ Eduardo Paolozzi (1924-2005)UntitledPhoto-etching, 1974, inscribed 'P.P' in pencil, a printers proof, on wove paper, printed at the White Ink Studio, London, with margins, sheet 650 x 485mm (25 3/5 x 19 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 32
δ Eduardo Paolozzi (1924-2005)UntitledPhoto-etching, circa 1974, inscribed 'Proof C' in pencil, on wove paper, printed at the White Ink Studio, London, with margins, sheet 490 x 650mm (19 3/8 x 25 3/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 30
δ Eduardo Paolozzi (1924-2005)UntitledPhoto-etching, 1974, inscribed 'P.P' in pencil, a printers proof, on wove paper, printed at the White Ink Studio, London, with margins, sheet 630 x 490mm (24 3/4 x 19 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 35
δ Eduardo Paolozzi (1924-2005)UntitledPhoto-etching, 1974, inscribed 'P.P' in pencil, a printers proof, on wove paper, printed at the White Ink Studio, London, with margins, sheet 650 x 490mm (25 3/5 x 19 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 31
δ Eduardo Paolozzi (1924-2005)UntitledPhoto-etching, 1974, inscribed 'P.P' in pencil, a printers proof, on wove paper, printed at the White Ink Studio, London, with margins, sheet 655 x 490mm (25 4/5 x 19 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 29
δ Eduardo Paolozzi (1924-2005)UntitledPhoto-etching, 1974, inscribed 'P.P' in pencil, a printers proof, on wove paper, printed at the White Ink Studio, London, with margins, sheet 650 x 490mm (25 3/5 x 19 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 36
δ Eduardo Paolozzi (1924-2005)UntitledPhoto-etching,1974, faintly inscribed in pencil in the lower left corner in an unknown hand, on wove paper, printed at the White Ink Studio, London, with margins, sheet 655 x 480mm (25 4/5 x 19in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 129
Ivor Abrahams (British, 1935-2015), Works Past (II), 1976, etching with aquatint, signed in pencil lower right and dated 76, editioned 12/20, blindstamp to lower margin, H.25cm W.20cm, together with another etching with aquatint by the same hand of a garden fountain, signed in pencil, numbered 12/20, H.25cm W.18cm ARR (2)
Lot 144
A WWI ERA BRITISH ROYAL ARTILLERY OFFICERS SWORD, believed to be the 1821 pattern, with brown metal/leather scabbard, the standard handgrip appears to have Ray skin which is correctly bound, the blade has the star/proved mark and GVR cypher, together with RA markings and etching to 2/3rds of the blade which is approximately 83cm in length, the grip has a brown leather 'Troddel' and the scabbard is in good order
Lot 57
Original vintage advertising poster for a travelling exhibition of Whistler's etchings and lithographs, organised by the Victoria and Albert Museum's Circulation Department. Until its closure in 1977, the Circulation Department was responsible for loan shows that travelled to two categories of venue – to regional museums, art galleries and public libraries, and to art schools and education colleges; thus disseminating art and design across the UK. At the time, it could be considered the oldest such institution for the preparation of travelling exhibitions of museum material in the world, originating as part of the Design Reform initiative centred on the Government Schools of Design at Marlborough House. The poster features an etching by Whistler of himself in 1859. James Abbott McNeill Whistler (1834-1903) was an American artist active during the American Gilded Age and based primarily in the United Kingdom. His most famous painting Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. Peter Branfield, born 1952, designed a significant number of posters for the Victoria and Albert Museum. Condition: Good condition, small tear, small stain.. Country of printing: UK, designer: Peter Branfield, size (cm): 73.5x48.5, year of printing: 1970s.
Lot 219
The fall of Robert Walpole.- Anonymous. A Cheap and Easy Method of Improving English Swine's Flesh by a German method of Feeding, satire on the allocation of government posts, etching and engraving with hand-colouring, on laid paper without watermark, sheet 265 x 325 mm. (10 3/8 x 12 3/4 in), several folds with some splitting, trimmed within the plate, some rubbing, surface dirt and light browning, [BM Satires 2604], unframed, 1743; together with three others, including Rylot's 'Casey in the Character of MacHeath', Bowles & Carver's reissue of 'The Old Man, his Son, & his Ass', [BM Satires 4586], and 'The Jack-Boot Kick'd Down, or English Will Triumphant', 1762, all unframed (4).
Lot 224
Duke of Cumberland.- Anonymous. John of Gant in love, or Mars on his knees, etching on laid paper without watermark, platemark 245 x 330 mm. (9 1/2 x 13 in), sheet 275 x 405 mm. (10 3/4 x 15 3/4 in), ink stain in the lower right corner, other surface dirt and spotting, handling creases, [BM Satires 3037], unframed, 1749; together with 'The captive prince- or- liberty run mad' published by Elizabeth Darchery, [BM Satires 5979], two others by Robert Dighton, all unframed (4)
Lot 227
Nixon (Attributed to John) Raising the Royal George, satire on the loss of the Royal George with Kempenfeldt and about 1,000 persons on 29 Aug. 1782, etching on laid paper with text-based watermark, annotations in brown ink, platemark 265 x 370 mm. (10 1/2 x 14 1/2 in), sheet 280 x 430 mm. (11 x 17 in), large loss to sheet in the lower left and upper left, several repaired nicks and tears, surface dirt and handling creases, [BM Satires 6042], unframed, 1782; together with 'The Treaty or Shabears Administration', attributed to Pryse Campbell, [BM Satires 3608], S. Butler's 'The Quere? which will give the best heat to a British Constitution Pitt, Newcastle, or a Scotch coal', [BM Satires 3735], a trimmed impression of John Boyne's 'More ways than one or the patriot turn'd preacher', [BM Satires 6661, all unframed, 18th century (4)
Lot 222
Scottish satire.- Anonymous The Mountebank, satire on Lord Bute and his patronage of Scots in London, etching on laid paper with watermark of Strasburg lily, sheet 200 x 330 mm. (7 7/8 x 13 in), trimmed within the platemark, repaired tear going into image lower left, [BM Satires 3853], unframed, 1762; together with a copy after Hogarth's 'Masquerades and Operas' with verse below, [cf. BM Satires 1742], and a 1751 re-issue of John Bowles & Son's 'The Funeral Procession of Madam Geneva', [BM Satires 3121], all unframed (3)
Lot 225
Execution for murder.- Anonymous. Eliz: Jeffryes & Jno. Swan condemn'd at Chelmsford-Assizes for the Murder of Mr. Josh. Jeffryes, etching, sheet 295 x 215 mm. (11 1/2 x 8 1/2 in), some browning and minor surface dirt, trimmed within the platemark, inset on paper mount, [BM Satires 3181], unframed, 1752
Lot 220
Jacobite Rebellion.- Anonymous. An Exact Discription of the Solemn Procession of Councellor Morgan's Ghost to the Rump of the Westminster Independents, etching on laid paper with Pro Patria watermark, sheet 283 x 350 mm. (11 1/8 x 13 3/4 in), several repaired tears and splitting to printers' creases, some running into image, handling creases, some browning and surface dirt, unframed, [BM Satires 2797], 1746; together with Bernard Baron's 'A monument dedicated to posterity in commemoration of the incredible folly transacted in the year 1720', [BM Satires 1629], and George Bickham the Younger's 'A Nurse for the Hess-ns', [BM Satries 3478], all unframed, 1720 and 1756 (3)
Lot 221
Scottish satire.- The Young Pretender.- Mosley (Charles) The Invasion or Perkins Triumph - a Protestant Print. Inscrib'd to all true Lovers of their Religion & Liberty, satire on Prince Charles Edward Stuart, the Young Pretender, and the Scottish Rebellion suggesting that if the rebellion is successful his intention is to impose Catholicism on Britain, etching on laid paper with watermark of Strasburg lily, platemark 200 x 325 mm. (7 7/8 x 12 3/4 in), sheet 240 x 360 mm. (9 1/2 x 14 1/8 in), several printers' creases, some nicks and tears, spotting and browning, [BM Satires 2636], unframed, 1745.
Lot 218
NO RESERVE George Jeffreys, 1st Baron Jeffreys.- King James II.- Anonymous. King James the Second's Lord Chancellor endeavouring to save himself by flight, satirical print showing "the Hanging Judge" arrested by constables, with 18th century additions of two figures in wigs just above the crowd, etching, printed chine-collé, plate 330 x 225 mm. (13 x 8 7/8 in), sheet 420 x 280 mm. (16 1/2 x 11 in), some spotting and surface dirt, unframed, [1688 but later]Provenance:[according to inscription on mount] 'Presented to the Society of Antiquaries by Capt. W:H: Smyth Dir. S.A. from B.J. Vulliamy Esq./ 6th April 1850'
Lot 621
A varied collection of seven graphic works from various artists, 20th C.--From left to right, top to bottom:Ê Paper: 76 x 56 cm (Ossip Zadkine: Guitar player, litho, E.A.)Ê Work: 39 x 25 cm, Paper: 65,5 x 50 cm (Daran: 'La femme d'Aube', etching, ed. 12/74)Ê Work: 59 x 42 cm, Paper: 89,7 x 63 cm (Fernand Lenaerts: 'L'artiste et son modle', etching, ed. 2/V)Ê Work: 34,4 x 29,7 cm, Paper: 65 x 50 cm (Fernand Lenaerts, 'Inscription de l'àme à la pointe sche', drypoint, ed. 3/XV, gedateerd (19)76), with the accompanying exhibition poster (Galerie Albert 1er, Brussels, 7-19 January 1977)Ê Work: 46,5 x 35 cm, Paper: 67 x 50 cm (Pierre-Yves TrŽmois: 'Gorgone', etching/engraving, ed. E.A. XXVII; Provenance: Hilton, Januari 1976 (Galerie Govaerts?))Ê Work: 47 x 40,5, Paper: 72,5 x 50 cm (Van Cauwenbergh: 'Veni, Veni, Venias!', mixed technique, ed. 39/51(?)))Ê Work: 61,3 x 42,7 cm, Paper: 75,5 x 56,5 cm (Pierre-Yves TrŽmois: 'Aphrodite', etching/engraving, ed. 40/80; Provenance: Galerie Govaerts, Hilton, Januari 1976) -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Lot 420
A Viennese polychrome and gilt plate with 'Die satyrische Poesie', signed JŠger, Austria, 19th C.--Dia.: 19,8 cmÊ The plate inscribed 'Irridens cuspide figo'. Marked with a beehive. With an impressed number '98'.Ê The scene based on an etching and engraving of the 'Les Quatre PoŽsies' series (The Four Poems) by Claude Augustin Duflos (1700-1786) after François Boucher (link). Ê Ê Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Lot 616
Zao Wou-Ki (1921-2013): Untitled, etching and aquatint, dated (19)71, with accompanying literature--Work: 57 x 42Ê Paper: 76 x 56,5 cm Ê Ê Literature: Ê - Zao Wou-ki. Les estampes 1937-1974, Arts et MŽtiers Graphiques, Paris, 1975, nr. 214 (with image: Sans titre. Eau-forte sur cuivre, 3 planches, 4 couleurs, 57,8 x 42,5 cm. 99 Žpreuves sur Arches, signŽes, datŽes et justifiŽes, et 20 Žpreuves d'artiste, signŽes et datŽes; Lacourire et FrŽlaut, Paris, imprimeur et Žditeur).Ê - J. Laude, Zao Wou-ki, La Connaissance, Bruxelles, 1974.Ê Ê -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
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71174 item(s)/page