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A commemorative 18th Century etching of Harry Rowe, in moulded oak frame, glazed, Harry Rowe was born in 1726 and was trumpeter in the Duke of Kingstons Light Horse at the Battle of Culloden in 1746 and 45 years trumpeter to the High Sherriff of Yorkshire 1797 he was also an itinerant puppet showman travelling in Scotland and the North of England and operated a summer theatre in York, image size 14cm x 10cm
‘Crucifixion’ (1961) From L’Apocalypse, no. 180 from a limited edition of 500 Signed with pencilDrypoint etching on rise paperTotal sheet size: 76 x 57 cm (Unframed)(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
‘Icons’ (‘Angel’) (1990)Hand signed with pencil and ‘A.P’ numbered (Artist prove)Etching on handmade paperTotal sheet size: 28.5 x 24 cm (Framed and behind glass)(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
‘Cup man’ (1989)Hand signed with pencil and ‘A.P’ numbered (Artist prove)Etching on handmade paperTotal sheet size: 28.5 x 24 cm (Framed and behind glass)(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
JULIAN TREVELYAN RA [1910-1988] Holland, 1975. etching and aquatint on T H Saunders paper with full margins, edition of 52, printed by Studio Prints, published by Leslie Waddington, signed, titled and numbered in pencil. 47.9 x 35.2cm [image size]. Framed. Literature: Julian Trevelyan Catalogue Raisonne of Prints Turner 310. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
MICHAEL AYRTON [1921-75]. Femmes/Hombres, 1970. pencil drawing - study for etching; signed and dated in pencil. 25 x 30 cm - overall including frame 40 x 45 cm. Provenance: Charles Collingwood [acquired directly from the artist]; USA collection; private collection, UK. [very good condition - unexamined out of frame]. Buyers premium 20% + vat payable..
ALEXANDER MACKENZIE [1923-2002] Winter Fields, 2002. etching and aquatint on Arches paper with full margins, edition of 20, printed at Stoneman Graphics, Cornwall, signed, dated and numbered in pencil. 14.5 x 20.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..
ALEXANDER MACKENZIE [1923-2002] Scrimshaw (Mary Rose), 2002. etching and aquatint on Arches paper with full margins, edition of 20, printed at Stoneman Graphics, Cornwall, signed, dated and numbered in pencil. 14.5 x 30cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
ALEXANDER MACKENZIE [1923-2002] Lucca, 2002. etching and aquatint on Arches paper with full margins, edition of 20, printed at Stoneman Graphics, Cornwall, signed, dated and numbered in pencil. 29.5 x 20.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..
ELISABETH FRINK DBE RA [1930-1993] The Physician's Tale [from 'The Canterbury Tales II'], 1972. Etching on Barcham Green paper with full margins, edition of 50, printed at White Ink studio and published by Leslie Waddington, signed, titled and numbered in pencil. 50 x 34cm [plate size]. Unframed. Reference: Elisabeth Frink Original Prints [Wiseman 67]. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN HOYLAND RA [1934-2011] Fly Away, 1981. etching and carborundum on wove paper with full margins, edition of 60, printed at Kelpra Studio, published by Leslie Waddington, this is a printer's proof - marked P/P [aside from the edition - unsigned]. 56.5 x 71cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..
MICHAEL AYRTON [1921-75]. Minotaur Rising, 1971. etching, edition of 75, artist's proof. Signed in pencil [rare, most of the edition was signed with the studio stamp signature]. 40 x 54 cm [overall including frame 65 x 85 cm]. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable..
Good 19th century scrapbook album, titled to inside front page 'Georgina', contents include Chinese pith paintings, watercolours, pencil sketches, silhouette portrait miniatures, poetic verse, some elements loose including small etching by Jacques Callot (1592-1635), album size 30 x 24cmCondition report: A very nice charming album. The album itself is in fairly poor condition, both covers are detached and the spine covering has come off, although the pages remain bound. Pages themselves appear in good order overall with no obvious signs of dampness or foxing. Approximately 35 pages of illustrations
* RICHARD "TURNERAMON" TURNER ARCA (BRITISH 1930 - 2013), GUARDIAN OF THE SHADES OF MEMORY oil on canvas, signed, titled and dated 2011 verso 60cm x 76cm Unframed Note: Richard Turner was noted post modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.
* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.
Hans THOMA (1839 - 1924). ''Am Strand, 1917''. 9 cm x 14 cm. Radierung. In der Platte ligiert. Signiert. Verso Etikett mit weiteren Informationen. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Hans THOMA (1839 - 1924). ''Am Strand, 1917''. 9 cm x 14 cm. Etching. Ligated in the plate. Signed. Verso label with further information. Shipping of this object by a third party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.

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78411 item(s)/page