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Swiss Alps.- von Mechel (Christian) Vue perspective de la Partie la plus élevée du Centre de la Suisse où l'on découvre tout le Canton de Lucerne ..., bird's-eye view of the Swiss canton of Lucerne, with text description below, etching and aquatint with hand-colouring on laid paper, 490 x 630 mm. (19 1/4 x 24 3/4 in), under glass, handling creases in upper corners, some surface dirt and light browning, framed, [c. 1790].
French Alps.- Mont Blanc.- von Mechel (Christian) Vue perspective de la Vallée de Chamouni, du Mont-Blanc et des Montagnes Adjacentes dans le haut Faucigny en savoie, view of the mountains above the valley of Chamonix, with various locations identified by number and described below, also with the route taken in August, 1787, by the scientist Mr. de Saussure in his ascent of Mont-Blanc, etching and aquatint with hand-colouring on laid paper, 500 x 625 mm. (19 3/4 x 24 1/2 in), under glass, minor handling creases, some minor surface dirt, framed, Basel, 1790.
Switzerland.- von Mechel (Christian) Vue de la Ville et du Pont de Rapperschwyl sur le Lac de Zurich, landscape with Rapperswil and Lake Zurich with the bridge Rapperswil, etching and aquatint with hand-colouring on laid paper, 470 x 630 mm. (18 1/2 x 24 3/4 in), under glass, some light browning and surface dirt, framed, [c. 1791]; together with Vue de la Ville et d'une partie du Lac de Zoug, and Vue du Chateau Baillival ci-devant Episcopal de Lausanne, both etchings and aquatints with hand-colouring, each approx. 470 x 590 mm. (18 1/2 x 23 1/4 in), under glass, some surface dirt and light browning, framed, [c. 1791] (3)
Swiss Alps.- von Mechel (Christian) Vue perspective du Mont St. Gothard dessinée d'après un Modéle exécuté enrelief sous la direction de Mr. Exchaquet ..., bird's-eye view of the St Gotthard Pass with surrounding mountains, numbers identify specific locations, including the source of the river Rhine, with text below, etching and aquatint with hand-colouring on laid paper, 500 x 630 mm. (19 3/4 x 24 3/4 in), under glass, some handling creases, minor surface dirt and light browning, framed, Basel, 1792.
KENNETH GRAHAME: THE WIND IN THE WILLOWS, illustrated Charles van Sandwyk, London, The Folio Society, 2008 (1000), numbered 812, original etching numbered and signed by artist, large 4to, original vellum backed pictorial boards, top edges gilt, original cloth solander box, original cardboard packaging available if required
JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834 - 1903), ST JAMES'S STREET, (LONDON) 1878 etching and drypoint on ivory laid paper, monogrammed with butterfly in the plate 27.5cm x 15.2cm Mounted, framed and under glass. Note: State 4/4. Known impressions of this plate 36. Catalogues: Kennedy 169; Glasgow 178, Mansfield 165.
William Lee Hankey RWS ROI (1878-1961) Etching 'Mother and Toddler', signed in the margin with artist's blind stamp, approx 16 w x 22 h cms, framed and glazed together with one other etching by the same hand 'Mother and Toddler', signed in the lower margin with artist's blind stamp, approx 25.5 x 22 h cms. (2)
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'Little Stack', landscape etching, titled within the plate, numbered 10/25 in pencil to margin, stamped signature, impression size H 10 x W 13 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Portrait of Mushanokoji Saneatsu, etching, signed within the plate, numbered 16/25 in pencil to margin, impression size H 11 x W 8.5 cm. Note: Mushanokoji Saneatsu (1885-1976) was the son of Viscount Musanokoji Sanezane. He was a novelist, playwright, artist & philosopher, & co-founder of the Shirakaba literary group. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'The Gothic Spirit' (also known as The Gothic Church of St. Luke, Chelsea), etching, signed within the plate, numbered 3/25 in pencil to margin, impression size H 30 x W 22 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
'Spring', watercolour signed by Albert Kinsley (British 1852-1945), titled verso, 'Harnham Bridge, Sailsbury', coloured etching by William Tatton Winter (British 1855-1928) signed in pencil, titled in the plate with Fine Art Trade Guild blindstamp, and Notre Dame, coloured etching by Victor Valery (French act.1889-1910) signed in pencil, max 26cm x 29cm (3)
Rural Landscapes, three watercolours signed by F. Marie Destelle, Mill Bridge Grasmere, watercolour signed by D M Smith, Boats in the Harbour, watercolour signed and dated '85 by Matt Jenkinson, Willie Rawson etching and one other watercolour max 30cm 47cm(7) Condition Report Click here for further images, condition, auction times & delivery costs
EUGENE BEJOT (French, 1867-1931) "Longshoreman on the Docks, Paris", etching, etched signature to the plate, also signed in pencil lower left, together with AFTER COMPTON BENNETT "Mont Orgueil Castle, Jersey", etching signed in pencil lower right, titled lower left, together with two early 20th Century photographs
AFTER JOHANNES KIPP (1653-1722) "Hampton Court, Herefordshire, the Seat of the Right Honourable Thomas Lord Conningsby", black and white engraving, framed and glazed, together with C B PRESCOTT "Hampton Court", black and white etching, titled in pencil lower left, signed in pencil lower right
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71174 item(s)/page