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Lot 35

William Lionel Wyllie, RA, RI, RE (1851-1931), "Unloading cargo on the Thames", black and white etching, signed in pencil to lower left margin, 11 x 33cm, mounted but unframed

Lot 36

William Lionel Wyllie, RA, RI, RE (1851-1931), "On the Thames", black and white etching, published by R Dunthorne, 1924, signed in pencil to lower left margin, 16 x 38cm, mounted but unframed

Lot 37

William Lionel Wyllie, RA, RI, RE (1851-1931), "Shipping on the Thames, Greenwich", black and white etching, signed in pencil to lower left image, 22 x 38cm, unframed

Lot 38

William Lionel Wyllie, RA, RI, RE (1851-1931), "Boulogne fishing luggers", black and white etching, signed in pencil to lower left margin, 20 x 28cm, unframed

Lot 39

William Lionel Wyllie, RA, RI, RE (1851-1931), "Shipping on the Thames with the Monument and St Paul~s", black and white etching, inscribed "Trial proof" and bears a signature, 11 x 33cm, unframed

Lot 41

William Lionel Wyllie, RA, RI, RE (1851-1931), "London from Limehouse", black and white etching, inscribed "Trial proof" in pencil to lower margin, 10 x 35cm. Provenance: Chris Beetles, 10 Ryder St, St James, London

Lot 42

William Lionel Wyllie, RA, RI, RE (1851-1931), "Battleships", black and white etching, signed in pencil to lower left margin, 15 x 23cm

Lot 148

Clarke, Graham (b 1941), a limited edition coloured etching entitled 'Excelsior', numbered 69/300 and signed by the artist to the margin, mounted and framed under glass, approximately 34 cm x 40 cm image size.

Lot 149

Clarke, Graham (b 1941), a limited edition coloured etching entitled 'Fred', one of four images produced for the 'Christmas Eve' set, numbered 69/300 and signed by the artist to the margin, mounted and framed under glass, approximately 34 cm x 40 cm image size.

Lot 378

JOHN G. MATHIESON (1857-1929)The Grampians from the Doune Road, drypoint etching, signed, label to verso, 19.5cm x 36cm

Lot 379

MARY MACKAYLoch Lomond (Ben Lomond) etching, signed, label to verso, 14.5cm x 20cm

Lot 1412

After David Roberts Egyptian Temple Ruins, coloured prints, the largest 25 x 35cm, Osteographia prints, Texu Church etching.

Lot 13

A signed Chris Reid (Irish) limited edition etching, Country Village, no. 26/28, 16 x 22cms, framed

Lot 1062

Joseph Pennell (American 1857-1926) St Pauls Pavement, etching, signed in Pencil Provenance: The Yaneff Gallery, Toronto (incorrectly titled The Stock Exchange, Paris)

Lot 1065

Norman Jacques (b.1922), framed coloured etching titled Tree Shadows, signed and titled in pencil, dated '69, label to the reverse, 76cm by 53cm

Lot 623

CHARLES CLAUDE ROWBOTHAM (1864-1949) 'York From The Ouse' Etching aquatint Signed in pencil 15 x 20.5cm

Lot 660

ROBERT TILLING (1944-2011) 'The Black Cat of Carrefour a Cendre' Drypoint etching Signed and editioned 11/25 in pencil 14 x 17.5cm

Lot 671

EDWARD BOUVERIE HOYTON (1900-1988) The Golden Hind Etching aquatint Signed and inscribed in pencil 29 x 44cm

Lot 690

JOHN MCNULTY (b.1949) 'Rounding The Buoy' Etching aquatint Artist's proof colour aquatint Signed and inscribed in pencil 45 x 60cm

Lot 737

17th/18th century etching Two women amongst livestock 19.5 x 25cm; together with a charcoal landscape by Raymond Hunt

Lot 233

A commemorative 18th Century etching of Harry Rowe, in moulded oak frame, glazed, Harry Rowe was born in 1726 and was trumpeter in the Duke of Kingstons Light Horse at the Battle of Culloden in 1746 and 45 years trumpeter to the High Sherriff of Yorkshire 1797 he was also an itinerant puppet showman travelling in Scotland and the North of England and operated a summer theatre in York, image size 14cm x 10cm

Lot 242

An early 19th Century circular Queen Caroline of England papier mache snuff box, with etching of portrait of the queen to removable lid, black lacquered interior, 9cm diameter

Lot 143

§ ALAN DAVIE C.B.E., R.A., H.R.S.A. (BRITISH 1920-2014) MUCHNESS MEANING - 2003 Etching and chine-colle, numbered 10/12, signed, dated and inscribed with title in pencil to margin, embossed with Edinburgh Printmakers stamp(the sheet 68cm x 58cm (26.75in x 22.75in), unframed)

Lot 144

§ ALAN DAVIE C.B.E., R.A., H.R.S.A. (BRITISH 1920-2014) SIN OFF - NEVER - 2003 Etching and chine-colle, numbered 7/12, signed, dated and inscribed with title in pencil to margin, embossed with Edinburgh Printmakers stamp(the sheet  68cm x 58cm (26.75in x 22.75in), unframed)

Lot 145

§ JOHN BELLANY C.B.E., R.A. (SCOTTISH 1942-2013) BASS ROCK FABLE Etching, 62/100, signed and numbered in pencil to margin(the plate 24.5cm x 16.5cm (9.75in x 6.5in))

Lot 175

§ ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH B.1931) INDIAN Etching and aquatint, 14/50, signed and editioned in pencil to margin(41cm x 33cm (16.125in x 13in), unframed)

Lot 179

§ PABLO PICASSO (SPANISH 1881-1973) LE REPOS DU SCULPTEUR DEVANT UNE BACCHANALE AU TAUREAU, PLATE Etching on Montval paper, ed. 260, signed in pencil to margin(the sheet 34cm x 44.5cm (13.5in x 17.5in))

Lot 198

§ JOCK MCFADYEN (SCOTTISH B.1950) ARGOS - 1991 Etching, 4/15 HdC, signed, editioned and titled in pencil to margin, with Paupers Press blindstamp, published by Austin Desmond and The Scottish Gallery(the sheet 76cm x 56.5cm (30in x 22.25in))

Lot 208

§ JOHN BELLANY C.B.E., R.A. (SCOTTISH 1942-2013) WOMAN WITH FISH Etching, numbered 4/20, signed in pencil to margin, embossed with Edinburgh Printmakers stamp, inscribed 'XVI - AB' verso(the sheet  38cm x 28.5cm (15in x 11.25in), unframed)

Lot 36

A FRAMED AND GLAZED SIGNED ETCHING DEPICTING A TOWN SCENE

Lot 197

‘Crucifixion’ (1961) From L’Apocalypse, no. 180 from a limited edition of 500 Signed with pencilDrypoint etching on rise paperTotal sheet size: 76 x 57 cm (Unframed)(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)

Lot 198

‘Christ Crucified’No. 184 from a limited edition of 500Signed with pencilDrypoint etching on rise paper Total sheet size: 76 x 60 cm (Unframed)(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)

Lot 225

‘Icons’ (‘Angel’) (1990)Hand signed with pencil and ‘A.P’ numbered (Artist prove)Etching on handmade paperTotal sheet size: 28.5 x 24 cm (Framed and behind glass)(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)

Lot 227

‘Cup man’ (1989)Hand signed with pencil and ‘A.P’ numbered (Artist prove)Etching on handmade paperTotal sheet size: 28.5 x 24 cm (Framed and behind glass)(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)

Lot 17

JULIAN TREVELYAN RA [1910-1988]  Holland, 1975. etching and aquatint on T H Saunders paper with full margins, edition of 52, printed by Studio Prints, published by Leslie Waddington, signed, titled and numbered in pencil. 47.9 x 35.2cm [image size]. Framed. Literature: Julian Trevelyan Catalogue Raisonne of Prints Turner 310. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.

Lot 178

MICHAEL AYRTON [1921-75]. Femmes/Hombres, 1970. pencil drawing - study for etching; signed and dated in pencil. 25 x 30 cm - overall including frame 40 x 45 cm. Provenance: Charles Collingwood [acquired directly from the artist]; USA collection; private collection, UK. [very good condition - unexamined out of frame]. Buyers premium 20% + vat payable..

Lot 179

MICHAEL AYRTON [1921-75]. Femmes/Hombres, 1972. etching, edition of 85 [proof G7/17] on very thin paper; signed in pencil. 28 x 40 cm sheet size - - overall including frame 38 x 48 cm. [very good condition - unexamined out of frame]. Buyers premium 20% + vat payable..

Lot 180

MICHAEL AYRTON [1921-75]. Femmes/Hombres, 1972. etching, edition of 85 [proof G12/17] on thin paper signed in pencil. 28 x 40 cm sheet size - overall including frame 38 x 48 cm. [very good condition - paper slightly wavy - unexamined out of frame]. Buyers premium 20% + vat payable.

Lot 19

ALEXANDER MACKENZIE [1923-2002]  Winter Fields, 2002. etching and aquatint on Arches paper with full margins, edition of 20, printed at Stoneman Graphics, Cornwall, signed, dated and numbered in pencil. 14.5 x 20.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

Lot 20

ALEXANDER MACKENZIE [1923-2002]  Scrimshaw (Mary Rose), 2002. etching and aquatint on Arches paper with full margins, edition of 20, printed at Stoneman Graphics, Cornwall, signed, dated and numbered in pencil. 14.5 x 30cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.

Lot 21

ALEXANDER MACKENZIE [1923-2002] Lucca, 2002. etching and aquatint on Arches paper with full margins, edition of 20, printed at Stoneman Graphics, Cornwall, signed, dated and numbered in pencil. 29.5 x 20.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

Lot 225

ELISABETH FRINK DBE RA [1930-1993]  The Physician's Tale [from 'The Canterbury Tales II'], 1972. Etching on Barcham Green paper with full margins, edition of 50, printed at White Ink studio and published by Leslie Waddington, signed, titled and numbered in pencil. 50 x 34cm [plate size]. Unframed. Reference: Elisabeth Frink Original Prints [Wiseman 67]. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.

Lot 3

JOHN HOYLAND RA [1934-2011]  Fly Away, 1981. etching and carborundum on wove paper with full margins, edition of 60, printed at Kelpra Studio, published by Leslie Waddington, this is a printer's proof - marked P/P [aside from the edition - unsigned]. 56.5 x 71cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

Lot 88

MICHAEL AYRTON [1921-75]. Minotaur Rising, 1971. etching, edition of 75, artist's proof. Signed in pencil [rare, most of the edition was signed with the studio stamp signature]. 40 x 54 cm [overall including frame 65 x 85 cm]. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable..

Lot 90

ADRIAN WISZNIEWSKI [b. 1958]. The Gravity of Learning. etching, edition of 40, 7/40. Signed. 64 x 50 cm sheet size - framed. Provenance: Glasgow Print Studio, [£480]; private collection, UK. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.

Lot 293

Good 19th century scrapbook album, titled to inside front page 'Georgina', contents include Chinese pith paintings, watercolours, pencil sketches, silhouette portrait miniatures, poetic verse, some elements loose including small etching by Jacques Callot (1592-1635), album size 30 x 24cmCondition report: A very nice charming album. The album itself is in fairly poor condition, both covers are detached and the spine covering has come off, although the pages remain bound. Pages themselves appear in good order overall with no obvious signs of dampness or foxing. Approximately 35 pages of illustrations

Lot 1007

20th century Venetian-style multi-plate mirror with foliate etching, 84 x 146cm

Lot 389

Harry Harvey Clarke (1869-1948)Pair of etchings "Clearing the Wood" and "A Dorset Homestead"Harry Harvey Clarke (1869-1948)Etching and four further etchings (7) Condition ReportBoth Harry Harvey Clarke etchings measure 20 cm x 17.5 cm - actual etching only, not signed border.

Lot 399

Theophile Steinlen (1859-1923)Etching and aquatintFigures with a child, countryside beyond, signed, 33cm x 24cm 

Lot 401

After Stanley Anderson (1884-1966) Etching"Stacking Oats, Sussex", signed in pencil and with blindstamp, 18cm x 34cm 

Lot 401a

After George Morland, Etching, 'Guinea Pigs' in verre eglomise frames

Lot 924

After Gerald Burn, coloured etching of the Rose Window Rheims Cathedral; various watercolours and prints etc.

Lot 254

* STUART DUFFIN, STREET OF PROPHETS etching on paper, signed and numbered 22/60 12.5cm x 22.5cm Mounted, framed and under glass

Lot 257

* BARBARA RAE CBE RA RSA (SCOTTISH b 1943), FAST CASTLE embossed etching, signed and numbered 22/60 44cm x 56cm Mounted, framed and under glass

Lot 259

* FIONA WATSON, NATURAL PROGRESSION etching on paper, signed and numbered 22/60 29cm x 41.5ccm Mounted, framed and under glass

Lot 3

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE FRIGHT limited edition etching with aquatint, signed and numbered 27/50 in pencil 74cm x 55cm Unframed Note: From the Bellany Sextet.

Lot 62

* RICHARD "TURNERAMON" TURNER ARCA (BRITISH 1930 - 2013), GUARDIAN OF THE SHADES OF MEMORY oil on canvas, signed, titled and dated 2011 verso 60cm x 76cm Unframed Note: Richard Turner was noted post modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.

Lot 93

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.

Lot 355

MAUD BUTLER 'Bruges', etching, signed in pencil, 27cm x 15cm, framed.

Lot 90

Hans THOMA (1839 - 1924). ''Am Strand, 1917''. 9 cm x 14 cm. Radierung. In der Platte ligiert. Signiert. Verso Etikett mit weiteren Informationen. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Hans THOMA (1839 - 1924). ''Am Strand, 1917''. 9 cm x 14 cm. Etching. Ligated in the plate. Signed. Verso label with further information. Shipping of this object by a third party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.

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