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Lot 113
William Lionel Wyllie (1851-1931) 'Unloading the Catch at St Michael's Mount', c.1900 drypoint etching, signed 'W L Wyllie' l.l., inscribed as titled and dated on label verso image 14 x 23cmCondition report: Housed in an acidic mount causing yellowing to the edges of the sheet, light rippling to the paper, otherwise condition is fine.
Lot 114
Frederick Landseer Griggs (1876-1938) 'Epiphany', 1918 (Comstock, 23) etching, inscribed 'To M.C. Gere from F.L. Griggs' in pencil, from an edition of 93 sheet 23.3 x 18cm, unframed The plate was not published, but was presented to Griggs' friends after the end of the First World War. The inscription is the first and second antiphons from the First Vespers of Christmas in the Roman breviary and reads: 'The King of Peace, whom the whole world desireth to see, hath shown his greatness; The King of Peace hath shown his Greatness above all the kings of the whole world.'. (Comstock)Condition report: The sheet is attached with two pieces of tape to the mount, some light soiling and a few areas of light foxing emerging, an old horizontal crease along top margin but this is well outside of the plate mark.
Lot 115
Frederick Landseer Griggs (1876-1938) 'Palace Farm', 1920 etching, signed 'F.L. Griggs' in pencil l.r., second state from an edition of 55 sheet 13.5 x 18.2, unframedCondition report: The sheet has been cut out close to the plate mark and stuck down flat onto card, it is mounted, there is time staining to the sheet rendering it an off-white tone, specks of foxing emerging.
Lot 117
*Gerald Leslie Brockhurst (1890-1978) 'Anais II', 1930 etching, signed in reverse in plate l.r., last state of eight, outside of the published edition of 111 plate 22.5 x 17.5cm This is a portrait of the artist's first wife, Anais. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, the work appears to be in good condition.
Lot 118
Seymour Haden (1818-1910) 'Shere Mill Pond No.1', 1874 etching, signed in pencil l.r., also signed in plate, fourth state of five plate 11.5 x 16.5cm, unframedCondition report: Printed on thin japon paper, taped to mount top corners, light time staining but generally good condition. Sheet 16 x 20.5cm
Lot 123
*Edward Julius Detmold (1883-1957) A scarlet macaw on a branch etching and aquatint in colours, signed 'E J Detmold' and numbered 4/12 in pencil plate mark 48.5 x 37cm, unframed *Artist's Resale Right may apply to this lot.Condition report: On very thin paper. Paper attached to back of mount. Foxing and staining obvious on border of print and mount. There are some spots of foxing to print, but in my opinion this does not
Lot 20
*Julian Trevelyan RA (1910-1988) 'The Bat' etching with debossing and gouache hand-colouring, signed 'Julian Trevelyan' in pencil l.r., inscribed as titled, dated '1936' and numbered 24/25 20 x 35cm *Artist's Resale Right may apply to this lot.Condition report: Foxing in the top half of the print, this causes brown stains in the grey area of the print which can be seen when looking under a bright light, some light undulations to the paper, please refer to images for detail; however, margins are clean and bright, and the print well-presented in mount and frame.
Lot 46
*Anthony Gross (1905-1984) 'Naaf River Arakan' etching, signed in plate 'A Gross' and inscribed as titled in plate plate 11.2 x 19.5cm *Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, but appears to be in good condition. Some light dirt to the glass, otherwise well-presented.
Lot 80
*Stanley William Hayter (1901-1988) 'Sun Dancer' engraving and soft ground etching in colours, c.1951, signed 'S W Hayter' and numbered 19/200 in pencil image 42 x 26cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper overall a light orange/brown in colour. A few tiny spots of foxing.
Lot 150
Phil Greenwood, by and after, 'Stone Pool', signed, dated '71, titled, and numbered 12/50, in pencil to margin, coloured etching, 43cm x 32.5cm; Christopher Penny, by and after, 'Alfriston Clergy House', signed, titled, and numbered 179/250 in pencil to margin, coloured etching, 28cm x 38cm, (2). Provenance: collection label to verso
Lot 152
Moira Clark, by and after, 'View from the Kitchen', signed, titled, and numbered 5/10, in pencil to margin, coloured etching, 25cm x 22cm; Di Morris, by and after, 'The Righteous King', signed, linocut, 41cm x 30.5cm; G. Clements, by and after, 'Town Trees III', signed, titled, and numbered 3/5 artist's proofs, in pencil to margin, lithograph, 50cm x 50cm, (3). Provenance: collection label to verso
Lot 206
Jeremy Gentilli, by and after, 'Le Chevalier', signed, titled, and numbered 27/50 in pencil to margin, coloured etching, 56.5cm x 45cm; Jeremy Gentilli, by and after, 'Harvest', signed, titled, and numbered 2/30 in pencil to margin; Francis Kelly, by and after, 'Gulls', signed, titled, and numbered 22/50 in pencil to margin, (3). Provenance: collection label to verso
Lot 208
Roger Bezombes, by and after, 'Flowers in a Vase', signed, and numbered 17/200 in pencil to margin, screenprint; Moya Cozens, by and after, 'Mexican Wall', signed, titled, and numbered 15/30 in pencil to margin, screenprint Jen Cords, by and after, 'Structure Plan', signed in pencil to margin, etching, (3).
Lot 211
Hans Fischer, by and after, 'Cat on Red Ground', colour etching, 43.5cm x 26cm; Alan Tinley, by and after, 'Birds', signed and numbered 18/20 in pencil to margin, coloured etching, 42cm x 31.5cm; Anne E. Darnell, by and after, 'Seeds and Melon', signed and dated 1961 in pencil, sreenprint, 38.5cm x 30.5cm, (3).
Lot 214
Ursula Querner (1921-1969), by and after, 'Roman Fountain', signed in pencil to margin, etching, 42cm x 33cm; Robert Jennison, by and after, 'Bright Day', signed, titled, dated 1971, and numbered 17/20 in pencil to margin, 67cm x 52cm; Celia Ellis, by and after, 'Pattern', screenprint, (3). Provenance: collection label to verso
Lot 221
Charles Stuart, by and after, 'Jacob's Coat', signed, titled, and numbered 41/50 in pencil to margin, screenprint, 63cm x 44cm; Paul Rogers, by and after, 'Beneath the Pond', signed, titled, and numbered 1/35 in pencil to margin, colour etching; Pauline Aitken, 'These Modifications of Matter', signed, titled, and numbered 5/50 in pencil to margin, colour etching, (3).
Lot 222
Danka Napiorkowsky, by and after, Anemone II, signed and titled in pencil to margin, screenprint, 76cm x 51cm; Alex Mackay, by and after, 'Fuchsia', screenprint; Rosalind Forster, by and after, 'In the Summer House', signed, dated '87, and numbered 123/150 in pencil to margin, lithograph, 79cm x 57cm; John Wolsley, 'Cycle of Life no. IV', signed and titled in pencil to margin, coloured etching, 58cm x 77.5cm, (4).
Lot 232
Charles Bartlett, by and after, 'Shingle Street', signed, titled, and numbered 27/75, etching, 64.5cmc 55.5cm; Fischer, by and after, 'Rooster', print; Jaqueline Jackson, by and after, 'Film, Film', signed and numbered 1/100 in pencil to margin, etching, (3). Provenance: collection label to verso
Lot 237
Dietmar Lemcke (bn. 1930), by and after, 'Sea Wall in Brittany', signed and dated 1958 in pencil to margin, etching, 35cm x 40cm; Otto Eglau (1917-1988), by and after, 'Afrika', signed and titled in pencil to margin, etching, 20cm x 31cm; Ian McWhirter, by and after, 'Burn's Monument, Attoway', signed in pencil to margin, etching; Alexander H. Kirk, by and after, 'Santa Maria', signed and titled in pencil to margin, etching; E. H. Groom, by and after, 'Big Ben', signed and titled in pencil to margin, etching; After Rubens, reproduction print, 'Albertina Facsimile' blindstamp to margin, (6).
Lot 239
Tom Hops (1916-1976), by and after, 'Hamburg Harbour', signed in pencil to margin, lithograph, 45cm x 59cm; John Brunsden (1933-2014), by and after, 'Busy Lizzy', signed, titled, and numbered 13/75 in pencil to margin, etching, 56.5cm x 39.5cm; other prints, Wane, Keith Andrew, Celia Ellis, (5).
Lot 64
Ann D'arcy Hughes, by and after, 'Noah's Ark', signed, titled, and numbered 10/20, in pencil to margin, etching, 52cm x 63cm; another, G. Clements, by and after, 'Start Point', signed, titled, and numbered 3/5, in pencil to margin, lithograph, 49cm x 49cm (2). Provenance: collection label to verso
Lot 71
Jeremy Gentilli (bn. 1926), by and after, 'Evening Symbols', signed, titled, and numbered 9/10, in pencil to margin, etching, 19cm x 23cm; Colin Threadgall, 'Toad', watercolour, 14cm x 15cm; another, L. Hegeler, by and after, 'Waiting in the rain', signed in pencil to margin, woodblock print, 9.5cm x 14cm (3). Provenance: collection label to verso
Lot 139
Peter Eastham, by and after, 'Le Repos', artist's proof, signed, dated '85, titled, in pencil to margin, coloured etching 75cm x 56cm; Peter Eastham, by and after, 'Cheese Shop', limited edition number 71/200, signed in pencil to margin, coloured etching, 75cm x 57cm; Eileen Hogan, by and after, 'Lemnos', lithograph; Arthur Byrne, by and after, 'Conservatory', lithograph, (4). Provenance: collection label to verso
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78411 item(s)/page