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* Waterloo (Anthonie, circa 1610-1690). A wooded riverbank with church in the distance, etching on laid paper, plate size 128 x 138 mm (5 x 5.4 ins), with margins, framed and glazed, with 20th century typewritten label to verso for the work from the Libreria Antiquaria Soave, Torino, Italy, together with 8 other Old Master prints, various, including Lucas van Leyden (1494-1533), David with the Head of Goliath, 1600 [but later], an engraved copy in reverse, trimmed to image, framed and glazed, Schelte Adams Bolswert (1586-1659), The Drunken Silenus, etching and engraving on laid paper after Anthony van Dyck, framed and glazed, John Smith (circa 1652-1742), The Hunt, mezzotint after Jan Wyck, mounted, etcQty: (9)

* Alma-Tadema (Laurence, 1836-1912). The Parting Kiss, Munich: Franz Hanfstaengl, photogravure print after a painting by Alma-Tadema, depicting an embracing couple in a Roman interior, toned, signed in pencil lower left, plate size 29.5 x 15.5cm (11.5 x 6.2ins), framed and glazed, together with an etching by George Percy Jacomb-Hood, of a boy mounted on a barge horse, image size 21 x 17.7cm (8.25 x 7ins), mounted, framed and glazedQty: (2)

* Alma-Tadema (Sir Lawrence, 1836-1912). A Silent Greeting, 1892, uncoloured etching by Leopold Lowenstam (1842 - 1898), published Stephen. J. Gooding, PSA blindstamp to lower left, remarque of ivy leaves, signed in pencil below image by artist and engraver, 470 x 345 mm, framed and glazedQty: (1)

* Alma-Tadema (Sir Lawrence, 1836-1912). Welcome Footsteps, Arthur Tooth & Sons, 1888, uncoloured etching on india wove by Leopold Lowenstam (1842 - 1898), proof before title with remarque of the artist's house in St John's Wood, signed in pencil below image by both the artist and engraver, 410 x 530 mm, large period gilt gesso frame, glazedQty: (1)NOTESA fine impression with wide margins in very good condition.

* Alma-Tadema (Sir Lawrence, 1836-1912). [The Convalescent], published J. S. Virtue & Co., 1896, uncoloured etching by Charles O. Murray (1842 - 1923), proof before title, signed by artist and engraver in pencil below image, 570 x 360 mm, framed and glazedQty: (1)

* Herkomer (Hubert von, 1849-1914). The Lady in White (Miss Grant), 1887, uncoloured etching, an artist's proof, published by Obach & Co., with PSA (Printsellers Association) blindstamp, signed by the artist in pencil lower right, 495 x 375 mm (19.5 x 14.75 ins), period maple frame with gilt slip, glazedQty: (1)NOTESMiss Grant was the celebrated American beauty Miss Adele Grant, of New York, whose marriage to the Earl of Essex in 1893 was the social event of the season. One of the so-called 'Lovely Five', the oil portrait of the same title by Herkomer was widely praised when exhibited at the Royal Academy in 1885.

* Holman Hunt (William, 1827-1910) The Finding of the Saviour in the Temple, 1867, etching and engraving on chine colle, by Auguste Thomas Marie Blanchard (1819-1898) after William Holman Hunt, a signed proof, published August 1st 1867 by E. Gambart and Co., with Printseller's Association blindstamp, signed in pencil below image by Holman Hunt and Blanchard, plate s ize 531 x 750 mm 20.9 x 29.5 ins), near-contemporary ornate carved and stained wood frame with elaborate gilt slip, glazedQty: (1)NOTESBeraldi, Graveurs du dix-neuvième siècle (1885-92) 14.

* Macbeth (Robert Walker, 1848 - 1910). In the Fens, Evening, 1887, uncoloured etching on chine collé, signed with monogram and dated 1887 in the image to lower right, plate size 305 x 595 mm, (12 x 23.5 ins), period ribbed and stained frame with gilt slip, glazedQty: (1)

* After Albert Joseph Moore (1841-1893). Reading Aloud, circa 1900, electrotype printed in sanguine, after the oil painting of 1884, trimmed to image, 250 x 490 mm, framed and glazed, together with John (Augustus Edwin, 1878-1961). Alick Schepeler, uncoloured photographic reproduction, 325 x 240 mm, framed and glazed, plus Stevens (Alfred Emile, 1823-1906). Le Printemps, circa 1900, uncoloured etching by H. Lefort after Alfred Stevens, 500 x 215 mm, framed and glazed, and Boughton (George Henry, 1833-1905). The End of a Spring Day, 1889, uncoloured etching, published by Robert Dunthorne, trimmed to image, 445 x 245 mm, framed and glazedQty: (4)

* Severn (Walter, 1830-1904). Nearing Home, 1861, etching on chine appliqué, published by Day & Son, December 1st 1861, as issued in Passages for Modern English Poets, illustrated by the Junior Etching Club (1862), plate size 18.8 x 23.5 cm (7.5 x 9.3 ins), stained oak frame with gilt inner slip, glazed, with Maas Gallery label to verso, together with Clayton (J.N., 19th century). Mother's Love, etching, published by Day & Son, December 1st 1861, as issued in Passages for Modern English Poets, illustrated by the Junior Etching Club (1862), 102 x 130 mm (4.1 x 5.2 ins) mount aperture, period stained wood frame with gilt inner slip, glazed, with Maas Gallery label to verso, plus Horsley (John Callcott, 1817-1903), Madame se chauffe, 1872, etching on chine appliqué, as published in Etchings by the Etching Club, published by the Art Union of London (1872), plate size 20 x 15 cm (8 x 6 ins), period black and gilt frame, glazed, with Maas Gallery label to versoQty: (3)

* After Frederick Walker (1840-1875). Phillip in Church, 1885, uncoloured etching by Hubert von Herkomer after Frederick Walker, published by The Fine Art Society in 1885, an artist's proof, with remarque portrait of the artist, repaired closed tears to lower right corner, 510 x 390 mm, period walnut veneer frame with gilt slip, glazedQty: (1)

* Watts (George Frederick, 1817-1904). A Greek Idyll, 1903, etching printed in sepia by Robert Walker Macbeth (1848 - 1910) after G.W. Watts, published by H. Virtue & Co. 1903, signed in pencil by both the artist and engraver, some light creasing, 390 x 535 mm, period walnut veneer frame with gilt slip, glazedQty: (1)

* MacNab (Iain, 1890-1967). French Market Place, etching on pale cream wove paper, signed in pencil lower right, plate size 275 x 370 mm (10.9 x 14.6 ins), with margins, framed and glazedQty: (1)

* Barry (Claude Francis, 1883-1970). Windsor, 1926, aquatint on cream wove paper, lightly toned and with mount mark, titled in pencil lower left, and pencil inscription lower right 'To Dr East from C F Barry. 1926', plate size 23.2 x 30.1cm (9 x 11.75ins), sheet size (irregularly trimmed) 27 x 34.5cm (10.75 x 13.5ins), together with: Boutet (Jean, 20th century). Le Pont Neuf, 1948, etching on cream wove paper, inscribed and signed in pencil lower right, lightly toned and with mount mark, plate size 17.8 x 23.5cm (7 x 9.25ins), sheet size 22.3 x 28.1cm (8.75 x 11ins), plus approximately 50 other etchings and prints, by R.S. Hardie, Andrew Watson Turnbull, William Hyde, Glynn Thomas, August Lepère, Neil M. Lawrence, J.W. Jackson, Charles Claude Houssard, and others, various sizes and conditionQty: (approximately 50)

* Blampied (Edmund, 1886-1966). Purring and Snoring, 1921, etching with drypoint on pale cream wove paper, from the published edition of 100 proof impressions, signed in pencil lower left, plate size 176 x 238 mm (7 x 9.4 ins), with margins, framed and glazedQty: (1)NOTESAppleby 77. Malcolm Salaman, Print Collectors' Quarterly, 24 (1937), 390.

* Blampied (Edmund, 1886-1966). The Vraic Season (The Seaweed Harvest), 1936, etching with drypoint on pale cream wove paper, from the edition of 125 impressions, printed for the American College Society of Print Collectors, signed to centre of lower blank margin, pale mount stain, some minor marks to margins, with tear to right hand outer margin with some loss to outer edge, plate size 305 x 362 mm (12 x 14.25 ins), sheet size 392 x 508 mm (15.4 x 20 ins),Qty: (1)NOTESAppleby 181. Vraic or seaweed was traditionally gathered by horse and cart in Grouville and St. Ouen's Bay, in the Channel Islands, and then spread over potato fields before planting in late winter and spring.

* Brangwyn (Frank, 1867-1956). Sisteron, 1924, etching with drypoint on ivory laid paper, signed in pencil, plate size 150 x 120 mm (5.9 x 4.75 ins), with margins, framed and glazed, together with: Clausen (George, 1852-1944). Figure Working in a Hay Field, etching on pale cream wove paper, signed in pencil lower right, plate size 124 x 173 mm (4.9 x 6.9 ins), with margins, framed and glazed, plus: Menpes (Mortimer Luddington, 1855-1938). A City Wharf, 1889, etching on pale cream laid paper, with watermark, signed in pencil, some pale overall toning, plate size 150 x 105 mm (6 x 4.2 ins), sheet size 244 x 242 mm (9.65 x 9.6 ins), framed and glazedQty: (3)

* Briscoe (Arthur John Trevor, 1873-1943). Outward Bound, 1927, etching with drypoint on pale cream laid paper, printed with plate tone, from the published edition of 75 impressions, signed and numbered 31/75 in ink, plate size 248 x 396 mm (9.7 x 15.7 ins), with margins, framed and glazedQty: (1)NOTESLaver 109.

* Briscoe (Arthur John Trevor, 1873-1943). Casting Her Off, 1927, etching on off-white wove paper, printed with plate tone, from the published edition of 75 impressions, signed in ink, and numbered 6/75 in pencil to lower margin, some light scattered spots (generally in good condition), plate size 250 x 400 mm (9.8 x 15.75 ins), with margins, framed and glazedQty: (1)NOTESHurst 203.

* Briscoe (Arthur John Trevor, 1873-1943). James & John, 1928, etching on laid paper, with plate tone, from the published edition of 75 impressions, signed, and numbered 20/75 in pencil to lower margin, plate size 250 x 350 mm (9.8 x 13.75 ins), with margins, some light discolouration, mainly to blank margins, framed and glazedQty: (1)NOTESLaver 121.

ARR * Brockhurst (Gerald Leslie, 1891-1978). Almina, 1924, etching on pale cream laid paper, from the published edition of 76 impressions, signed in pencil, plate size 182 x 137 mm (7.2 x 5.4 ins), with margins, framed and glazed, with early label of P. & D. Colnaghi & Co. to versoQty: (1)NOTESFletcher 48.

* Brouet (Auguste, 1872-1941). Le Petit Chiffonniers, 1909, etching on pale cream japan wove paper, the 3rd state, printed by Vernant, and published by H. Petiet, Paris, in an edition of 30 on Japan and 60 on Arches, in 1925, with publisher's blindstamp to lower margin, signed and numbered Japon 3/30, plate size 160 x 120 mm (6.25 x 4.8 ins), together with: Bejot (Eugene, 1867-1931). Le Quai des Orfevres, Paris, 1920, etching on laid paper, an artist's proof, plate size 22 x 22 cm (8.75 x 8.75 ins), framed and glazed, with period label for Matthews & Brooke, Bradford to verso, plus other etchings, various, including Maxime Lalanne, Boulevard Montmartre, Paris, 1884, etc.Qty: (6)

* Cain (Charles William, 1893-1962). A Persian Bazaar, 1929, drypoint etching on pale cream wove paper, from the published edition of 90 impressions, signed and numbered 12.90. to lower margin, plate size 250 x 373 mm (9.9 x 14.7 ins), with margins, generally in excellent condition, framed and glazedQty: (1)

* Griggs (Frederick Landseer, 1876-1938). Launds, 1929, etching on laid paper, the fifth, published state, issued in an edition of 70 impressions at the Dover's House Press, signed 'F W Griggs imp' to lower right, and inscribed in ink to verso D.H.P. 67, trimmed to plate margin by the artist, 173 x 253 mm (6.8 x 10 ins), framed and glazedQty: (1)NOTESComstock 39, v/viii. Griggs initially titled the work Summer Garland.

ARR * Gross (Anthony, 1905-1984). Shadow of a Walnut Tree, 1968, etching with drypoint on handmade paper, from the published edition of 70 impressions, signed, titled and numbered 4/70, plate size 253 x 300 mm (10 x 11.8 ins), with margins, in excellent clean condition, framed and glazed, with original gallery label for the New Academy Gallery, 34 Windmill Street, London, to versoQty: (1)NOTESHerdman, The Prints of Anthony Gross, 68.

* Icart (Louis, 1888-1950). Louise, 1927, drypoint etching with aquatint in colours on pale cream paper, an artist's proof, aside from the published edition of 475 impressions, published by Graveurs Modernes, Paris, signed in pencil lower right, with publisher's blindstamp lower left, plate size 530 x 360 mm (20.8 x 14.2 ins), with margins, framed and glazedQty: (1)NOTESHolland, Catania & Isen 317. The print depicts the artist's wife on their balcony in Montmartre, Paris.

ARR * Knight (Laura, 1877-1970). Dressing Room No. 2, drypoint etching and aquatint on laid paper, signed in pencil lower right, additionally inscribed by the artist to lower edge of the sheet: aquatint Dressing Room No. 2, plate size 174 x 223 mm (6.8 x 8.8 ins), sheet size 230 x 330 mm (9 x 13 ins), framed and glazedQty: (1)

* McBey (James, 1883-1959) . Rio dei Greci, Venice, (Venice Set No. 1), 1925, etching with drypoint on antique pale cream wove paper, watermarked 1818, from the published edition of 80 proofs, signed and numbered XVII in ink to lower margin, light overall mount stain, plate size 265 x 170 mm (10.4 x 6.7 ins), sheet size 282 x 185 mm (11.1 x 7.25 ins), framed and glazedQty: (1)NOTESHardie & Carter 228.

* Morgan (William Evan Charles, 1903-1979). Italian Hill Farm, 1928, etching with drypoint on cream laid paper, watermarked DAVID STRANG to lower left corner of the sheet, signed, dated, titled and numbered 19/78, plate size 160 x 210 mm (6.25 x 8.25 ins), sheet size 235 x 310 mm (9.25 x 12.25 ins)Qty: (1)

* Morgan (William Evan Charles, 1903-1979). Perseus, 1929, drypoint etching on pale cream laid paper, from the published edition of 70 impressions, signed, dated, titled and numbered 70/70, plate size 220 x 207 mm (8.2 x 8.7 ins), with margins, sheet size 360 x 280 mm (14.1 x 11 ins), framed and glazedQty: (1)NOTESWilliam E. C. Morgan studied at the Slade and took the 1924 Prix de Rome for engraving. "His detailed classical figure subjects were inspired by 16th century German engravers and are splendid in design ... they include his masterpiece Perseus (1929) ... it is scarcely a tribute to such a distinguished artist that so little has been recorded about him" (Guichard, British Etchers 1850-1940, page 51).

* Osborne (Malcom, 1880-1963). "A Dieppe Café", Etching for Queen [Mary]'s Dolls' House, miniature etching on laid paper, depicting 2 conversing men in profile seated at a table in a café, one leaning across table with glass in hand, the other holding a cane, an archway beyond, a few fox spots, signed in pencil lower right below image, plate size 26 x 38mm (1 x 1.5ins), sheet size 63 x 78mm (2.5 x 3ins), mounted, with inscription in ink to mount 'With all best Wishes for a very Happy Christmas and New Year from Malcolm Osborne', and title beneath, framed and glazedQty: (1)NOTESThis minute print was commissioned for the library of Queen Mary's dolls' house, designed by Lutyens (see Royal Collection RCIN 927240). There can have been only a very few of these produced, and we have been unable to trace another copy sold at auction.

* Roussel (Theodore, 1847-1926). Bathers & Tents, 1923-24, etching with drypoint on pale cream wove paper, signed in pencil, a very good impression, with light plate tone, plate size 228 x 355 mm (9 x 14 ins), with margins, framed and glazed, with old label for A.J. Mucklow & Son, 35 Cranbourn Street, Leicester Square, London, W.C. to verso, with artist's name, title and priceQty: (1)NOTESHausberg 134.

* Rushbury (Henry George, 1889-1968). St. Paul's from Paternoster Row, 1941, etching with drypoint on pale cream laid paper, signed in pencil, plate size 200 x 300 mm (7.9 x 11.8 ins), sheet size 267 x 405 mm (10.5 x 16 ins), framed and glazed, together with: St. Mary Le Bow, 1943 , etching with drypoint on pale cream laid paper, signed in pencil, plate size 280 x 210 mm (11 x 8.25 ins), sheet size 394 x 270 mm (15.5 x 10.6 ins), framed and glazed, plus: Stirling Castle, 1945, etching with drypoint on pale cream laid paper, signed in pencil, plate size 200 x 300 mm (7.9 x 11.78 ins), sheet size 270 x 380 mm (10.6 x 15 ins), remains of brown paper tab mounts to extreme upper left and upper right, and: Fountains Abbey, 1946, etching with drypoint, published in an edition of 100 impressions, signed in pencil, pale mount stain, brown paper mounting tabs to verso upper left and upper right, plate size 225 x 310 mm (8.8 x 12.25 ins), sheet size 282 x 381 mm (11.1 x 15 ins)Qty: (4)NOTESRushbury, Owen & Ramos, Henry Rushbury Prints, Catalogue Raisonné, 79, 81, 83 & 84.

* Simpson (Joseph, 1879-1939). Russian Girl, 1925, etching with drypoint on pale cream wove paper, signed in pencil, printed with plate tone, plate size 302 x 214 mm (12 x 8.5 ins), with margins, framed and glazed, together with: Todd (Arthur Ralph Middleton, 1891-1966). The Silhouette, etching with drypoint, signed in pencil, plate size 175 x 133 mm (6.8 x 5.25 ins), with margins, framed and glazedQty: (2)

* Steel (Kenneth, 1906-1973). Durham Cathedral and Castle across Milburngate Bridge, etching with drypoint on pale cream wove paper, signed in pencil, a very good impression, plate size 305 x 355 mm (12 x 14 ins), with margins, framed and glazed,  together with:Edinburgh Castle from the Vennel Steps, etching with drypoint on pale cream laid paper, signed in pencil, pale mount stain, with some very light scattered spots, plate size 368 x 258 mm (14.5 x 10.2 ins), sheet size 425 x 305 mm (16.75 x 12 ins), laid down (to sheet edges only) on card, old frame, glazedQty: (2)

* Strang (William, 1859-1921). Sir Emery Walker, 1906, etching on pale cream wove paper, signed in pencil, image size 368 x 240 mm (14.5 x 9.4 ins), sheet size 510 x 398 mm (20 x 15.7 ins), framed and glazedQty: (1)

ARR * Tanner (Robin, 1904-1988). Easter, 1970, etching on pale cream wove paper, from the Robin Tanner Memorial Portfolio edition of 112 impressions, published by Robin Garton in 1988, signed in pencil to centre of lower margin, with blindstamp to lower right corner 'Robin Tanner Memorial Portfolio', numbered I in roman numeral, plate size 390 x 270 mm (15.3 x 10.6 ins), sheet size 450 x 340 mm (17.75 x 13.4 ins), framed and glazedQty: (1)NOTESGarton, Robin Tanner, The Etchings, 5 (although this posthumous edition was issued the year after the publication of Garton's catalogue raisonné).

* Tissot (James Joseph, 1836-1902). Histoire ennuyeuse (An Uninteresting Story), 1878 [or later], etching and drypoint on laid paper, with watermark of a fleur-de-lys within a shield with letters JGL below, a very good strong impression, signed and dated in the plate to upper right, unsigned, plate size 314 x 203 mm (12.3 x 8 ins), sheet size 377 x 283 mm (14.8 x 11.2 ins)Qty: (1)NOTESWentworth 32.

ARR * Tunnicliffe (Charles Frederick, 1901-1979). Hard Winter, 1928, etching on pale cream wove paper, from the published edition of 75 impressions, signed and numbered 29/75 in pencil, plate size 227 x 275 mm (8.95 x 10.85 ins), with margins, framed and glazedQty: (1)

* Whistler (James Abbott MacNeill, 1834-1903). La Marchande de Moutarde, 1858, etching on pale cream laid paper, the 5th state (of 5), with printer's name and address removed, light mount stain, short closed tears to lower left and lower right blank corners, plate size 158 x 88 mm (6.2 x 3.5 ins), sheet size 323 x 241 mm (12.75 x 9.5 ins), together with other prints by or after Whistler, including La Robe Rouge, 1894, lithograph (printed in an edition of approximately 3000, as published in The Studio, November 15, 1895, framed and glazed, colour lithographs by Thomas Robert Way after Whistler (Bead-stringers, Venice, 2 copies, Sunset: Venice, The Purple Cap, Baby Leyland, and The Blue Girl), as published in The Studio, 1903-1905, all framed and glazed or mounted, plus a reproduction of Whistler's Chelsea etchingQty: (9)NOTESKennedy 22, v/v; Glasgow Online Catalogue, 20, v/v (75 known impressions).

* Whistler (James Abbott MacNeill, 1834-1903). Chelsea, etching on pale cream wove paper, depicting Old Battersea Bridge and Chelsea Church, butterfly monogram to lower margin within image, pencil note to upper left blank margin, some faint creases and minor marks, plate size 13.1 x 20.6cm (5.25 x 8ins), sheet size 28.5 x 40.2cm (11.25 x 15.75ins), together with: Haden (Francis Seymour, 1818-1910) , Egham Lock, etching on pale cream laid paper, depicting an open lock on the Thames in Surrey, a little light creasing, mostly marginal, short nick in upper left edge, plate size 15 x 22.5cm (6 x 9ins), sheet size 18.5 x 27.5ins)Qty: (2)

* Wohlfart (Johannes, 1900-1975). Die Alten, woodcut on light cream japan paper, signed and titled in pencil, image size 215 x 190 mm (8.5 x 7.5 ins), sheet size 380 x 300 mm (15 x 11.75 ins), tipped-in to card window mount, together with: Grossmann (Rudolf, 1882-1941). 'Maler Purrmann bom meister selbst gedruckt', etching on off-white handmade paper, signed in pencil, also titled in pencil to lower edge, and marked 'abzug', with several printing flaws touching the image, 210 x 175 mm (8.25 x 6.9 ins), plus two lithographs by Anatoli Kaplan (1902-1980), each signed and titled, and an etching of the head of a woman, indistinctly signed F. Schimmings (?), the latter three works framed and glazed (except final work without glass)Qty: (5)

* Wyllie (William Lionel, 1851-1931). Santa Maria della Salute, Venice, drypoint etching on pale cream wove paper, from the edition of 150 impressions, signed in pencil, plate size 175 x 227 mm (6.9 x 9 ins), with margins, framed and glazed, with early printed label of Doig, Wilson & Wheatley, 90 George Street, Edinburgh, to verso, together with: A Light Air from the South East, drypoint etching, published in a sole edition of 150 impressions, signed in pencil, plate size 125 x 169 mm (4.9 x 6.6 ins), with margins, framed and glazed, with early Frost & Reed labels to versoQty: (2)

ARR * Ayrton (Michael, 1921-1975). Narcissus, 1971, etching from the published edition of 75 impressions, numbered 15/75, but here unsigned, 17 x 20 cm (6.75 x 8 in), framed and glazedQty: (1)

* Roberts (John, 20th c.). Floral Heads, 1982, mixed media, captioned, signed & dated in pencil to lower margin, image size 30.5 x 49.5cm (12 x 19.5ins), framed & glazed, together with Take a Card, 1983, uncoloured lithograph of male figure holding an ace of spades playing card, captioned, signed & dated in pencil to lower margin, image size 41.5 x 24cm (16.5 x 9.5ins), framed & glazed, (limited edition 15/50), together with Brangwyn (Frank, 1867-1956). Busy street scene before an Abbey , lithograph, heightened with watercolour, apparently unsigned, 41 x 31 cm (16 x 12.25ins), framed and glazed, plus Sorel (Agathe, 1935-). Rochers , colour etching, 1960, signed, titled and numbered 22/30, plate size 45.5 x 35.5 cm (18 x 14 ins), framed and glazed, and Howerd (Geoffrey, 20th c.). Chelsea Pensioners , mounted colour lithograph, signed and dated in pencil to lower margin, 35 x 25cm (13.75 x 9.75ins), framed and glazed, plus four other framed and glazed prints by various artists including Peter Godfrey Coker and Hubert Andrew FreethQty: (9)

ARR * McDonnell (Hector, b. 1947). Fischers, etching, one of 250, this an Artist's Proof signed lower right, image 21.5 x 22.5 cm (8.5 x 8.75), framed and glazedQty: (1)

* Liddell (Mary, 20th Century). The Rape of Europa, 1982, etching with aquatint on pale cream wove paper, from the edition of 6 impressions only, signed and dated in pencil in lower right margin, numbered 1/6 in pencil in lower left margin, a few light spots and creases, margins with 2 closed tears, plate size 29.5 x 44.5cm (11.75 x 17.5 ins), with margins, framed and glazed, together with Four Horses and Chariot, 1982, etching on pale cream wove paper, from the edition of 20 impressions only, signed and dated in pencil in lower right margin, numbered 2/20 in pencil in lower left margin, a few light spots and creases, 2 closed tears to blank margins (1 repaired), plate size 35 x 49cm (13.75 x 19.25ins), with margins, framed and glazedQty: (2)

George Vernon Stokes, 'Bull Terrier and Siamese Cat', signed and numbered 73/75, colour etching, pl.14 x 28cm.

After John Sell Cotman (1772-1842) West Front Byland Abbey, etching, signed and dated in the plate, published 1838, 32.5cm by 25cm

Frederick Arthur Farrell (1882-1935) ''Below London Bridge'', signed and inscribed, limited edition etching, together with ''The Tower of London'', signed and inscribed limited edition by the same hand, and two watercolours of the Isle of Sky (4)

An engraving of William Cowper when Lord Chancellor, in gilt frame; an etching of Judge Hamilton of the Court of the Exchequer in Ireland, in black frame; Meissonier etching of horsemen, signed in pencil, in Hogarth frame; two lithographs of Blenheim dated 1842, marked C.W Radcliffe, in Hogarth frames; two lithographs of Lancaster entitled ''South View'' and ''East View'', drawn by J. Farington R.A., engraved by W. Woolnoth, in gilt frames; engraving of Lancaster Castle dedicated to the Noblemen and Gentlemen of the County of Lancaster, drawn by T. Hearne, engraved by Wm.Watts, in oak frame (quantity)

Circle of Salvador Dali (20th century), Figure before a tree, indistinctly signed, etching, together with another (2)

AFTER CECIL ALDIN (1870-1935) 'After Dinner', limited edition 136/150 etching, signed and numbered in pencil, published 1929 Eyre and Spottiswoode, 13 x 22cm

AFTER CECIL ALDIN (1870-1935) 'Who Said Rats?'', limited edition 103/150 etching, signed and numbered in pencil, published 1929 Eyre and Spottiswoode, 18 x 13cm

AFTER CECIL ALDIN (1870-1935) 'A Bunch of Mischief', limited edition 146/150, etching, signed and numbered in pencil, published 1929 Eyre and Spottiswoode, 18 x 13cm

MEYER-EBERHARDT Study of a Hare, original etching, signed in pencil, 39 x 29cms

§ Louis Icart (French 1888-1950). Basket of Apples, 1924, colour etching, image size 42.5 x 31cm. Signed lower right, inscribed 102 lower left. Framed and glazed. Please note that artist resale right maybe additionally payable on this lot, where above the threshold, up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information.

§ Louis Icart (French 1880-1950) Parasol, signed drypoint etching, embossed blindstamp, le Graveur Modernes Paris. 28.5 x 42cm. Framed and glazed. Please note that artist resale right maybe additionally payable on this lot, where above the threshold, up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information.

Etching of a nude woman leaning on a rock in the sea, 26 x 22cm

Herbert Thomas Dicksee (British, 1862-1942). 'Goodbye', etching, signed. 66.5 x 51cm. Framed, size of frame 99.5 x 81cm